thumbnail of Friday Night Jazz with Reuben Jackson; 2017-03-31, Hour 3
Transcript
Hide -
This transcript was received from a third party and/or generated by a computer. Its accuracy has not been verified. If this transcript has significant errors that should be corrected, let us know, so we can add it to FIX IT+.
Hello there, and welcome to the third and final hour of this edition of Friday night jazz on VPR. I'm Ruben Jackson We'll start off with another new release by vocalist Virginia Shank. It's called Amanada Moseca. Now you hear that name when you think isn't that also an aka Miss Abby Lincoln. Yes, this is an all Abby Lincoln based collection and And this is a reading of well, it's Abby Lincoln's arrangement of a piece by Thelonious Monk whose hundreds birthday will be celebrating all year long blue monk Oh Going along life is your own
But the cost sometimes is dear Be incomplete No end of feet Keeping on from here to you It takes some doing Monk worries the blues you're here keeping on from here to you Life is a school less you're a fool But the learning brings you pain No one at once you're just a dance trial and error loss and game It takes some doing For ease of slow slow train trial and error loss and game You
You Minding Place in the sun doesn't come the easy way Shallow ain't deep nothing is cheap measure by the dudes you pay
It takes some new end Monqueries are blue highway measure by the dudes you pay It takes some new end Monqueries are blue highway measure by the dudes you pay Keepin' on from yet again Vocalist Virginia Shank starting us off here in our three of Friday night jazz on VPR Her Abbie Lincoln tribute and reading of the Lonious Monks Blue Monk A bit more compositional magic by the Lonious Monk here in the third and final hour of the program Mr. Steve Lacey a long time interpreter of the music of the Lonious Monk and pianist Malcolm Earl Waldron So known as Mal Waldron who played saxophone too, I don't know if you're aware of that
This is a collection entitled Hot House and this is the Lonious Monk's Friday the 13th SheSq4
SheSq4 SheSq4 SheSq4
SheSq4 SheSq4 SheSq4
SheSq4 SheSq4 SheSq4
SheSq4 SheSq4 SheSq4
SheSq4 SheSq4 SheSq4 SheSq4 SheSq4 SheSq4 SheSq4 SheSq3 SheSq2 SheSq0 SheSq1 SheSq3 SheSq Meanwhile SheSq4 SheSq3 SheSq4 SheSq4 SheSq2 SheSq2 SheSq4 SheSq3 SheSq4 SheSq2 SheSq4 SheSq4 sheSq3 SheSq4 SheSq3 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq1 SheSq2 SheSq2 SheSq2 SheSq2 SheSq3 SheSq2 SheSq2 SheSq3
SheSq2 SheSq2 She'sq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2 SheSq3 SheSq3 SheSq1 SheSq2 SheSq1 SheSq2 SheSq2 SheSq2 SheSq2 SheSq2
SheSq1 SheSq2 SheSq2 The group known as Heads of State from 4 and 1 here in our 3 of Friday night jazz on Vermont Public Radio with Pearson Mary Jackson's musically smitten son again, the collection. That's not my name, my name is Reuben Jackson, the collection by Heads of State is 4 and 1 and we heard Charlie Parker's moose the mooch. I mentioned Howard Johnson at the top of the hour, you know, telling you what was going down in this particular hour. A tuba player who worked with the band on the last Waltz recording, I worked with Gil Evans, he worked with a number of people. This is a new collection featuring his ensemble known as Gravity, Howard Johnson and Gravity. The collection is called Testimony and what we're going to hear is a piece called Working Hard for the Joneses.
Now we're not talking about keeping up with the Joneses, we're talking about working for the Joneses. When you got a Jones you got a gear, it's going to affect the way you live. Joneses wake me in the morning, tell me get up out of bed, whiskey when I drink y'all sugar to be fed, working hard for the Joneses. Love Joneses giving me the blues, I been working for the Joneses, doing things I saw I'd never do. I had a deal with my conscience, I'm in debt over my head debt, shooting up in a different cell. I'm working hard on my debt, working hard for the Joneses. Working hard for money, when you worked for the Joneses, seemed like everything got along. Working hard for the Joneses, working hard for the Joneses.
Love Joneses giving me the blues, I been working for the Joneses, doing things I saw I'd never do. Working hard for the Joneses, working hard for the Joneses, working hard for the Joneses. Working hard for the Joneses, working hard for the Joneses. Working hard for the Joneses, working hard for the Joneses, working hard for the Joneses.
Working hard for the Joneses, working hard for the Joneses, working hard for the Joneses. Working hard for the Joneses, working hard for the Joneses, working hard for the Joneses. Working hard for the Joneses, working hard for the Joneses, working hard for the Joneses.
Working hard for the Joneses, working hard for the Joneses. Working hard to share this music with you and we're going to keep going till 11O. Now we're going to return to the newest by Mr. Joey D.Franchesco organ keyboards. Mr. Joey D.Franchesco organ keyboards, trumpet Jason Brown on drums, Troy Roberts on Tender and soprano saxophone and Dan Wilson on guitar, the standard so near so far.
