Le Show; 1989-07-10

Ladies and gentlemen, only two months, until the Jerry Lewis telleth on a public service message from Hello. Welcome to the show. Yes, today we made food to plan, she loved me, I could tell. Can today be that tomorrow, that we plan so well? Yes, today I'll never forget her, but don't tomorrow might bring me one better. Today I don't know my age, dream no more, yes, the love. Today I don't know my age, dream no more, yes, the love. Yesterday I found a till the kiss of one day, one more. Not a day that's cold and there's a tear drop, but there's a hole.

Yesterday I used to treasure, now you're giving some of the lips pleasure. Today I don't know my age, dream no more, yes, the love. Today I don't know my age, dream no more, yes, the love. Yesterday the prefix that we fixed, two things that have gone by forever. See, yeah, even though my yesterday has lived through my fingers, I've passed to the fingers in my heart. Today I don't know my age, dream no more, yes, the love. To come out of life, no one could have told me that today I'd be alone. Yes, this week is today has gone so well, Seeming further away with the tower.

Today I don't know my age, dream no more, yes, the love. Today I don't know my age, dream no more, yes, the love. Today I don't know my age, dream no more, yes, the love. I don't know my age, dream no more, yes, the love. When you're alone, who cares for starlit skies? When you're alone, the magic moonlight dies At break of dawn, there is no sunrise When your lover and there's gone.

What lonely hours? The evening shadows bring, what lonely hours? With memories linger in, like faded flowers? I can't meet anything, when your lover has gone. The evening shadows bring, what lonely hours? When you're alone, who cares for starlit skies?

When you're alone, who cares for starlit skies? When you're alone, who cares for starlit skies? When you're alone, who cares for starlit skies? What lonely hours? The evening shadows bring, what lonely hours? With memories linger in, like faded flowers? I can't meet anything, when your lover has gone. He's gone, gone.

Isn't it a pity? Isn't it a shame? How we break each other's homes? And cause each other pain? How we take each other's love? Without thinking anymore?

We're getting to get back. This is it a pity? Something takes a long time. How do I explain? Not too many people. And see that you were all the same. And because of all that I did? Your eyes could hold to sea? And see that surrounds us?

This is it a pity? Isn't it a pity? Isn't it a shame? How we break each other's homes? And cause each other pain?

How we take each other's love? Without thinking anymore? We're getting to get back. Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity?

Only took him about six minutes to say it. Isn't that amazing? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Isn't it a pity? Isn't it a pity?

Isn't it a pity? Isn't it a pity? Tonight, Part 1 of a CBS hot boiler for television, the only North story beyond guts and glory. Part 3 Marine Unprovision.

After the trial, surprisingly I felt a letdown, I had so steered myself for the likelihood of a prison sentence that a continuation of civilian life of any kind seemed to lack the element of challenge. Oh sure, I was mob wherever I went. My speeches went over great. My friends, the good lord put us on earth for one reason to win. Opportunities opened up like a giant sesame. August, you're a judge at the Miss Universe pageant, okay, and then two weeks co-hosting the home show with Rob Weller.

Instead of growing closer together, now that the threat of jail was behind us, Betsy and I seemed to grow farther apart. That was great pot roast, honey. Thanks, Ali, but it was rib roast. I'm sorry, okay? The only time when I felt really alive, strangely enough, was during my punishment, those couple hours a week I spent working with an inner city drug program. What? Yo, got a lot. Chucky, where'd I tell you about the radio? Uh, then if I had it on loud around you, you'd shoot it. Uh huh. And what am I carrying? Okay, four to seven fully loaded. Nope. Uh oh. Yo, Ali. Yes, Rakeem. Modified, okay, four to seven. Full on. There you go.

No, Chucky, what's up? Word. That dealer Captain Crack, he's still working the projects, you know, so show. So, you know, I couldn't stay clean this week. Okay, so we got a problem. Maybe wondered who my friend here is. Yo, Ali, in that Garcia from the 25th Street gang. You hear that, my friend? Do you think you're a dangerous street creep from across town? Guys, listen up. This is my friend, Mr. Fernandez. Maybe he could help us with Captain Crack. How you guys doing? Yo, Ali, what can he do to we can't do for ourselves? Well, let's see. If Captain Crack could make more money doing something else than he does from dealing, what do you think he do?

I'll get serious, Colonel. You can't do nothing made more money than dealing. That's a fact, Jack. That's the truth. That's the deal to see you. That's so. Mr. Gomez, you buy that? What if our friends were suddenly connected through the very highest level of the people he's already doing business with to the international trade in tactical battlefield material and African rhino tasks? Whoa. Yo, word. My guess is he'd be out of the projects and into an office we have for him on M Street so fast he'd leave a vapor trail. Interesting. What do you think guys? Pretty neat idea. Yo, Ali, nothing made me happy a man and to send those little rocks back to hell where they came from, you know?

