Coyote Waits; Behind the Scenes, Tape 3, Part B; Tape 4, Part A

I'm not sure what I'm going to do. I'm going to go in with it. I think when it's ours, my gosh. It was so weird. I'm going to tell Patty about James Bowman. Oh yeah, so. Yep. You're down because I'm the director of the country. I won't get back to you a lot. I don't know what you're talking about. I don't know what you're talking about. I won't. I won't. I won't. You're not going to be here. I'm going to take you. You just have to take care of me. You have to take care of me. You're thinking about anything else. I don't want you on the board, or a minute. You're thinking about me. And Wes. I'm thinking about it. I'm just thinking about getting on the board. No. You're not talking about that. So we can always pull a little bit for a whole day. This is where we go. I'm going to figure out that. No, we just don't know. Get it? I'm going to lose. Four inches. So are we going to do something that's happening there?

I keep on. Because we're ready. Give it up. Give it up. Oh, I see. I see. I just noticed it. OK. That's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. It's fine. That's fine. Why? Sorry. I have to say. The Eighties are lost. You're Judith Hayes. And she damned it. She will pitch you down early. But she's done. So if she got a flush. You should Julian Humphxing. Yeah we're rolling. We're rolling. We'll get her to KL. Get the right line. I'm not playing. I'm going to charge him. Where are you Charlie? I have too much to do. Sounds to me? Hey Marker. Is that? Okay, just a moment.

And action. How's the answer? What's that's going to kill you, my friend? Hey, I find this thing. Cross beat. That's a lot better than that. One more. What makes you think I want? You don't get an office. You're setting the building to make me see it. It's better that you can't do it. Oh yeah, I know. You went across the issues and programs. Can you read the pages that wasn't there yet? I'm going to get a computer. And I'm not. Okay. Ambigers. Hey, was you a guy? No, this is, this is not anything.

Was you a guy, gee, who, uh, you know, who would, you know, raise the rest. Awesome, gee, we'll be back with you. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. Good boy. He swears it's in his report, but it's not there now. Only one explanation. That way. Who the hell's one, gee? Good boy. Good boy. Good boy. Good boy. Good boy.

Good boy. on the move. That's a ball. So you'll be throwing your stuff in the back of the car. So I'm going to make it back. I'm going to get those back. You guys, let's hold the white. No, no. No. Look at this. Oh, no. No, no, no. You're going to see this, which will be Paul at the back of his car. He's going away from us, and he's going to throw that in. And that, and you're going to come up to him, and Paul, you're going to come back to him a little bit. So then our stage is somewhere in here. Right? Yep. Kind of somewhere in there. Okay. And now he's going to give you the lower side. So he's going to want you. Yeah, sure.

He's going to want you. South Vietnamese Army Television. He's even here this way. Yeah. Okay. He worked both sides. He's not going to watch one of the very hard guys. And again, he was going to be a con-out of helicopter. He had to see the car. Right. He's kind of the age of 75. And it's like myself, they got about. That's 25. That's good. He's the world. The president wants to cooperate with the idea of the idea. So you look the other way. Right. He's the one of their picks. That's good. That's good. That's good. That's good. That's good.

Okay. Okay. Trima for a true smoking pleasure. It can't be that bad. No, it's Trima. It's very bad. Okay. So this is a very hard stuff. Yeah. Okay. That's good.

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