The Forsyte Saga; 20; A Silent Wooing
- Transcript
Braîd yn simeirrawylliwyd yn ei agafption am gywasydd ar aglaeddiol yn rhoi'i eer opacebihau. Going through pastkk If one is going through past life
Find me A זה kardeş Llod anł y Incredioli Magdol a teா Mae g aggregu a my wedi y gweithio Bwch uz efo'n rhonniek caen llael nhw y wneud yna gweynu os ond bro y cour oloedd hynny am இரdw Maenych yr Anglu fel dao blend nhw'n niegu enwixell yn mynd? Mae y g Grant, ar y bysiad chi Turns yfyn yn dao ganor a sefydru fel fel felwyfno.
Felly mae'n gwaith definitelyft mae ym. Fat gwrdd yn ddwy y f brinciy. A long time ago. How do you keep it tuned? There's a little old man, a German who travels all over this section in an ancient river. He tunes all the pianos between Charleston and Augusta George. Are there many? They're pretty scattered about, I guess. Anyway, he stays over a couple of nights and we have some fine music. He plays well. Pretty good. It's called the Mae'n debyrach si cou flwy eraser are a'i einaniven.
Mae'n offendedu llo gynhy awfulmellus, am täUNain tuti hyaf a'i Myndd. Dr Naturalnaurau. Felly mae, yn ddolen 80, Prensed hi. Mae'n dwy'n ddu', mae'n debyrchio Growl algorithms? Mae'n ddiff eithor mor ddig. Mae'n gaelodd ironol a'i maisvyth yna'n erle a'i expectsaf. Mer burning to y Acting Fen Sol of Gaor ydyna gael gewalu yn strah pawr Mae'r calm o gyneud�u gydun o Tryter hangoldaw eiths gydiul. A tydym a hef, aıll boddaint ddech yn gwneud ddar. A signiewn yn dron? Chwya pun brad. Gall, aNonol! A Bl disruptive, mewn ond uner to mem maenibol Sant Muffinsenddiasig mwy unionol ac Анol cwob. A unrhyw eraid-gym aín fchem, am wirbęzo, fel Beyond. Genediaisастиn? Er am ypiwn gwynt gysdai, symud genio tou aён l deeparig mae. Dyl Into y ti, mynd erio gyneud. Pedigol greu pan, mynd wneud? P copperheadan di Mae tabor con? Pot'n ei genis nhw grafrydd. Coen digaetheth, ei dwarf. Gael iawn Whyyn cyfer dew i'r hynec Felett. Mae hw i'r Fr�� ac un syddath hyn. Mae'r arfnod? Mae'r trefodaeth yn apro unigny Blizzard,
yn sut i gyfer'l gwybod. Felly gael estarai wedi ar. Twelve biologyf i mynd hyn. Gael cael dellbodden i pau iawn của dellanwn ei nhwnych dysmrydw i olygu'r Nad、 honol. Hys Because you're lawless! Jol fel galloni. Owelf enhancing. Ulfi headair. Mae hynny diw pastosol mae hynny ganddi Cabinetdw all זהrwy'r kadn yn cael hebfo'r hynny. Melau otra oeddwed. I don't want to see her hurt. Hurt? Is there any danger of that? It's possible. You see, I think she's in love with John. Rarely in love. I guess so. As she said that she is. Well no, and doesn't say much. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. This is London Calling.
This is London Calling. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing.
It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. It's very refreshing. Ys gfordd, yn byd photog sy'n pawbion tyín y pw itself. Mae'n amed rwy吧 ddim yn fwy a tunneuddon sy'n er Prosynnu.
Ymio fydd yn ddefiad y cychyt. prydyn am pŵr recordol y hunol? yn eu hyrwan oes yn y roedd ymlar daud o cer omfa. Quain y hwnamam ysbur e'n mynd. Ac ô, yn fwylo fiに llynill. Antonio, ac yn f çıkt i ddweud. Celly, yn trwy ym sut yn pereg lenni cwydm yn yn wneud ymwch. This is my aunt Mrs. Darty, Val's mother, Francis Wilmot. How do you do? Mrs. Darty? Holly wrote me about you. And my father, Mr. Forsight? How are you, sir? And this is my husband, Michael, Francis Wilmot. Very kind of you, Mrs. Martin, by... Not at all. Well, I'm scared and changed. I don't know what you're talking about. What do you think of Wonsden?
I don't know. I don't know. I don't know. I don't know. I don't know.
I don't know. I don't know. I don't know.
I don't know. I don't know. I don't know.
I don't know. I don't know. I don't know.
I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.
I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.
I don't know. I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.
I don't know. I don't know. Mr Forsyte, I presume. You made use of an insulting word to my daughter last night in the presence of several people. You were not drunk then. Not at all. I have the names of those who overheard it. You will be good enough to write to each other separately and withdraw your expression unreservedly. Nothing of a sort. You're an attorney, I believe.
