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Transcript
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Susan. Susan. Ooh ooh ooh ooh. Ooh ooh ooh yeah.
Ya. Ya. Ya ya. Ya ya. Yeah. What. The. Theme. You.
Know. What. Think.
Eh eh. Eh eh eh eh. Lol. Lol. Lol. Lol. LOL LOL.
Lol. Who.
Was. The One. Who knew I. Would. Do what. You. Do. You're.
Sure. Way. Way way. Way. Way way
way. Way. Thank. Ye. Thank. Ye e. I e. I e. I e. Way. The two.
Weeks. Such. AS.
The thing. Was. Cut the. Coolin. Coolin.
Coolin. Coolin. Play. Play. Thank you. It has weakened. To. Death. Really by Marie through them. Michael. Writes. With a fixed and knowing permanent musical director and conductor of the orchestra
directed. Before introducing the final work on today's broadcast let's pause briefly now for station identification This is the national educational radio network. You want to sing to the 12th in a series of broadcasts of regular subscription concerts especially selected from the archives of the Detroit Symphony Orchestra produced by the University of Michigan broadcasting service for national educational radio. And read write in aid from the National Home Library Foundation. Today's concert is being conducted by Sexton elling Rahman a musical director and conductor of the Detroit Symphony. Comes from the orchestras permanent home of the Henry a natural Ford Auditorium in Detroit's Civic Center.
Not until Angeline voice shock had written six symphonies Did he succeed in having one published. The year was 1880 in 1884 the composer was in London where he conducted a performance of his stop about matter before 12000 persons in Royal Albert Hall. The ovation surpassed all expectations. Even the critics praised his conducting as well as his composition. This episode in the composer's life was a turning point for him in his commercial relations with publishers. From this time on he experienced little if any serious difficulty in having his work spread it. In fact publishers many of them begged for the privilege and paid accordingly for publication rights. The fact that more shocking publisher acceptance so late in his professional career after read composed of six symphonies and the fact that there was then was somewhat of a scramble on the part of the publishers to secure the composer's permission to publish or lead to a great deal of confusion as to the order in which the symphonies were created. Actually the one we're about to hear is number two but was the chronological
seventh. Of the workers in the usual four movement symphonic form. The first is marked Allegro Maestro So it's followed by the Poco Adagio and the Scots of the lottery of the second and third movements respectively. In the symphony concludes with the fourth movement March finale Vivace. The Detroit Symphony Orchestra is heard in a performance of the Symphony Number two in D minor Opus 7 day by Antony verge on 16 Ellington ducks. In the.
War. Plane.
Org. Cut. Why.
Or why. Nineteen. Hundred.
Nineteen.
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Series
Detroit Symphony Orchestra
Episode
Tchaikovsky, Ravel, and Dvorak, part 2
Producing Organization
University of Michigan
Contributing Organization
University of Maryland (College Park, Maryland)
AAPB ID
cpb-aacip/500-qr4nqk1n
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/500-qr4nqk1n).
Description
Episode Description
This program, the second of three parts, presents part of a concert that included performances of pieces by Tchaikovsky, Ravel, and Dvorak. The Detroit Symphony Orchestra is conducted by Sixten Ehrling.
Series Description
Detroit Symphony Orchestra concert series, recorded at the Ford Auditorium on the Detroit Riverfront.
Broadcast Date
1966-11-29
Topics
Music
Media type
Sound
Duration
00:30:43
Credits
Conductor: Ehrling, Sixten
Performing Group: Detroit Symphony Orchestra
Producing Organization: University of Michigan
AAPB Contributor Holdings
University of Maryland
Identifier: 66-42-12 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
Duration: 00:30:29
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Citations
Chicago: “Detroit Symphony Orchestra; Tchaikovsky, Ravel, and Dvorak, part 2,” 1966-11-29, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed October 9, 2024, http://americanarchive.org/catalog/cpb-aacip-500-qr4nqk1n.
MLA: “Detroit Symphony Orchestra; Tchaikovsky, Ravel, and Dvorak, part 2.” 1966-11-29. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. October 9, 2024. <http://americanarchive.org/catalog/cpb-aacip-500-qr4nqk1n>.
APA: Detroit Symphony Orchestra; Tchaikovsky, Ravel, and Dvorak, part 2. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-qr4nqk1n