Life & Times; No. 198; Special Edition: Exit King Blvd.; Part 1
- Transcript
<v ?Martin Luther King Jr.?>[helicopter whirring] Yet the truth is that no one can scone nonviolent direct <v ?Martin Luther King Jr.?>action or civil disobedience <v ?Martin Luther King Jr.?>without ?cancelling? [audio cuts out] American history. <v ?Martin Luther King Jr.?>The first nonviolent direct action did not occur in Montgomery [audio cuts]. <v ?Martin Luther King Jr.?>Its roots go back to the American Revolution [echoes]. <v Ruben Martinez>April 29, 1992 and the days that followed left a deep <v Ruben Martinez>and painful wound in our city's soul. <v Ruben Martinez>I'm Ruben Martinez. We're all still trying to recover from the riots, the <v Ruben Martinez>rebellion, the civil unrest, the upheaval. <v Ruben Martinez>Call it what you will. We're at war with each other and each and every one of <v Ruben Martinez>us played a role or experienced the pain, the shock and the disappointment <v Ruben Martinez>of a city brought to its knees. <v Ruben Martinez>Rapidly, we replaced the anger and the chaos with signs of recovery <v Ruben Martinez>and healing. Are we just retreating into normal behavior in order to get on
<v Ruben Martinez>with the day to day business of running a city? <v Ruben Martinez>Or can we look to the ashes as a unique opportunity to build a healthy, just <v Ruben Martinez>and economically viable community? <v Ruben Martinez>Over the next year our producers and crews will track the process and progress of one <v Ruben Martinez>large neighborhood that centers around the corner of Martin Luther King Boulevard and <v Ruben Martinez>Western Avenue. Predominantly African-American and Latino, it's a microcosm <v Ruben Martinez>of inner city L.A.. But first, a beginning. <v Ruben Martinez>If you traveled the Harbor Freeway during early May and got off on King Boulevard <v Ruben Martinez>and walked and talked and listened. <v Ruben Martinez>These would be some of the stories from families and individuals, stoners and religious <v Ruben Martinez>leaders, workers and teachers that you might have heard. <v Ruben Martinez>And for some, the memories of those few days in May are as real <v Ruben Martinez>as fire [music plays]. <v Ruben Martinez>
<v Man 1>Try try to look this way in our face, kind <v Man 1>of like this. Not too much smiling because it would look a bit kind of s- [laughs] well. <v Man 1>I'm not I'm not telling you what, but the smiling part may not <v Man 1>be quite becoming you know. <v Ruben Martinez>They were once neighbors in a thriving mini ?mod? <v Ruben Martinez>at the corner of Western and King Boulevard. <v Ruben Martinez>Today, they stand solemnly in front of the rubble that once provided their livelihood. <v Man 1>That's it. Yeah, that's it. <v Man 1>Perfect. <v Ruben Martinez>Now, their misfortune is the subject of a photo essay for National Magazine. <v Ruben Martinez>They say they agreed to participate. So that something good can come from their loss.
<v Man 1>Mrs. Lagon, if you can move to the other side of your husband. <v Man 1>Please. <v Earl Ofari Hutchinson>We're standing now on the site of what used to be the Aquarian Bookshop and Cultural <v Earl Ofari Hutchinson>Center. And for many, many years in Los Angeles, uh the Aquarian <v Earl Ofari Hutchinson>has been kind of a staple. <v Earl Ofari Hutchinson>Really, what we call a cultural icon in the community. <v Earl Ofari Hutchinson>One of our treasure troves. A meeting place for artists, writers, scholars, community <v Earl Ofari Hutchinson>activists, uh researchers, the also, it's been <v Earl Ofari Hutchinson>really a resource in terms of the books and the materials that have been here and <v Earl Ofari Hutchinson>available to the community. Books that you can't get anywhere else. <v Earl Ofari Hutchinson>I had over the last five years, 4 book signings here excuse me, at the Aquariun. <v Earl Ofari Hutchinson>Over the course of time, in addition to the book signings I had, I would say that any <v Earl Ofari Hutchinson>author, name or established or unestablished, <v Earl Ofari Hutchinson>they always knew that the Aquarian was a place that they could introduce their books. <v Earl Ofari Hutchinson>So you had individuals who just had no names- burgeoning, young writers that were
<v Earl Ofari Hutchinson>starting out. The Aquarian's doors were open. <v Earl Ofari Hutchinson>You would find them sitting over here autographing their books and speaking a little bit <v Earl Ofari Hutchinson>about this subject all the way over to people like Margaret Walker, Alice Walker, <v Earl Ofari Hutchinson>uh Alex Haley. They all came through the doors of the aquarium at one time or another. <v Earl Ofari Hutchinson>And by the way, I should point out something else, too. <v Earl Ofari Hutchinson>All the acid we're standing on. You're standing on books. <v Earl Ofari Hutchinson>You're standing on literature. You're standing on a little bit of history right here. <v Earl Ofari Hutchinson>So it's just not wood, charcoal. <v Earl Ofari Hutchinson>These are books or they were books. <v Alfred Lagon>This is the Phoenix fire. <v Alfred Lagon>The Phoenix fire. To have the that that is the legend about the Phoenix <v Alfred Lagon>that burns it lives for 500 years and then burns <v Alfred Lagon>himself and out of his ashes he rises again. <v Alfred Lagon>It's a kind of a resurrection, we would call it. <v Alfred Lagon>Number of people ask me in terms of that, well what's, why aren't you moanin' <v Alfred Lagon>or cryin' or something about loss of your bookshop?
<v Alfred Lagon>Well, I said that I wouldn't be teachin' as a doctor of metaphysics if <v Alfred Lagon>I was going around moanin and thinking this kind. <v Alfred Lagon>But each event that happens in our life, we must try to understand it and <v Alfred Lagon>move on that to other facets. <v Alfred Lagon>That's a new beginning, a new bird. <v Alfred Lagon>And so that's the other phase of that particular idea. <v Alfred Lagon>So that's why I was really, really willing and hoping that that <v Alfred Lagon>uh we will be able to reestablish the Aquarian Bookshop. <v Earl Ofari Hutchinson>Things come and go, but ideas are eternal, and I think that's part of the uh <v Earl Ofari Hutchinson>evolution of of humankind, so to speak. <v Earl Ofari Hutchinson>The progress of people. It's the ideas. <v Earl Ofari Hutchinson>It's the intellect, I think. And you cannot destroy that. <v Earl Ofari Hutchinson>The human spirit always wins out in the end. <v Earl Ofari Hutchinson>And the human spirit to me is manifested in the written word. <v Earl Ofari Hutchinson>The printed word, books, books, their ideas. <v Earl Ofari Hutchinson>And you can't destroy that. <v Man 1>Chris just move with the family a little bit to your left. <v Chris Demuth>We had a business called uh People's Choice Thrift Shop.