A solicitor. Then you know the consequences of refusal. If your daughter wishes to go into court, I should be very happy to meet her there. You refuse to withdraw? Absolutely. Good day then. Good day. Quick action, I see. Charlie Fedder was always a thruster. Tell me about him. What's his standing? Those money everywhere has some useful horses and is a very good shot. Well, he didn't strike me as a gentleman. And his daughter is no lady. Single-minded, foresight, single-minded, but you're right. There's a queer streak in that blood. His father, the old Marcus of Shops, has a dear old man skipped his generation, but it's there. It's there. And he called me an attorney. And his daughter called me a liar. Which is worse. Well, she may... She may bring an action on the foresight. It was very public.
What evidence have it? Rooniers. Oh. Anything else? Pedagraph in the papers. And she may get it the paper and they'll cover up for her. Anything more? Well, uh... The chap she was talking to. It was Aubrey Greenbound, the painter. Oh, that man. He's a nice chap. In fact, I like him. Well, he's no charm of margaries. I heard American heard something he must have done. Who will not? Yes, he intervened when she called me a liar. Better take care. She doesn't get it him, Michael. You say she called you a liar. Why not take the offensive? Oh, what's her reputation? She's in a set, I suppose. Yes. The pan joys. What? All right, they don't rarely count. Thank you. Any action against the woman? No. Wouldn't do. Right, boss. I have their privileges still. Well, there's nothing for it, but wait and see how the cat jumps. Ah, Sue.
Treetress. I suppose you know how much the word costs. It's not the cost, it's the publicity. I think I'll go and see her, Shropshire. My father and his used to shoot woodcock together. Well, that help. Well, I don't know. He's 80, has gout in the stomach, but he says brisk is a bee. No, well, it's worth trying. Well, I'll go now. I don't mind what I don't want you to do. No, no, no. The grass shall not grow, for say. Thank you, Barton. What does Flersey? War. To the knife. Women. No imagination. Hello!
Oh, it's you again. No, there's no need, I'll put it all in writing. In fact, I have already done so. Sorry to keep you waiting, young monarch. Do sit down. Yes, if you adopt my scheme for electrification, I guarantee you're saving to your ratepayers of at least 3,000 a year. And once more, you'll confer a benefit on the countryside by abolishing the smoke of four filthy chimneys. What's that? He's obliged. Yes, I should hope you would be obliged. You'll have the whole scheme by tomorrow's post. Goodbye. Goodbye. Now, my dear young Mont, what can I do for you? I've come for your advice. How can I advise you? Your granddaughter, sir, and my daughter-in-law, want to fight like Billio. Marjorie? Oh, I draw the line, a charming young woman to look at, but I draw the line. What she done now?
She's called my daughter-in-law, a snob, and a lion hunter. And my daughter-in-law's father has called your granddaughter a traitorous to her face. Oh, bold man. Who is he? His name's Forsite. Forsite? Name's familiar? Where would that be, I wonder? Forsite. Ah, Forsite and Treffrey. The big T-people. My father had his T-from them direct. Real caravan. No such T-now. Same family. Some relation, perhaps. This man is a solicitor, retired. Keep her an eye on for his pictures. A man of some substance and property. And is his daughter a snob and a... What did you say? Lion hunter. Is she? She's a trauma. I'd like to have people about her. Excellent little mother. Some French blood. Ah, the French. Better built round the middle than our people. Well, what you want me to do? Speak to your son, Charles.
Can't. I'm sorry, Mont. I never speak to Charlie. We haven't spoken for six years. No, I'm sorry, sir. I didn't know. Sorry to bother you. Oh, it's no bother. It's a pleasure to see you. What should we do with these young women, Mont? No sense of service. No continuity. No figures. No hairs. Problem, I agree, sir. Goodbye, Marcus. Goodbye, my dear young Mont. Delighted to see you looking so well. Come on, me. At any time. Oh, it occurs to me. If I should have occasion. If I should run across Marjorie, I'll see. I'll see. So you found London disappointing? What, no ma'am, on the contrary. Do you think Paris will be more fun? Well, you know what they say about Americans and Paris.
Michael, that was only the Yankees. However, I'm sure you'll enjoy it. Be sure to come and see us on your way home. I sure will. Mr. Wilmot is leaving us, Father. He's going to Paris. We're just in time to say goodbye. Ah, yes. Goodbye. Oh, if you were interested in pictures, Mr. Wilmot. You should look in at the Louvre. I will. It's been a privilege to know you, sir. Oh. I'll be writing to John from Paris. I will surely send your love. Thank you. I'd be glad to have you and Michael come stay with me anytime you come over. He'll be a treat to have you. It doesn't give any kind of a thank you so much. That was all very sudden. You upset about something?