Organist keyboardist trumpeter Joey D.Franchesco from his newest project freedom, the
people project freedom here in our three of Friday night jazz on VPR and so near so far. One more reminder for great jazz 24 hours a day, wherever you are, check out VPR jazz 24. You can listen at vpr.net and on your smartphone. Speaking of new, back to Jerry Gibbs and thrash your people from weather or not W-E-A-T-H-E-R or not weather is in. How's the weather? Referring to, of course, the seminal jazz rock ensemble weather report, this track occurred, was recorded, well it occurred too, but originally heard on 1977's heavy weather, Joseph Ovenos Ballad, a remark you made.
Jerry Gibbs and the thrash your people here in our three of Friday night jazz on VPR from weather
or not and we listen to the ballad written by keyboardist co-founder of weather report Joseph Ovenos. It is entitled a remark you made. Next, another new release by vocalist Sandy Cresman. This is entitled Entrez Amigos and the piece dedicated to a really, just an incredibly prolific composer, a guy who plays like 99,000, eight zillion and 42 instruments. Mr. Hermeto Pasquale, this piece is Para Hermeto or For Hermeto. For Hermeto or For Hermeto or For Hermeto or For Hermeto.
Thank you very much. Thank you very much. Thank you.
Thank you very much. Thank you very much. Thank you very much.
Thank you very much. Thank you very much. Thanks very much. I really enjoyed watching every one of them.
Thank you very much and many applause to get that kick now for this Easter or Christmas. For our fun. We hope you enjoyed it. Thanks to the spirit Mr. Algerow, this recording taken from his All Fly Home Collection and an original by Algerow Brightman Sonny Babe. This is the best room game.
It's such a show, so it's a sightly way. The freedom rules that gonna be lovers forever. When the road gets rough, baby, bring them a brighter day. Now a little later, don't move in the way. But you can see it for ever. It's a pack and bed like a fair stair. It's an insony and cloudy. We'll never go belly, belly, belly, when I pay. But you can see it for ever and ever. Oh, go on, just stand there. Baby, when you're here, dance into me. You're all kind of wearable. Now when you get there, be bright and sun. Run it babe. I'm so shy. I'm so shy, so I'm so shy. You're all kind of wearable. I'm so shy, so I'm so shy. I'm so shy, so I'm so shy.
But you can see it for ever and ever. I'm so shy, so I'm so shy. And you can see it for ever. It's a pack and bed like a fair stair. Oh, wow.
Oh, wow. Oh, wow. Oh, wow. Oh, wow. Oh, wow. The late Grey Dalger Row here in our three of Friday night jazz on VPR was Ruben Jackson from All Fly Home and Bright and Sunny Babe. By special request, more music by the tandem of Gil Scott Heron and Brian Jackson, this kind of a latter day effort by this tandem right before they split off for a number of years. They came together briefly before Gil Scott Heron's death. Gil Scott Heron did another studio effort entitled Spirits, but this collection is called 1980 and it's interesting, you know, I got a couple of emails, both of which asked for music from this collection. And I'd been thinking about Gil Scott Heron's work as a musician. He was also, of course, a novelist and poet.
And the influence of societal changes on music and advice versus something Gil Scott Heron consistently explored. So with that in mind and with the requested mind, again, from 1980 Gil Scott Heron and Brian Jackson, this composition is entitled Shahmat. The Shah is dead. Checkmate. I am the voice you're saying. Remembering things that I told me yesterday. My name is put you down. I am inside your frame. We saw the devils had to make them go away. My name is put you down. You might reject my claim, but I expect that you won't
fear it from the nose. My name is put you down. I was just a single. And with a double record, now I have a need to fall. Take it to the streets. Tell everybody you meet. Whatever you do, whatever you feel, the one drum beat. Put it in the air. Spit it everywhere. Do whatever you do, whatever you know, you got to be there. Show my two only. Take it out the symbol. Show my two clothes fit. Who does it resemble? My name is put you down. If you recall the change, then you can dig in. We've been put into a trance. My name is put you down. I am inside of you. I've been here ever since today. You learned to stand. My name is put you down. I'm a name.
Born on the wings of strain. I was just a justice that had a long been overdue. My name is put you down. But we already knew. And now the clouds are winning. How come interview? Show my two only. Take it to the streets. Tell everybody you meet. Do whatever you do, whatever you feel, the one drum beat. Put it in the air. Spit it everywhere. Do whatever you do, whatever you know. You got to be there. Show my two only. Take it out the symbol. Show my two clothes fit. Who does it resemble? My name is put you down. I am the voice the same. Remembering things that I told me yesterday. My name is put you down. I am inside your frame. We saw the doubles had to make them go away. Take it to the streets. Tell everybody you meet.
