KUNM Radio Promos

Hello, this is Garrison Kieler inviting you to spend some time with us this weekend for a Prairie Home Companion. We get together with friends for music, company, some fun we hope. The news from Lake Wobboggan, our little town that time forgot. Hello, this is Garrison Kieler inviting you to join us for Prairie Home Companion here on KUNM in Albuquerque. All look who's coming through the door. I think we've met somewhere before. Hello, hello.

Hello, everybody, this is Garrison Kieler hoping we can meet again for Prairie Home Companion. Broadcast here at 90.1 FM, KUNM, Albuquerque, we'll look for you then. KUNM, KUNM, Albuquerque, we'll look for you. Thank you very much for joining us for Prairie Home Companion in Albuquerque.

Voices a child in time, a new four-part series of original collaborative works of radio art premieres with this imaginative treatment of childhood games and the play of time written by Everett Frost and composed by Edward Cancino, an engaging half-hour of original radio art. Thank you very much for joining us for Prairie Home Companion in Albuquerque.

Enter the circle. A mother and daughter search for each other as the daughter struggles to find an identity in the confusion of growing up in a violent world. This compelling story is sung and chanted in a variety of folk rock and country styles in this powerful half-hour of original radio art written by Susan Griffin and composed and conducted by Elizabeth Swaydos. Next, invoices series of commissions of collaborative works for radio. She wondered whether she should try to kiss him.

He tried to boast of his prowess. She was impressed by his renewed attentions. He reached to kiss her. She met her in the park. Boy meets girl in the deceptively simple but highly structured text written by Richard Costellanitz for a sound realization by Charles Dodge in this original collaborative half-hour of radio art. The result is an engaging and amusing examination of the structure of language and of sound. Another program in a series of commissions of original collaborative works for radio from voices. Whisperings, 80 elderly women gathered on a beach in San Diego to celebrate, discover, and share

their experiences of aging in a performance designed by artist Suzanne Lacey. From the recordings of these voices, from studio recordings, and from a meditation on aging by Esther Broner, text sound artist Susan Stone composed a compelling work of audio art. Another program in a series of commissions of original collaborative works for radio from voices. There is an avalanche occurring, a slippage. The calendar is reckoning time at a reckless speed. All my features will slide off my face. The cabinet of Dr. Fritz. Every week, one half hour of bizarre, surreal, horrific,

and humorous stories, recorded in Kunstkopf by Novel Sound. The cabinet of Dr. Fritz, three-dimensional sound from National Public Radio. Welcome to the cabinet of Dr. Fritz. Here you will find stories that are surreal, bizarre, mystical, humorous, and horrific. It is important that you listen with headphones. This is a Kunstkopf by Novel Sound Experience. Sound that surrounds you above, below,

all around you. Please put on your headphones. Good. Now, the cabinet of Dr. Fritz, is you? The cabinet of Dr. Fritz, three-dimensional sound from National Public Radio. You must become the cabinet of Dr. Fritz. Hour. Hour. No, no, no, no. I don't mind. Come back. She won't come back. Ever.

I'm exhausted. She's already exhausted. I've never been able to feel lonely for three days. Dr. Fritz. The cabinet of Dr. Fritz, three-dimensional sound from National Public Radio. Dr. Fritz. The cabinet of Dr. Fritz, three-dimensional sound from National Public Radio.

Childhood memories come alive and skip through the shadows, scenes from childhood. Reenter the world of childhood with skip through the shadows, scenes from childhood. I had a favorite tree that I climb and I'd sit up in that tree for hours and hours and hours and just watch the sky and watch the clouds.

Childhood memories come alive and skip through the shadows, scenes from childhood. The mountain was my imaginary country and I built a picnic area and paths. Oh, I climbed heels all the time. That was my favorite thing to do. It was just to get out and be by myself. If you wanted to see what was on the other side of one of those ridges, you climb up to the top and there would be other ridges and you climb a little higher one and there's other ridges and they all fell away from you like petals in a rose. Reenter the world of childhood with skip through the shadows, scenes from childhood. Maybe possibly my whole life is a dream. It's confusing I know, but however it might be, I might be dreaming right now. I will never know. I will never know.