They ruined the lives of a lot of people who might otherwise have been protective parts of our society or at least unemployed and straight. Yeah, yeah, but down the 80 true that that kind of business takes more money to get into it than even the most successful homeboy Crack dealer has got. Yeah, who's going to stay Captain Crack to this wheeling and dealing stuff? Hmm. Gee, who knows anybody with money like that? Well, there's the Sultan of Brunei. Yeah, but. And the Ayatollah son. Why sure. And old lady coars. All right. Well, fellas, looks like our friend is going to have himself an enterprise. And we're going to have back our neighborhood. All right. I got to get moving, but she's going to chew my ear off if I'm not backed by six. Mr. Rodriguez, Mr. Rumirez, give you a lift.

If I'm not mistaken, Colonel, you're giving all of us a lift. A very big lift. Yeah. Tomorrow night, the explosive conclusion. The community service agency loses its funding and Ali's obligation ends early. Beyond Guts and Glory, Marine Unprovation. Oh, no.

Oh, mercy. I said you were evil. You knocked me off my thing. If I said you're a good girl, you'd pour me off my thing. You'll never see me walking. Down at your dim little clasting. I'm frequently appalled, finding pretending to be fallen. Pull me in, pull me in. I give you all I can now. I don't have enough arms for you to ask. Ask the people with real cash.

Is the Jewish answer I take in the earth tonight? I won't feel good tonight. I won't feel bad. Yeah, I won't feel good tonight. I won't feel bad. I won't feel good tonight. I won't feel bad. Well, I don't think I'll go tonight. I won't feel bad. It's been in the book. In the literature that I've read. Temporary blindness. Belize I'm through the port again. You'll never see me walking. Down at your dim little clasting. I'm frequently appalled, finding pretending to be fallen. Pull me in, pull me in. I give you all I can now. I don't have enough arms for you to ask.

Ask the people with real cash. Is the Jewish answer I take in the earth tonight? I won't feel good tonight. I won't feel bad. Yeah, I won't feel good tonight. I won't feel bad. I won't feel good tonight. I won't feel bad. Well, I don't think I'll go tonight. I won't feel bad. I never get enough of it. I never get enough. I want to check it out. Hey, flex, come on man, I'm gonna let them move on Let them move the line now I'ma feel bad, yeah I won't feel good enough I won't feel bad, yeah I won't feel good enough I won't feel bad, I won't feel good enough I'ma feel bad, yeah I won't feel bad, I won't feel bad, hey

I'ma, I'ma, I wouldn't feel bad, hey I'm starting on the left side They ain't no use to sit and wonder, Why Babe? don't matter anyhow And he ain't no use to sit and wonder why, baby, if you don't know by now. When the rooster crawls at the break of dawn, it's out your window. Now I'll be gone. You're the reason I'm traveling on. Don't think twice. That's all right. He ain't no use in turning on your light, babe, and that light I never know. And he ain't no use in turning on your light, babe, as I'm on the dark side of the road. Still, I wish there was something you would do, or say, to try and make me change my mind and stay.

He never did too much talking anyway. Don't think twice. That's all right. I'm walking down that long-lonesome road, babe, where I'm bound by can't tell. But goodbye is too good a word, Gal. So I just say, uh, very well. The way in saying you treated me unkind, you could have done better, but, uh, I'm right. You just kind of wasted my precious time. Don't think twice. That's all right. He ain't no use in calling out my name, Gal, like you never did before. He ain't no use in calling out my name, Gal. I can't hear anymore. I'm a thinkin' and a wonderin' all the way down the road. I once loved a woman. A child I'm told.

I give her my heart, but she wanted my soul. Don't think twice. That's all right. I'll leave the trace to you. I'll leave this trace to you, babe. From communicator, the magazine of the Radio Television News Directors Association, I'll be reading from the article making news shops winners, not losers, because you have a right to know. It's a common scene.

It's minutes before the newscast starts. The anchors are in the studio and the producer having just finished writing one last story is now banging out the headlines. It's a common scene. But it's all wrong. Don't allow producers to write headlines as an afterthought, and it punishes Tom Durr, news director at KTRK in Houston, and one of the panelists at the recent newscast producing seminar. Headlines may seem like a small thing, but Durr said we have to stop writing them at the last minute and start giving them the attention they deserve. Music Headlines should tease Durr said,

Don't allow producers to give the story away. For those who attended this workshop, Durr provided a laundry list of what makes a good newscast and what makes a bad newscast. A good newscast, he said, creates atmosphere and relates to viewers in an understandable way. Music Each segment of the newscast, he said, should be a mini newscast with the beginning, middle, and end. Music Another important element is people.

