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You have heard a recording made in 1034 of a manual for human playing the Haydn Cello Concerto in D major opus 101 with Malcolm Stajan conducting an orchestra. We are next going to play a late recording made by point when the music contrasts sharply with the classic restraint and the refined expressive tenor of the Haydn. It is it is an interpretation with Leopold's the cops and the Philadelphia Orchestra or Ernest Bloch's Hebrew Rhapsody but cello and orchestra Shalom all Bloch wrote in two months in Geneva in 1916. In it he attempted to evoke the Hebrew spirit rather than any literal rendering of Hebrew music as Bloch stated. And it is express the vigor and ingenuousness of the Patriarchs the violence that finds expression in the book of prophet. The burning love of justice the desperation of the preachers of Jerusalem the sorrow and the grandeur of the Book of Job. The sensuality of the Song of Songs. All this is in
us all this is in me and is the better part of me. This it is which I seek to feel within me and to translate in my music. There are no further program out of annotations for the piece. The cello rich and son R Us represents these their own moods and its interweaving interplay with the orchestra. The recording itself is really a marvel. First the benefits from the modern electronics becoming available about 940 more especially adjoins to unique personalities in a completely involved synthesis of technical musical an emotive qualities Stokowski considers this recording to be one of his most important performances. Commenting in addition on a passionate playing a for women. As to the solo cello. When a man's performance demonstrates his growth and maturation as an interpretive artist as well as a phenomenal technician and stylist in this recording it is difficult to separate the soloist as personality from the music
for him and has completely absorbed himself into the expressive world created by block. In a sense he is shalom. A.
Leak.
No. Yes.
And. And.
I am.
Will.
Thank.
You. You have been listening to a recording of Ernest Bloch's Hebrew Rhapsody put chill of an orchestra she
Lobel played by the Philadelphia Orchestra Leopold Stokowski conducting and with the manual for human as cello soloist it is one of the great recorded performances. Next time we will play an early and really heard recording of four human performing the divorce shocked cello concerto. Your host for this program the first in a series of six devoted to the art of the manual for Oman was cellist Seymour Itzkoff a member of the Department of Education at Smith College. This program was prepared for broadcast by the Eastern educational radio network at the Amherst studios A for college radio WFC are now broadcasting service of Amherst College Mount Holyoke College Smith College and the University of Massachusetts. Oh.
This program was distributed by national educational radio. This
is national education all radio network.
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Series
The art of Emanuel Feuermann
Episode
Haydn and Bloch, part 2
Producing Organization
WFCR (Radio station : Amherst, Mass.)
Four College Radio
Contributing Organization
University of Maryland (College Park, Maryland)
AAPB ID
cpb-aacip/500-h12v842x
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/500-h12v842x).
Description
Episode Description
Haydn: Cello Concerto in D, Malcolm Sargent, conductor; Bloch: Schelmo, Leopold Stokowski, conductor
Series Description
Series exploring artistry of cellist Emanuel Feuermann, including historic recordings. The series is hosted by Seymour Itzkoff of Smith College.
Date
1967-04-16
Topics
Music
Media type
Sound
Duration
00:28:48
Credits
Host: Itzkoff, Seymour W.
Performer: Feuermann, Emanuel, 1902-1942
Producing Organization: WFCR (Radio station : Amherst, Mass.)
Producing Organization: Four College Radio
AAPB Contributor Holdings
University of Maryland
Identifier: 67-22-1 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
Duration: 00:28:48
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Citations
Chicago: “The art of Emanuel Feuermann; Haydn and Bloch, part 2,” 1967-04-16, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed March 1, 2024, http://americanarchive.org/catalog/cpb-aacip-500-h12v842x.
MLA: “The art of Emanuel Feuermann; Haydn and Bloch, part 2.” 1967-04-16. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. March 1, 2024. <http://americanarchive.org/catalog/cpb-aacip-500-h12v842x>.
APA: The art of Emanuel Feuermann; Haydn and Bloch, part 2. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-h12v842x