Cincinnati Symphony Orchestra; Weber, Creston, Ravel, and Rachmaninoff, part 2

This concerto is so well known that its sheer originality is perhaps not always noticed. The opening theme soars up immediately on the solo violin and was the first example of a soloist beginning a violin concerto without the usual orchestral introduction. And there is not the usual break at the end of the first movement. Instead one note of the final chord is held to initiate a short linking passage leading into the Andante toward the end of Mendelssohn exploits his inimitable very scared so vain with much bubbling of high spirits as a soloist plays hide and seek with the woodwinds and there is a contrasting idea a robust March theme and it is this which brings the concerto to its brilliant conclusion. Now the audience warmly received there in the voice of God Almighty Rudolph just a moment of the Mendelssohn Violin Concerto in the mind. The End of.

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