Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 2
Luhan. Only live. Only. Lose.
The Lulu A. Little. A little and an. Wow. I am home. Alone why. Yeah. Yeah.
Yeah but. I am. Going to. Man. Land.
You. The end The end. The big. Blue. Blue air.
Blew the air. To air. Above. The evolution.
I am. On. The out. And. Thank. Her. It'll. Be.
In the. Us. New nightly.
News. And. To 200. To 300. The size. Of.
The thing. Hello any.
Who have. Was. Was. Glad.
Thank you. OK. Oh OK. Lose. Lose. Lose. Lose. Lose. Oh OK. Oh. Good.
Earth. Theory. For the earth. Theory.
Wow. Wow s. S. S. O why. The UP. Eat with.
With things. And. With the. Current Threat.
It was a performance of beer your blood dolls the symphony number early rock the Detroit Symphony Orchestra. Today's broadcast will continue after a brief pause for station identification. This is the National Education of Radio Network. You were listening to the 11th in a series of broadcasts of regular subscription concerts especially selected from the archives of the Detroit Symphony Orchestra. That used by the University of Michigan broadcasting service for national educational radio under a grant in aid from the National
Home Library Foundation. 610 elling prominent musical director and conductor of the orchestra is today's director. The Hungarian composer Bela Bartok created some of his most significant music during his final years from 935 to 1945. He died in September of 145. This creative period is all the more interesting because it occurred simultaneously with the catastrophic political upheavals in Europe and the Nazi scourge of the continent. Our talk like so many other composers before him was the victim of public apathy towards his creative efforts. In fact there have been no orchestral work since 1923 so very little interest have been shown in his works by the orchestras that he abandoned this medium for some years. In its place he brought forth chamber music and solos for voice and piano areas in which he could hope for an occasional performance. The turning point in his life as a composer appears to come in one thousand thirty four. When he resigned his
- Detroit Symphony Orchestra
- Producing Organization
- University of Michigan
- Contributing Organization
- University of Maryland (College Park, Maryland)
- AAPB ID
- Episode Description
- This program, the second of four parts, presents part of a concert that included performances of pieces by Brahms, Blomdahl, and Bartok. The Detroit Symphony Orchestra is conducted by Sixten Ehrling.
- Other Description
- Detroit Symphony Orchestra concert series, recorded at the Ford Auditorium on the Detroit Riverfront.
- Broadcast Date
- Media type
Conductor: Ehrling, Sixten
Performing Group: Detroit Symphony Orchestra
Producing Organization: University of Michigan
- AAPB Contributor Holdings
University of Maryland
Identifier: 66-42-11 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Chicago: “Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 2,” 1966-11-17, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 25, 2022, http://americanarchive.org/catalog/cpb-aacip-500-804xms7z.
- MLA: “Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 2.” 1966-11-17. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 25, 2022. <http://americanarchive.org/catalog/cpb-aacip-500-804xms7z>.
- APA: Detroit Symphony Orchestra; Brahms, Blomdahl, and Bartok, part 2. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-804xms7z