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Yeah, that echo just can't quit. Good morning. It's three minutes past 10, and this is what it is. It's three minutes past 10, and it's three minutes past 10, and it's three minutes past 10, and it's three minutes past 10, and it's three minutes past 10, and it's three minutes But there's a better world out there
Oh it don't feel right Will it be like a home Just a matter of times And I hope it's some mercy Not another empty dream There's a time for you and you In a place to hang out with me And I hope it's some mercy
Not another empty dream There's a time for you and you In a place to hang out with me One while you don't make the sound Believe in what you're doing I know we can't do more Don't worry about us here We'll be alright And we'll be there with you Just a matter of times And we'll all be together Just a matter of times A matter of times
A matter of times We'll be together A matter of times You and me Feel like a home A matter of times A matter of times One child
It grows up to be Somebody just loves to learn Another child grows up to be Somebody you just love to burn her Mom loves the bones of him Blood sticks out in the mud It's a family affair It's a family affair It's a family affair It's a family affair
It's a family affair It's a family affair But you can't see, cause she been somewhere else You can't cry, cause she looked broke down But you cried anyway, cause you all broke down It's a family affair It's a family affair It's a family affair It's a family affair It's a family affair Oh, how am I to know, if it's really long,
that found its way here? Oh, how am I to know, will it linger on, and leave me there, I dare not yet, at the strange happiness for, how am I to know, can it be that love has come to stay here?
I dare not yet, at the strange happiness, for, oh, how am I to know, if it's really long, that found its way here?
Oh, how am I to know, can it be that love has come to stay here? Thank you Rosie, dig the music, love the towels. Good morning everyone, it's ten, oh, who's counting? I'm obviously not, or I was half counting. And this is the program that's on every Sunday morning, between ten and eleven here on KCRW, the hour of power. My name is, you know, who? I'm your host, yours truly, thank you for joining me. On a beautiful Sunday morning, when I'd prefer to be curled up like my cat, on my front porch, but hey, you know, there's a thing called, whatever it is, forget about it, I'm here, you know what I'm saying? This is the radio program that says, it's about time.
It says, I'll vote for, the program that speaks in the first person for one thing. It says, I'll vote for any candidate from Air of Los Angeles, who proposes to outlaw the San Diego Freeway, shut the sucker down. It's a danger to mental health at any time of the day or night. I speak from a recent personal experience. This week, of course, the writer's guild strike is over. It's a source of joy for all of us, I think, here in the town that writers built with their sweat. Larry Gelbart, creator of Mash, said it, a recent writer's guild meeting. I think the most memorable quote, were the only union in town whose members are paid to think. I think Larry is probably spending so much time working on the Oscar show that he doesn't get time to see a lot of primetime television, or you'd see just how much thinking is going on in this town makes me tired to think about it. Fall had a cleaner, has anybody seen her?
You that she can be? She got a cube on her, that's on his land. She's all right with. Fall had a cleaner, has anybody seen her? You that she can be? Fall had a cleaner, has anybody seen her? You that she can be? You that she can get a cube? You that he can be? You those you can, like, make a pen, or she can do it. You that i can get know you, She got a cube on her head that's hard to land, but she's all right with it. Sloppy gurney, she's so daring, skinny mini-sheets to lean, tracers fakes inside the
plane, and Jonas downright me. Now you take a listen, she's so dizzy, she went lost for mine. She got a cube on her head that's hard to land, but she's all right with it. She can't wear no wig, cause her head's too big, but she's all right with me. This week in rock and roll brought to you by Schlechter, the beer for everyone who is too young to drink.
