Eyes on the Prize II; Interview with Les Campbell / Jitu Weusi

- Transcript
You're trying to establish that you're a long time resident of Brooklyn. Was parent involvement in the school something new in Brooklyn? Well, as a long time resident of Brooklyn, I had known my mother, Mardesta, to be active in the parent association of our community during the time that myself and my brothers and sisters attended public school and to encourage other parents to be involved in the PTAs of the community. Many new parents who had recently moved from the south were concerned that their children received the best possible education and that their children be successful in the public education system.
And my mother had explained to them that the only way that their children would be successful is that if they became active in the local parent association and helped to make the schools a better educational opportunity for their children and give their children the maximum opportunity for success educationally. So I grew up around parent involvement and I understood and knew that parent involvement was very important to the success of the schools. What did you feel was necessary, you plural, why did you feel was necessary to form an African-American teachers association, how did it come about? Well I was a young teacher in the 1960s having entered the school system in 1962 and myself and people like Albert Van and Dorothy Joseph and Marsha Goldman or G. Williams. We were all new teachers and we began to notice a lot of injustices in the school system
internally from the point of view of teachers. We began to see behind the scenes what went on and how the miseducation of our children was not just a mistake but was calculated and perpetuated. And so we began to talk about the need for an organization of black teachers to take some affirmative action in behalf of our children and to begin to do some things that would help to push the educational process of black children along in the inner cities. And eventually this type of thinking led us to come together as a group which was the African-American Teachers Association. Why was it necessary to form something outside of the union? Well the teachers union basically at that time the United Federation of Teachers they were a young organization and basically their major concern were issues involving teaching pay issues, payroll issues, issues involving benefits, vacations, pay, you know increments,
medical benefits, etc. They were not concerned with the quality of education in the school system at that time. And so we wanted to deal with the organization that would deal with the quality of education. What was wrong with our young people? Why wasn't the school reaching our young people? And so we wanted to deal with an organization that would be more centered around the question of providing a better educational opportunity for black youth rather than issues around pay and benefits like that. Okay. Could you talk about your meeting in September of 67 with Rodi McCoy when he was first appointed unit administrator at Oceanale Brownsville? Well the African-American Teachers Association had a very significant convention in 1966 and which we came out in favor of the concept of community control. And when the three experimental districts were established by the Ford Foundation in 1967
we were very concerned that these districts moved forward the concept of community control of schools by the communities and the parents and the activists that were in the communities. And so in 1967 after the parents had the governing board had been selected in Oceanale Brownsville and they had appointed Rodi McCoy as the unit administrator myself and Albert Van. We met with Mr. McCoy to try to offer our assistance as an organization. We wanted him to know, we wanted to go on record having said to him that African-American teachers. Okay. Once again, could you describe your meeting of the African-American teachers with Rodi McCoy in 67? Well Rodi McCoy had been appointed the unit administrator of the Oceanale Brownsville Experimental School Project in the summer of 1967 and myself and Albert Van representing
the African-American Teachers Association. We wanted to extend to Mr. McCoy the fact that our organization was supportive of the efforts of the Oceanale Brownsville Project and that we were prepared to assist him in whatever way possible to make sure that that project was a success. And that was the essence of our meeting in 1967. Did you want to have more black teachers coming into the world? Well we were prepared to transfer large numbers of black teachers from other districts throughout the city to Oceanale Brownsville. That was one of the things that we offered to do. However Mr. McCoy felt at that time that that would not be necessary. One hour. Well his feeling was in September of 1967 that he could work with the teachers, basically who were union teachers and that he did not feel that he was ready to change the staff in Oceanale Brownsville in September of 1967.
