Coyote Waits; Behind the Scenes, Tape 2, Part C; Tape 3, Part A
- Transcript
Jé João. Perhaps it's not going to work. It's gonna cut. Help save. Yeah just a beep there. Yeah yeah just that no matter how much you've this farther back in as refrigerator so... Ah yeah I asked you to be farther back I wanted to come out slightly behind you, but then in effect you have to let you catch up, so you can just adjust that from a little. You just go a little slower at the beginning. No, no, no, how could you know? This is weird because we're going this way and that way. There are strange view. Okay, when you're going around like this? Okay, no. I looked at what it was just for. Which part? When you come off of here like this? Then you go in. And you go in? So we kind of zoomed down to... Oh. And then there was something weird.
So we got to hide the human head. Right, thank you. And also Alex, I think he was hidden behind you. He was just... I mean, just that it wasn't fucked it up. I'm trying out a little story for this mutual glory. Like that. That's all, man. Good? Give us that. Okay, here we go, pictures up. Here we go. What's your shoulder there, Rich, at the beginning? That's perfect. Okay, let's give you a whole bunch. Hey, listen, let's like factor for nothing. Thank you. Yeah, we're rolling. Sounds good. Sounds good. Great. Be camera only. Mark. That?
Yeah. Action. Action. Action. Action. Action.
Action. But we don't know. It's just $3.99. In conjunction with $4.92. Are the backbone of this movie. Without the drivers, they don't get to location. That's right. And they don't get home. What happens if you guys don't come in one day? They don't make a movie. They'd be free, they would freeze. There would be no movies. I'm telling you, they would be lost without us. There's hardly any movies without extras. That's right. And they treat them like that. That's right. Thank you. Of course, I don't know what they're shooting at. Hi, Ron. I mean, anonymous camera operator. You know that it's close on Adam.
Yeah. Oh. Just in case. No, no. It's good. They're just right here. It's just fascinating. I went to the bathroom. And I got all nervous in the middle of my situation. Yeah. Because I thought I was Mike. I didn't do anything. You know, I didn't do anything. But still. But then I realized it was on the first. I'm so used to it. Oh, so that's what they did this to me. Okay, here we go, you guys. Get yours up. He's right here. Right here. Right here. And we're rolling. Rolling? Rolling, rolling. Please. Sounds bad. Yeah. Margaret. Big camera rolling. Mark. It's going to walk into this. Step into this, please. Thank you. Camera set. And the background. And action. We're defending things for us. That's not a question. When I heard you were staying.
I figured it had to be something. We were just about to take a look at this. Yeah. I know you both thought so. I can't help it. Yeah, I have to drive through. Just stay in time and time and time. You've heard the time. I'm out of it. You're on medical news. You could go to the community just in question. How's it going? That's your friend. He did. One thing. One thing. One thing. A lot of people talking over there. Yeah. I heard something. I'm hearing them. Did I say science? Yeah. Go.
Yeah. We're the way inside of it. I think we're need. Oh. We can laugh. Yeah. 1-DNA N finishing off in a welke pattern n- NEIL D&B N- NEIL 2 15 4 6 5 6 6 7 6 10 5 6 6 6 5 7 7 7 7 6 6 6 8 8 9 6 7 8 6 6 7 6 6 8
7 8 7 7 9 9 8 7 7 9 9 9 9 9 9 8 9 9 9 9 We're going to come straight this way. Sounds good? Be camera only. Be camera only. Mark. Never set. Back ground. Mark. Mark. Mark.
Mark. Mark. Mark. Mark. nd we need to do this moment right now. Alex, can you still in your mobs? Please. You guys should have come all the way in. Shelly, stand by. There's a friend. We just need you on these marks right here. Thanks. Just the work, man. Good. This is fun. This is settled. Good. I missed it. Is it? That's it. That's it.
Yeah. She said that's a friend, and I was like, oh, now I know what Jen means. That's right. Has a friend. It's funny, because some of this stuff is just like a thought. It's just like a thought. What they have to do, you know what I'm saying? Yeah, I was doing it. You just change the thoughts slightly, or just what you're open to, and the whole thing will. Just switch. Yeah. This reminds me of the first thing we ever did ever in our life. I'm a good other. In our career. I'm very moving in the car. The way I suggest you do this is just back up one step. You're actually talking and just stop. You're sure. Right? You switch around. It's definitely the first thing. Is that right? You're walking. You're walking. You're walking. You're walking. They say, well, I should, I was with this girl. I shouldn't have been doing it. Right. 20 shots. 20 shots. I followed with me, whenever she stopped, I stopped and filled it with her. Got it. Okay.
So if you can kind of swing into a new stop. Yeah. Right? She's been moving to the girl. Okay. So every time you stop, I can stop. Right. But you're talking as you stop. Yeah. I'm pretty sure we're going to. And that's the one. This is not too critical. I'll tell you honestly. There's no way I can cut it until you have stopped. Right. So it's fast. How you getting into this done the matter? Right. But why don't we just swing into it now? Three. Stop. What's up? I'm not going to throw it in the back. I'm not going to throw it in the back. I'm not going to throw it in the back. I'm not going to throw it in the back. Yeah. Good. Yeah. Okay. Yeah. Just take up those two 20s and there's your three for the party there. That's good. Um.