I'm Kurt Gowdy. This week's headliders. Interviewed in a trite, John Cougar melanchamp, formerly Johnny Cougar, the beddedies undergone a religious conversion that is conferring with his manager about changing his name again. Johnny's new name, which could appear on his next album, Johnny Camp Cougar melanchamp. Seen on stage, London's Welley Stadium has been the scene of many friends and crowds, but when the pretenders played their Christmas week, only a camera crew showed up. That's right, Chrissy and the Boys were tabing a new video. And speaking of video, one of my colleagues, MTV's JJ Jackson, has been hired by Michael Jackson, though a relation to announce the radio commercial for his next album, The controversial Thriller 2. Next, you've heard him before, but now you're hearing it again. Our exclusive video play by play. I was lifted.
I was lifted by our cartoon hand. There's a woman. Now there's a man, black away inside some sort of a vital shower curtain. He's got a mustache and a microphone that's as big as a double ice cream coat. White microphone. Or is it a soap and a rope? Here's a knife plunging behind him again. He's standing in the shower, though. He's still singing, but now he dropped his vegetable juice while together. Beside this house on the hill. Now, inside the house, a woman watching an old woman in a rocket chair watching a rocket roll man on TV. They're in color. The drummer is about 250 pounder. Playing to a group of dancing skeletons. Standing on front waving her arms. The old woman rocks. Every time I see a talkin' back.
There's a man with a bathtub again. With a shower curtain and a lot of young ladies. And right, quite lovely lingerie. Dancing around in. But he doesn't seem to like it very much. He's standing in the bathtub singing. And he's behind that shower curtain with a real big microphone. And now the dancing girls turn into nuns with knives. The old woman's watching. Me being dropped on television. And the pictures and the statues and the stuffed birds are all round her. Saying this song. There's a band once again. Singing. The dancing skeletons. We're passing over a landscape now. Maybe it's the moon. Here's a guitarist rising up out of a smoking cauldron. There's another cauldron exploding into flame.
Another guitarist leaps out. Boy, it must be hotter there. One guitarist is wearing white. The other is wearing black. Here's a fellow leaping out of the shower. Being dragged this way and that. They're not nuns or their mage. White hats. Now the dives have gotten very big and they're dancing around it. Lucky for him he's still wearing his towel. He doesn't look happy at all. Now the women start dancing towards him. But they're not stabbing him yet. Oh, there's one point. Here are all four knives up in the air. Now somebody looks like Alfred Hitchcock backs away from his own shadow. He's playing a guitar. Now a naked blonde girl appears.
Leachie appears to be naked. And here's the old woman in the chair watching the TV with her most controlled device spits her out. And she turns out to be the man and the Alfred Hitchcock mask. And he remote controls the lead singer's towel off. That's it for this weekend rock and roll. Next week I go looking for bizarre young girls with motley crew. Until then for Schlenker. The beer for everyone who's too young to drink. Greg Addie's saying rock on. One of the mouths who needs to say baby you're missing to suddenly reach my head. I'm watching you and I'm going to.
So here I am now cut on through, right on through. Dig a little deeper mama. I can see it coming. Dig a little deeper. Go have your fun and I'll be gone. I ain't no witness or no witness. But I can tell you when I'm anticipating. I'm watching you and I ain't no witness. So here I am now cut on through, right on through. Dig a little deeper. Dig a little deeper. Dig a little deeper. Go have your fun and I'll be gone. Dig a little deeper. Dig a little deeper. Everyday I come straight home. Ain't had no need to roam. I'm only finding my good, good love. I must be crazy what I'm thinking of.
And now that I cost what you're going to die. Yes I tend to have some fun. No, no, stop trying deep. To give you all this space you need. Dig a little deeper. Dig a little deeper. Go have your fun and I'll be gone. Out of the mountains we'll be together. I'll be your message and we'll certainly get right to my head. And you're just how I'm keen. The way you're acting it's a bit unreal, a bit unreal. With each day it matters less. Keep on doing what you need better. And now that I've caught your little fooling. You might as well finish what you're doing. Dig a little deeper, mama.