Okay. How long and when were you placed at IS 271? Well originally I had been a teacher at junior high school 35 in the Bedford-Stavisson section of Brooklyn. It was a 99% black school and I was proud to be a teacher at that school and I tried to contribute much to the young people at that school. However in February of 1968 I was suspended from that school for taking my class to a Malcolm X Memorial program. The superintendent of schools at that time Bernard Donovan held a hearing on my teaching record and we had literally hundreds of parents who showed at the Board of Education to support me. The superintendent therefore felt under pressure not to fire me as a teacher. Also at that time Herman Ferguson who was a consultant to the Oceanale Brownsville project had suggested to Mr. McCoy that I'd be brought into the district since the district, into
the Oceanale Brownsville district since that district was in need of good teachers. And so Mr. McCoy called Bernard Donovan and suggested that if he wished he could assign me to IS 271, junior high school 271 which was the flagship school of the Oceanale Brownsville project. On March the 13th 1968 I was assigned to junior high school 271 on a permanent basis. How did you find when you came into IS 271 in that March? Well we, junior high school 35 was supposed to be a bad school. But when I came into junior high school 271 in March I found conditions that I couldn't, that were only, couldn't be described as incredulous. There was no teaching going on, the teaching had just stopped. Teachers came in in the morning with radios, with coffee and cake and newspapers. Teachers left their classrooms to place their bets at the track.
The teaching process within that school had been suspended. Groups of children roam the halls, children bought games to school, they bought comic books to school. There was no formal teaching program taking place in junior high school 271 in the spring of 1968. What do you think that was the case, why had the teaching fallen? Well it was my belief that there was a calculated effort on the part of the union teachers, the United Federation of Teachers, members, supporters to sabotage the experimental program. And that by creating conditions that suspended formal educational programs they sought to show the city and the Board of Education that this group of parents running this experimental program didn't know what they were doing and that no education was going on.
And therefore the project was a failure and then the school system, the experimental system would be turned back over to the city and that would be the end of the experiment. What were you trying to do in your classroom? You might talk about consciousness raising the bullets in board and also you should say what courses you taught or what class you taught. Well I was a history teacher by profession in the public school system. So I saw, I saw my, yeah you can pull that out, okay once again what were you trying to do in your classroom? I was a history teacher by profession and training within the Board of Education and I saw my role as raising the consciousness of young African American children to the circumstances surrounding their development and making them more motivated to try to achieve educationally within the school system. I used all types of literature, I used bulletin boards, I used audiovisual materials, I
used trips as well as materials that I concocted myself. Did you tell the story about the bulletin board? Well I had constructed and when I arrived at junior high school 271 I had very little means of communicating with the student body, with the teachers and the adults in the school and I decided that I would use the bulletin board as a means of communication. I constructed a bulletin board and put it in the rare hallway and it was an immediate success. I had on there various pictures of black heroes and heroines, I had various political slogans of the day, pictures about black history and so forth and the kids took to it almost immediately and it became one of the most popular spots in the school and although other
bulletin boards in the school had been torn down, this bulletin board was never touched. In fact interestingly enough it was touched the day after the assassination of Dr. King, it was ripped and we didn't know who ripped it at the time and we came to find out that it was ripped up by a white teacher and the students became so incensed over the fact that this teacher would go to the bulletin board and destroy this bulletin board that caused a very chaotic atmosphere in the school among the students. Okay, you can be specific, what was up on the boats and what were some of the posters on the slogan? Well we had pictures of people like Stokeley Carmichael and Rap Brown who were the heroes of the black power movement of that day. We had this large poster of Uncle Sam with the slogan Uncle Sam wants you nigger which was an anti militaristic poster of the day talking about the fact that the United States government was recruiting young black males to go and fight in Vietnam for freedom that
they did not in fact have living in the United States. We had various political slogans and historical slogans that were very popular during that time, black power, other slogans of that type. And why did that teacher take the poster? Well the teacher removed or tore down the bulletin board because she felt that it was inflaming the students in an anti white atmosphere, it was providing the students with anti white ammunition or food for thought. And so she felt it was her duty to tear the bulletin board down to destroy and deface the bulletin board in this way. Did any of the parents find you too radical? Well some of the parents did in fact find me too radical. I know one particular parent Elaine Rook who was the PTA president at junior high school 271, me and her had a number of confrontations as she found my style to black, to political,
to militant for the students and I remember her son Anthony, she used to tell him to stay away from Mr. Campbell because he'll get you in trouble. And so there were parents in the school who found me to be too radical and too militant as a teacher certainly. After the 19 teachers are transferred and there's a strike, how did community organizations and what community organizations came to rally in support of Oceansale Brownsville? Well all over the city organizations came to the support of Oceansale Brownsville. We had organizations in the black community like the Black Panther Party, the Republic of New Africa, that may of 68, what organizations and how did organizations rally to the support of Oceansale Brownsville?
