In Performance at the White House; A Salute To Broadway: Chorus Lines

- Transcript
<v Speaker>Tonight's program is made possible by the Bell Companies of Ameritech serving <v Speaker>the Great Lakes region with state-of-the-art voice, data, and image products and services <v Speaker>by the enterprise companies of Ameritech, providing communications through ADR software <v Speaker>systems, Ameritech Mobile Communications and Ameritech pages plus. <v Speaker>And by the Ameritech Corporation leading these communication companies in combining <v Speaker>technology and teamwork to help people communicate anytime, anywhere. <v Speaker>Ameritech. <v Speaker>Tonight, Stubby Kaye. <v Speaker>Shirley Jones, Leroy Green. <v Speaker>The Morgan State University Choir. <v Speaker>The cast from the hit Broadway show A Chorus Line <v Speaker>and the combined orchestra of the United States Marine Band and the United States Army <v Speaker>Band. <v Speaker>Join master of ceremonies Marvin Hamlisch in a musical salute to Broadway.
<v Speaker>In performance at the White House. <v Speaker>Our hosts, president and Mrs. Reagan. <v Speaker>Good evening. During the past two years, I've had the honor and pleasure of serving as <v Speaker>musical director for our series In Performance at the White House. <v Speaker>Now in the East Room, we've presented the works of Gershwin, Rodgers and Hart, <v Speaker>Porter, Sondheim and other geniuses of the musical theater. <v Speaker>This evening, our show is called Chorus Lines. <v Speaker>It's a celebration of Broadway show songs made great by singing and dancing <v Speaker>choruses. You know, like There's Nothing Like a Dame, Oklahoma,
<v Speaker>and Sit Down You're Rocking the Boat. <v Speaker>Now, when I thought about Broadway shows with chorus numbers, I remembered right away a <v Speaker>pretty zany one, Li'l Abner, in which Al Caps <v Speaker>cartoon village came deliriously to life. <v Speaker>Here is an original star of that show, direct from Dogpatch, <v Speaker>the remarkable Stubby Kaye. <v Speaker>Scarlett, honey, it's high time you knew that our beloved Dogpatch <v Speaker>USA was founded by Jubilation, T. <v Speaker>Cornpone, the greatest fightin general and military strategists the Confederacy <v Speaker>ever knew. <v Speaker>Was he brave? <v Speaker>Brave? Why, J.T. <v Speaker>Cornpone didn't know the meaning of the word fear.
<v Speaker>Terror. Yes, but fear never. <v Speaker>And all over the countryside there's monuments commemorating the names of his famous <v Speaker>battles. <v Speaker>Such as? <v Speaker>Cornpone's Disaster, Cornpone's Misjudgment, Cornpone's <v Speaker>Catastrophe and Cornpone's Humiliation. <v Speaker>[singing Jubilation T. Cornpone from Li'l Abner] <v Speaker>[applause] Thank you. Thank you very much, ladies and gentlemen, working on this show,
<v Speaker>I've made a new friend. <v Speaker>I mean I mean, this guy does it all from 42nd Street to A Terrific <v Speaker>Act. He sings, he dances. <v Speaker>And and now he's gonna do a chorus song for you. <v Speaker>That is is one of my all time favorites. <v Speaker>Ladies and gentlemen, Laroy Reames. <v Speaker>[singing There Is Nothin' Like A Dame from South Pacific] <v Speaker>[overlapping chatter].
<v Speaker>Bye girls! Thank you, ladies and gentlemen. It's an honor to be here at the White House <v Speaker>this evening. And what better place to sing some patriotic songs? <v Speaker>These chorus numbers have lasted for 75 years. <v Speaker>They're by the legendary Broadway composer, Mr. George <v Speaker>M. Cohan. <v Speaker>[singing You're A Grand Old Flag/Over There/Yankee Doodle medley] <v Speaker>?Only our taking tap?
<v Speaker>[laughter] Now, we've all seen it and we've all heard it, but what exactly <v Speaker>is a chorus number? You know, it's the kind of song that gets your head <v Speaker>hearing voices, other voices, lots of them. <v Speaker>It's the joy of a big sound. <v Speaker>So the next time you find yourself singing in the shower, <v Speaker>just think how much better you'd sound if you had this fabulous chorus backing <v Speaker>you up. Ladies and gentlemen, under the direction of Dr. <v Speaker>Nathan Carter, I am really privileged and proud to present to <v Speaker>you the Morgan State University Choir. <v Speaker>[singing Ezekiel Saw the Wheel] <v Speaker>If you remember the wonderful movie of Carousel, then you remember how
<v Speaker>your heart was broken by the gorgeous singing of Shirley Jones. <v Speaker>And there's a solo in that show that became a song <v Speaker>sung by choruses worldwide. <v Speaker>It's a beautiful stirring ballad. <v Speaker>Here to sing it, one of the stars of Carousel. <v Speaker>Pure delight. Ms. Shirley Jones. <v Speaker>[singing You'll Never Walk Alone and If I Loved You from Carousel] <v Speaker>Thank you very, very much, ladies and gentlemen.