Yup. There are those pesky people again. Mark Efron, news director at WFSB TV in Hartford, said there's one thing we can be sure of. Even 10 years from now, people will still like to watch people on television. Thank you, Mark. And he said it wouldn't surprise him if the number three stations in cities decide to go tabloid with their local newscasts, ignoring politics and world events. It might work and we should take notice, Efron said, one man's sleaze is another man's news. Music One subject that generated considerable interest and some disagreement was how to keep the content of newscasts different, particularly if a station has two early evening newscasts while still not cheating the viewers.

Evans and moderator Susa Rinsky of CBS News said they would generally feel uncomfortable denying viewers a hard news story at 5 p.m., for example. But Derr and Efron said a lot of stories can be held with no serious consequences. Music Efron says his shop deals with that 5 p.m. versus 6 p.m. battle in a rather novel way. The same producer who does the 6 p.m. show also does the hard news segment for the five. So he ends up arguing with himself not some other producer about which stories should play where. But on the subject of holding some stories for later broadcasts, Efron concluded, you have to just abstain.

You just have to say no. For making new shop winners not losers, in Communicator, the magazine of the Radio Television News Director's Association, you have a right to know when I read the trades for you. Music Music When you were helpless before you knew he gave you shelter until you grew you kept you secret and he gave you a name you drank from a river you slept with the group of running

into the wind you grew up fighting the war you never win against the war you never seen pretending to be what you never meant Why do you turn your back on your left Why do you turn your back on the wall that loves you Why do you turn your back on your left The only one who ever really care The only one who ever really care The only one who ever really care When you were burning

the sky would pour when you were drowning through your shore you said your life oh just to me the one who turned back is at me under your light before death goes no one can drink so your mind says to you you're the king and the prince don't you see the knocking at the door Why do you turn your back on your left Why do you turn your back on the wall that loves you Why do you turn your back

on your left The only one who ever really care The only one who ever really care The only one who ever really care I know you're forgotten but friend too late I know you're home by a friend to be the giver

and do you ever think of a friend who did you good like a river Why do you turn your back on your left Why do you turn your back on the wall that loves you Why do you turn your back on your left The only one who ever really care The only one who ever really care The only one who ever really care The only one who ever really care This is Jerry Falwell in the pastor's study of Thomas Rowe Baptist Church here in Lynchburg, Virginia.

You know, it's been a big week for the work of the godly. That's why today, on the old time, gospel hour, I'm going to be discussing the question of the hour. What next, Lord? Now that the devil's edifice of Roe vs. Ways seems ready to crumble, many among us believe that the campaign for the rights of the unborn has just only begun. Rev. Paterson of the fun for the unborn believes these sweet innocents have the right to vote and sees the mortal power of millions of Christians applying for the right to cast proxy votes in the names of the unborn. Rev. Pat Robertson is gearing up to offer 700 club in womb memberships. And Christian action believes you should have an extra rifle in your home to exercise the unborn's right to bear arms. We'll talk about all this that have wonderful gospel music live from Thomas Rowe Baptist Church this week on the old time gospel hour. What does your join us? And if there's an unborn in the family, let him watch too. He's got a right to. God bless you. That's good advice.

Ladies and gentlemen, I'll be back with more good advice. You know, this is the radio program that pride itself on being the fount of good advice next week at the same time over many of these same stations. Until then, thank you very much for listening and have a better week than I will, won't you? Thanks. Lesho comes to you from century progress productions and originates through the facilities of Sass, a satellite service of KCRW, Santa Monica. And this is KCRW Santa Monica, a community service of Santa Monica College at 89.9 FM National Public Radio for most of Southern California. Snap is next. KCRW thanks the KCET Magazine for its support KCET Magazine offers a wide variety of articles on the arts, entertainment, and Southern California. And this is KCRW Santa Monica College at 89.9 FM National Public Radio for most of Southern California. Snap is next. KCRW thanks the KCET Magazine for its support. Entertainment and Southern California living, including listings, information, and features on KCET programs. KCRW thanks the KCET Magazine for its support.

KCRW thanks the KCET Magazine for its support. KCRW thanks the KCET Magazine for its support. KCRW thanks the KCET Magazine for its support.

KCRW thanks the KCET Magazine for its support. KCRW thanks the KCET Magazine for its support. KCRW thanks the KCET Magazine for its support.

KCRW thanks the KCET Magazine for its support.