Now, the magic and mystery of poetry on fire, fire, burning bright from national public radio. The world of endless dreaming, I'm dreaming. I'm dreaming about flying in the sky. It's golden wings fall off and it walks up a staircase to another universe where everything's made out of rainbows and there's no such thing as darkness. The magic and mystery of poetry on fire, fire, burning bright from national public radio. Time is just there. We know it's there. It's everywhere around us. We can't

read time. No, we don't need time. Bobby, you're thinking time is 446. On fire, fire, burning bright, schoolchildren use poetry to explore subjects ranging from love and death to dreams and time. Time splinters into space. Even though it is everywhere, time has time. Time is so small. A bit of time moves space and another bit comes back in. Join host Richard Lewis for fire, fire, burning bright from national public radio. I just make up poems plainly without no tears in any music. It's harder. But when this music,

you could get the beat of it and then it just comes out. How and why do we make poems? What do poems tell us? And what do we seek to reveal to others through poetry? On fire, fire, burning bright, a group of schoolchildren use poetry to explore the world in which they live. The poem kind of really expresses your feelings more because the story, you got to set up a plot and everything. You know, a poem, you can just write what you feel. There's not one definition for poems. There's so many. It can make funny. Don't make sense. It can make sense. Feelings, emotions. Whatever you feel. Whatever you want to write about. Anything. Join host Richard Lewis for a fire, fire, burning bright from national public radio. Perspectives on the literacy crisis in America, a special series for public radio.

I know there's a lot of them out there. Most of them are in a closet. Even I was for a while, I would never tell nobody. I wouldn't work for years and nobody ever never knew I could not read. I'm saying that the whole question of literacy is a family question. The whole family needs to be part of the literacy movement. It's not as if we were doing everything that we knew how to do in our schools and we were still having this enormous problem. We are not teaching reading as effectively as we should. Explore the causes of adult illiteracy. Listen to what went wrong, airing soon on this public radio station. Perspectives on the literacy crisis in America, a special series for public radio. If you don't have the basics, then you're really lost. I don't know how it happened, but it managed to slip by without knowing those things and still passing most of the time. My writing was sloppy all the time and I couldn't spell some of the stuff and I couldn't read some

of the stuff. Since I've been going to school now, my writing's been doing really good and I've been learning a lot. I don't want to see people who in many instances it's the greatest thing in their life to say, I can't read. Suddenly, we told, well, we're sorry we want to help you, but not today. I think that's cool. What alternatives are open to adults who need to learn basic literacy skills? Listen to another chance, airing soon on this public radio station. Perspectives on the literacy crisis in America, a special series for public radio. To say that something is a national problem, it's not to say that it affords itself a federal solution. Nobody at the local level can possibly afford to address this problem. At very best,

and perhaps a couple thousand decent volunteers at the local level will make a small scratch in the surface of the problem. We've inherited a missionary approach to adult literacy education, and now helping the handicapped helping the poor unfortunate. If I weren't adult ill-literate, and I were hearing the messages being given out through our national awareness campaigns about the type of person I am, I would stay in the closet too. The politics of literacy, airing soon on this public radio station. A literacy program director in Chicago. We accepted a young man who had 14 and a half credits, close to graduation. He read at second grade level. A repairman in Washington, D.C. You can't wait no 10 years to know how to fill out a phone call. You got to know

that today, because you might have to cut half of them in tomorrow, but this is your life, this is your job. A New York Union official. Our members can't shift over to this service society the way everybody thinks it can be done, not without the skills of literacy. A volunteer in Louisville, Kentucky. When I came back the next time, the teacher said that he was over there waiting for me. He had turned down another tutor. I was so thrilled that he wanted to have me back. A mother of three in Watsonville, California. They used to look at me and go, Mommy, don't you know this word, and now I could say yeah, let's look at the picture, let's learn together. Perspectives on the literacy crisis in America, airing soon on this public radio station. Listen for dead souls, Nikolai Goggle's comic epic of surreal misadventure, where you won't hear this.

Even his colliers, colliers, were snowier. The things around his neck were really white. Join us for dead souls from National Public Radio. Join us for nine improbable episodes of Nikolai Goggle's incomparable comic epic, Dead Souls. In this masterpiece of surreal misadventure, you won't hear this. Madame Manilov rose from the divan on which she'd been sitting. What was that funny noise? Just then. No, not yet. But allow me to ask your name. Will they ever learn their lines? Will they ever learn their names?

To find out, listen to dead souls from National Public Radio. You know it's perfect. Performance today, it's the art of music, a new concept in listening. I'm Katherine Luminz Monday through Friday. We open our microphones to great music and to the people who created the performance of good music as it's happening now. It's performance today from National Public Radio. All the worlds estate Shaz National Public Radio brings you performance today.

America's only daily national radio program for the arts. It's classical music, drama and comedy, dance, all the arts and all forms. I'm Katherine Luminz inviting you to step into the world of performance today from National Public Radio. Truly great performances exceed the anticipation that precedes them. Now after considerable anticipation, a new performance program from National Public Radio performance today.

I'm Katherine Luminz host of this bold new venture. Monday through Friday will bring you a celebration of all the arts and all forms, music, theater, books, dance and even the visual arts. Plus a calendar for arts events across the country. It's another truly great performance from National Public Radio. It's performance today. This is John Gilbert. Join me in the Globe Radio Repertory for the third episode of Nikolai Goggles Bizarre Comedy Dead Soul. You're lying! If I were your superior official, I would hang you from the nearest tree.

