Two Hundred Years of Woodwinds; 5; Mozart: Piano Quintet

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review that embodies many experiences overly ambitious more than believe it will get an unusual experiment we love you and germany near his native sons of instruments played by the

universe and personality who have another side of the curtain that lived through them who uses to ring in may thank you

the members of the philadelphia woodwind quintet have invited our colleague and associate of the curtis institute of music where the minnesota law english pianist for fifty two the majestic introduction in terms of life will be directly into a plethora of allegro ma the rubble or the third movement eh

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are you i know or the greatness of this music certainly wants the pride that mozart and self expressed about this particular work during his travels mozart also engage in another one of the towns which was letter writing most of us as parents must be satisfied with these four five line communiques from our sons or daughters which really give a little more except that they are

still alive but mozart's father was much more fortunate his son wrote hundreds of letters in his lifetime describing his travels his experiences places you've seen the people he met and of course the musicians he met and heard now it is relief from these letters that we know so much of his life and not the least important of all the details of the things more thoughtful this father about his own compositions the first performances and the reaction of the public the quintet with who we are flying now is no exception to this in a letter to his father who was that time in south born in seventy four mozart wrote on piano just after the first performance of this work he said i myself consider it lead

best work i ever wrote in my life how i wish you could have heard it and how beautifully they performed now this letter reflects the pleasure of mozart had been writing his father the second movement the slow movement begins with a beautiful song like simplicity and moved later into a period which is perhaps one of mozart's most profound moments others again

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for years oh no longer there are enough of them up is an intriguing musicians for centuries but as this festival that our ideas are below the mozart knew very well what it is and temporary were writing as he knew what his predecessors were writing a huge barracks and his models these models or in sort of a

springboard for his inspiration and he soared to great heights as we all know this technique was not alone other composers viewed by and beethoven included beethoven with borrowings stem from his intense light of competition and also from his enthusiasm for other composers probably even more enthusiastic about ivan than mozart one of the finest examples of imitation is beethoven's imitation of mozart piano quintet that overrode a similar piece itself or sixteen in which uses exactly the same instrumentation now the last movement the days mozart piano quintet is a wrong though with a wonderful commander for all the instruments and also a piano for the operatic excess where we all seemed to be steeling

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