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It's a big stop. You can walk the walking and walking, which is hotels. There. What's going really hard. What are we cures? And you're freaking out. Okay. No... Aw, that's a good inspection. I'm not sure if I can have this right chance. It's not very abnormal. That's fine. Can I use a little bit of a part in it? Slightly tighter frame. Tighter frame. Yeah, mine. I just... More. Let's go in a little bit. More. And left. Don't do it. Oh. And left. Left. Left. Left. Left. Right. Left. Left. All right.
Left. Left. Left. Left. Left. Left. Right. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Left. Four. I had this offer from Washington, I wanted him to come with me, but he chose you. Me. Here is place to slide. I think it's bad for him, maybe what happened for a sec. Miss Pete. Janet. Officer Chi is on medical lead. What's his own his feet? It's not physical. He claims himself for doubling his death. And this was his friend. We're not those young ones. Here is as you have those on the track.
Here is where Oxford has lived and there is where he died. What was the triangle? It's a very large triangle. Two mammals, who might as well have lived on two different planets. Are you sure of that? No. It's very normal. It's cons. It's gang members. That's where that is. And people like it and the funding will be in my first two film. But I started doing this. It was working with project kids. I made these two films. The short kind of story is I knew a bunch of kids and projects and stuff. They would kind of talk about their lives. And we take anecdotes from their lives and write them down and then turn it into a script. And then they would be in it. But we wouldn't let any of the kids be themselves. So if there was an anecdote from your life, that character could play for somebody else.
They should make three of these films. They're really good. They're great. I didn't look for a couple of years. They're real strong. But I love doing that stuff. That's the real thing. They're very natural. They kind of don't feel like movies. They're lies and stuff. And that's good. So I really think it's a great time to do. I just think there's so many people who don't get any other stories. I know one of my best friends from high school is going to jail for a year. And it's not going to be able to have a regular job or leave the country or come and travel with me. So I'm bringing it to him. I told him, I said, when you come out, you'll have a job. Just that idea of such a difference. Everybody heard it.
And it's here. I'm sure that is at this film festival. We've been doing a talk. And it's kind of like, wow, that's weird. It's really nice. I mean, just one of them can imagine, like you're going away from here, but like you say, you're life is going to totally different. I don't know what to put to wait for. Yeah, no. It's a struggle. So just think how different that year is going to be. Yeah. It's really nice. It's really nice. I'd like to go up right now. You're on time. You're on time. You're on time. You're on time. I've got it. It's up. You're on time. You're on time. You're on time. You're on time. OK. OK. Excuse me. Excuse me. Excuse me. Can we just really want to stand? I don't know.
We haven't. You can't stay there. We can go up there. This is sort of a theory. It isn't. Yeah. It might be nice to have a local slide. Thank you, it's all got, please. Thank you. Thank you. Thank you very much. Thank you. Thank you so much. Thank you so much. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. You're a favor when Adam gets on. I'm a chair. I'm a chair. I'm like running. Yes. Hey, Adam, I think that over there. Yeah. I'm going to go to the watched page. All right. There you go. All right. There you go. All right. There you go. All right. No, that's a kid. Okay. Just got to come out. OK. Please, here we go. Okay. Let's go. One again. Go out. No. Yeah. You have to join us. Good job with doing that. All right. The customer.
I'll come from this corner. This right or left? Keep it on me. It's about me. Yeah Why don't we just barrel through this and see what happens? Okay, no pictures, no pictures, no pictures. So yeah, you just walk forward like this. And, um, Janet, when I say action, you just need to be the moment back and you'll see this whole thing. Should we try it? Well, hang back for one second. Ready? Here we go. Ready? And action. And cut.
So we should get him in the frame earlier. Is it good for you? Step up to your left. Just, uh, when you want to start out here, since I don't see you in here, just take your left so you can get in there. I don't know what's seen this. That's out and over. Now, Janet, Joni must have a scene up. I just want to go forward there. You're thinking about it. I want to scratch my back.
And here we go. Okay. Thank you so much.
Thank you very much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you so much. Thank you so much. Thank you so much.
Thank you. Thank you. Thank you.
Thank you. Thank you. Thank you.
Thank you. Thank you. Thank you.
Thank you. Thank you. Thank you.
Thank you.
Program
Coyote Waits
Raw Footage
Behind the Scenes, Tape 2, Part B
Producing Organization
KNME-TV (Television station : Albuquerque, N.M.)
Contributing Organization
New Mexico PBS (Albuquerque, New Mexico)
AAPB ID
cpb-aacip-191-76f1vr9f
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-191-76f1vr9f).
Description
Description
Tape 2 Part B
Raw Footage Description
This file contains raw footage of the behind the scenes of Coyote Waits--a film adaption of a novel by Tony Hillerman. Actor Adam Beach, director Jan Egleson, actor Wes Studi, actress Alex Rice and various other crew members are featured on and off set. File includes actual scenes from the movie where Studi and Rice act together inside a room located at the University of New Mexico. Beach and Rice film a scene together (their first meeting) in the plaza of Mesa Verde Hall (University of New Mexico).
Created Date
2002
Asset type
Raw Footage
Genres
Unedited
Media type
Moving Image
Duration
00:31:10.402
Embed Code
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Credits
Producer: Redford, Robert
Producer: Eaton, Rebecca
Producing Organization: KNME-TV (Television station : Albuquerque, N.M.)
AAPB Contributor Holdings
KNME
Identifier: cpb-aacip-6dfe641f2b5 (Filename)
Format: Betacam: SP
Generation: Dub
Duration: 01:00:00
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Coyote Waits; Behind the Scenes, Tape 2, Part B,” 2002, New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed December 26, 2024, http://americanarchive.org/catalog/cpb-aacip-191-76f1vr9f.
MLA: “Coyote Waits; Behind the Scenes, Tape 2, Part B.” 2002. New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. December 26, 2024. <http://americanarchive.org/catalog/cpb-aacip-191-76f1vr9f>.
APA: Coyote Waits; Behind the Scenes, Tape 2, Part B. Boston, MA: New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-191-76f1vr9f