Dig a little deeper. Go have your fun and I'll be gone. Out of the mountains we'll be together. Out of the mountains we'll be together. Thank you. Thank you. You know that's the way it works in the business. Just one person thanking another. And speaking of which I'm kind of thrilled right now because I think on our phone line. Hello. Hi. Okay I just just double checking. The General Manager of Radio Station KCRW. This is of course my second month anniversary on the air. And Ruth Hirschman is called in with I think some good news. How are you this morning Ruth? I'm terrific. You want to call it good news? Well I don't know. Why don't you just share it with me and the folks? Okay well I guess what we're going to do is give the audience a chance to rename the baby. After all it's only two months old. So it's still kind of little. Uh-huh.
By what you mean? Rename the program. I see. And why would this be happening? Okay let's start from the beginning because everybody is confused by now. Okay. On Thursday afternoon we received a call at the station. I wasn't there so I didn't speak with a person who called but trusted volunteer. Got the information. And it was from the Crystal Cathedral and Reverend Shirley's people. Most specifically one of the attorneys there. Uh-huh. And I think what had prompted this call quite frankly because I doubt whether we share a class of the audience. Uh-huh. Is the over tonight. Today we may, Harry. Today we may. This may be the first day we do. Well you never know. Uh-uh. Was the article on the held examiner which probably caught their attention? The one that in which I was described as a small man. All right. The dude with the bad attitude, wasn't that it? Well I say that. That was the writer's characterization and of course I'm the height of the average American man. But continue. But at any rate. Uh-uh. What they said was that they would like us to stop using the title hour of power because it was associated with the Reverend Shuler's program.
And that they were going to send us the letter forth with which we will get at the beginning of the week. Now forth with is legal language right? Yes. Yes. And then I came back and asked someone and they said they would call back and they did but again I wasn't there. And they were more specific this time. And they made a good case so I want to make it to you and the audience. Uh-uh. Because I don't think the case essentially they were making it on a legal basis but for me the case is an ethical one first. Uh-uh. What they said was that they had invested, they weren't talking copyrights. They had invested hundreds of thousands of dollars in establishing this title in the public mind. And that when people heard the title they immediately associated it with the Reverend Shuler. And they were really upset that someone else was using it. I don't know about that. And it seems to me they had a real point there. A lot of people do identify that title almost immediately and in fact we get a laugh on the show because of the identification.
And it seems to me that everybody has their song to sing. And we should try to get an original title for the most original. Well, there's no need to go that far. But anyway, all right so the job before us then is to re-title the program then. Yeah and cover up with something that's unique and individual. I think it doesn't belong to anybody else that I got one other thing I want to mention before Ali's. And that is to try to avoid if we call it something like the Harry Shuler show. We're going to be deluged with other programmers who want to call their show by their name. You can do wonderful spoof on what the air will sound like. Well of course then I would have my lawyer call those people. But anyway, all right we get the general drift of the situation here and I thank you for getting up. I guess earlier than normal on a Sunday morning to speak with us. Yeah.
Okay. Thanks a lot Harry. Bye bye. And I call her Ruth out of respect of course. Because she is the manager of the station. Well there it is ladies and gentlemen, even though I just happen as you know, I always bring way, always bring the TV times with me to the station because it's good reading. 11 o'clock, Channel 9. No, 11 o'clock, Channel 3 and 6. Name of the program, Robert Shuler. 1030, Channel 9. Name of the program, Dr. Shuler and the Crystal Cathedral. But you know, there's some things you just can't fight and the good folks in the glass church I guess are some of them. So as Ruth intimated at the beginning, we are going to open this thing up because this program, ladies and gentlemen, belongs to you and there's more of that where that came from if you believe that. But I just, you know, I'm a busy guy. I got a crazy show business schedule. I don't have the time to think God knows of an original title. I've proved that with the last two programs I've done here. So area code 213-4503524 is the title line. Should I call this thing?
Yeah. Yeah. Yeah.
Yeah. Yeah. Well with the sound of the KCRW concert band in the background doing there by now famous.