From the exile, the struggle for refuge from Salvador killed one of my companions, Alfonso Acevedo, surrounded all his house and took them out. He was like dead here with a ballast on his head. It's very hard. From the exile, the National Public Radio. From the exile, the refugees remember the war that left the way to the United States

and his fight to stay here. From the exile, the National Public Radio. What do I do? You come along with me and enjoy yourself.

You'll need to have this fish in your ear. I beg your pardon. Without fish in your ear, you better listen carefully. You're going to get hooked to the hitchhiker's guide to the galaxy. So this is it. We're going to die. Yes. Except. No. Wait a minute. What's this switch?

What? Where? No, it's only through. We're going to die. You know, it's sometimes like this when I'm trapped in a fogon airlock with a man from Beetlejuice and about to die of asphyxiation in deep space that I really wish I'd listen to what my mother told me when I was young. I don't know. I didn't listen. Terrific. If you didn't listen to your mother, then listen to the hitchhiker's guide to the galaxy. Don't panic. You'll be hearing it soon. Right. Ring.

We can addition on Sunday if we do it properly. It should be less about today, less about current events, less about now, less about information, and more about process, about living, about people, how we live, who we are, what we do, what we hope to do. And that's what we'll try to do on the radio. Then there's real estate.

How would we cover that? And please do not tell me, Pakistan, DRA. Every Sunday paper, you know, runs an enormous real estate section. And I wonder, couldn't we be able to do a radio version of that? Obviously not offer houses for a sale as a coast to coast program, but spot various trends maybe patterns around the country. In all my time at National Public Radio, particularly on all things considered, a great mission of mine was to get the public involved in making the radio program. So on all things considered, we relied so often on our listeners for story ideas and to come on the air. I want to do that also on Sunday mornings, put the public on the radio. Mr. Mailman, would you talk to me a second for radio?

I'm asking people what's special about their Sunday mornings. Sunday will be my special day because I work Saturday. Sunday, you don't have to deliver the mail. No, no, no mail. That's good, but Monday we'll catch you. Yeah, thanks. Can you tell me, is there anything special for you about Sunday mornings? I'm usually asleep. Aside from that, no, there's nothing special about them, but it's nice even to play play. Yes, also, I like the idea that nothing happens for a long time on Sunday. Nobody gets started until about the middle of the afternoon. The hitchhiker's guide to the galaxy.

Yes, we're trapped. Well, didn't you think of anything? Oh, yes. Yes. But unfortunately, rather involved being on the other side of the airtight hatchway, they've just sealed behind us. So what happens next? The hatchway in front of us will open automatically in a moment and we'll shoot out into deep space and asphyxiate in about thirty seconds. So this is it. We're going to die. Yes. Except. No. Wait a minute. What's this switch? What? No, it's any fooling.

We are going to die after all. You know, it's at times like this when I'm trapped in a vogue on airlock with a man from Beetlejuice and about to die of asphyxiation in deep space that I really wish I'd listened to what my mother told me when I was young. Why? What is she showing you? I don't know. I didn't listen. I woke up this morning and thought I'd have a nice, relaxed day, a little bit of reading, fresh the dog, and it's now just after four in the afternoon and I'm already being fresh out of an alien spaceship, five light years from the smoking remains of the earth. All right, just stop panicking. Instead of anything about panicking. The hitchhiker's guide to the galaxy.

And news reports brought to you here on the Sub-Eathaway Band broadcasting around the galaxy around the clock and we'll be saying a big hello to all intelligent life forms everywhere. And to everyone else out there, the secret is to bang the rocks together, guys. And of course, the big news story tonight is the sensational theft of the new improbability drive prototype ship by none other than Z-Fart Beabobrocks. And the question everyone's asking is, as the big Z finally flipped. Beabobrocks, the man who invented the pan-galactic gargle blaster, ex-confidence trickster, part-time galactic president, once described by eccentric Uncle Umbitz as the best bang since the big one.

And news reports brought to you here on the Sub-Eathaway Band broadcasting around the galaxy around the clock and we'll be saying a big hello to all intelligent life forms everywhere. And to everyone else out there, the secret is to bang the rocks together, guys. And to everyone else out there, we'll be saying a big hello to all intelligent life forms everywhere. And to everyone else out there, we'll be saying a big hello to all intelligent life forms everywhere. And to everyone else out there, we'll be saying a big hello to all intelligent life forms everywhere.

And to everyone else out there, we'll be saying a big hello to all intelligent life forms everywhere. And to everyone else out there, we'll be saying a big hello to all intelligent life forms everywhere. And to everyone else out there, we'll be saying a big hello to all intelligent life forms everywhere.