¡Colores!; 1202; Los Escondidos; Dolly Straw, Straw MCU, CU, ECU
- Transcript
Let's just do some wide open shots here until you think we've got it and we'll move into, actually what we should do is we should do open shot, we'll be truck this way and we'll get that down and then we should do some more moving shots back and forth, we'll try to take an inner cut between close up static shots and okay, so let's fire out the camera, you know how you should follow through, yeah, with the exception it's possible if I move that light a little bit, can you sum up for a second man, where do you want to move it, close it, we'll try one without this, we'll really push it out, I'll go, I'll do it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
we'll try one without it, we'll try one without it, we'll try one without it, we'll try one without it,
- Series
- ¡Colores!
- Episode Number
- 1202
- Episode
- Los Escondidos
- Raw Footage
- Dolly Straw, Straw MCU, CU, ECU
- Producing Organization
- KNME-TV (Television station : Albuquerque, N.M.)
- Contributing Organization
- New Mexico PBS (Albuquerque, New Mexico)
- AAPB ID
- cpb-aacip-191-22h70twv
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-191-22h70twv).
- Description
- Episode Description
- This is raw footage for ¡Colores! #1202 “Los Escondidos.” Most have heard of the Cinco Pintores; Five artists that lived and worked on Canyon road in SF during the middle of the last century. Their lives and work are celebrated. There are however, many artists who lived and worked in SF for longer, who did not receive recognition, but are every bit as important. Los Escondidos, the unsung champions of Hispanic art, profiles three Hispanic artists who have worked in relative obscurity while keeping their artistic heritage alive. Eliseo Rodriguez is a Native of SF New Mexico who has lived and worked on Canyon Road his whole life. He is an accomplished painter, but his work in creating straw art that has made him a guardian of this traditional Hispanic art form. Beautiful, intricate yet simple, Eliseo’s straw art harkens back to a time when canyon road was an agriculture district, not the "adobe Disneyland" many locals feel SF has become. Ernesto Martinez has worked at the historic La Fonda Hotel in SF for almost 45 years, a native New Mexican, Ernest has spent his entire adult life creating original art in and for a hotel that, largely thanks to him, is a living, working museum. Abad Lucero has kept the art of traditional furniture making alive for well over half a century. Through his simple yet classic workmanship, he has made furniture as singular and beautiful as the culture he wants to preserve. Los Escondidos features interviews with acclaimed New Mexico sculptor Luis Tapia, muralist and fresco artist Frederico M. Vigil, traditional furniture maker and designer Chris Sandoval and the curator of contemporary Hispanic and Latino Collections at the Museum of International Folk Art, Tey Marianna Nunn, Ph.D.
- Raw Footage Description
- Footage of Eliseo Rodriquez in his home creating a carved cross.
- Created Date
- 2001-02-12
- Asset type
- Raw Footage
- Genres
- Unedited
- Media type
- Moving Image
- Duration
- 00:28:54.288
- Credits
-
-
Producing Organization: KNME-TV (Television station : Albuquerque, N.M.)
- AAPB Contributor Holdings
-
KNME
Identifier: cpb-aacip-44c233cb4f9 (Filename)
Format: Betacam
Generation: Original
Duration: 01:00:00
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “¡Colores!; 1202; Los Escondidos; Dolly Straw, Straw MCU, CU, ECU,” 2001-02-12, New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed April 1, 2026, http://americanarchive.org/catalog/cpb-aacip-191-22h70twv.
- MLA: “¡Colores!; 1202; Los Escondidos; Dolly Straw, Straw MCU, CU, ECU.” 2001-02-12. New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. April 1, 2026. <http://americanarchive.org/catalog/cpb-aacip-191-22h70twv>.
- APA: ¡Colores!; 1202; Los Escondidos; Dolly Straw, Straw MCU, CU, ECU. Boston, MA: New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-191-22h70twv