<v Chris Demuth>It was a thrift and consignment shop. <v Chris Demuth>It uh was really community involved in the sense that <v Chris Demuth>not only could people donate things to us, but they could bring us things. <v Chris Demuth>And when we sold it, we would split with them the profits that that came so that <v Chris Demuth>gave people an opportunity to make money off the things that <v Chris Demuth>they uh were normally gonna throw out. <v Man 1>No thank you, no it looks great. Thanks. <v Chris Demuth>I think she'll be able to sit ?in a tire? for a while, huh? <v Chris Demuth>This keeps you going. This keeps you going. <v Chris Demuth>Otherwise, you might consider quitting. <v Chris Demuth>When you've got a family just you don't have a choice. <v Chris Demuth>You just gotta keep going. <v Chris Demuth>And everybody was afraid down here. <v Chris Demuth>To speak up. Like there's there there are uh drug houses all around the neighborhood. <v Chris Demuth>People are afraid to say anything.
<v Chris Demuth>If they ever got caught saying anything, the next day, your windows are broken. <v Chris Demuth>Our windows got smashed several times just because of a a color TV didn't <v Chris Demuth>work, right. Just small little issues. <v Chris Demuth>You had to watch every little move you made. <v Chris Demuth>And that's no way to live. <v Chris Demuth>Chief auto parts, that manager got shot in the chest. <v Chris Demuth>He's in the hospital- <v Man 2>This is before the riots? <v Chris Demuth>This is all before the riots. Now we're talking within a 6 month span. <v Chris Demuth>OK. Within 6 months, he was shot. <v Chris Demuth>There was a shooting right behind my store where a undercover was shot uh <v Chris Demuth>through the car by a 17 year old kid, which I knew personally. <v Chris Demuth>Quiet. You'd never think he was into gang. <v Chris Demuth>I know 15, 13 year old kids that carry a piece in their bag, right <v Chris Demuth>behind here. And, you know, it's no big thing. <v Chris Demuth>And I'm not talking a few percentage. <v Chris Demuth>I'm talking a lot of kids that do their homework. <v Chris Demuth>They come home, they go to school.
<v Chris Demuth>They play basketball, but they have a piece in their bag. <v Chris Demuth>Do you have any common sense? <v Chris Demuth>And you have a little business and you're feeding your little family <v Chris Demuth>and you're trying to survive. This is not the place. <v Chris Demuth>South Central is not the place. <v Chris Demuth>?Solís?, too. It's too tough. <v Chris Demuth>And your life ain't worth it. <v Woman 1>None of these would have been burnt in the middle. None of these stores should have been burnt. <v Joe Wilson>When they- the riot was goin' on, I was back in their cookin'. <v Joe Wilson>Cuz I had no idea that they was going to set it to fire. <v Joe Wilson>And then I got on and I found I was on fire cuz it started a video store in a 99 <v Joe Wilson>cent store. And when I decided when they come told me the store was on fire, <v Joe Wilson>I really couldn't believe it. So they had to pull me out of there. <v Joe Wilson>And we did more business Thursday morning than we had done the whole week. <v Joe Wilson>People was lootin' and they would stop and come and have breakfast and would pay. <v Joyce Wilson>It was a lot of looting. The looters would put they stuff down, come into the store,
<v Joyce Wilson>get them a soda, a cake. <v Joyce Wilson>They say, are you alright? We say, yes, we're alright. <v Joyce Wilson>They said we gon' come back to see if you fine. <v Joyce Wilson>We said, thank you. And they did! <v Joyce Wilson>And these little kids, these little kids, the and they talk about the future. <v Joyce Wilson>That was the future that was out here tearing these buildings down. <v Joyce Wilson>You know, and everybody was talking about a Rodney King thing. <v Joyce Wilson>This was no Rodney King thing. <v Joyce Wilson>This was a people thing. They did what they wanted to do. <v Joyce Wilson>You know, like Rodney King ?said? for the first two hours, I could understand them being <v Joyce Wilson>angry. But after the first two hours, you had time to think, <v Joyce Wilson>you know, and there with the, with the TV, everybody sittin' in front of they TV <v Joyce Wilson>lookin', the people tellin' the other people where they go, where there's <v Joyce Wilson>kids that don't go to the Foot Locker, you know. <v Joyce Wilson>But they telling them that he has a Foot Locker over here. <v Joyce Wilson>You know, no policemans around.
<v Joyce Wilson>You could come over here they didn't say it. <v Joyce Wilson>But that's what they met. <v Joyce Wilson>Wanna say that this is not our crew. <v Joyce Wilson>[laughs] You know, I don't know where this crew come from out. <v Joyce Wilson>It's heartbreaking that it had to happen. <v Joyce Wilson>But I don't know. How could you stop it? The gentleman with the white hat <v Joyce Wilson>on said that he was he was out of a job, but now he has a job. <v Joyce Wilson>[laughs] So what am I to say? <v Man 3>I'm not going down to file up unemployment. <v Man 3>You know, Imma work. <v Man 3>Imma work, help clean. Imma work clean- this is this is the second center that I've been <v Man 3>at cleaning up, cleaning up, scratching off, scrapping through yet. <v Man 3>But still I'm cleaning. OK? <v Man 3>And, you know, I just wanna see everything get cleaned up and you ?inaudible?
<v Man 3>work crews and get here and start rebuilding the place, you know? <v Man 3>Hey, I've seen this spot this lot go through many changes. <v Man 3>Better food, better food to ?inaudible?. <v Man 3>I lived in this community for 43 years and to see, see my neighborhood look like <v Man 3>this man. You know, [scoffs] it's really it's heartbreaking. <v Joe Wilson>You know? It it hurts because I put 15, 16 hours a day every day <v Joe Wilson>for three years almost. <v Joe Wilson>And then it got so we I could start takin' like one day off. <v Joe Wilson>But when you put in all this sweat and all his time in the years <v Joe Wilson>you put in here and and all the stuff we had accumulated in here, then it all just go <v Joe Wilson>in 'bout less than 20 minutes to 30 minutes. <v Joe Wilson>You know, it hurts. But see here still, I didn't I didn't worry about it a lot <v Joe Wilson>though, because I figured it is gonna be- although I didn't have any insurance. <v Joe Wilson>But still, it didn't bother me as much.
<v Joe Wilson>You know, I believe in God. You know, I believe in God. <v Joe Wilson>And I know that uh God not gonna let me suffer. <v Joyce Wilson>I'm a Baptist. I go to Paradise Baptist Church on 51st of Broadway. <v Joyce Wilson>Joe is a Muslim. He ?Ishana? <v Joyce Wilson>is a Baptist and a Muslim. <v Joyce Wilson>She can't make up her mind which one she wants to be. <v Joyce Wilson>She goes to a Muslim school [?Ishana?: Muslim school] and <v Joyce Wilson>we try to keep her in a private school because she's not public <v Joyce Wilson>school material. Why I say she's not public school material? <v Joyce Wilson>She's kinda hyper. And- <v ?Ishana?>?Hyprel? Hyper! <v Joyce Wilson>OK. Well hyper. Thank you. <v Joyce Wilson>She's kinda hyper. And we would not put her in the regular school because <v Joyce Wilson>the regular school system, they're not as tough as they used to be. <v Joyce Wilson>What when I when I give you the lunch money every day. <v Joyce Wilson>What do I tell you?
