¡Colores!; 608; A Mi Raza: The Writings of Sabine Ulibarri; Grandma Smokin (058)

You know how to get off the front end of the tape? I'm going to be about 345cm. Yeah. That's it. Okay. It needs to be saved by his foot. Are you seeing the way? It looks about right, doesn't it? Yeah. Okay. Now this was more like the close-up like I want the same framing. I think so. Okay. Right right there. Yeah. There we go. Bring it hand up just a little bit of your chin. There we go. Don't be afraid to favor her hand a little bit.

It's a little... You can come up just a touch. Yeah. That's what I was thinking. How's that? Your hand a little closer to your face. That's it. You just... You don't even have to smoke right now. You can try to keep your eyes on your body. Yeah. I'm sorry. Yeah. Right right there. Okay. Let's take it off. Keep your hand real close to your face. Right there. Okay. Okay. Let's try to drive.

Okay. You got a big piece of that. Try to... Try to drive if we can. Bring the hand down. Good. Let's just smoke just right. That's the one. I felt good doing it. Because I just let it go out and I felt it right. Let's cut. Got me laid down and pick it up. Yeah, sure. And then we'll do a little tapping also. Tighter? Are you okay there? No, a panel a little right. Right there.

Tilted up just a touch. There. Walk that. Okay, hold on. Okay. No, I just do... I'm just right on these long legs as they're going to be. No, I... Yeah. And any time. Go ahead, Angel. You want a hammer? Just set it back down in there. Okay. You put it back in there, Angel. Mm-hmm. Just where you picked it up. Okay. You tell me. Boy, that's a beauty. Just hold it there, Bob. We're going to need long shots. Mm-hmm. Yeah, no, this would be tough. But if she could pick it up again and get it smoking a little bit and then set it back down, sure it would be nice. Okay. So she could just go ahead and go ahead and pick it up, Angel. Yeah, right.

And I know it's tough if you can get it going a little bit so it's... Oh, that's good. And then just set it down right back where you had it. You've got a little more smoke left. Oh, that's perfect. Is it still in a focus, Michael? Yes. You're... Don't touch anything. I couldn't... I couldn't see the front. Okay. Did that look a little better? You get a little more smoke out of that? Very good. Okay. Just let her go. Mm-hmm. Mm-hmm. Okay. Now, Angel, what I'd like you to do is just pick it up. Tap it. Noxamash is off and pull it right back out so you're just tapping it. That's all. Just tapping it and put it back down again. Tap it. Take it to my mouth. And pick it up. Take it. Take it out. Okay. Don't smoke it. You don't have to. We'll just wait a second. No, I see what you need. Now, just go over. Tap the... A little closer to the ash tray this time when you do that. Okay. Oh, I'm sorry. That's okay. When you tap it, if you could tap it, yeah, right in there. Yeah.

And one more time for tapping. Okay. Bring it back up. That's all I needed. Yeah. I just need to see a little bit more going on there. Oh, I love that shot. Oh, thank you. Now, the trick would be to get to cigar smoking. We need to get Bob on that. Okay, settle in. Because here it comes. That looks good. Now, just set it right down. Very nice. Okay. Pick your hand up again. Like you're going to smoke it. And just stay nice and still, Bob. Kind of bring your hand back down. I ran into a little trouble with that engine because you got the good cigar pointed up.

And so, I'm going to do a little off right. There you go. Okay. I'm going to place your hand here. Right. Just like that. Right, Bob? Yeah. But it was nice you had your hand almost open, so these fingers were doing well. Whatever's most comfortable. I was afraid that if you did that, it would look a little too clawy. There's something a little different, but okay. It's a pen right. Maybe. Yeah, there you go. Okay. So, let's get the smoke going again. Or I couldn't see any. Well, I could still live.

Yeah, there it is. Okay. Let's add one more time, please. Just keep rolling. Mm-hmm. That's perfect. Oh, yeah. Oh, nice. Okay, Bob, let's go for the fear next. There you go. Okay. Mm-hmm. Okay, had you? I'm going to try, please. There you go. Very nice. Okay. Yeah, I think we're done. Yeah.

Thank you. Ready? Uh, just a second. You want to see it being put in, or? Mm-hmm. And anytime. Oh, they're always going to have to do it with her hands. Yeah, I don't think your hand worked. And just a minute, wait, pull it back out, and go ahead. Let's do it again. Okay, rolling. It doesn't seem to be, um... Yeah.

Yeah, I mean, it's... You want to go closer? Yeah, sure. Okay, hold on. There you go. Let's not lose the edge. There you go. Come on down a little bit now. You want to... There you go. Right there? Yeah. Was that a better to you? Okay. It's up to you. I can't really tell at this point. Well, I was just... I was going to do something like this, and... But then, it's coming in from the wrong side. Well, let's try it. All right. Let's try it. Here comes. Yeah. There you go, you got it. That felt real good. That was nice. Okay. It felt good for me. I don't know. We need to go any tighter than that. No? Yeah. Let's try another angle now. Okay. Go back to tighter. Oh, okay.

