thumbnail of The art of Emanuel Feuermann; Reger, Beethoven, and Handel, part 1
Transcript
Hide -
This transcript was received from a third party and/or generated by a computer. Its accuracy has not been verified. If this transcript has significant errors that should be corrected, let us know, so we can add it to FIX IT+.
From four College Radio in Amherst the eastern educational radio network presents the last in a six part series of programs devoted to the art of the manual for Amman. Host for this series is cellist Seymour Itzkoff a member of the Department of Education at Smith College. For our first number I would like to play a recording of the adagio an Allegro from the organ concerto in G minor by Handel in the arrangement by for him and Franz represent the piano informant's interpretation we have a stately recreation of the simple yet architect tonic lines to be found and handles organ writing. The recording is a late one made some time after 138 When form an established residence in the United States. Let us now hear the adagio Allegro Handel played by Emmanuelle for him and Franz Rupp. Yeah.
That was a recording of Handel's Adarsh you want to let go from the organ concerto in G minor in an
arrangement by four women and played by the cellist with Franz rip at the piano. The next recording is interesting both historically and musically is the Beethoven string serenade Opus 8 and D Major recorded by the enum a string trio Simon Goldberg violin Paul and the myth of the aura and a manual for him and cello. One tends to compare this performance with the two wonderful recordings made by the Heifetz Primrose trio as it does 90 seem a just serenade and the motor if I did a mental made in 1941 about a dozen years after the recording of the Beethoven we are to hear it today. Though the head of the trio does not have the polished Sheen or the carefully wood balance and cohesion of the Heifetz promos for women group. Its performance is warm and lyrical delineating the various moods in a free and unselfconscious manner. It is a young group of musicians Hindemith the eldest being at most 35. Well both go Bergen for him and were still in their 20s. The Serenade is likewise the work of a young man.
Beethoven wrote it when he was 26 or 27. The musical structure is simple and I mean elaborated but the handling of the instruments assuring death the overall effect of the composition the performance it is given here. Betokens not only a Mormon tour group and that which actually performs it but also recording it was made more recently than 36 years ago. Let us now listen to a recording of the Beethoven Serenade in D major opus 8 for string trio. Simon Gerber violin Paul Hindemith Viola and Emmanuel for name and cello. And I've been.
Good. Friends with. Her. Yeah.
Please note: This content is only available at GBH and the Library of Congress, either due to copyright restrictions or because this content has not yet been reviewed for copyright or privacy issues. For information about on location research, click here.
Series
The art of Emanuel Feuermann
Episode
Reger, Beethoven, and Handel, part 1
Producing Organization
WFCR (Radio station : Amherst, Mass.)
Four College Radio
Contributing Organization
University of Maryland (College Park, Maryland)
AAPB ID
cpb-aacip/500-hx15rq48
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/500-hx15rq48).
Description
Episode Description
Reger: Unaccompanied Suite for Cello, Op. 131c; Beethoven: Serenade in D Major (with Szyman Goldberg, violin, and Paul Hindemith, viola); Handel: Adagio and Allegro from Organ Concerto in G minor
Series Description
Series exploring artistry of cellist Emanuel Feuermann, including historic recordings. The series is hosted by Seymour Itzkoff of Smith College.
Date
1967-05-22
Topics
Music
Media type
Sound
Duration
00:17:18
Credits
Host: Itzkoff, Seymour W.
Performer: Feuermann, Emanuel, 1902-1942
Producing Organization: WFCR (Radio station : Amherst, Mass.)
Producing Organization: Four College Radio
AAPB Contributor Holdings
University of Maryland
Identifier: 67-22-6 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
Duration: 00:16:59
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “The art of Emanuel Feuermann; Reger, Beethoven, and Handel, part 1,” 1967-05-22, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed June 23, 2024, http://americanarchive.org/catalog/cpb-aacip-500-hx15rq48.
MLA: “The art of Emanuel Feuermann; Reger, Beethoven, and Handel, part 1.” 1967-05-22. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. June 23, 2024. <http://americanarchive.org/catalog/cpb-aacip-500-hx15rq48>.
APA: The art of Emanuel Feuermann; Reger, Beethoven, and Handel, part 1. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-hx15rq48