thumbnail of Just Jazz; Nat Cole's Piano, Pt. 2
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2.5% 2.5% 2.5% 2.5% 2.5% 2.5% 2.5% 2.5% It's a lovely thing. In the cool of evening by Nat Cone. Ask a boy's guitar Johnny Miller's bass Nat's piano feature really 1946 Not an issue, I think. Just marvellous. You're just Too marvellous Too marvellous for words
Like glorious Glamorous and A little stand by Amorous You're just too wonderful I'll never find the words That tell enough Spell enough I mean they just aren't Swelling up You much too much And just too very, very Too well Be in the Webster's Dictionary And so I'm boring I love song from the birds To tell you that You're marvellous Too marvellous words I love song from the birds
To tell you that You're just too much To tell you that You're just too much I mean they just aren't Swelling up You much too much And just too very, very Too well Be in the Webster's Dictionary And so I'm boring I love song from the birds To tell you that You're marvellous Too marvellous words Relaxed swing and immense charm
Too marvellous for words Dick Whiting, Johnny Mercer's old tune Perfect for that Too 1947 Nats Piano and Oscars Guitar splitting a chorus Johnny Miller on bass for marvellous You look out, boy And the geeks Gotta get you ümn m m m m m m m m m m m m m m m m m m m m m m बगब भीचब भीचब थीनन orbitals अःकान kok hot köxa
och væ lí m m m c yy o j y yy h
yy yy ―Dedw, strain, strain, strain. ―In the Game of Life ― ―In the Dream of Life ―
―Z飾 Cinderella stage ― ―G Fitz of …a base in 1947, …and like the Bob Kick we heard on part one, …and I definitely entered the Bob Idiom. …the tune discarded not only to coal, …but to Marvin Fisher who wrote some fine tunes. …mostly balanced, some of which …net has introduced and done recorded. The Geek! That's the Geek! …the final capital recording. Don't take it around either in reissue. Let's go ask the girl anyway. Little girl, You're the one girl for me, little girl. You're as sweet as can be, …just a glass, and you met love from the start.
Oh, what a thrill, came into my heart, little girl. With your cute little ways I am yours, …for the rest of my days, …and those great big world, …will be divine, little girl, …when you might hold my hand. Little girl, You're the one girl for me, little girl.
You're as sweet as can be, …just a glass, and you met love from the start. Little girl, You're the one girl for me, little girl. You're as sweet as can be, …just a glass, and you met love from the start. Oh, what a thrill, came into my heart, little girl. With your cute little ways I am yours, …for the rest of my days, …and those great big world, …will be divine, little girl, …when you might hold my hand. Yet cold, the tree old little girl,
Madeleine Hyde, Francis Henry, is too. She managed to make charming without clawing, …I'm getting too cute, that was a, …a unique thing he had, he always swung, …basically a jazz vocalist, …and immense charm and appeal. Irving Ashby on guitar and Johnny Miller on bass, …1947, that same big recording month of October, …and I say transitional stage for the trio at that point, …and he was for the reason that more had just left …after 10 years with Nat and Ashby was in, …and Johnny Miller was still there, …but he left shortly after, …and Joe Comfort came in and that group was together …for most of the late 40s. I'm going to give you the date on that, yeah, …too much, too. …that turned up on an excellent set of rehearsals …called vocal classics, the King Cold Trio,
…and that should definitely be around, …or to anywhere, can't lose that girl. … …
Same end figure that the trio used here, …and that's piano throughout, …in a very brisk and brief version of Little Girl …from 1952 with John Collins, Charlie Harris, …and Bunny Shocker in support. …Yeah, in us, yeah, that was Nat's name, …with Willie. …
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… … … … … … … … … … … my heart. This is the Leste Young Buddy Ritz Trio Sessions, and Buddy Laying out on this one. Aee Gahe on Piano. 1945. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio
as the title of the set. From Buddy Peg, to sweet, sometimes salty and definitely swinging, rose. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title of the set. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title of the set. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title of the set.
Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title of the set. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title of the set. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title of the set. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title. Gahe Théon L.A. Pegga My Heart, the final verb.
Gahe Théon L.A. Pegga My Heart, the final verb. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title. Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title.
Gahe Théon L.A. Pegga My Heart, the final verb, where you should set the Leste Young Buddy Ritz Trio as the title. Gahe Théon L.A. Pegga My Heart, the final verb. Gahe Théon L.A. Pegga My Heart, the final verb. Gahe Théon L.A. Pegga My Heart, the final verb.
Gahe Théon L.A. Pegga My Heart, the final verb. Gahe Théon L.A. Pegga Gahe Théon L.A. Pegga My Heart, the final verb. Gahe Théon L.A. Pegga My Heart, the final verb.
Gahe Théon L.A. Pegga My Heart, the final verb. Gahe Théon L.A. Pegga My Heart, the final verb. King Gold Trio, net. King Gold Trio, net.
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Series
Just Jazz
Episode
Nat Cole's Piano, Pt. 2
Producing Organization
WRVR (Radio station: New York, N.Y.)
Contributing Organization
WGBH (Boston, Massachusetts)
The Riverside Church (New York, New York)
AAPB ID
cpb-aacip-528-zp3vt1j10k
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-528-zp3vt1j10k).
Description
Episode Description
Ed Beach discusses the work of pianist Nat Cole, and plays the following recordings: "Scotchin' With The Soda", "Laugh! Cool Clown", "It Could Happen To You", "Suessdorf: Moonlight In Vermont", "Sometimes I'm Happy", "The Man I Love", "Body And Soul", "Rose Room", "Nat Meet June", "Early Morning Blues", "In The Cool Of The Evening", "The Geek", "AIrness A La Nat", "I Know That You Know", "I Can't Get Started", "Peg O' My Heart", "Honeysuckle Rose", "I'll Never Be The Same", "Down By The Old Mill Stream", "Three LIttle Words" and "Cole Capers". This part two of two parts dedicated to Nat Cole.
Series Description
Just Jazz was a popular jazz radio show hosted by Ed Beach and broadcast by WRVR from 1961-1976.
Broadcast Date
1967-07-11
Asset type
Episode
Subjects
Pianists; African American jazz musicians
Media type
Sound
Duration
02:28:20.976
Embed Code
Copy and paste this HTML to include AAPB content on your blog or webpage.
Credits
Host: Beach, Ed
Producer: Beach, Ed
Producing Organization: WRVR (Radio station: New York, N.Y.)
Publisher: WRVR (Radio station : New York, N.Y.)
AAPB Contributor Holdings
WGBH
Identifier: cpb-aacip-4060ec23750 (Filename)
Format: Betacam
Generation: Original
Duration: 01:00:00
The Riverside Church
Identifier: cpb-aacip-8ed07f1dab5 (unknown)
Format: audio/mpeg
Generation: Proxy
Duration: 02:28:20.976
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Just Jazz; Nat Cole's Piano, Pt. 2,” 1967-07-11, WGBH, The Riverside Church , American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed October 30, 2024, http://americanarchive.org/catalog/cpb-aacip-528-zp3vt1j10k.
MLA: “Just Jazz; Nat Cole's Piano, Pt. 2.” 1967-07-11. WGBH, The Riverside Church , American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. October 30, 2024. <http://americanarchive.org/catalog/cpb-aacip-528-zp3vt1j10k>.
APA: Just Jazz; Nat Cole's Piano, Pt. 2. Boston, MA: WGBH, The Riverside Church , American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-528-zp3vt1j10k