Go back to the same frame. Come on. Damn it. And... Any time. Good. Okay. That's all we needed, right Bob? Mm-hmm. Thank you. Okay. Here you come. Here comes Bob. And wait and wait and... Okay. Bring it out. That was great. Yeah. Okay. Good. Are we done? Yeah. Yeah, that was... That was nice. I need to roll just a hair on there. Yeah. No, I'm glad you're getting into these and holding them on. Because I think this is going to be a very slowly paste.

It's a puffing. You need a hand? It's good. Oh, okay. Oh, I don't take second. Yeah, check out. Yeah. Go ahead and wait. You can cord? Cord? Michael, sorry. That's okay. And... Any time, Bob? A little hesitant on that. Okay. Oh, you didn't mind it? No, that's okay. Let's do it again. I'll give you another. There you go. Ready? Ready? Yeah. Mm-hmm. Oh, yeah. Oh, it looked good in here. Now, this time, let's do it once more. And this time when you put it up again. Yeah. Go ahead and pick it up. Put it in it more of this angle. I know it seems weird. Okay. Yeah, I like that. Okay. Okay.

Let me go. I'm sorry. I'm going to have to. There you go. You need time. Go ahead. Uh-oh. Yeah, no. I think it worked great. Okay. Now, pick it back up. We'll need that other end of it. Okay. Mm-hmm. Now, this time, you're going to tap ashes. And I'm thinking it's okay if you kind of come in a little bit. Okay. You don't want to be any tighter in this one necessarily. Tap? Yeah. And do it one more time but hit the edge of the glass with a cigar. Okay. Okay. Make sure the cigar is actually hitting the ash tray when you tap it. Okay.

We'll do it one more time. Just hit the cigar right to the edge of the glass. There you go. Yeah. That was perfect. Yeah. That's the keeper. Yep. Okay. Let's cut. I think that will come across in the frame when you do the wider shot. This is about 1864. So now you want to do a zoom into your eyes? Yeah. Okay. Let's play. It looks good. In fact, I think that will be the shot. Yeah. Because it feels right. The other one felt kind of in limbo land. It's right. You want to get some smoke in there?

Yeah. It's slower, Michael. Yeah. Maybe, I don't know, maybe I'm getting too. Yeah. That was nice. Just having a little bit of a... That was it right there. Just feeling like a person's in there moving around. Yeah. That's perfect. Mm-hmm. You could cut on any of those. That was a little much. Cut it all. Mm-hmm. To hear from some other one. Mm-hmm. Yeah. Some way to keep it all tied to go.

Yeah. No, I think that's working. In fact, let me try something too. Get through with yours. I'll do the other end now. I'm going to try this. I don't think this is going to work. That's nice. That's all it needed. It's just a little tight. Yeah, it's real subtle. Of course, nobody will understand how in the world she got her hand between the lamp and the picture. But we're not trying to make sense here, either. You know, hey, why is this what we take? You know, if it works, it works. Okay. Cool. My youngest son smoked a cigar when he was like 12 and never smoked except probably for dope. It's good to see you guys. Is smoke coming out?

Mm-hmm. Not enough. Sorry, you have to hold my what cigar here. That's okay. You're going to have to hand it to her right off. You get through with it. You put it in quick. That's the key. All right. There it is. But you're going to have to put it down. So let's do it again. You just want me to drop it into the... Okay. There it is. That was it. That was it. Oh yeah. Beauty. Now pick it up again. Okay. Now this time we're just going to tap. Okay. Where did you want me to put it down?

No, that's just what I wanted. We didn't get much wind on it. This time I want you to tap the cigar against the edge of the glass. How do you know? Is that okay? That's perfect. That's the whole thing. Yeah. I look very good. I think we used the other one. But then you never know. Go right ahead. See I like that. Yeah, you're right. It was nice. Oh. Did I pull it away from you? No, no. It was me. I'm trying to put the shadows right where I want them. When the curtains are moved and it goes a little black so I have to be careful. No, you did perfect. That was nice. This time you're just going to place it in there.

Okay. Go ahead. Okay. Pick it up again. Yeah. Yeah. That's what I said when he was a passenger. The top is crooked, you know. It matters. You can't like it. I know it sounds weird. I do. I placed a good 20 seconds and then. Yeah. You can also call a difference in the wall.

There's also 45,000 dollars. We don't need more than this. So she needs a good idea of a camera and an editor. Anything else? Well, they say they need so much stuff, you know. I wonder what kind of video. I don't need this. I need Bob. Bob needs me. 10 Mr. Cooper. Oh, I told him. That's why he's here. Yeah. Yeah.