You just threw that. Okay. Okay. Good. Let me grab my key winners. Where are your other ones? Okay. Grab my shoes. We're up in here or somewhere? Okay. Should I come with me? Okay. I'm going to grab you. You're fine. You're happy. I'm happy. I'm happy. I'm happy. I'm happy. Back around. Stay right here. Stay right here. She's moving your key. Okay. Seven million. Seven million. Fifty million. ife. Fifty million. Fifty million. Definitely. I'm glad we did. Thank goodness. I'm happy.
Well? Well say something. 12. 11. 17. 19. 222 182 55 rol 2542 20undos 21Thank you принимate V already. He is working out and settings. What now? Can you air the EVO? What do you want to see? Taking her first. Taking this third. If she could come fast. She would have sera cueke
and had enough to eat Our first things will take short a little more time. Huh, as it's, but Jan approached me and said that the lines aren't what you're trying to say. You're trying to explain in those words how you feel about her. So I said, oh okay, and we did the lines and she wanted me to help her and she says, just help me as a friend. And then I realized that's it. I kind of pissed off now that she said a friend. I'm not her friend. I'm supposed to be a boyfriend. So I went as a friend. It was good. Follow me. I should have probably only put up with me or not. I like her. 17. This is here, dude. Come.
So you're just sitting in the whole tub studying? Okay. You're staying. Actually, you're staying. Yeah, right there. Okay. So we're trying to move. Yeah. Saddam? Pretty close to the building. To the camera. When you come out, around to the right. Right on the camera. No. Left to the camera. But you're going to go down that way. Okay? Cool. So Kim and you guys will start a little bit back. All right. I like it when they start saying, I think in this scene really would be better if I didn't say anything at all. That's fine. I can even see me. Yeah.
Yeah. Are we rolling down? I need a background. I need to go on back. Okay. Is that going to help? Yeah. Okay. She leads up back. Yeah. You set? And speeding. Thank you. There you go. Vibe, visi ItaieI Hadvesjaan. Vibe, visi itaieI Hadvesjaan.
Vibe, visi itaieI Hadvesjaan. Vibe, visi itaieI Hadvesjaan. This is great, If i do my best i work and want to pow diminished. 是! ... ... ... ... ... ... ... OK bubblxt ... bubblext Background! Meggaazen Halt!
Halt! Ok, we're gonna do it again, everybody back to one please. This will be the same, but the only difference is Adam is going in the opposite direction. Ok, so call it Adam. Adam won. That way, please, please, help him with this way. Thank you. Yeah, spin. And back around. Okay. Okay. Thank you. Okay, we're moving the restaurant's next. No, third location today.
Okay. The Zimmerman Library, University of New Mexico. All the drivers. Okay. So I get to do talk to people all day.
Do you have a dream about cheeseburgers? Cheeseburgers. We're at the frontier restaurant and they're famous for something. Milk shakes, whatever, but I would like a cheeseburger. Yeah, I would walk up. Yeah, I would like a cheeseburger. Yeah, I would like a cheeseburger.
It's disgusting. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger. I would like a cheeseburger.
- Program
- Coyote Waits
- Producing Organization
- KNME-TV (Television station : Albuquerque, N.M.)
- Contributing Organization
- New Mexico PBS (Albuquerque, New Mexico)
- AAPB ID
- cpb-aacip-e3b0db7845c
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-e3b0db7845c).
- Description
- Raw Footage Description
- This file contains raw footage of the behind the scenes of Coyote Waits--a film adaption of a novel by Tony Hillerman. Actor Adam Beach, director Jan Egleson, actor Wes Studi, actress Alex Rice and various other crew members are featured on and off set. File includes scenes with Beach and Rice filmed together in the plaza of Mesa Verde Hall and at the front steps of Zimmerman Library (University of New Mexico). Crew relocates to the Frontier Restaurant across from the university on Central Avenue (Albuquerque, New Mexico).
- Created Date
- 2002
- Asset type
- Raw Footage
- Genres
- Unedited
- Media type
- Moving Image
- Duration
- 00:31:14.194
- Credits
-
-
:
:
:
Producer: Redford, Robert
Producer: Eaton, Rebecca
Producing Organization: KNME-TV (Television station : Albuquerque, N.M.)
- AAPB Contributor Holdings
-
KNME
Identifier: cpb-aacip-c4fabbb0d0a (Filename)
Format: Betacam: SP
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “Coyote Waits; Behind the Scenes, Tape 2, Part C; Tape 3, Part A,” 2002, New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed December 26, 2024, http://americanarchive.org/catalog/cpb-aacip-e3b0db7845c.
- MLA: “Coyote Waits; Behind the Scenes, Tape 2, Part C; Tape 3, Part A.” 2002. New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. December 26, 2024. <http://americanarchive.org/catalog/cpb-aacip-e3b0db7845c>.
- APA: Coyote Waits; Behind the Scenes, Tape 2, Part C; Tape 3, Part A. Boston, MA: New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-e3b0db7845c