<v ?Ishana?>Don't get no free lunch. <v Joyce Wilson>And don't, don't, don't go in there pretending like that you don't have money <v Joyce Wilson>and then you keep your money. Isn't that what I tell you? <v ?Ishana?>Yes. <v Joyce Wilson>OK. That's the same thing. It is about looting instead of you going out looting. <v Joyce Wilson>You go to work and- <v ?Ishana?>You go to work and buy stuff. You don't just go and- <v Joyce Wilson>This is the first time we really, really asked her <v Joyce Wilson>asked her about, you know, really asked her about the riot. <v Joyce Wilson>You know, and the and the things that she saw, we really didn't ask. <v Joyce Wilson>But the first night she was just, you know, had us going to the doors <v Joyce Wilson>'cause she was worried that the fire was gonna come here or maybe <v Joyce Wilson>they were uh break in and take our stuff, you know, cause she's seein' the people <v Joyce Wilson>going in and out out of the store. <v Joyce Wilson>So she thought, well, maybe that they may come here. <v Joyce Wilson>You know, we reassure her that they wasn't comin' here. <v Joyce Wilson>And after the second day, she saw that they wouldn't come here and she
<v Joyce Wilson>soon settled on in. <v Joyce Wilson>If we go ahead and and try to do <v Joyce Wilson>and accomplish more than what we had, maybe it won't be <v Joyce Wilson>such a bad effect on her. <v Joyce Wilson>But if we continue to try and we end up gettin' something bigger <v Joyce Wilson>and better, she can see, well, we went down, but we came back. <v Joyce Wilson>And th- those are the things that we tryin' to keep in her eyes, that we are <v Joyce Wilson>going to come back and it's gonna be bigger and it's gonna be better. <v Man 1>That's looking good. ?The manager? <v Man 1>All right. Look at me please. [music plays] <v Anthony Howard>When I was a little kid, you was a little kid, everybody was a little kid out there once <v Anthony Howard>upon a time. Now, when you was a little kid, I know for a fact
<v Anthony Howard>that your mommy and daddy told you don't play with fire. <v Anthony Howard>[music plays] My <v Anthony Howard>name is Anthony Howard. And uh I'm a ex-gang member. <v Anthony Howard>I was born and raised in ?Watts?. <v Anthony Howard>The Rodney King beatin' wasn't the reason for the riot. <v Anthony Howard>This is somethin' that was on my mind, we black brothers have been overloaded <v Anthony Howard>too long. Overloaded, overloaded too long. <v Anthony Howard>Police arrest you for no reason. <v Anthony Howard>What's the difference between a brick and a baton? <v Anthony Howard>They'll have you lay down on the ground just to get your ID out your pocket. <v Anthony Howard>I'm a ex gang member. So Imma do what they say because they the law.
<v Anthony Howard>Police? They catch a Crip, take him to a Blood <v Anthony Howard>?inaudible? police and they announce to the Bloods ?and? <v Anthony Howard>they see some Bloods kickin' it? <v Anthony Howard>Hey, ?we? got a Crip right here. <v Anthony Howard>Overloaded too long. Breakin' a baton. But you're in the backseat tellin' the police o- <v Anthony Howard>officer, please let me go. Please don't, don't, don't. <v Anthony Howard>I don't wanna you know I don't wanna get beat up. I don't wanna die. <v Anthony Howard>Don't don't play with fire. <v Anthony Howard>It's thousands of brothers who have been treated like Rodney <v Anthony Howard>King and ?inaudible? overloaded, overloaded, overloaded too long. <v Anthony Howard>Okay, I got a call. I want to become a police officer now. <v Anthony Howard>I'm an ex gang member. I wanna become a police officer now. <v Anthony Howard>OK. Now, I I graduate, get my badge. <v Anthony Howard>You know, Imma go out there and beat some white white people up just <v Anthony Howard>because I wanna do that?
<v Anthony Howard>No, that ain't right. I supposed to walk there to help whites, black, Koreans, whoever <v Anthony Howard>that need help of the law. <v Anthony Howard>No. Those police officers were on trial for all the young brothers <v Anthony Howard>that they beat. Breakin' a baton. <v Anthony Howard>All the young brothers that they beat. <v Anthony Howard>Now, I wanna say this to everybody out there that's <v Anthony Howard>gonna watch this program. <v Anthony Howard>We are sombody, we are somebody <v Anthony Howard>black, white, Korean. <v Anthony Howard>We are somebody. <v Anthony Howard>It's a shame that it took fire <v Anthony Howard>for people to see that we <v Anthony Howard>are somebody. <v Anthony Howard>OK. When my mother passed away, <v Anthony Howard>it seemed like not just half of my heart was gone. <v Anthony Howard>All of my heart was gone.
<v Anthony Howard>OK. It felt like when my brother called me up there in jail <v Anthony Howard>and told me that my mother <v Anthony Howard>got shot. Drive by shooting, OK? Drive by shooting. <v Anthony Howard>OK. My mother was at the wrong place at the wrong time. <v Anthony Howard>That's why I say to everybody out there, all you young brothers <v Anthony Howard>out there. <v Anthony Howard>Y'all can stop that gang bangin' if you want to. <v Anthony Howard>All I'm asking, my young brothers out there is please. <v Anthony Howard>Overloaded too long. <v Anthony Howard>What's the difference between a brick and a baton? Overloaded too long. Brick and a <v Anthony Howard>baton. <v Anthony Howard>Don't play with fire. <v Vittian Pozo>All this, this was the 9th story. <v Vittian Pozo>?inaudible? some clothes and everything and for the main story and that one, it came to
<v Vittian Pozo>fire right here and with the wind, it came right here. <v Vittian Pozo>So um that's why for that one that one came <v Vittian Pozo>to fire to us for ?inaudible?. <v Man 4>Show us which ?inaudible? <v Vittian Pozo>First this. It started to burn this. This burnt first. And this started to burn this part. <v Vittian Pozo>And then up there it just burned. And up there it burned and then this down here burned next. Right here where we're. This was our house. <v Berkin Pozo>[speaking Spanish] This was my house and my workplace.
<v Berkin Pozo>Last August, my husband left. <v Berkin Pozo>He left me for another woman. <v Berkin Pozo>I was left with my two daughters and to make money to pay rent I worked <v Berkin Pozo>out of my house, but now I'm left completely without a job, without <v Berkin Pozo>anything. We even ended up barefoot because I didn't think that this <v Berkin Pozo>place would catch fire. I ran out barefoot to spray water on the outside. <v Berkin Pozo>So it wouldn't catch fire. But when it did, I was caught outside <v Berkin Pozo>and they wouldn't let me back into the house. <v Berkin Pozo>I didn't get a chance to salvage anything. <v Berkin Pozo>Nothing. Nothing. <v Berkin Pozo>I went to the Red Cross with the clothes on my back and they gave me a check. <v Berkin Pozo>A voucher to get clothes at K-Mart for myself and for the girls. <v Berkin Pozo>They're going to pay my <v Berkin Pozo>first month's rent.
