thumbnail of The legendary pianists II; Saint-Saens, Chopin
Transcript
Hide -
If this transcript has significant errors that should be corrected, let us know, so we can add it to FIX IT+
The legendary pianists. BNA E.B. radio network brings you another in a series of recitals by keyboard giants of the early 20th century. These performances are selected from more than one thousand recordings. I'm doing reproducing piano rolls collected by Dr Campbell stuff. The chairman of the music department at Washington State University. The duo art was a highly sophisticated. If a member of the player piano. Developed to preserve actual performances of concert artists in the days before I like chronic record. Now here is Campbell stout. To introduce today's legendary pianist the artist today Charles Camille says solace represents the most striking link with the past. When we stop to realize that he was born in 1035 just two years after Brahms was born
and was still living and actually performing during that year of the reproducing piano the music and musicians of the 900 century seem to be brought into a much closer focus. The piano rules you will hear today were recorded by sad songs between one thousand fifteen and one thousand seventeen and with one exception are his own compositions. After you hear his performance I believe you will agree with me that he was still a remarkable pianist even though he was more than 80 years old at the time he recorded these works for the new art piano songs compositions cover almost the entire range of musical literature. Then good piano pieces organ music symphonic and chamber music of all descriptions songs are Torrijos can taught us operas operettas incidental music transcriptions and a ballet. He also was a highly respected concert pianist and organist. He wrote many essays on musical subjects. Some poems and other literary pieces. In addition he did a considerable amount of important editing including the complete. Works of Rommel today you will hear all six of the
douar rules which says songs made for the Aeolian company first will be to mazurkas Opus 66 and Opus 21. I am.
I am I am. I am. I am. I am. I
am. Just heard sandstones performance of two of his misery. Next we hear his improvisation
on themes from his best known opera Samson and Delilah. I am.
I am. You have been listening to sad songs improvisation on themes from his opera Samson and Delilah.
He plays for us next one of the Chopin impromptus. I am indebted to Mr. Albert P. track of Cleveland Ohio for lending me this rule. It is one that I have been unable to locate for my own collection. We will hear now the Chopin impromptu an F sharp major opus 36 as performed by sans sauce. Just turned the shop an impromptu if we will return to music
and songs. Next is his performance of a waltz he called. I am I am.
I am. Today's program closes with another waltz called valse nonchalant
songs made this recording for the do art on the occasion of his last visit to the United States when he went from Paris to San Francisco in 1015 to take part in the music festivities of the Panama Pacific exposition. You've been listening to a Vols motional and by Camille sonnes
sonnes. It was played as were all works on today's program by the composer Sana sonnes. This has been the legendary pianists. It's a series of recitals from doing a large reproducing piano rolls. By the keyboard giants of the early 20th century. Your host and commentator on these programs is Dr. Campbell Stout the chairman of the music department at Washington State University. Here Randall speaking the legendary pianist is produced by Washington State University Radio. And distributed by the NAACP Radio Network.
Please note: This content is only available at GBH and the Library of Congress, either due to copyright restrictions or because this content has not yet been reviewed for copyright or privacy issues. For information about on location research, click here.
Series
The legendary pianists II
Episode
Saint-Saens, Chopin
Producing Organization
Washington State University
Contributing Organization
University of Maryland (College Park, Maryland)
AAPB ID
cpb-aacip/500-057cw57s
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/500-057cw57s).
Description
Episode Description
This program presents Camille Saint-Saens playing five of his own works plus a selection by Chopin.
Series Description
Music by great early-twentieth century concert pianists who produced Duo-Art piano roll recordings before advent of electronic recording.
Broadcast Date
1963-11-08
Topics
Music
Media type
Sound
Duration
00:29:24
Credits
Announcer: Rundell, Hugh
Host: Stout, Kemble, 1916-
Performer: Saint-Sae_ns, Camille, 1835-1921
Producing Organization: Washington State University
AAPB Contributor Holdings
University of Maryland
Identifier: 63-39-10 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
Duration: 00:29:00
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “The legendary pianists II; Saint-Saens, Chopin,” 1963-11-08, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed June 9, 2023, http://americanarchive.org/catalog/cpb-aacip-500-057cw57s.
MLA: “The legendary pianists II; Saint-Saens, Chopin.” 1963-11-08. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. June 9, 2023. <http://americanarchive.org/catalog/cpb-aacip-500-057cw57s>.
APA: The legendary pianists II; Saint-Saens, Chopin. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-057cw57s