Great movie themes, Medley. Let's see what people have to say this morning. Good morning. You're on the title line. Good morning. And what's your suggestion, sir? Well, I just thought out of deference to Dr. Schilder in an honor of his show, you shouldn't completely leave him without simplicity. You might want to call your show the sour hour of power, maybe the hour of sour power might. Hour of showers. I know. We've been, I kind of went down that off the air with Ruth and she just thought all of those were a little, either too derivative or rhymed too much. So I think we have to go, as Jesse Jackson said. Do you want something totally original? I think we have to go a different way. We have to invent a new language. I know. We may have to stay on the air until we find it. Thank you for calling. Oh, good morning. Oh, good morning, good morning. Yeah. What's your idea? Well, I think I've narrowed it down to two possibilities.
Okay. Okay. First of all, we go for, say, 60 minutes of power. Yeah. That's nice. Yeah. So you're keeping, what you're doing there is keeping the basic concept and just sort of euphemizing the hour. Well, there's also the 60 minutes, right? We do 60 minutes. Yeah, well, I could get into trouble both ends. I'd scratch the whole thing and let's go original. Hey, if I could scratch the whole thing, I wouldn't be here. Okay. No, just kidding. Okay, here's our name, ready? Yeah. Fred. Huh? Fred. Yeah, I know. I heard you. I heard you the first time. Yeah. There's no call of Fred. Yeah. Yeah. Hey, good morning to you. Thank you. KCRW, you're on the title line. Hi. Hi. I've got it, ready? Well, don't brag about it yet. I kind of like it. It's kind of nutty. It's kind of zany, kind of you. Yeah, it is. I think you saw right through me there. Thank you for the idea. One more, one more. Oh, okay. Is this as good as? I'll let you choose. I like them both. This is a little less zany, but I just a little more class after. I see.
So I'll be the judge then. All right. Okay. Make room for Harry. Ooh. Yeah. All right. You feel that's original enough? I think it's just got enough about 50 feeling that we're into these days. Yeah, good point. I have enough of the you. You know that the comedian, the classy funny guy. Well, whatever. I think it works. Okay. Well, thanks. Make room for Harry. Yeah. Yeah. I could never forget it. Thank you. No matter how hard I, good morning KCRW on the title line. Hi there. I don't know how I feel about pantyhose, but how about sure energy? I know how I feel about pantyhose. Thank you. Good morning, you're on the title line. Hi. I was just thinking the simple alternative would be just not the power, our power. Yeah. But then the people who do not necessarily the news are on my back. You see what I'm up against? Mm-hmm. Thank you. Oh, good morning, KCRW. Hi, Harry. I've got a title for you. You ready? Yeah. Okay. Crazy Harry's mind warp, rot your teeth, head-banger, nutty wacko, with it, out of psychus experience. It's a good idea. There's a comedy club in San Bernardino by almost exactly that name. Oh, thanks.
But thanks for the thought. Okay. Bye-bye. KCRW. All right. A little call sooner, but I can, since you've come back with this video, I listen to you in the car. I see. Are you calling from the car? Yeah. You are calling from the car. Sure. This is my first call from the car. Thank you. Okay. Bye. You're on the title line. Hi. I'm calling to my husband who has to do on his shower radio. He thought that was appropriate. He's not calling from the shower, is he? No, no. He had me do it instead. Okay. His idea is sheer fun. Okay. All right. Oh, sorry. You, uh, no, I have no smart comeback for that. I'm just glad he's listening to me in the shower. I'm very, very grateful for the listenership. And for the thought. Thank you. Soap on a rope for that guy. Hello? There was also a radio show or television show in England in the late 1960s. A show called Fred, but I didn't want to break our heart. I think that point has been sort of drilled into the public's consciousness quite enough. Yeah, I do thanks. I'm sitting here on a phone book as it is. Hello, you're on the air.