<v Man 5>The first month. How will that help? <v Berkin Pozo>Well, we can get settled in somewhere if they can help me out. <v Berkin Pozo>I'll I'll move tomorrow. <v Man 5>So you've stayed, what, three weeks with friends? <v Berkin Pozo>Yeah. Three weeks. But the lady only said I could stay two. <v Berkin Pozo>We've stayed a week too long, but they told me I could move into this <v Berkin Pozo>apartment tomorrow. <v Berkin Pozo>And then what? Then I need to look for work. <v Berkin Pozo>See, I I used to work in my home. <v Berkin Pozo>I used to make pillows. Now I have to work elsewhere. <v Man 5>Like in a garment shop? <v Berkin Pozo>Whatever. A garment shop or as a maid, whatever I can find. <v Berkin Pozo>[speaking Spanish] When the things started, the chaos, the <v Berkin Pozo>disturbance, I saw people running and running all over the place. <v Berkin Pozo>I stepped out over to that pole and I saw the firefighters running.
<v Berkin Pozo>They were being chased by this mob, waving sticks and throwing bottles. <v Berkin Pozo>And I told them to come in. <v Speaker>When we pulled on scene, uh we had a large commercial <v Speaker>uh structure fire fully involved. And uh next door to the fire was an ABC market which <v Speaker>was being uh looted at the time, there a lot of people going in and out. <v Speaker>Uh for that reason uh our captain chose to to attack this fire <v Speaker>because the safety of the people, if this fire had caught on to that market, uh they <v Speaker>would've put those people in danger. We're ready to flow water. <v Speaker>Uh when a a car pulled up behind our rigs, between us and the and the in <v Speaker>the street actually towards our back, and the some uh <v Speaker>gang members got out of the car with with weapons and uh they started ?meanly? <v Speaker>pointing them at us and uh telling us to get out of there. <v Speaker>They wanted just to let the let the burning, let the building burn and for us just to get <v Speaker>out of there. Uh at that point, uh, one of them approached our captain, Kevin Butler, and <v Speaker>uh put the gun to his face and uh we couldn't hear what was going on.
<v Speaker>But obviously he was uh, it was a confrontation. <v Speaker>?inaudible? his hands up, so he was going to give in to whatever they wanted to do. <v Speaker>We saw him hand over the radio to to the guy with the gun. <v Speaker>And at that point uh, he sort of signaled for us, we're getting out of here. <v Speaker>We're gonna let th- let this let the fire burn. <v Speaker>?inaudible? a sense what was happened is they, they wanted us to let it burn and not put <v Speaker>out their fires. So we we end up fleeing on foot. <v Speaker>We went toward the corner of Vermont and Vernon. <v Speaker>And uh as we were crossing the street, crossing over Vermont, <v Speaker>uh we heard b- series of gunfire goin' off. <v Speaker>We didn't know where they were shooting. <v Speaker>You know, if they're shooting at us er er where they're shooting. <v Speaker>They're just a bunch of bunch of rounds going off. <v Berkin Pozo>[speaking Spanish] Because they spoke English, I couldn't understand them. <v Berkin Pozo>But my youngest daughter asked them what happened. <v Berkin Pozo>Well, we pretty much already knew what had happened because we saw them being chased <v Berkin Pozo>by this angry mob. <v Berkin Pozo>Yes, I was scared, but I thought they were just trying to help. <v Berkin Pozo>They were just trying to do their job.
<v Berkin Pozo>They were only trying to put out the fires. <v Berkin Pozo>I thought it was best. I knew that I could get hurt helping them. <v Berkin Pozo>But I always believed in God. And I thought, oh, well. <v Berkin Pozo>I thought about returning to El Salvador. <v Berkin Pozo>But even there, I have no one. <v Berkin Pozo>I came here we came here in 1986. <v Berkin Pozo>My husband and I came together. <v Berkin Pozo>He worked and I worked. And we got along okay, but we <v Berkin Pozo>got separated. And honestly, honestly, I don't know what to do. <v Berkin Pozo>I feel terrible. I have nothing. <v Berkin Pozo>I know I have nothing. Just my daughters. <v Speaker>[music plays] It's important that parents teach young brothers and sisters that we do <v Speaker>have enemies in this society and we do have a system that is an enemy to our people <v Speaker>and to our existence. And that you have to be serious minded and read not only the <v Speaker>things that your enemies give you in the school system, but the things that you need to
<v Speaker>nourish your mind, whether that's the autobiography of Malcolm X or whether that's <v Speaker>Francis Quest ?inaudible? [fades out]. <v Mary Lewis>If I do not pass your story back, I want you to take it out. <v Mary Lewis>Because Miss Horton and an editor from the L.A. <v Mary Lewis>Times is coming to help you write your editorial for the newspaper. <v Woman 2>What can everybody do so there'll be no more riots? <v Kid 1>Don't look at our color. <v Woman 2>Don't look at color. Very good. <v Kid 2>Uh get along with everybody no matter what race they are. <v Woman 2>Who said that? Get along with everybody. <v Woman 2>Who said can't we get along? <v Woman 2>During the riots? [children in unison] Rodney King. <v Woman 2>Absolutely. Absolutely. What else? <v Woman 2>What are some other solutions? What do people need? <v Kid 3>Money. <v Woman 2>Yes, people definitely need money. And how do you get money? <v Woman 2>Mhmm. <v Kid 4>Hire people.
<v Woman 2>Hire people. And what kind of jobs? <v Woman 2>Mhmm. <v Kid 5>Full time jobs? <v Woman 2>Full time jobs. The children do a newspaper in <v Woman 2>conjunction with the USC School of Journalism and <v Woman 2>the L.A. Times. <v Sue Horton>With the ?inaudible?, we will lay out the position of this classroom because you guys <v Sue Horton>are, in effect, the publishers of this newspaper. Right? <v Sue Horton>So we'll lay out what the publishers think is the right thing to think about the riots <v Sue Horton>and what happened. What are the whys that you came up with? <v Sue Horton>Very quickly. ?inaudible? <v Sue Horton>Stephen? <v Stephen>Prejudice? <v Sue Horton>Prejudice. [writing on chalk board] Big reason. Oh, I have a question. <v Sue Horton>How many of you in this room has at some time experienced something you think is <v Sue Horton>prejudice? Have you ever felt like somebody discriminated against you? <v Kid 6>Call me?inaudible? [laughter]. <v Kid 6>Cheech and Chong. <v Sue Horton>That's a terrible thing. That's really awful. <v Kid 7>And he talked about all the things he said about uh the kids who are talking about him. <v Kid 7>I felt sad. for him because I wouldn't talk about nobody like that.
<v Kid 7>But I know they do talk about him, and I wish that they wouldn't talk about him. <v Kid 8>Sometimes they make uh I hear them make fun of other people <v Kid 8>because of their color and sometimes they make fun of me. <v Kid 9>I get it from from like Latino kids, too. <v Kid 9>They go, you're Mexican. <v Kid 9>And then I just say, what do you think you are? <v Kid 9>The same thing. We're both Latino. <v Kid 9>They go no, I'm I'm I'm uh h- Hispanic. <v Kid 8>I don't like to think about other people because of their color and stuff. <v Kid 8>But sometimes I can't help myself and I do. <v Sue Horton>Let's in the editorial talk about how right here at home we need to to start <v Sue Horton>at this school eliminating prejudice. <v Sue Horton>Who wants to come up with a sentence? <v Kid 5>Even at- even at Martin Luther King, many people are prejudiced. <v Sue Horton>OK. <v Sue Horton>And what can we do to alleviate that here? Mhmm?
