ZOOM, Series I; 604
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- Transcript
The Zoom show number 6 0 for WGBH TV Boston. I hear you. Major funding for Zoom is provided by a grant from General Foods corporation. Additional funding is provided by this station and by other public television stations. OK. Thank
you guys. I'm sorry. Let me.
And oh good you know. Yeah she really likes me. I don't mind. I went in there and you would like us to send it to them. Me that lets me I know I met him and now the right hand of the Baron there
really what do I come as a little I want to show you what you need is some color right for small bowls with water in them. And some more sheets of tissue paper. First of all you pour the food coloring into the bowls. You can make it as light or Stark as you want but its good to make it a bargain. Its what I like to do because it comes out my dorm room so she should look for that stuff because my sports. See thats the way.
Now you would like to make a fiat. Try it. Now you take that. Each corner into one to one or more the space you. You put it up to draw leave it there overnight. No more unfolding. I'll show you how to make a trying one that year's Sarmad I
did with rack to go with a bunch of stripes real and square. That's a good one. When you're feeling making them this is what you're doing and that's up to you. That man that I am I know that well. And then Terry said this is about the film he said.
I made this film. Because I think the interesting things in the world. The story keeps getting in trouble. I am assuming mistake happened when I was making. I don't think the lights were so hot. That I didn't see it when I was filming because it happened when the film came back. I think making fun. Ya. This
is a ray from California. This is basic physics answer to. Reason they say funniest thing ever happened to them. Did anything ever happen to. Reside within the porch. But. Again he says anything happened to me was that my. This is the time to send it by Stephanie from
sweet Sally so set out on a Sunday send I can't live without her and again Will. Tell You. That on a sunny sunny sat sipping her cinnamon Sunday on no no no no sonny that me piece was soon that said You're only. Selling. 7 person. Selling. That something. Serious. Something. Funny. They are right there. I've been running two years every
four to five miles a day. I'm taking every day for the 1980 Olympics and if I ever get in there I would want to run the mile and I want to win it. Why don't we get on the track just so that we can work on relaxation and form. I previously really athletic and we play so we want you to run two laps at around 90 seconds per quarter pace. Different writers have different kind of training and the long distance or more than sprint to the It Gets training need a burst of energy that they can use up in a short time. But to be disingenuous to have a lot of energy that you can just let it out when you want an even looser relaxed. Come on that's just off right across the line. Oh OK. To 83 84 85. Let's go back for them.
You know I can get you ready for a runner himself. He's taught me a lot about what's good for me and that's bad for Maine. Ronnie are they they're no fun. Yes but you know what happens if you don't stretch. If you let these muscles get all up for you you're not going to run as well. Tommy Thayer How is your thought it's been doing. When they get to the point it's a hurdle over then you take them out. That's that's perfect. So ideal. The factors will probably always need to wear something. Some people were glasses because they can't see the way they want to see the blackboard or whatever and that means that those glasses are just helping the eyes work and that's the whole thing with these these are helping your feet work so you can do the things you want to do. OK. Yeah I think I'm going to go right to the breath. Let it go. Because it's so easy to get into when. I need it. It's a family thing
now. Doing it for stretching before you run what happens. I really. I don't know if I can make it. I really have to set a standard. Everyone needs someone to carry it for I don't know I don't how this just sets right. Right. Why wouldn't this weekend this was the oh yeah yeah. How do you live. There every day. Yeah but not everywhere. It's not like it's
time. Now. It's really kind of boring. He got caught doing. That's one reason why I like Cross Country right now. You know that for school. To get better. I feel better myself but I think sometimes you get to watch. I know that you know I never thought you were going to be home and have a tendency to for themselves by the time they get to the sort of slow down sort of way. So what should you be doing to those other runners on the second line. Yeah you know you might find that it's pretty easy you know. Whenever racing I run against the clock more than the people who are ahead of me and
I try to beat my best time like in the mile area in Pakistan about nine months ago and still trying to catch up with myself this is the prior running. You just have to keep competing against yourself. There's a certain point in every race that you know hurting your legs is telling you you can't go on but your mind wins out and you finish and you glad of it. Sometimes. Running is a part of me now. And I feel a lot better and more happy. Oh. Yeah. Yeah. Yeah. Yeah. Every.
Time I was moved where I. Was. On you. John how did. You know. You were.
Just. Trying to. Remove. Yourself. If you. Don't. Want to show you all really think pink. You need milk. Strawberry ice cream. What do you take to be like this. Then you put it on at the last
mission. Right. It's got once again. But. You take some milk. It was about that much. Right. There but then you take the rest of the rest of us.
But. Then you take the whip first. Shake it up. Thank you. Like. This some strawberry slice through. Her. Then add it up eat and drink. The best part is you get to eat it. Like.
Jeanne that Barry down from new Kensington Pennsylvania wrote this poem. It's called there are no we're not and the lights are all out. There are no monsters to worry about. There is no With 14. There is no place with a giant no. Why do we think these things in our head instead. Why don't we just lie down and go to bed. You have heard a lot. Do you believe in monsters like these. 0 0 0 0 0. And so I don't believe in monsters. I think Bigfoot is real. I know you might be right. I. Really believe it could be so.
And the Loch Ness Monster. I think people will put. It like that on a picture. You know. What. I think you might watch. Oh yeah I took them but I saw my bed and I. Had to
go to school and also my dream. This night and I can't watch it you know like I guess. Like when you dream like you just line all the things that happen in your house you get you know I think it's right to sleep. The.
Major funding for it has been provided by a grant from General Foods corporation. Additional funding has been provided by this station and gather public television stations.
- Series
- ZOOM, Series I
- Episode Number
- 604
- Producing Organization
- WGBH Educational Foundation
- Contributing Organization
- WGBH (Boston, Massachusetts)
- AAPB ID
- cpb-aacip/15-31cjt6k2
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/15-31cjt6k2).
- Description
- Series Description
- "ZOOM is a children's show comprised of weekly half-hour episodes which showed what youngsters do and think. Seven ZOOMers hosted each episdoe, and the cast changed over run of series. ZOOM premiered locally as ""Summer-Do"" in 1970, and premiered nationally in January 1972. ZOOMers played games, told jokes, riddles (called Fannee Doolees) and stories and did crafts projects...and invited ideas from their audience. The result was an avalanche of ZOOMmail - in the first season, over 200,000 letters. Additionally, the Ubbi Dubbi language was invented by ZOOM."
- Description
- #604 Zoom Rebroadcast Master from 2"
- Genres
- Children’s
- Media type
- Moving Image
- Duration
- 00:30:08
- Credits
-
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Producing Organization: WGBH Educational Foundation
Production Unit: Children's Programming (STS)
- AAPB Contributor Holdings
-
WGBH
Identifier: P05609 (WGBH File Number)
Format: Betacam
Generation: Copy: Access
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “ZOOM, Series I; 604,” WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed September 8, 2024, http://americanarchive.org/catalog/cpb-aacip-15-31cjt6k2.
- MLA: “ZOOM, Series I; 604.” WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. September 8, 2024. <http://americanarchive.org/catalog/cpb-aacip-15-31cjt6k2>.
- APA: ZOOM, Series I; 604. Boston, MA: WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-15-31cjt6k2