Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 1
National Educational radio presents the eleventh in a series of broadcasts of regular subscription concerts especially selected from the archives of the Detroit Symphony Orchestra. Recorded by the 100 man organization and its permanent home to Henry and it's a Ford Auditorium located in Detroit's Civic Center. The programs in this series are being produced by the University of Michigan broadcasting service for national educational radio and regret in aid from the National Home Library Foundation. And in cooperation with management and the orchestra Committee of the symphony and the Detroit Federation of Musicians. Concerts in the series of 13 broadcasts of being conducted by Sexton elling prominent musical director and conductor of the orchestra hall Perrette conductor emeritus and multiple associate director. Conductor for today's concert is sixth in L.A. and he has chosen for his program the variations on a theme by Haydn by honest Brahms the Symphony Number three subtitled facets by Bloom Dahl. And in conclusion the Concerto for Orchestra by Bela Bartok.
Although originally intended as an orchestral piece the variations on a theme by Haydn was first composed for two pianos. Doubtless its original form can be attributed to the fact that four handed two piano arrangements of orchestral scores were extremely popular during the late 19th century. The musicologist Paul Henry Lange calls Brahms the Lord Keeper of the seal of classic heritage as he focused his creative energies upon a form that dates from the 16th century. The idea for the variations was planted in the mind of the composer during his visit with Paul Fred man who in 1870 was engaged in writing his monumental biography of Haydn. Polish ode Brahms the Haydn devote amental in B-flat for wind instruments Brahms Paul relates was so taken with the unusual pattern of five and four major phrases that is said to have copied it off at once. But it was not until three years later 1873 that he utilized this thematic material.
Brahms travel to St.. On the Steinbeck as a at the foot of the Alps in May of 1873. Here he quietly devoted himself to composition and one of the results of this fruitful summer was the variations on a field by Haydn. The premier performance took place in Vienna in November of that year 1873. The work comprises a theme variations. And the finale. 16 elling now conducts the Detroit Symphony Orchestra in the opening work on today's broadcast variations on a theme by Haydn Opus 56. Yeah.
Right. A. You're.
You're. You're. You're. Oh.
Yeah. Yeah. Yeah yeah OK. Yeah. Yeah. Yeah. For
our. Nation. Why why did. They. Buy your home in. Raw. Form by the Detroit Symphony Orchestra and the first word of a broadcast from Henry and it's the Ford Auditorium in Detroit. Carla beer your blonde doll has been called probably the most stimulating and original of the younger Swedish composers on it best year in 1916. Critics have pointed out that Blood Dolls music seems to be highly influenced by the earlier works of Hindu bent. At any rate of the composer was rocketed into the forefront of the musical world when on May 30 first in one thousand fifty nine his opera on E.R. was first performed as part of the one thousand fifty nine Stockholm festival. The work with the subtitle A review of mankind in space time. Continues to be designated as the world's first atomic age. Opera. Reputation as an
outstanding image or composer rests firmly on a modest but important group of major works. There are three symphonies for example and other significant works for orchestra. The third symphony subtitled facets is said to be the first work which brought his name prominently before international audiences. It was first performed in 1051 at the Frankfurt festival and it shows evidences of his turning away from his early leanings toward Hindemith as a model and his use of serial methods of construction seeks to nailing now conducts the Detroit Symphony Orchestra in a performance of Col B Aria Bluhm dolls a Symphony Number three subtitled facets of.
- Detroit Symphony Orchestra
- Producing Organization
- University of Michigan
- Contributing Organization
- University of Maryland (College Park, Maryland)
- AAPB ID
- Episode Description
- This program, the first of four parts, presents part of a concert that included performances of pieces by Brahms, Blomdahl, and Bartok. The Detroit Symphony Orchestra is conducted by Sixten Ehrling.
- Series Description
- Detroit Symphony Orchestra concert series, recorded at the Ford Auditorium on the Detroit Riverfront.
- Broadcast Date
- Media type
Conductor: Ehrling, Sixten
Performing Group: Detroit Symphony Orchestra
Producing Organization: University of Michigan
- AAPB Contributor Holdings
University of Maryland
Identifier: 66-42-11 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Chicago: “Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 1,” 1966-11-17, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed February 23, 2024, http://americanarchive.org/catalog/cpb-aacip-500-gf0mxc3h.
- MLA: “Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 1.” 1966-11-17. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. February 23, 2024. <http://americanarchive.org/catalog/cpb-aacip-500-gf0mxc3h>.
- APA: Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 1. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-gf0mxc3h