Citywide organizations came to the support of Oceansale Brownsville after the UFT Street Teachers struck in 1968. In the black community organizations like the Black Panther Party, the Republic of New Africa, Corps, the African American Teachers Association all came to the support of Oceansale, brought their followers into the schools, recruited teachers, retired teachers, teachers who were working part-time to teach classes, and generally kept the atmosphere of the schools in an orderly manner, in a pleasant manner, and did not allow any of the brightest behavior that was anticipated by the United Federation of Teachers to occur. So then on a broader level, you had Dr. Milton Glamison, the late Dr. Glamison who had organized a citywide school movement, he brought in activists from the Bronx, Evelina Antonetti, brought in Hispanic parents, Annie Stein from the west side of Manhattan,
brought in sympathetic parents of white extraction, and other parents, it was a Japanese woman who brought in some asiatic parents, other parents throughout the school system who had their kids in the school system, and realized the importance of what was going on in Oceansale came to the support of the district. And who was in the schools, keep teaching during this time? Well we had a combination of those teachers who had refused to follow the lead of the union. They made up about 30% of our staff. We had college students who were either graduating or graduated. We had retired teachers who were no longer working, but who came out to support the Oceansale movement, and we had community supporters, people who were not necessarily teachers, but who could do some of the things that teachers had done like tutoring children in math, tutoring them in reading, et cetera. That summer you knew there was going to be a strike in the following fall.
What happened? What was the plan? Well, the plan was to make sure that we had enough teachers in September. That summer you knew there was going to be a strike in the fall. What happened? The plan was to recruit enough teachers during the summer so that when September came, if none of the union teachers came back, we would have adequate teachers to cover or be class in the district. We recruited from among black teachers, city-wide. The African-American Teachers Association was instrumental in doing this. We requested that they transfer into the Oceansale bounds or district and become part of the staff of those schools. So you had political movements, as you know, the SDS political movement had been split on this question of Oceansale Brownsville and community control. But those members of SDS that had supported the Oceansale Brownsville movement transferred large numbers of their members into the Oceansale Brownsville district. So when September came, we had more than enough teachers in Oceansale Brownsville to replace
the striking union teachers. The fall of 68 is a strike. Could you talk about the feeling of pride because Oceansale Brownsville, the experimental districts, including Oceansale Brownsville, were the only schools that were open? Could you talk about how it felt to be able to... Well, it felt great. We had outfoxed Albert Shanker. We had outmaneuvered the United Federation of Teachers. We had shown that this downtrodden community faced with a crisis using its own resources could overcome, and there was a feeling of jubilation. And the parents and community were so much behind us and so supportive of us. This made it feel that much more exhilarating to know that we had community support. I used to walk through the streets of Oceansale at that time and it was so beautiful. Parents used to come up and tell me to come in the house and have some fish or have some chicken or have some coffee or have a cold drink.
These were parents who were pointing out their heart to people who they felt were doing something to educate their children. What did you feel you were part of in Oceansale Brownsville? I mean, more than just being a teacher, what did you think was going on? Well, I felt I was part of the freedom struggle of black people. I was part of the ongoing struggle of the black community to establish itself, to obtain self-determination, to obtain dignity, and to obtain liberation. Okay. Now, the police outside, the white teachers picketing or the teachers picketing, who were the police protecting during this fall strike of 68? Well, the police department played a funny game with us. We could always tell when they were going to what moves they were going to make. If they had black policemen on the line, they were going to be friendly. It was going to be an okay day. We didn't have to worry that day when the black policemen were on the line. But when they ever they moved in the white policemen, especially the tall guys with the helmets on in the sticks in their hand, we knew immediately that that meant that confrontation was coming.
