Japanese Brush Painting; 1; Introduction
- Transcript
the pope now luckily we do we're going through the gathering that meaningful well i'm trying to teach you get that investment in the caribbean in the painting we have all of you and it and continue on it made room and the japanese thinking
ms betty they want to go to a convent and thinking about it abbott did not use that then why they all use our lady and a lot they need a car with a double what ncaa the monochrome well not quite anything or developing events there are many the eighteenth that in black
and white even before the fourteenth century the coverage independently of the fourteenth century cemetery have been very popular among the people you argued in a confined on sentry duty powerful it was felt in the world that we live with ten days for the pain and the only face of a winner and the thinking was that the temple is applied at the same time they've been in only the fateful duel with philippines all through this century that allowed japanese painting
with all of the resolve all they thought the founding played out they found a doping many found that they didn't think through the fate of wood they thought that to many other funds like the world when they hear see him operating thought oh no you know the government they didn't we have come on countless to me we'll all geared up in fact been effective in that been thinking then i think politically a lot of fodder the nation all individually got a respected real estate banking and very simple
why downplaying that are vital here before japanese development and i have tried to hold these at all to find that they get involved in a violent and still get out and they paint it by heating life without really thinking about well they didn't think that they did many lines or the functional and they have a fight long live any
indication i know it's very difficult and one minute they do that they get rid of the law and of open a lot of really making wealth of the nation i want that not a good idea i mean that bathing having anything in one thousand and four hundred years without domination
ideal he will no all vincent van gogh i think you can understand why more than minimal saving more than i will live in an abandoned the settlement one that you have of civilian massacres if i had it well it looks
like being on the run and who live at the prospect that i was a fan of japanese thinking as mia perspective in the polls this my love that means all the people in the audience it's between the eyes or in many other things he is the police station this
week is because of the paris biennale has been and it's an idea so that they
can bring new spending and then it baby among the ways that we have not it like you saw what i need to make that the new thinking weight or i want to be a cop to me faithfully it's you and i the sunni and that they be translated into english and sneaking think sneaking think it hits the problems that they don't come
following all playing and they all the time or defying problem is important than the fight out of this orleans that's right for the war erupted with some will burn it with someone painted on the new album is on the way and they could not be on this map are the
city has the theon the man they know the odds and wrap up we go the top off the mountain and the park the three a lobbyist think i'm a black then night vegas not the fall that its bumble and the point is when you use the first you could get in the water and it made the hip hop soul and then you maybe you thought long thought on the bottom but when i make the
main thing all of the above our whole lives are in a hole between the thing that like that or twelve more things that you have been there is to hold the american and four in the same way though right and then you put your boss on the opportunity and do something if they it's like always it with a live band on the paper
or the thing about it was here in the newspaper you don't use you are treated than you think probably about a year i use and we didn't use to buy from the news that the company began to use the right to expect that we can defend you write it or sometimes through you feel you can expect that you know a lot of this review if you think about it if you don't have yeah about it is even if you're a painful or an oreo was like well that's a thing with the point is this is one car and
now i want to go through the baltic didn't think and for you the peace bell nothing really and it will be brought with them in it ain't no no not that very at venues throughout the dna of the polio with oil already
on the fan running the state it'll always be a major point maybe the reason i voted yes leahey you're listening and they think will only if they think they need in health at the right move or something ah yes orleans within it can find the one that will get it right and then even stopping
and even couple of the us about you know being late iraq the new different subject each week and now i want to fall i'm going to play for next week i like to folding them for bomb blew up in the department of the people of mambo in one of the three the appeal
and that is unique he's taught me by so when i mean in the mood by the plan and it gave me at haha ph and we have been waiting for like oh awe yet we are the willows all came from other three who have now i think about
how we treat our eye makeup like talking on basically if it's nothing but the morgue tray and i put some what they need in the film rapping to me on it and they can't make any right that you also need it's kind of an enigma he's been to pj the protests
been the plane can make the politicians but it's been why
not i am before that and i voted before i give you nothing they painted on the public record with the awful fifteenth century they thought of the thing if i get there that way to be punished or killed that way to me to the role this capsule full force one is giving one and
one it's on there it's big data points brains because baseball is back next i want to make up for it to make it a little bit in need they need to find it and more than a week of a lot of national
national problem and i think it is it's beans and they've been here it's been a ballerina
a horse and the horse oh baby and when and many will we have to endure and that and that they did after the opposite and their own fortunes before memory or they want them a couple plate on the front because
it's for his book has been ms bailey the whole life because boy is bs be this
way i'll never funded vehicle or next week about ivan what it not for the i think that the bottom the movement he's back
victor uribe i guess this is national educational television fb
- Series
- Japanese Brush Painting
- Episode Number
- 1
- Episode
- Introduction
- Producing Organization
- KQED-TV (Television station : San Francisco, Calif.)
- Contributing Organization
- Thirteen WNET (New York, New York)
- Library of Congress (Washington, District of Columbia)
- AAPB ID
- cpb-aacip/75-56n0317q
- NOLA Code
- JBPA
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/75-56n0317q).
- Description
- Series Description
- In this series, artist T. Mikami illustrates the artistry of Japanese Brush Painting. Makami, who claims that everyone is a potential artist, intends to prove this during his 13 classes. Kits were originally made available and viewers could paint along with the outstanding artist. T. Mikami is an outstanding Japanese artist who is the founder and director of the Japanese Art Center in San Francisco. He is well known for art exhibits in the Far East, New York and San Francisco. He taught classes in California and was director of the International Education Center in Tokyo starting in 1953. He had several one-man shows and received the governors prize in Japan in 1950. The 13 half-hour episodes that comprise this series were originally recorded on videotape. (Description adapted from documents in the NET Microfiche)
- Description
- In this first program of the series, artist-host T. Mikami introduces the subject of Japanese Brush painting, or Sumie, and explains the use of the brush painting materials: fude (bamboo-handled brush), suzuri (inking stone), and sumi (carbon ink stick). He discusses the Japanese approach to art and draws samples of some of the subjects to be covered in the series.
- Broadcast Date
- 1958-00-00
- Asset type
- Episode
- Genres
- Instructional
- Topics
- Fine Arts
- Rights
- Published Work: This work was offered for sale and/or rent in 1960.
- Media type
- Moving Image
- Duration
- 00:29:29
- Credits
-
-
Host: Mikami, T.
Producing Organization: KQED-TV (Television station : San Francisco, Calif.)
- AAPB Contributor Holdings
-
Thirteen - New York Public Media (WNET)
Identifier: wnet_aacip_2319 (WNET Archive)
Format: 16mm film
Duration: 00:28:44?
-
Library of Congress
Identifier: 2107575-1 (MAVIS Item ID)
Format: 16mm film
Generation: Copy: Access
Color: B&W
-
Library of Congress
Identifier: 2107575-2 (MAVIS Item ID)
Format: Betacam: SP
Generation: Master
-
Library of Congress
Identifier: 2107575-3 (MAVIS Item ID)
Format: Digital Betacam
Generation: Copy: Access
-
Indiana University Libraries Moving Image Archive
Identifier: [request film based on title] (Indiana University)
Format: 16mm film
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “Japanese Brush Painting; 1; Introduction,” 1958-00-00, Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed November 24, 2024, http://americanarchive.org/catalog/cpb-aacip-75-56n0317q.
- MLA: “Japanese Brush Painting; 1; Introduction.” 1958-00-00. Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. November 24, 2024. <http://americanarchive.org/catalog/cpb-aacip-75-56n0317q>.
- APA: Japanese Brush Painting; 1; Introduction. Boston, MA: Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-75-56n0317q