I think what you have to do, kind of capitalize on that first name. I've got to be showbiz. Harry goes again. Okay. Are you in radio, sir, professionally? No, no, I'm just throwing my voice here. It's not like I'm on radio. Well, you are on radio, but I just meant. Okay, here's another one. Yeah, Harry at 10 gone at 11. Harry today gone, gone tomorrow. Yeah, switch on that. Okay. Thank you. Hey, how about some writers calling in because you're the only people in town who are actually paid to think. No, no laughing on the air. Hi, are you? Okay, I think you should get in trouble with KCRW rather than anyone else. Keep it in the family. Call it Sunday becomes dyslexic. Well, the good, the good part of that idea aside from the fact that you made me laugh is that of course KCRW couldn't afford to hire lawyers to sue me. Unless you folks gave money. And of course this is listening. And you're sponsored radio. So why don't you thanks for the idea? Bye. Yeah, you're on the title line. Yes, I have two titles for you. Okay, one of which is Waltz of the breakfast monkeys. Waltz. Let me just get this straight. Waltz of the breakfast monkeys. Okay, I won't even ask. And then there's the walkie talkie hour. Yes, there is. Good point. Thank you. KCRW. You're on the title line. I got a pencil. Is that good enough? You want it writers to call? Yeah, sure. Okay. Qualifies you.
More than about 2,500 people at the palladium last Monday night. I think you should name the program an appropriate title. The way I feel when I get up to listen to the show, I think she calls you a morning sickness. I brought a morning breath. But there already is another comedy group that has to do with breath. Yeah, yeah. All right. Well, at least that's a clear title. Thank you. I'm of course describing it legally, not in terms of the quality of the thinking. Good morning. You're on the air. What about Curly's wedding? This is a ringer, ladies and gentlemen. We have to clear these lines. Yeah, you're on the air. What about since the examiner caused the small man show? Well, that's already been suggested. Are you listening to the program, sir? No. Oh, in fact, I got this number by accident. All right. Well, lose it the same way. You're on the air. Hi there. Sunday morning live. They're not going to sue you after all that. You know, you may have a point. Thank you. A few more calls on the title line. So. Harry Scherer's art fiction. Art fiction. Art fiction. Sounds kind of artistic. Plus if anybody sued you, you know, over something like that, you can always say, it's fiction. I'm a writer. I can get away with it. I am paid to thank you. The concert band revving up in the background is those movie themes. Continue to on school as we continue on the title line for just a few more calls here. Hello, you're on the air. Help me, please. Real Harry Scherer. Yeah, I try to stay away from my name in connection with the show.
For reasons that I paid a man a lot of money once to line a couch and talk about, but thanks for the idea. Bye. Hi, you're on the air. Hello, Harry. How about the surreal cheer blues hour? Well, yeah, you missed what I just said, but thanks anyway. Hi, you're on the air. How about wake up and smell the coffee? How about wake up and smell the coffee? That's what I do every Sunday morning. Yeah, it works. Does it? Sure. Would you attribute the smelling of the coffee to the the thinking process? That went to the idea or it's just the whole hour long process of waking up on Sunday morning in the help. All right. Well, if I can help, I'm of course very grateful to the good Lord above. Thank you for coming. Bye. Bye. Bye. I don't think our search is over yet. Something. Something gives me that idea. Oh, wait a minute. Can we get a little more professional here, ladies and gentlemen? I, you know, I'm ashamed. I'm embarrassed.
Oh, I'm embarrassed. Oh, I'm embarrassed. Oh, I'm embarrassed.