So we pretty much calculated what the scene looked like, and we knew what action the police would take by how it looked. Are there any particular incidents that you remember outside of IS-271? Well, I remember several incidents. I remember very vividly the second strike when the students marched out of the school and marched into the street saying that they would refuse to stay in schools where these teachers who were fired were. And I remember the exasperation on the faces of the representatives from the mayor's office and the board of education. They all along had felt that the students had no means of expressing their feelings. And so when the students marched out and there was a community wide march through the streets of Ocean Hill Brownsville, we showed another aspect of our power. We showed youth power.
We showed that our young people too were able to think and act on their own. Okay. The teachers were reinstated and I know some of the teachers you said made their lives miserable. What specifically was done to these ten teachers, I think, at this point, that were reinstated back in Ocean Hill Brownsville? Well, we felt that our feeling was that these teachers were not wanted and that it was our responsibility to let them know at every juncture that this community no longer wanted their services and that they should know... Okay, the ten teachers that were reinstated, you said some of the teachers made their lives miserable. Could you describe, what do you mean specifically? What happened? Well, our feeling was that these teachers were not wanted by the community and that we should do everything to let them know that the community no longer wanted their services and that if that meant that when we were walking down the halls, we had to let them know
then that they were no longer wanted. We did that. Or when they came in the lunchroom and were eating their lunch, if we had to let them know that they were no longer wanted then, we did that. Or when they were punching out at the time cards, if we had to let them know then, we did that. So we just let them know at all opportunities that they no longer wanted in this school by this community. What sort of things were said to you? Well, we said things like, why don't you go get another job somewhere else? Why don't you go miseducate children someplace else? Why don't you take your racist outlooks to another community? We no longer wanted here and that you're not going to stay here in peace. We're going to continue to hold you until you leave this school. All right. Now, after the school began again, the school board, the school union said they wanted you out and I think five other teachers. What were you thinking then? I mean, did you think that if you went out and you could say things, what was going through your mind? Well, I wasn't worried about the union wanting me out.
I knew I had the support of the community. I knew I had the support of parents. I knew I had the support of activists all over the city. And I wasn't worried about the union and their concerns. Okay. Could you talk about how the strike brought the black community together all over New York who said, now finally Harlem, you know, Bedside, could you just talk about all those districts coming together and talk about national leaders that came in during this fall? 68 strike? Yes. Well, the strike was a unifying factor in the black community. Groups that had previously been at each other's throat found themselves together at rallies and meetings surrounding Ocean Hill. It was an issue that, whether you were core or the NAACP or the Urban League or the Black Panther Party or the Republic of New Africa, you could rally around this community issue. They understood the importance of black children receiving a quality education and all organizations were willing to rally in support of Ocean Hill Brownswell.
I don't think there's been an issue in New York City that has gotten the total support of all elements of the black community as this educational issue, whether it's been the appointment of Dr. Thomas Mentor as chancellor of the public schools or whether it's been a demand for black educators or more black supervisors or whether it's been the support for Ocean Hill. It hasn't been an issue in New York City that has united our community than the education issues. And briefly, could you mention the regions like How Harlem, Bedstuy, you know, all these regions? Well, as you know, New York City has always been, had this kind of neighborhood regionalism, this sort of competitiveness among neighborhoods, you know, the people feel that Harlem is the most relevant neighborhood. And others say, no, it's Bedford, Stuyverson or no, it's the South Bronx or no, it's South Jamaica. But I think that when we began to move on this education issue, people realized that it didn't matter whether you were living in Harlem or South Jamaica or Bedstuy or the South Bronx that we were receiving the same dirty deal around the question of education so that
when we began to move on this and began to confront the powers that be around this question of education, all of the communities came together. Leaders from Harlem came to speak in Brooklyn. Leaders from Queens. I remember David Spencer from the IS-201 project. He came out to support us. I remember Dick Gregory, who was that time was a national leader, came in here to support us. H. Rap Brown came in. The head of the urban league, the late Whitney Young, he came in, groups and leaders from all over the city and all over the nation came in to give support to the parents at Oshnell Browns Road. Could you describe the march across the Brooklyn Bridge? The beginning of the city hall went to London Street, what was the reason and talk us through that? Certainly one of the proudest days of the Oshnell Brownsville struggle was the march that took place in late October of 1968. This march showed that Oshnell Brownsville was not just an instance of confrontation that it was in fact a city-wide symbol and I think was approximately 30,000 people gathered
at City Hall Park and we marched, Armin Arm, locked across the Brooklyn Bridge to the Board of Education and it was a memorable site to see so many people, a broad cross-section of people in the educational struggle, Dr. Glamison, Rodi McCoy, Dick Gregory, Al Van, Rap Brown, Sonny Carson, leaders from the Republic of New Africa, all locked in Armin Arm and it showed a tremendous amount of unity, it showed that we were not going to be denied around this issue of changing the New York City public school system and when we reached 110 Livingston Street there was a massive rally and I think that the message that was given that day was that the black community's demand for change within the New York City school system was not going to be denied. What was happening with the students, you talked a little bit before about the student march into the streets, could you talk about the formation of the Africa?