<v Kid 10>Students must get along with each other and be friends with <v Kid 10>with each other. <v Sue Horton>OK. And and it's despite ethnic differences. <v Sue Horton>Right. <v Kid 9>People should decide on how they act instead <v Kid 9>of how they look. <v Sue Horton>OK. Good idea.People should be judged by how they act rather than how <v Sue Horton>they look. <v Mary Lewis>Do you think you have enough information to base your judgement on. <v Kid 9>No. <v Mary Lewis>So what do you think you should do to get the information so that you can <v Mary Lewis>base your judgment on that? <v Kid 9>Um think ?I? should give them the newspaper? <v Mary Lewis>I've been at Martin Luther King for 5 years and I've been teaching <v Mary Lewis>18 years. I've always taught in the inner city schools in L.A. <v Mary Lewis>and in Chicago. The students love the newspaper project
<v Mary Lewis>and it's the growth that I have seen in them, just self-esteem. <v Mary Lewis>Let alone the academics of it. <v Mary Lewis>It's marvelous. I wish every school could have it. <v Mary Lewis>[bell rings] I <v Mary Lewis>really enjoy working in the inner city and <v Mary Lewis>I find that I'm rewarded, you know, by the kids. <v Mary Lewis>Uh kids will always come back to me and, you know, tell me what I did for them or what <v Mary Lewis>they learned. And that's an incentive to stay where I am. <v Mary Lewis>I've known many teachers that have worked in the inner city that didn't wanna stay and <v Mary Lewis>left [sirens]. They feel their own safety is threatened by going into <v Mary Lewis>the inner city and they feel that minority children, <v Mary Lewis>ya know quote, just don't have it. <v Mary Lewis>I can understand, you know, being afraid to come into the neighborhood and stuff.
<v Mary Lewis>But I don't understand you know the inference that minority children you know <v Mary Lewis>don't have the intelligence, of the white children. <v Mary Lewis>Before the riots, a number of teachers would. <v Mary Lewis>You would walk over to Burger King for lunch. <v Mary Lewis>And now since the riots and all of the unrest <v Mary Lewis>teachers are hesitant about walking across the street. <v Mary Lewis>With all the newspaper articles and the magazines and everything that was written <v Mary Lewis>about the riots. <v Mary Lewis>I really felt bad when I would ?read?, you know, <v Mary Lewis>if this doesn't change your will uh you know, every whitey that comes <v Mary Lewis>into the neighborhood, we're gonna get him. <v Mary Lewis>And, you know, I haven't done anything and I don't think that I should be a target. <v Mary Lewis>Just because I'm white. <v Mary Lewis>I would say the majority of white teachers don't live in the neighborhood.
<v Mary Lewis>I lived in West L.A., I was renting an apartment and I live with my son. <v Mary Lewis>And I decided that I would, you know, buy something and I couldn't afford <v Mary Lewis>anything in the city. <v Mary Lewis>And this is one of the places that I could afford. <v Mary Lewis>At one time I would have considered living you know in <v Mary Lewis>the inner city. But I didn't and I had problems <v Mary Lewis>and being alone now, it's not worth it. <v Mary Lewis>I have no one else to rely on except myself, and if something happens to me, <v Mary Lewis>then I have no means of support ?or does? <v Mary Lewis>my son. [music plays] <v Woman 3>I stand before you as representative of the Los Angeles Police Department to let you know
<v Woman 3>we the police officers, excepted Francis <v Woman 3>as a member of our family. <v Man 6>I'm so very, very pleased that representatives of the police department are here <v Man 6>because Francis understood the importance of discipline <v Man 6>and the special charge that those who maintain discipline have as their own <v Man 6>personal burdens. [singing] <v Officer Reggie Page>My relationship d- uh developed over the years with uh Evangelist Williams, she's been a
<v Officer Reggie Page>very strong uh person within her community. <v Officer Reggie Page>She worked not only with the good citizens of the community, but she also worked with <v Officer Reggie Page>those uh gang members and troubled kids. <v Officer Reggie Page>And her message was spiritual, giving the counseling that maybe <v Officer Reggie Page>other people couldn't take the time to give to those who need it. <v Reverand Evans>?inaudible? and I'm Reverand Evans. <v Man 8>Reverand Evans. <v Reverand Evans>So it's a great thing to see man <v Reverand Evans>of your caliber participating in uh, a home going service like this. <v Reverand Evans>Oh, yes. ?inaudible? <v Man 8>Basically, I got the information that she had passed away and we spoke with family <v Man 8>members. We asked, was there anything in which we as officers could do <v Man 8>or participate uh in the celebration of her life as well <v Man 8>as in her death? And they they asked if we would mind being pallbearers. <v Reverand Evans>Let us bow our heads. Our father, our God. The maker and creator of all mankind. <v Officer Reggie Page>I think she won a great deal of admiration and respect within
<v Officer Reggie Page>our community. Uh you know, I grew up in a a a community that had a kind of an extended <v Officer Reggie Page>family. You know, I grew up in New York, in Harlem. <v Officer Reggie Page>And when my mother was working, there were people that kind of looked out for me. <v Officer Reggie Page>And I think she represented what in terms I grew up with. <v Officer Reggie Page>And the point is, is that that kind of impact within a community still works. <v Margie Evans>And Francis came out with no fear and approached these gangs. <v Margie Evans>Now that takes something. <v Margie Evans>I mean, you have to have a strong faith, belief in God to go out here and tackle <v Margie Evans>this kind of generation. <v Woman 4>She's one of the few persons I know that took the time out with the gang members. <v Woman 4>She wasn't afraid to talk to the gang members. <v Woman 4>She would put her arms around 'em and love 'em. [fades out] <v Man 9>Wants to listen and take time to reach out a hand of love and their lives
<v Man 9>have been changed, gang members and others whose lives have been changed because of her <v Man 9>love, because of her concern. [singing] <v Bernard Ricketts>I was scared to death on many occasions because <v Bernard Ricketts>she has woke up in the night with a gun in her face, and she said, Praise the Lord, <v Bernard Ricketts>what you need, take it. <v Bernard Ricketts>And they would take it er, in one occasion uh she related to me, the <v Bernard Ricketts>fellow climbed back out the window and said, I'm sorry, ma'am. <v Margie Evans>One of the young gang bangers that lives possibly right in front of us. <v Margie Evans>This young man had been verbally abusing her in front of all of the neighbors. <v Margie Evans>Yeah. Insultin' her and insultin' her. <v Margie Evans>And then a couple of weeks ago, she was in the yard watering. <v Margie Evans>She'd said the berries or something, had been on the ground and she needed to get them up <v Margie Evans>because there was tracking in the house.