Oh, I'm embarrassed. I'm embarrassed. I'm embarrassed. I'm embarrassed. I'm embarrassed. I'm embarrassed. If you're a good heart, I'm embarrassed. I'm embarrassed. I'm embarrassed. Well, the cars are banned, finished, but we've got a job to do, ladies and gentlemen. Hi, you're on the air. You're on the air the mighty moak hour the mighty moak hour Yeah, yeah, you're on the air. Yeah, Harry. I've got something wait a minute now. You're a repeat caller
I know I'm not you're not okay. You have the sound you have the feel he was my brother You have a feel of a repeat caller Okay, well just listen to this and I think you'll forgive any Transgressions I've made on the radio is your is your brother by the way a professional in the radio? No, he isn't okay. He's a professional All right, he's not on the radio. All right. Um, it's cute. It's sarcastic. It's Harry. It's me me Me you can say welcome to me. Yeah, I'll get you All right. Thank you for calling again. You're on the air. Hi, Harry continuing in the religious theme What about the possibility of praise the Jack Lord? You know a lot of people are into that these days. Thank you Uh, I should point out by the way that these people who are gripping so much and I'm by by these people I mean the glass church people about originality um I you know, it would be truly should meet a point out that Reverend Schuller's possibility thinking is in any way derivative of Norman Vincent Peele's power of positive thinking which predated it by a
A decade. Good morning. You're on the air. Hi, Harry. How about we'll make it Hollywood the Hollywood hit line The Hollywood the Hollywood hit line Hit line. All right. All right. Sounds good. Uh, I'm not going to commit myself at this time, but thank you for calling Yeah, well, this feels an hour doesn't it? Ladies and gentlemen, uh, you're on the air with the title line It's filling my hour. Yeah. Um, well, we went through the religious ones, you know, hour to shower, shower of power You know what now how would it be? How would it strike you if I just did did it in another language? Lure do love we saw for example. That's good. Do you like that? I like that, but we got down to the heart of it. Yeah Pipeline to God Seems Presumptuous would that be we thought you might think that so we came up with a couple more. We what do you got a frog in your pocket? I have a code check her in 1979 Then we went through the name ones and you said you didn't like those but we got down to Harry's war Which was our last name one lawsuit babe lawsuit you're on the air. Hello. Yeah
Um, I thought it could fit in with the case here at W a general tone. How about autistic expression? Are you with a do you contribute money to the station sir? Yes, I have Excellent, so I have the right to say that you do have the right to say that and you also well, you know all the rights you have Thank you for you to read them to me if you want well the remaining silent was the one I had mine But you know, that's sarcastic and I don't want to indulge in that. I'm seeking help. Thank you for your help You're on the air. How about FRGK People are calling and to plug their own radio programs ladies and gentlemen and I I don't know how to stop it. Yeah, um, well, I just don't have to stop it Because the only uh And an interesting sound we get these days from the phone company. I think the old dial tone is better, but uh might a judge I'm going to now Clarify something that's uh you see how good I am at doing this I fixed my own radios too. Yeah, I sure do
Okay, I'm going to get some legal advice because uh seems to me are Yeah News live That's the only way to really get this thing resolved We'll be waiting for The 24-hour attorney line Hello, good morning. Is this Mr. Levine speaking? Yes, Mr. Levine you've been recommended to me as an attorney with a certain amount of expertise in the field of copyright law Okay, is that correct? That is correct. All right, sir. I'd like to ask you is it possible to copyright a title of a radio or let's say a television program um in general. It's uh not possible to copyright a title But there is some protection for title Mm-hmm. There's a notion of the law of unfair competition. I see and That's notion that if one person Use the title so extensively and with such sufficient advertising That the public will recognize
That title is being that person's product show or whatever And a second person can't come along and try to take advantage of uh That first person's commercial success and the consumer recognition advantage would mean uh for commercial purposes or non commercial purposes Um probably for commercial purposes. Mm-hmm. I see and uh what if that first party Did not actually use that title in the let's say the television guide listings for that program Well, then again, it would be dependent on the uh can the public recognition. I see if the public in general will immediately recognize the particular title with the first person And a second person You know will not be able to come along and try to uh I got you take advantage of that consumer recognition. I got you. So I'm off the hook All right, Mr. Levine. I can't thank you enough for being with us this morning Okay, I have everything going well Hey, everything is going fine. Uh, do you have an idea for a title for the radio program? Um, how about creative differences