<v Speaker>There were many beautiful chorus numbers in The Music Man, but <v Speaker>one very beautiful ballad. <v Speaker>And guess what? I got to sing it. <v Speaker>[singing Till There Was You from The Music Man] No, I. <v Speaker>Was. <v Speaker>When I found out that Stubby Kaye was going to be on this show, I thought immediately of
<v Speaker>a terrific musical song from a terrific show he created. <v Speaker>And as far as I'm concerned, it's his song. <v Speaker>And I know exactly what you mean. <v Speaker>You mean, Sit Down, You're Rockin' the Boat and you mean Guys and Dolls. <v Speaker>And I mean Stubby Kaye. <v Speaker>[singing Sit Down, You're Rockin' the Boat from Guys and Dolls] <v Speaker>Thank you, Stubby! In the history of the stage, there is one musical that has gone from
<v Speaker>being a hit show to an American classic. <v Speaker>I mean, of course, Gershwin's Porgy and Bess. <v Speaker>Gershwin really wrote a fusion of Broadway and the spiritual. <v Speaker>Of show music and opera. <v Speaker>From that show, we're going to hear a medley of Summertime, I'm On My Way. <v Speaker>And then we're gonna wind up this wonderful evening with a song that is, well, <v Speaker>it's possibly the best known chorus number of them all. <v Speaker>Once again, the Morgan State University Choir. <v Speaker>[singing Summertime/Oh Lord, I'm On My Way from Porgy and Bess and Oklahoma! from Oklahoma!] <v Speaker>Thank you. You know, this is a perfect place to
<v Speaker>just talk a little bit about an American dream because I <v Speaker>don't think when my immigrant parents came to America <v Speaker>they would ever think that this dream would come true tonight. <v Speaker>It gives me the greatest honor, the greatest thrill to be able to say to <v Speaker>you here, right here in this beautiful, beautiful, wondrous <v Speaker>set surrounding, I present to you two wonderful people, <v Speaker>the president of the United States and my friend, Mrs. Reagan. <v Speaker>Thank you. What a wonderful evening this has been. <v Speaker>I'm always thrilled by these White House concerts.
<v Speaker>But this one has has really been special. <v Speaker>In the past, we've heard the music of all the masters, Jerome Kern, Stephen Sondheim, <v Speaker>Cole Porter, so many others. <v Speaker>And the music has filled the White House with joy. <v Speaker>But this evening, under the stars here in the heart of the nation's capital <v Speaker>city, I think we may have filled all of Washington with joy. <v Speaker>You know, right from the beginning, which means sometime before this administration <v Speaker>[light audience laughter] the White House has <v Speaker>extended a warm welcome to music, although it isn't true that I danced <v Speaker>the minuet with Dolly Madison and Abigail Adams [audience laughter] <v Speaker>down through the years, this grand old house glowed with the talents of so many <v Speaker>performers from so many worlds. <v Speaker>Classical, gospel, jazz, country and Western.
<v Speaker>Just about every form of music. <v Speaker>For the past two years now, we've presented Broadway show music. <v Speaker>Hello, Dolly. From- from Strike Up the Band, <v Speaker>The Company we thrilled, we thrilled to it all. <v Speaker>And songs that we've heard are products of a special kind of genius, <v Speaker>a distinctly American genius. <v Speaker>And we've exported them all over the world. <v Speaker>You can da- walk down the street in London or Tokyo or Paris <v Speaker>and around you, there will be people that might be humming or whistling <v Speaker>Cole Porter and George Gershwin, Irving Berlin. <v Speaker>Now, I wouldn't mind one bit if this went on forever. <v Speaker>It won't be too many months now before my roommate and I <v Speaker>are back home in California.