<v Margie Evans>And he came over and said, I apologize to <v Margie Evans>you for what I have done. <v Margie Evans>It's amazing to me. It's amazing and all of those all of us who believe that <v Margie Evans>God is real. We know that is a testimony within itself. <v Margie Evans>That was for me and my understanding, her home going joy, <v Margie Evans>that this young man chose to come over and give her the reward, something <v Margie Evans>that she was working so hard for and embraced her after that, put his arms <v Margie Evans>around her and told her he loves her. <v Officer Reggie Page>The most astonishing thing that I can remember about Evangelist Williams is that we would <v Officer Reggie Page>have block club meetings. She would, no matter what, if there was one person in at <v Officer Reggie Page>her home, she'd make it as if there were 50. <v Officer Reggie Page>She had that much energy and fortitude to persevere, no matter what the obstacles. <v Officer Reggie Page>No matter what the uh indifference was. <v Officer Reggie Page>South-west is an extremely unique division uh it encompasses every strata, every income,
<v Officer Reggie Page>every ethnic group within the city of Los Angeles. <v Officer Reggie Page>The office is called PACE Police Assisted Community Enhancement, and what we've done <v Officer Reggie Page>is gone into the community and had the community assist us and we <v Officer Reggie Page>assist the community. Sometimes I get people to participate. <v Officer Reggie Page>Other times I'll make an assessment of the year. <v Officer Reggie Page>I say this is what we have as a problem, be it narcotics. <v Officer Reggie Page>This is what we need to do to eliminate this narcotics problem. <v Officer Reggie Page>If it means everyone in the community are putting a particular lighting <v Officer Reggie Page>system on their front porch, that's something that as a community they can do and work <v Officer Reggie Page>together in doing. <v Margie Evans>And I believe they will do this in every community if people would give them a chance <v Margie Evans>and just see them as human beings and stop putting them up there, it's like some- what <v Margie Evans>do you call it? The robot cop? I think they've seen too many movies. <v Margie Evans>All these machines, these are human beings with loving hearts and families. <v Officer Reggie Page>My uh son is 9 years old and he's quite proud of me and I'm quite proud <v Officer Reggie Page>of him. During the um the King trial, we discussed it in
<v Officer Reggie Page>uh terms of what was taking place. <v Officer Reggie Page>Uh I also explained to him that as there are good officers there are also bad officers. <v Officer Reggie Page>And uh I went further to say that there are good and bad people in every walk <v Officer Reggie Page>of life and that it is not in terms of how a person looks as it is from what <v Officer Reggie Page>they get from their heart and what they get from their mind. <v Reverand Evans>I wonder, I wonder. <v Reverand Evans>Will I welcome death when life on earth is done. <v Reverand Evans>I wonder. I wonder did I end my tasks with the setting of the <v Reverand Evans>sun. I wonder. ?inaudible? <v Officer Reggie Page>Did my relationship was <v Officer Reggie Page>a setback because of the riots, my relations with people did not suffer. <v Officer Reggie Page>I think I've worked with people long enough that they know who I am as an individual and <v Officer Reggie Page>they respect who I am. <v Officer Reggie Page>Of course, um I felt particular setback in that I had <v Officer Reggie Page>lived through two riots, one at both in Harlem when I was growing up, and that I just <v Officer Reggie Page>never thought I'd see a city come to that or its people come to that
<v Officer Reggie Page>ever again. <v Margie Evans>I don't know uh what the future holds, but I pray <v Margie Evans>that we all as people learn to respect each other and continue <v Margie Evans>to uphold the policemen that are good people. <v Margie Evans>Cuz I wouldn't wanna live in Los Angeles or nowhere else in this world without law. <v Officer Reggie Page>[inaudible speaking in background] Point is, is that uh law enforcement is not the end <v Officer Reggie Page>all answer for the social ills of our community. <v Officer Reggie Page>It's something that we have to as people realize and then really want to do something <v Officer Reggie Page>about. I think uh the community itself <v Officer Reggie Page>sees a different officer now, and that in itself is a switch. <v Officer Reggie Page>I've had many, many people come up and say thank you for a job that you're doing. <v Officer Reggie Page>I wouldn't have your job for the world, but I'm thankful that you're at least doing it. <v Officer Reggie Page>[woman singing] <v Reverand Evans>Life is real and life is honest, but the grave is not to go. <v Reverand Evans>We come to celebrate a homegoing Francis Williams.
<v Reverand Evans>[sirens] [music] <v Bona Lee>[inaudible arguing] You have no right to take anything from our property. <v Bona Lee>There is a big sign, no trespass, you know? <v Bona Lee>[arguing continues] <v Bona Lee>This is my property, this there my money's in here.
<v Bona Lee>This is all my 20 years monies in here. <v Bona Lee>You stupid. <v Bona Lee>And they don't even fear anything here. <v Bona Lee>They don't even think anything bad about, you know, they think that that is right. <v Bona Lee>Universe justice ?inaudible?. <v Bona Lee>You know there is no justice. Don't look at me like that. Ya know, what did you do? <v Bona Lee>When I paid a taxi ?inaudible? <v Bona Lee>and then you're still and your breaking. <v Bona Lee>You know, I mean, you guys have understanding. <v Bona Lee>You know what, what they doing you know take a picture what they doing? <v Bona Lee>OK. <v Man 10>I'm ?gonna take that from you?. You understand that? You understand that? <v Bona Lee>[traffic sounds] My husband came here 'bout 21 years ago and I came here 'bout 19
<v Bona Lee>years ago. About 19 years ago. <v Bona Lee>And my chil- my two children was born in here. <v Bona Lee>When I was little, I always dream about America as the country of <v Bona Lee>the, you know, opportunity, a country of the freedom, you know. <v Bona Lee>That's why ?inaudible? coming over here. <v James Lee>They're working really hard, you know, she work in post office and uh <v James Lee>[Bona: I've been working post office for 15 years] 15 years- <v Bona Lee>And then during the day time [James: Day time working, working real estate and uh-] <v Bona Lee>[Bona and James talking at same time] ?inaudible? Sometimes I work in doctor's office. <v Bona Lee>Sometimes I'm selling the insurance, sometimes you know, I learn <v Bona Lee>some new things and I go back to patients and I learned some <v Bona Lee>other scary ?inaudible?. <v Bona Lee>I never I never sleep more than five hours.
<v Bona Lee>You know, last 20 years. <v Bona Lee>And then we save all this money. <v Bona Lee>And finally, this this is my first business, you know. <v Bona Lee>And we save all the money and get us some bank loans. <v Bona Lee>And then we build, I mean we ?started? <v Bona Lee>this business. And that's just it, it's gone like ash. <v Bona Lee>The mass media, they took him, but, you know, another the career march and <v Bona Lee>shooting on that day and on the ?inaudible? and stories. <v Bona Lee>You know, why didn't I mention how many Korean merchandise, the black <v Bona Lee>?peoples? ?inaudible? you know. If they didn't ?stop? <v Bona Lee>stealing, you know, it's never gonna happen. <v Bona Lee>If they're not coming, my store tried to stealing the black people never gonna <v Bona Lee>?inaudible?. It's not- whoever. <v Bona Lee>It's not a ?black and Korean?. You know, why do people keep saying about the black <v Bona Lee>African American and Korean American, you know? <v Bona Lee>There's only one merchant and another, you know, customers things.