A lawyer made me laugh ladies and gentlemen. That's news. Thank you very much sir. Oh Hello, you're on the air. Hi, ready? Well, what does it sound like? It sounds like this. Oh, okay Terry a go-go Mm-hmm. Okay, but there's another one The show before the jazz show the show before the jazz show. Yeah, the hippas. Thank you. You're on the air Hi, how about back page with Harry Scherer back page with Harry Scherer. I thought you should get in trouble with case Rw if it's anyone. Oh, I yeah, same premise is a front page. Yes. Yes. Yes. I get it. Thank you for calling last call on the title I'm this time around the title is mind over matter Mind over matter. That's correct. It's very deep sir. Thank you. Oh, can I have your proxy? Yeah, it's over. Oh, oh, oh, about three years from now. Yeah, no sure call me then. Okay. Thank you. Bye I think we all got to put our thinking gaps on the next seven days. Ladies and gentlemen For the moon of the moon
The palm tree cries by the blue We harmonize for our lives in tune, and above us always is you know who, yes, the mood of our Malibu. All the stars in the sky twinkle down from above, and the moon from our heart throws its light on our love. Darling, in my deepest heart, I can truly say, you know, if we too should part,
and far away, I shall always remember you. My favorite moon, its the moon of our Malibu. All the stars in the sky twinkle down from above, and the moon from our heart throws its light on our love. In my deepest heart, I can truly say, if we too should part, and far, far away, I shall always remember my favorite view, its the moon of our Malibu.
And you, yes, the moon of our Malibu. You have to understand how embarrassing it is for me to be this self-referential with an F, but you know, you heard the word from the lady, the lady in the office. Yeah, you are on the air now, sir. Hello. Yeah, you're on the air. Hello, Harry, Tom Leopold. Hi, Tom, this is a personal friend of mine, ladies and gentlemen. Are you allowed to take personal calls on the phone on the air? I'm allowed to take them. I'm allowed to make them. Okay, well, I'm calling because you're a good friend of mine, Paul Schaefer. I was talking to you on the phone when he calls every Sunday morning to listen to your show.
I just put the phone up to the radio, and he heard the contest to name your show, and he said, try to get through, and I did it, so he's on my other phone. I have two phones, as you know. Yeah, that's one of the privileges of being in the business. Well, this year, thank God. Yeah. Whatever. I'm going to talk about that. Do you want it? Schaefer has a title for you. And by Schaefer, you mean Paul Schaefer? Paul Schaefer. Yes, sir. All right. Well, I'm just identifying him for the audience, of course. Oh, I know. Yeah, well, you know that I know who he is. Yeah. All right. So what I guess would do, Paul. Excuse me, Harry. Harry. It's just turning the phones around, you know, like that song says. Yeah. But with the phone instead of the love. Right. Turn the phones around. Okay, so I just do that. Yeah. Okay, talk loud. All right. Here you go. Put Paul Schaefer on there. Yes, Paul. I can hear you. Tom, you left it. You hear me? Yes, Paul. I can hear you. But Tom, you're going to have to tell him I can hear him. Uh, Paul, he can hear you.
But I have to tell you that he can hear you. Go ahead. Go ahead, Paul. It's exciting. Go ahead again. Say it again, Schaefer. Go ahead. This is exciting. I've been listening to your show, Harry. I'm going to log. I've got a title for you. Yes, sir. How does this strike you? The Harry's here. Our bitterness. The Harry's here. Our of bitterness. Now, why would that be? Is that a good title? Ask him why he would suggest that. Ask him what? Ask him why he would. This is why people don't use this arrangement more often, I suspect. Yeah. Ask him, this is like talking to somebody from Russia or something. This is like talking to Lucy because she won't talk to you. Tell you ask Lucy why. All right. You ask him why he would suggest that. Why would you suggest that, Paul? Yeah. No, you have to put him back on the arrow. Okay. Because he loves you, Harry. All right. That's why he called you a lover. Why because he loves me? Reason enough. I can't thank you. I can't thank Paul enough. Well, I had a title, but for time's sake, I'm just going to tell it to you personally over an expensive dinner.