Why did you make that fuss last night? What good do you think you've done? I feel as though I can't look anyone in the face again. But I'm going to, all the same, if I'm a lion, and a snob I'll do it thoroughly. Well, I only wish he wouldn't go on thinking I'm still a child and can't defend myself. I'm sorry, I can't help it. He's ruined. Hello, sir. Thank you very much. Thanks. Hello, Mr. Wilmot. Oh, hello. You know my name.
I asked that parlor maid. She said you were staying with the months. Oh, I was. But I'm staying here for tonight. I'm catching the boat train tomorrow morning. On New York? Paris, in Florence and on the road. Globe trotting. Have you got room for me in your, what do you call it, your grip? Joke, Mr. Wilmot. But now I come to think of it. Oh, well. You disapprove of me. Last night I did. I know. What? You called your hostess a snob. Oh, my dear, boy, if one never calls one's friends, anything worse than that. I didn't mean you to hear. Or that pompous old person with a chin. He's Flores' father and he was hurt. Well, I'm sorry. Anyway, I admire you for sticking up for him.
Thank you, ma'am, but what else could a man do? Don't you know my name? Well, you always call women now. Certainly, I know your name, where you live. I was around there this morning. Oh, you? What time I was in? About 5'30. What? Couldn't sleep. Get thinking about you. Well, I just wanted to be near you. That's a British beach. Come and have tea with me there tomorrow. I've got to be in Paris. I shall expect you. Now I must fly my hairdresser. Won't forgive me tomorrow. Can you help me, please? I'd like to cancel some reservations. I don't know how many more she wrote, of course,
but I should have thought these two were enough. May I see them, please, Miss. Thank you. Now, these two ladies, Sally... Henry and Audrey Maltese. Friends of yours. And of Mrs. Monde? I don't know about friends. Quiet. The snake of the first water sneaks into one's house. She hasn't a moral about her, or a decent impulse. Hmm. Now, Miss Ferrer, when your fiancé asked me to come here... The exand of a guy, isn't my fiancé? Oh, he led me to believe. I haven't made up my mind. I understand. Let us proceed then. When Sir Alexander asked Mrs. Sillizard to look into this,
I understood it to be on the basis only of a spoken slander by Mr. Forsyte. But since then, these letters have been written by Mrs. Monde and have come into your possession. How did that happen, Miss Ferrer? Mrs. Penryn and Mrs. Maltese gave them to me. Quite voluntarily, of course. Of course. I thought I should know what was being written about me. Quite so. And now your intention I take it is to drop this land reaction against Forsyte and to sue Mrs. Monde for a liable. Yes, my father suggested that. And so did Sir Alexander. Then may I ask you some questions? What would you like me to tell you? From the truth. Not really. Tell me now, what actually occurred at Mrs. Monde's party? Well, I was just saying to Mr. Greene that Mrs. Monde was very eager to form a salon and didn't have the right qualities. Mr. Forsyte overheard and thought I was insulting her. Is that all? I may have said she was fond of lions and so she is.
Yes, but why did he call you a traitorous? She was my hostess, I suppose. The Mr. Greene confirmed you in this? Oh Lord, yes, he's in my point. Anybody else over here? No. What about an American? He won't say so anyway. And admire. No, he's going away. Oh. Now then, you want a written apology from Mrs. Monde and whatever you can get out of there. I'm all the better. You're harder. Couldn't well be harder. I see. But you don't want to bring it into court, I can't. No, not really. It's our exam to feel. Well, as a member of Parliament, he would find... You back me up if it does. Oh, I'm fully aware of that. Personally, I think it might be rather fun. That depends on the number of skeletons you have in your cupboard. I shall put everything into your hands.
Oh, the letters should be sufficient, Mrs. Ferrer. And she is a little snob, you know. Did you happen to use that word? No, I'm pretty sure I didn't. It does make a difference. Are you quite sure? Not quite. Four sides, as you did. Well, I told him he was a liar. Did you indeed? And they heard you? Rather. Well, that could be important. I don't think you'll go into court and say I called it a snob. That's very shrewd, Mrs. Ferrer. Thank you. Yes, I... I think we shall do... I think we shall do very well. We'll settle it for libel and see what happens. Goodbye. We'll settle it for libel and see what happens. We'll settle it for libel and see what happens.
We'll settle it for libel and see what happens. We'll settle it for libel and see what happens. Following immediately, actress Snirry Dawn Porter, who plays Irene, talks with James Day, president of NET. We'll settle it for libel and see what happens. We'll settle it for libel and see what happens. ... ... ...
... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... Well, when I first read the books which was sometimes in my teens I didn't think very much about her but when I came to Stanley Hardt abroad I found a very interesting woman underneath I thought it has been repeated on the BBC I think twice since it was first produced Have you seen it? Do you watch it? You'll get me...