<v Speaker>So, yes, this is our last In Performance at the White <v Speaker>House. <v Speaker>But you can be sure that we'll remember this evening as a very special, <v Speaker>magical evening. <v Speaker>But I'd like to take this opportunity now to thank our musical director and <v Speaker>my very good friend, Marvin Hamlisch. [applause] <v Speaker>Throughout these concerts, first of all, I don't know what I've done without him, <v Speaker>but throughout these concerts, he's really done the greatest job anyone could <v Speaker>ever possibly do. <v Speaker>Well, I want to thank you very much. <v Speaker>I'm really thrilled. You know, we started out to just do one and we ended up doing seven <v Speaker>and I don't really want to be pushy, but if you noticed on all these shows, we keep <v Speaker>doing, you know, Porter and Sondheim and Rodgers and we've never done a <v Speaker>Hamlisch song here. And since it's the last one, I'm just thinking you're so influential <v Speaker>here. I mean, couldn't they just do one of my songs?
<v Speaker>Marvin has a point. What do you think? <v Speaker>I think you're right. <v Speaker>Can't we just do... One. <v Speaker>[singing One from A Chorus Line] <v Speaker>Tonight's program is made possible by the Bell companies of Ameritech serving
<v Speaker>the Great Lakes region with state of the art voice data and image products and services <v Speaker>by the enterprise companies of Ameritech, providing communications through ADR software <v Speaker>systems, Ameritech Mobile Communications and Ameritech pages plus and <v Speaker>by the Ameritech Corporation leading these communication companies in combining <v Speaker>technology and teamwork to help people communicate anytime, anywhere. <v Speaker>Ameritech.
- Producing Organization
- WETA-TV (Television station : Washington, D.C.)
- Contributing Organization
- The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia (Athens, Georgia)
- AAPB ID
- cpb-aacip-526-mw28912z85
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-526-mw28912z85).
- Description
- Episode Description
- "The President and Mrs. Reagan hosted an outdoor evening of showstopping musical numbers, marking the season finale of the three-part IN PERFORMANCE AT THE WHITE HOUSE series, 'A Salute to Broadway.' The program 'Chorus Lines,' was taped on the South Lawn of the White House, featuring Stubby Kaye, Shirley Jones and Lee Roy Reams. Joining the fanfare was The President's Own United States Marine Band, an 80-voice choir from Morgan State University in Baltimore, and an alumni cast from 'A Chorus Line.' Marvin Hamlisch returned as music director and master of ceremonies. "Since the program was taped outdoors on a large stage rather than in the East Room, the excitement and grandeur of a Broadway musical was captured. The program also saluted Broadway on a grand scale and highlighted its wonderful contribution to America's musical history. For example, Stubby Kaye, returned to the role of Marryin' Sam, which he created in the 1956 Broadway production of 'L'il Abner,' and sang Jubilation T. Corpone. "He also recalled his role as Nicely-Nicely Johnson from Frank Loesser's 1950 Broadway musical, 'Guys & Dolls' and delighted the audience with the rousing Sit Down, You're Rocking the Boat. One of Rodgers & Hammerstein's finest works, 'Carousel.' was made into a motion picture in 1956. The role of Julie Jordan was played by Shirley Jones, who revisited her role, singing If I loved You and You'll Never Walk Alone. Ms. Jones also stepped back into her role as Marion, from the 1962 motion picture 'The Music Man,' to sing Till There Was You. '42nd Street' premiered on Broadway in August 1980, and is still playing to sold out audiences, making it one of Broadway's longest running musicals. Lee Roy Reams, who starred in the production, sang the title song form this delightful musical. Lee Roy Reams, who starred in the production, sang the title song form this delightful musical. Reams also brought his special style to the rousing Nothing Like A Dame from Rodgers & Hammerstein's 'South Pacific.'"--1988 Peabody Awards entry form.
- Broadcast Date
- 1988
- Asset type
- Episode
- Media type
- Moving Image
- Duration
- 00:58:22.335
- Credits
-
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Producing Organization: WETA-TV (Television station : Washington, D.C.)
- AAPB Contributor Holdings
-
The Walter J. Brown Media Archives & Peabody Awards Collection at the
University of Georgia
Identifier: cpb-aacip-2015f6b2cde (Filename)
Format: U-matic
Duration: 3:00:00
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “In Performance at the White House; A Salute To Broadway: Chorus Lines,” 1988, The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed April 27, 2025, http://americanarchive.org/catalog/cpb-aacip-526-mw28912z85.
- MLA: “In Performance at the White House; A Salute To Broadway: Chorus Lines.” 1988. The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. April 27, 2025. <http://americanarchive.org/catalog/cpb-aacip-526-mw28912z85>.
- APA: In Performance at the White House; A Salute To Broadway: Chorus Lines. Boston, MA: The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-526-mw28912z85