<v Bona Lee>And then if they keep saying about those things in racism, you know <v Bona Lee>how bad the people died you know? <v Bona Lee>Last year, so 46 peoples died from the <v Bona Lee>?inaudible?. You know why? How are they gonna explain about they and [Camera man: these <v Bona Lee>Koreans who] Korean ?inaudible?, the liquor store honors the <v Bona Lee>dead last year. 'Bout 45, 46. <v Bona Lee>You know, why didn't they mention about that? <v Bona Lee>And they mention, you know, one one teenager <v Bona Lee>?inaudible? by a Korean merchant and they raised racist things. <v Bona Lee>And then another thing, they never even mention about it. <v Bona Lee>I supposed to understanding their anger you know, and then I supposed to be <v Bona Lee>and understanding their anger and they for- forgive them, you know, but <v Bona Lee>who gonna understand my anger inside my mind, you know, who gonna pay or <v Bona Lee>you know this. You know, how can I express my feelings?
<v Bona Lee>Like, you know, like the vandalism and hatred. <v Bona Lee>You know what else we can do? You know? <v Bona Lee>I mean, maybe there is some ?inaudible?, you know, maybe the outside of the, you know, <v Bona Lee>maybe physically. You know I mean the- it's kind of looks same as before. <v Bona Lee>But inside, you know, the- emotionally, I don't think until <v Bona Lee>I close my eyes and until I- you know, until I'm dead, you know, <v Bona Lee>I never gonna feel same as you know the people ?walk? <v Bona Lee>in my store. You know, it's- I'm a human being. <v Bona Lee>I can't be like a god, you know. <v Bona Lee>I can't be a somebody like, you know, high authority. <v Bona Lee>I'm only the person I'm only the, you know, ?small? <v Bona Lee>business people. I cannot be same as I cannot be <v Bona Lee>always nice as before. <v Bona Lee>Maybe I tried to be nice, but there is no healing at all, period. <v Bona Lee>Yeah. <v Dr. Khalid Mohammad>The most Honorable Elijah Mohammed at one point sent his
<v Dr. Khalid Mohammad>national assistant and national spokesman, Minister Malcolm <v Dr. Khalid Mohammad>X, to this area during the late 50s to establish <v Dr. Khalid Mohammad>a self-help or self-reliance program for black people. <v Dr. Khalid Mohammad>This is one of the most oppressed, repressed and depressed <v Dr. Khalid Mohammad>areas in the entire city of Los Angeles. <v Dr. Khalid Mohammad>And of course, where the greatest pain, the greatest hurt, the greatest frustration <v Dr. Khalid Mohammad>and disenfranchisement, wherever that is, it is always <v Dr. Khalid Mohammad>the potential for sparks, no matter how small, to <v Dr. Khalid Mohammad>ignite the fire that burns forever in the souls and <v Dr. Khalid Mohammad>minds and hearts of the oppressed. <v Dr. Khalid Mohammad>And so the black man and woman of this area, Rodney King was almost <v Dr. Khalid Mohammad>insignificant. Just the straw that, in a sense, broke the camel's back. <v Dr. Khalid Mohammad>If you rebuild Los Angeles, we're talking about a return to the <v Dr. Khalid Mohammad>status quo. If something is built and then we speak of
<v Dr. Khalid Mohammad>rebuilding, we are talking about business as usual. <v Dr. Khalid Mohammad>Black people have no vested interest in the rebuilding of Los Angeles <v Dr. Khalid Mohammad>for the same bloodsuckers of the black community to return to their shops <v Dr. Khalid Mohammad>and stores will do nothing for the condition of black people. <v Dr. Khalid Mohammad>The wretched condition, I might add, of black people here in South Central <v Dr. Khalid Mohammad>and the South Centrals all across America where we should expect the <v Dr. Khalid Mohammad>same thing to erupt. <v Dr. Khalid Mohammad>We say to our brothers and sisters who come in uh the ?La Raza?, <v Dr. Khalid Mohammad>brothers and sisters, Chicano, as we say to them, the same dog <v Dr. Khalid Mohammad>that bit you bit us, too. <v Dr. Khalid Mohammad>We are the same people. We are one family. <v Dr. Khalid Mohammad>And when we see this kind of unity by the black and the brown and the red <v Dr. Khalid Mohammad>begin to pull together against a common enemy and a common oppressor, <v Dr. Khalid Mohammad>then the enemy is in serious trouble. <v Dr. Khalid Mohammad>Certainly we have some difficulties to work out as among
<v Dr. Khalid Mohammad>our brothers and sisters they have their dif- difficulties to work out and we have <v Dr. Khalid Mohammad>internally, as we just spoke of the Crips and Bloods, but it just doesn't stop at Crips <v Dr. Khalid Mohammad>and Bloods. We have to also deal with those who have [audio cuts out] the B.S. <v Dr. Khalid Mohammad>and the M.A. and the PhD degree and those who are in <v Dr. Khalid Mohammad>corporate America and those who wear the blue uniform on the police force or wear <v Dr. Khalid Mohammad>the uniform of the sheriff's department who happen to be black, who might, in a <v Dr. Khalid Mohammad>condescending way, deal with the black community where there are others who <v Dr. Khalid Mohammad>we find there's a growing consciousness among black policemen and black sheriffs <v Dr. Khalid Mohammad>and blacks who in corporate America. <v Dr. Khalid Mohammad>I would hope it would be my sincere desire that as we do all <v Dr. Khalid Mohammad>of this, that the black community would become stronger and more viable <v Dr. Khalid Mohammad>and tighter, and that we would stop depending on some white man <v Dr. Khalid Mohammad>in Washington, DC or some white man at the state capitol, but <v Dr. Khalid Mohammad>that we would begin to believe that the only help we have and the
<v Dr. Khalid Mohammad>only hope we have is in our God, the God of our ancestors and our forefathers <v Dr. Khalid Mohammad>and the spirit and power of that God that is in the person <v Dr. Khalid Mohammad>of the black man and black woman here in this community. <v Dr. Khalid Mohammad>Then and only then will we be able to say, in the words of Dr. <v Dr. Khalid Mohammad>King. Free at last. <v Dr. Khalid Mohammad>Free at last, thank God Almighty. <v Dr. Khalid Mohammad>Then and only then will we be free at <v Dr. Khalid Mohammad>last. <v Man 11>[children jumping rope and counting] How long you been on this one? <v Woody Taylor>Been on this one 27 years. <v Woody Taylor>Been in the service 35. Yes. 37 ?inaudible?. <v Man 11>So what is your route basically? <v Woody Taylor>Uh I got the avenue's third, fourth and fifth from fifth to fourth to?
