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Close to you. I will always. Used to you. No, you're far away. In my dreams, I'll find you the. Close to me. Sharing your current.
Can't you see? Wherever you go. What can I do? It only wants to be. Wherever you go.
What can I do? He wants to be. Close to. Each place I go.
Only low. Some little small. The song I know only. Each or. Because a love that used to be the dream. Adream only. Let's as one.
The hopeless scheme. That's Susan. And the one that used to kill. Those picnics at the beach when law was. It well could be. Hopeless little dream like that
comes to. If you find. Hang on to each caress. For one, it's gone. The lone. Jerry Levingston, Al Hoffman and Carl Lambells, close to you and Jimmy Van Heusen
and Sammy Kohn's Only the Lonely all through these very successful years, Sinatra would sometimes turn back to a song he'd previously recorded. It was as if he was rediscovering it. The singing was still warm and romantic, but the musical intelligence was mature and the singing disciplined, insightful and believable. Every word mattered. This is the later Sinatra with a song he originally recorded in 1940, I'll Never Smile Again. Never smile again. Till I smile at you. Never love again.
What good would it do? Would realize. So in love with you. I'll never throw.
I know I will never stop. Smile again. I smile at you. Within.
I know. You smile again. Ruthless, I'll never smile again, Sinatra continue to make movies some good, some not so good in The Joker is Wild. He starred as nightclub comedian Joey Lewis. The script used a song to show that Louie could no longer sing after mobsters had slashed his vocal cords. That's why he went on to comedy.
Jimmy Van Heusen Melody served its purpose in the movie, but also became a hit single for Sinatra. This is all the way. When somebody loves you, it's no good unless. By the way, happy to be near you when you need someone to cheer. And the tallest tree, that's how it's got to feet. The deep blue sea is that's how deep it goes.
When somebody needs you, it's no good unless he needs you. Oh. Through the good early years and for all the in-between, you come what may. Will lead us on live. But if you let me love. It's for sure I'm going. Oh. Oh.
So if you let me love you, it's for sure I'm going to love you all. Jimmy Van Heusen and Sammy Kohn's all the way in the early 60s, Sinatra formed his own record company, Reprise. He'd been happy at Capital, but wanted the freedom that comes only with ownership.
At the same time, as he neared 50, he began to record a group of songs that reflected his awareness of his own advancing years. The songs were reflective, yet assertive. They affirmed Sinatra strong sense of his own individuality and of his stubbornness. The two qualities apparently go together. This is the song Sinatra calls his own national anthem My Way. The end is near. And so I face. The final curtain. My friend, I'll say it clear, I'll state my case, of which I'm certain. I lived. A life that's full.
I traveled. And every highway and more much more than this, I did it my way, regrets. I did what I had to do. Without exemption. Each charted course, each careful step. I did it my.
Yes, it was my.
That was Paul Anka as my way by the early 70s, Sinatra was tired, the kick had gone out of singing. He was approaching 60. He announced his retirement and performed a final concert. But by 1976, he was back. He simply couldn't not sing. The voice had begun to change again, in fact, to decline. And that may have been a factor in his decision to retire. It was husky and sometimes harsh. His ability to sustain a note or even to hit the right note was unpredictable. But the cockiness was still there. So was the mastery of manner, the ability to believe a song and project that belief. The voice was gone, but the substance remained.
He returned to singing with an album entitled Old Blue Eyes is back. It included, You will be my music. When all the songs are out of tune and all the rhymes rings so untrue when I don't find the words to say the thoughts I longed to bring to you when I hear a lonely singing. Who are just as lost as me. Making noises. Not Melody.
I can't wait any longer. I'll never find the song to tell me
all the things. I need to say. And I'm afraid as time goes by. That someday soon. You go away and I'll be lost and try. I'll never sing. You will be my
music. They saw. Joe Raposo, you will be my music, Richard Rogers once said that in opera you sing the music and in musicals you sing the words. He could just as easily have been talking about opera and almost all popular songs. So Sinatra's voice was gone. He could still sing. He could still express believable emotion.
Musically, nothing essential had changed. The mastery remained. And that brings us to the fourth and final program in the special series entitled Sinatra. In Retrospect, please join me again for Sinatra The Master, Dave's the Brewskis. The Technical Director. I'm Michael Lasser. But I got to run. The facts on. Who's now the number one NWI, my angel?
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Series
Sinatra in Retrospect
Episode Number
No. 3
Episode
Sinatra the Ballad Singer
Segment
Part 2
Producing Organization
WXXI-FM (Radio station : Rochester, N.Y.)
Contributing Organization
The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia (Athens, Georgia)
AAPB ID
cpb-aacip-749e9dc4ac3
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-749e9dc4ac3).
Description
Episode Description
This episode is "Sinatra the Ballad Singer" as described above.
Series Description
"Frank Sinatra was one of the defining voices of 20th century America. What counts isn't the Rat Pack or the rumors of mob connections or even Ava Gardner. It's the singing, the extraordinary singing, for more than half a century. That's the subject of Sinatra in Retrospect -- a four-part series syndicated by WXXI-FM within 72 hours of Sinatra's death, and taken by approximately 75 public radio stations (reaching listeners in Los Angeles, Washington DC, Kansas City, Memphis, and Jacksonville, among others). The series' commentary is both informative and analytic, and each hour-long show illustrates writer/host Michael Lasser's observations with approximately 15 songs. The four shows are entitled 'The Young Sinatra,' 'Sinatra the Swinger,' 'Sinatra the Ballad Singer,' and 'Sinatra the Master.' "His personal life aside, Sinatra is the most important, the most influential, and the most masterful popular singer of the century. Even though he was a mediocre actor in many of his movies, he was a great actor in his recordings. For fifty years, he made us to believe that he believed every word he sang. No other popular performer brought his work the mastery we associate with his best performance. To examine this premise, Sinatra in Retrospect traces the development of his unique style, speculates about his contribution to American music and his great effect on so many of us, and comments on the contributions of his major arrangers, Nelson Riddle, Gordon Jenkins, and Billy May."--1998 Peabody Awards entry form.
Broadcast Date
1998
Created Date
1998
Asset type
Episode
Genres
Special
Topics
Recorded Music
Music
Media type
Sound
Duration
00:25:58.728
Credits
Narrator: Lasser, Michael
Performer: Sinatra, Frank, 1915-1998
Producing Organization: WXXI-FM (Radio station : Rochester, N.Y.)
AAPB Contributor Holdings
The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia
Identifier: cpb-aacip-d7a4b402c9f (Filename)
Format: Audio cassette
Duration: 01:00:00
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Sinatra in Retrospect; No. 3; Sinatra the Ballad Singer; Part 2,” 1998, The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed June 9, 2025, http://americanarchive.org/catalog/cpb-aacip-749e9dc4ac3.
MLA: “Sinatra in Retrospect; No. 3; Sinatra the Ballad Singer; Part 2.” 1998. The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. June 9, 2025. <http://americanarchive.org/catalog/cpb-aacip-749e9dc4ac3>.
APA: Sinatra in Retrospect; No. 3; Sinatra the Ballad Singer; Part 2. Boston, MA: The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-749e9dc4ac3