Do whatever you do, whatever you feel, the one drum beat. Put it in the air. Spit it everywhere. Do whatever you do, whatever you know. You got to be there. Show my two only. Take it out the symbol. Show my two clothes fit. Who does it resemble? Show my two only. Take it out the symbol. Show my two clothes fit. Who does it resemble? Show my two only. Take it out the symbol. Show my two clothes fit. Who does it resemble? Show my two only. Take it out the symbol. Sure my two clothes fit, Who does it resemble? Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. show my two clothes fit. Show my two clothes fit. Show my two clothes fit.
Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. Show my two clothes fit. Gil Scott Heron and Brian Jackson here in our three of Friday night jazz. On Vermont Public Radio, Ruben Jackson from 1980 and we heard Shamat or the Shah is dead. Slash checkmate. Next, a return to the newest by saxophonist Noah Preminger. It's called Meditations on Freedom. Earlier tonight we heard Larry Couriel's reading of George Harrison something. This is another recording by another composition by George Harrison. The early 1970s. It is entitled Give Me Love. Give Me Peace on Earth. Music
Music Music Music Music Music
Music Music Music Music
Music Music Music Music
Music Music Music Music
Music Music Music Music
Music Music
Series
Friday Night Jazz with Reuben Jackson
Episode
2017-03-31, Hour 3
Producing Organization
Vermont Public Radio
Contributing Organization
Vermont Public Radio (Colchester, Vermont)
AAPB ID
cpb-aacip/527-6d5p844v7j
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/527-6d5p844v7j).
Description
Episode Description
This episode features these performances: "Aqui, Oh!" is performed by Toninho Horta; "Soccer Ball (feat. Raul De Souza & Toninho Horta)" is performed by David Feldman; "The Windmills of Your Mind" is performed by Billy Childs; "What's Going On" is performed by Kevin Eubanks; "I'll Be There" is performed by Claire Daly; "I'll Be There" is performed by Marcus Miller; "Go Home" is performed by Steve Khan; "Speak Low" is performed by Marilyn Scott; "Monk, Bunk and Vice Versa" is performed by Mark Masters; "Canter No.1 (feat. Norma Winstone & Dave Liebman)" is performed by University of Toronto Jazz Orchestra; "Something" is performed by Larry Coryell; "Bumpin' On Sunset" is performed by Larry Coryell; "Improvisation On Bolero" is performed by Larry Coryell; "Prelude from 'Tombeau de Couperin'" is performed by Larry Coryell; "Scotland, Pt. 1 (1999 Remaster)" is performed by Larry Coryell & The Eleventh House; "The Great Escape" is performed by Larry Coryell; "Call To the Higher Consciousness" is performed by Larry Coryell; "Blue Monk" is performed by V-A Virginia Schenck; "Friday The Thirteenth" is performed by Steve Lacy; "Moose the Mooche" is performed by Heads of State; "Working Hard for the Joneses" is performed by Howard Johnson & Gravity; "So Near, So Far" is performed by Joey DeFrancesco; "A Remark You Made" is performed by Gerry Gibbs & Thrasher People; "Para Hermeto (For Hermeto) [feat. Jovino Santos Neto, Eduardo Neves & Celso Alberti]" is performed by Sandy Cressman; "Brite N' Sunny Babe" is performed by Al Jarreau; "Shah Mot" is performed by Gil Scott-Heron; "Nobody knows the Troubles I've Seen" is performed by Archie Shepp & Horace Parlan; "Give Me Love" is performed by Noah Preminger; "Clair de Lune" is performed by Kamasi Washington.
Series Description
Music reviewer and educator Reuben Jackson hosts Friday Night Jazz, a weekly show that highlights the "broad swath" of the jazz genre.
Date
2017-03-31
Asset type
Episode
Topics
Music
Recorded Music
Rights
Copyright Vermont Public Radio. With the exception of third party-owned material that is contained within this program, this content is licensed under a Creative Commons Attribution 4.0 International License (https://creativecommons.org/licenses/by/4.0/).
Media type
Sound
Duration
00:59:05
Embed Code
Copy and paste this HTML to include AAPB content on your blog or webpage.
Credits
Host: Reuben Jackson
Producing Organization: Vermont Public Radio
AAPB Contributor Holdings
Vermont Public Radio - WVPR
Identifier: FNJ-2017-03-31-3 (Vermont Public Radio - WVPR)
Duration: 0:58:59
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Friday Night Jazz with Reuben Jackson; 2017-03-31, Hour 3,” 2017-03-31, Vermont Public Radio, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed September 17, 2024, http://americanarchive.org/catalog/cpb-aacip-527-6d5p844v7j.
MLA: “Friday Night Jazz with Reuben Jackson; 2017-03-31, Hour 3.” 2017-03-31. Vermont Public Radio, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. September 17, 2024. <http://americanarchive.org/catalog/cpb-aacip-527-6d5p844v7j>.
APA: Friday Night Jazz with Reuben Jackson; 2017-03-31, Hour 3. Boston, MA: Vermont Public Radio, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-527-6d5p844v7j