<v Woody Taylor>inaudible? and back and the side streets, a 52nd, 48 and ?inaudible?. <v Woody Taylor>[dogs barking] <v Woody Taylor>Hey! <v Woman 5>Hello there. <v Woody Taylor>How you doing? <v Woman 5>I'm fine. How are you? <v Woody Taylor>Not too bad. <v Woody Taylor>I think that's all today. <v Woman 5>What's this about? <v Woody Taylor>?inaudible? <v Woman 5>Oh we have a splendid area. <v Man 11>How is this so peaceful here? <v Woody Taylor>Since the riot? <v Woman 5>Um I don't know. Most residents in here are longtime residents and we <v Woman 5>value our property and we take care of it as you can see. <v Woman 5>And uh I think I've only lived here 26 years. <v Woman 5>And [laughs] so we we do care about our property and our area, our community <v Woman 5>at large. <v Woman 6>If you look at the media, they'll show you the slum areas, but they do not <v Woman 6>show you the areas of people that have worked out a lot of years.
<v Woman 6>Right. Most of the people in this area are retired now and and like she said take a lot <v Woman 6>of pride into their homes and where they live. <v Woman 6>And so they pick that and deplete the part that they would like for <v Woman 6>the rest of the world to see, but not actually seeing the way that we are and the way <v Woman 6>we live. <v Woody Taylor>Morning, good morning! <v Woman 7>Morning! How are you this morning? <v Woody Taylor>?inaudible? <v Woman 7>Wait! Is this a movie? <v Woody Taylor>You know it. <v Woman 7>Alright, great! How is everything? <v Woody Taylor>?inaudible? <v Woman 7>[laughing] Fantastic, isn't that great. <v Woody Taylor>?inaudible? <v Woman 7>A little later on today. <v Woman 7>Yeah. Do you know one really good? <v Woody Taylor>Um more or less, guessin' today. <v Woman 7>Guessin'? What's a good guess? <v Woody Taylor>Uh ?inaudible? <v Woman 7>?inaudible? I'll put a ?50 to 1? on it- <v Woody Taylor>Thank you. [woman laughs] Thank you. <v Man 11>Can I ask you guys a couple of questions? <v Woman 7>Yes. <v Man 11>How long have you been living in the neighborhood? <v Woman 7>20 years. <v Man 11>20 years. And you've known Woody? <v Woman 7>20 years. [laughter] As long as he's been our postman, 20 years.
<v Woman 7>Great guy. [Husband: great man, yeah]. Very good. <v Woman 7>Fantastic. <v Man 11>So what kind of neighborhood was it like 20 years ago when you first moved in? <v Woman 7>Well, it's uh just about the same to me. <v Woman 7>Yeah. It hasn't changed that much. <v Woman 7>Same neighbors for 20 years. <v Woman 7>We've had the same neighbors, only maybe a few across the street or just moved <v Woman 7>in recently. But all these people have been living here all that same time. <v Woman 7>Mhmm. <v Man 11>So between um, so what happened after April 29th? <v Woman 7>They're still here. No changes. <v Woman 7>We're still here. Everything's the same. <v Woody Taylor>Attitudes uh were shortly after April 9th, I guess kinda, heated. <v Woody Taylor>But now they're getting back to normal. <v Woody Taylor>You know, people are kind of calming down a bit and attitudes are getting back to normal, <v Woody Taylor>especially in you know my area here where I carry the mail. <v Speaker>[audio cuts out] [video skips] <v Woody Taylor>OK. They're ?accepting?
<v Woody Taylor>situations as they are knowing that there's nothing that <v Woody Taylor>they can or we can do about it. <v Woody Taylor>So they're just accepting the situation as is. <v Woody Taylor>The new generation, the new breed <v Woody Taylor>uh with no jobs, with an idle mind, with nothing to do <v Woody Taylor>and uh not getting the proper education that they need to go out into <v Woody Taylor>society. You know, this kind of affects them. <v Man 11>But you don't see ?inaudible? right now. <v Man 11>?inaudible? <v Woody Taylor>No. <v Woody Taylor>Most of my younger people in my neighborhood are more <v Woody Taylor>or less disciplined by the people that you've seen here, you know, by the elders. <v Woody Taylor>And I don't have that problem in the media and certainly not on my route. <v Man 11>How could there be such a big difference? <v Man 11>It's amazing.
<v Woody Taylor>I would say that uh people and environment itself. <v Woody Taylor>You have some kids that have been gang orientated for so long <v Woody Taylor>until that, you know, it's hard to accept change. <v Woody Taylor>[video skips] It's hard for them to want to change.
- Series
- Life & Times
- Episode Number
- No. 198
- Episode
- Special Edition: Exit King Blvd.
- Segment
- Part 1
- Producing Organization
- KCET (Television station : Los Angeles, Calif.)
- Contributing Organization
- The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia (Athens, Georgia)
- AAPB ID
- cpb-aacip-526-154dn40t1g
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-526-154dn40t1g).
- Description
- Series Description
- "As an institution, KCET responded to the Los Angeles riots in four distinct ways: "KCET's MacNeil/Lehrer NewsHour team offered in-depth coverage of breaking news throughout the civil unrest. "Within 24 hours of the outbreak of violence, 'Life & Times,' the station's nightly public affairs program, was on the air with the first of a series of studio discussions. Within 72 hours, the program became a forum for a 90-minute Town Hall meeting bringing together a diverse group of 40 community leaders for a brutally frank analysis of problems, trying to chart early steps to help and the nightmare burning through our communities and heal the damage done. "'Life & Times' sustained its involvement with these issues after the violence subsided. In a follow-up Special Report 'Exit King Boulevard.' This program allowed residents of the most affected communities to voice their thoughts, feelings and reactions to the devastation'and show viewers first-hand the personal depth of the problem. Six months later, 'Return to King Boulevard' [revisited] the community to show what progress had been made and the many problems that remain unanswered. "Finally, in the days following the riots, KCET offered psychological services by phone in a service called 'A Chance to Talk.' For 10 days, 200 volunteer graduate students from UCLA's School of Social Welfare gathered at KCET phone banks to provide person-to-person counseling in English, Spanish, and Korean. Counseling messages were broadcast hourly on KCET with phone numbers to call from morning until well into the evening."-- 1992 Peabody Awards entry form
- Broadcast Date
- 1992
- Asset type
- Episode
- Media type
- Moving Image
- Duration
- 01:00:44.116
- Credits
-
-
Producing Organization: KCET (Television station : Los Angeles, Calif.)
- AAPB Contributor Holdings
-
The Walter J. Brown Media Archives & Peabody Awards Collection at the
University of Georgia
Identifier: cpb-aacip-6fd3141909c (Filename)
Format: U-matic
Duration: 1:27:00
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- Citations
- Chicago: “Life & Times; No. 198; Special Edition: Exit King Blvd.; Part 1,” 1992, The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed November 17, 2024, http://americanarchive.org/catalog/cpb-aacip-526-154dn40t1g.
- MLA: “Life & Times; No. 198; Special Edition: Exit King Blvd.; Part 1.” 1992. The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. November 17, 2024. <http://americanarchive.org/catalog/cpb-aacip-526-154dn40t1g>.
- APA: Life & Times; No. 198; Special Edition: Exit King Blvd.; Part 1. Boston, MA: The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-526-154dn40t1g