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Who's on who's Harley? He wants me on his Harley. Alright, nice big smile. It's great. And you know what I'm going to need you to do is tell you what's normal. That's a good thing. I'm more interested in this. It's great. Thank you. Are you hanging in there? Anyway. Thank you. Oh, thank you. You're welcome. Thank you. Who's got the Harley? Richard Des. Alright. Our zebra of the year recipient. He rocks. If you got a good spontaneous laugh, I would love it. Me?
Yeah. Put into the camera would be terrific. Thank you very much. Okay. I'll do something. A little dance. What were you doing? When you first got a bow, I was going like this. Alright, let me see that again. I got the box in the movie. I'll tighten it up there. Alright, so it's going to be your best field form. My best field form? Yeah, you were just doing it. I'm sorry, you need to be looking at the camera. Everybody's distracting, I know. It's great. And what was this? Show me some other signs. What else do you do? Stand up.
And what else? Yeah, what if you wave somebody off? I'm going to wave them in. Alright, so let's do the wave a minute more, Jen. Alright, now you know of course what we're going to do. Richard was saying I have to show my legs off, he likes my legs. So how are we going to see? Not good off, Richard. And then of course a smile. Then my eyes close. You close. It's great. Thank you very much. I'm re-rolling. And now do that knee thing you're doing.
Oh, that? No, no, no. Before just what you did, I'm going to wave it too far. There we go, right there. Perfect. Hold that. Let's try it one more time, just like that. Go ahead. Right there. Perfect. Hold that. That's a great thing. That's a great thing. Oh, I wish I had a camera mounted on my hat. Alright, let's see. Put your hat on. It's tough. That would be great. But instead of saying stop it, that would be just put it back on. That would be great. Open my head back on. Okay. I'm just looking at camera, give it a big smile. You looked at me. Did I?
Yeah, one more time. I'm looking at me. But I loved your laugh. He's faster making all kinds of faces at me. Yeah, you keep doing it again. I know, I'm sorry. That's okay. I just want it to be right. Thanks, Smile. Oh, I did it again. Yeah, you did it again. Right, Richard, stand here. Richard. One more time. Ready? Go. Good smile. You keep looking at me. I know. So, one more time. And your biggest smile. Go. That's a great thing. I'm looking at you. All right, hold on a second. All right, Richard, big smile. And hold it out to your left a little bit more. There you go. Great, if you're watching more. They're very nice. Gotta have some smile. Gotta have some going on. Okay, hard by shirt.
Okay. All right, tilt your hat back a little more. All right, big smile, Richard. Oh, one more time. That's about it, yeah. All right, one more time. Look right in the lands and look at America, say smile. That's great. That's great. That's great. Great, Richard, our last powders. Now, it's hard to get to the mouth of that. Please park to the stuff left. Very nice. Bring an engine, to touch the right. They're perfect. Right there, perfect. You wonder why I lost my voice. Did you know how hard it is to stand running the camera and do that? Oh, it's impossible. Thank you, sir. Wait a minute, this is all I've got. I'll tell your headguards. Okay, this is nobody wants to put these things in the water crack. These things go to zebra buff, do you know what it wants to?
I know I know what this is. It's a secret, Richard. I was scared, bye. Yeah, well that's all I've got. It's a pile. You hold it? That's great. That's great. I would know. The tail of the water was crazy. Hello. And hello. It's great. Thank you very much. And hello, big smile. Oh my God.
I need to make tea in the morning. Oh, okay, he's got no gas. I didn't put any gas on my scooter this week. I don't know where he looked at it. This is a pile and you've got a great laugh. I'm just wondering what's going to make you laugh. Yeah. Do you have your truck down here, Bill? I have a recording. This thing comes out. The ours is very different. Actually, could you lean your head back a little bit? Perfect. People are going to look at this and go, what the heck is that?
Cool, you can get out. I don't think the stuff my hair into that. But oh, well, this is... Yeah. What are the signals that most balloon people do? It's great. Thank you. And then when you're ready to give thumbs up, give me a little smile too. Let's do that one more time because last time you had your thumb out a little bit, right? Okay. Keep smiling a little bit. Okay, right into the camera. Give me your smile and thumbs up. Okay, thumbs got to go a little higher next time. That's it. Pause, pause, pause. And smile and thumb. Perfect, hold it right there. That's perfect.
And what happens? Is there, what else, you know, up, up up, up? Or walk this way? Okay. Cool, pretty nice. Don't go anywhere. Stay right there. All right, let's do that again, what are you talking? Walk this way? Very nice, and I'll go anywhere, and just find a nice big spryle. And then last thing I have you do is just to sound effects, and I'll have you blow the whistle. I'll roll back off with that.
And lift up your right arm as if you're doing it. I'll lift your right arm as if you're going to do the thumbs up. Do it right and through the front of the camera. Go ahead. And close it to a rudder. I'm going to have a strange dangling from the ceiling in the room. I'm going to turn out the lights.
Have a pleasant year, sir. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. Here.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights. I'm going to turn off the lights.
Thank you. Thank you. Thank you. Thank you.
Thank you. Thank you.
Program
Balloon Fiesta
Raw Footage
Zebra and Other Crewmembers Pose for Camera
Producing Organization
KNME-TV (Television station : Albuquerque, N.M.)
Contributing Organization
New Mexico PBS (Albuquerque, New Mexico)
AAPB ID
cpb-aacip-191-11xd26m1
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-191-11xd26m1).
Description
Program Description
Raw footage shot for the program, "Balloon Fiesta." BALLOON FIESTA provides an up-close and personal view of one of the most colorful events in the world. Crews equipped with high-definition cameras captured the mass ascensions, thrilling competitions and interesting characters of the 2008 Albuquerque International Balloon Fiesta. Against the backdrop of Albuquerque's beautiful Sandia Mountains and Rio Grande, the Fiesta comes alive as event-goers gather to watch pilot competitions, special-shape balloons (including one fashioned to look like Darth Vader), evening "glowdeos" and morning dawn patrols.
Raw Footage Description
Zebra and other crew members pose for camera. Robert Caranta, Chief Director, is among those posing.
Created Date
2008-10
Asset type
Raw Footage
Genres
Unedited
Media type
Moving Image
Duration
00:32:42.582
Embed Code
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Credits
Producing Organization: KNME-TV (Television station : Albuquerque, N.M.)
AAPB Contributor Holdings
KNME
Identifier: cpb-aacip-d8c22556be0 (Filename)
Format: XDCAM
Generation: Original
Duration: 01:00:00
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Citations
Chicago: “Balloon Fiesta; Zebra and Other Crewmembers Pose for Camera,” 2008-10, New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed September 19, 2024, http://americanarchive.org/catalog/cpb-aacip-191-11xd26m1.
MLA: “Balloon Fiesta; Zebra and Other Crewmembers Pose for Camera.” 2008-10. New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. September 19, 2024. <http://americanarchive.org/catalog/cpb-aacip-191-11xd26m1>.
APA: Balloon Fiesta; Zebra and Other Crewmembers Pose for Camera. Boston, MA: New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-191-11xd26m1