Okay. That's a beautiful idea. And again, congratulations on the two phones. Thank you very much. All right. Bye-bye. You're calling from everywhere, ladies and gentlemen. And from nowhere. Thank you. Thank you. Thank you.
Thank you.
Thank you. That's the animal house got kicked off campus.
It's not that these kids are slow learners. It's just that they're faster at getting into zany hijinks. That's why they're at... Did you run? I think you passed chemistry class last spring. What are you doing here? If you're going to win a Nobel Prize, dedication is a small price to pay. You win the Nobel Prize, Jero. For what? I'm going to be the first person to synthesize the smell of human farting. Jero, are you nuts? It's the first step on the road to a cure. Yes! Now, who remembers what grows in Flanders fears? A drone?
Marijuana? Marijuana! Ooh! Sell the spoon! And Co is going to make you true! Jero, are you sure it's okay to be in the teacher's parking lot? Sure it is. As long as we're screwing. Wow! Rules are rules! Sell the spoon! Whoever is responsible for rolling up the gym will never graduate. And in addition... Oh, no. Sell the spoon! Oh, yes! This is the summer of the meatballs stayed in class. This is the year the vacation came home. This is the year we hope to make back the money we lost on the last three of these. This is the year for summer school. Ain't no food. Staying back for summer, summer, summer, summer, summer, summer, summer, summer, school. Sorry, no one you've ever heard of.
Rated PR. Sell the spoon! Okay, CRW Concert Band, favoring us with their Mr. Lucky Medley right now. I have to bid farewell to you ladies and gentlemen. Those of you who participated in our phone and title line today. I'm not sure we've got the right one yet. Off the air, I took a couple of more suggestions. These from listeners Radio Colonic. Somebody's been reading the LA Weekly too much, I fear. This one based on a couple of premises that have been nailed into the ground here. Your hosts too short to box with God. So, we've all got some work to do. Tim Houser is standing by with Sunday Sings Jazz. I'll see you next Sunday with a new name, a new program, a new attitude. No, same attitude, same bad attitude. See you at 10. I'll see you then. That's stolen too. It's 11.02, this is KCRW in Santa Monica 89.9 FM, a community service of Santa Monica College.
Hi, I'm Sarah Spitz and I'm coordinating premiums for this year's subscription. Oh, again, and the streets are not much clean of it.
The Quaint Olds outside see the rears quite no more. Just older than before. Oh, what a stench and down the hallway. Too bad that he's gone. Your son is home dead and he's found a girl. And she's the greatest thing in all the world.
Series
Le Show
Episode
1985-03-24
Producing Organization
Century of Progress Productions
Contributing Organization
Century of Progress Productions (Santa Monica, California)
AAPB ID
cpb-aacip-b2e799962c4
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-b2e799962c4).
Description
Segment Description
1985-03-24: 24. Walkout on Sunset Blvd | 25. Meese Swearing w/Washington jingle
Broadcast Date
1985-03-24
Asset type
Episode
Media type
Sound
Duration
01:02:45.024
Embed Code
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Credits
Host: Shearer, Harry
Producing Organization: Century of Progress Productions
Writer: Shearer, Harry
AAPB Contributor Holdings
Century of Progress Productions
Identifier: cpb-aacip-fd81a49885f (Filename)
Format: Audio cassette
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Le Show; 1985-03-24,” 1985-03-24, Century of Progress Productions, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed December 8, 2024, http://americanarchive.org/catalog/cpb-aacip-b2e799962c4.
MLA: “Le Show; 1985-03-24.” 1985-03-24. Century of Progress Productions, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. December 8, 2024. <http://americanarchive.org/catalog/cpb-aacip-b2e799962c4>.
APA: Le Show; 1985-03-24. Boston, MA: Century of Progress Productions, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-b2e799962c4