I watched it. The second time came round because it was the first time it was shown and we were still working on it. And as soon as I finished work, I went on to something else. In fact, in the theatre, so I wasn't able to watch TV. So I have seen it. What reaction? I found it curiously interesting. Because I think we're involved in something. You have my idea of it's a total shape. It's fascinating to see. It's fascinating to see. It's fascinating to see.
It's fascinating to see. It's fascinating to see. It's fascinating to see.
It's fascinating to see. It's fascinating to see. It's fascinating to see.
It's fascinating to see. It's fascinating to see. It's fascinating to see.
It's fascinating to see. It's fascinating to see. It's fascinating to see. It's fascinating to see.
- Series
- The Forsyte Saga
- Episode Number
- 20
- Episode
- A Silent Wooing
- Producing Organization
- British Broadcasting Corporation
- WGBH Educational Foundation
- Contributing Organization
- WGBH (Boston, Massachusetts)
- Library of Congress (Washington, District of Columbia)
- AAPB ID
- cpb-aacip/15-52j6r5m7
- NOLA Code
- FOSA
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/15-52j6r5m7).
- Description
- Episode Description
- A SILENT WOOING
- Episode Description
- Michael becomes a member of Parliament, and his politics soon embroil Fleur in a feud with the daughter of Lord Charles Ferrar. (Description adapted from documents in the NET Microfiche)
- Series Description
- This television series dramatizes the series of books, The Forsyte Saga, written by John Galsworthy. The music is from a composition titled Three Elizabeths Suite by Eric Coates (1886-1957) which has been recorded by the London Pops Orchestra on the Mercury label, LP 90439. Airing after each episode is a series of filler segments titled Behind the Scenes, which generally run about seven minutes. They feature conversations between NET President James Day and persons associated with the production of The Forsyte Saga, including in some cases the performers. The series consist of 26 hour-long episodes that were originally recorded in black and white.
- Broadcast Date
- 1970-02-15
- Asset type
- Episode
- Genres
- Drama
- Media type
- Moving Image
- Duration
- 00:58:59
- Credits
-
-
Actor: Bailey, John
Actor: Bennett, John
Actor: Phillips, John
Actor: Dinam, Basil
Actor: Alexander, Terrance
Actor: Jarvis, Martin
Actor: Benjamin, Christopher
Actor: Bancroft, John
Actor: Hampshire, Susan
Actor: Benson, George
Actor: Swinburne, Nora
Actor: Welsh, John
Actor: Porter, Eric
Actor: Pennell, Nicholas
Actor: Neve, Suzanne
Actor: Barry, June
Actor: Parish, Clifford
Actor: Penn, Dallia
Actor: Morris, Lana
Actor: Sherman, Geraldine
Actor: Woodbridge, George
Actor: Blakiston, Carline
Actor: More, Kenneth
Actor: Laird, Jenny
Actor: Phillips, Robin
Actor: Brown, AJ
Actor: Tyzack, Margaret
Actor: Penick, Susan
Actor: York, Michael
Actor: Fernald, Karin
Actor: Compton, Fay
Actor: O'Conor, Joseph
Actor: Scully, Terry
Actor: Howells, Ursula
Actor: Singer, Campbell
Actor: Flarter, Sarah
Actor: Rowe, Fanny
Actor: Baskcomb, John
Actor: Lukham, Cyril
Actor: Burn, Jonathan
Actor: Reeves, Kynaston
Actor: Cowling, Brenda
Actor: deVigier, Anne
Actor: Nicholson, Nora
Actor: Francis, Derek
Actor: Hamilton, Hal
Actor: Porter, Nyree Dawn
Producer: Wilson, Donald, 1910-2002
Producing Organization: British Broadcasting Corporation
Producing Organization: WGBH Educational Foundation
- AAPB Contributor Holdings
-
WGBH
Identifier: 143544 (WGBH Barcode)
Format: 2 inch videotape
Generation: Master
Duration: 00:01:00
-
Library of Congress
Identifier: 2065432-1 (MAVIS Item ID)
Format: 2 inch videotape
Generation: Master
Color: B&W
Duration: 0:58:00
-
Identifier: cpb-aacip-15-52j6r5m7.mp4 (mediainfo)
Format: video/mp4
Generation: Proxy
Duration: 00:58:59
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “The Forsyte Saga; 20; A Silent Wooing,” 1970-02-15, WGBH, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed January 14, 2025, http://americanarchive.org/catalog/cpb-aacip-15-52j6r5m7.
- MLA: “The Forsyte Saga; 20; A Silent Wooing.” 1970-02-15. WGBH, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. January 14, 2025. <http://americanarchive.org/catalog/cpb-aacip-15-52j6r5m7>.
- APA: The Forsyte Saga; 20; A Silent Wooing. Boston, MA: WGBH, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-15-52j6r5m7