The African American Students Association, what was happening with the students? Well in the fall of 67 we teachers began to hear the voices and the demands of students for the need for change and these students were brought together to form the African American Students Association and these were representatives of high schools all over New York City, I remember a young man from Harlem by the name of Ron Dix who represented the Harlem schools and we had a young man from Queens, off a tier who was representing Andrew Jackson High School and then we had people like Adiyemi Bandelli here from Tilden High School and we had students from schools all over New York City, the bright schools like Brooklyn Tech, Charles Angel I remember he was a representative from Brooklyn Tech as well as the vocational schools even, we had a young woman by the name of Ellen Sheppard from Fashion High School so this student association was a cross section of young people who
understood the need for change in the public school system and who were ready to put their bodies on the line to bring about this change and they had a lot of impact, first they helped to impact by opening many of these schools during the strike. It was the students who demanded that many of these high schools be open and in fact opened them up during the strike, secondly they held demonstrations themselves, they held demonstrations on the street and then one demonstration culminated in a march of students throughout the city to Ocean Hill Brownsville, that march was met with one of the bloodiest riots that happened during the Ocean Hill Brownsville demonstration. We saw bus loads of police jumping out of buses beating these students and while we sympathized what was happening, this became an understanding for these students that they were not going to win changes, they were not going to win movement changes easily, that they were going
to run up against forces that were going to be willing to bloody them, to beat them, to put them in jail if they wanted to change. Could you talk about anti-Semitism, how much was anti-Semitism anti-Jewish feeling a part of what was happening in Ocean Hill Brownsville? I don't believe that anti-Jewish feeling was any part of what was happening in Ocean Hill Brownsville, many of the persons who supported Ocean Hill Brownsville were Jews. They were Jews within McCoy's administration, they were Jews working in the schools, they were Jews who were consultants to the district, in other words, there was no issue of Jewish anti-Semitism or Jewish work in the district that came up, that was not a question. What anti-Semitism was, it was a means for the teachers union to deflect criticism of their role from them to the community by using this question of anti-Semitism, in other
words, at the end of Ocean Hill Brownsville, the teachers union looked bad, they looked like the aggressors, they looked like the United States Army looked in Vietnam, you see, so they needed to change their image, and one of the ways that they sought to change their image was to bring up this issue of Ocean Hill Brownsville of anti-Semitism and say that this was the reason why they were against the district, because the changes that we were demanding were anti-Semitic, you see, and so therefore this was a means that they used to rally their people and to not make themselves look bad in the eyes of a lot of people. But as far as I'm concerned, this was not an issue. Do you have any regrets for having done that? Well, Julius Leicester, who was the major factor at B.A.I. during that time, he's now a
professor at the University of Massachusetts, asked me to come on his show, he had came out, he had taped a class of mine on black history, he had played it on the air, he got a very favorable response from his listeners, so he asked me to come on the show and talk about Ocean Hill. When I got to the studio, I showed him some poems from some students, and I asked him that he think I should read these poems, I said these poems were raw responses of young black students to what was going on in Ocean Hill Brownsville, and I asked him if he thought I should read any of them, he selected this one, he said yeah, this one sounds really like dynamite. He said why don't you read this one on the show, I said don't you feel that we'll get a reaction, he said well, hey look, this is a controversial show, we're going to read this poem. So we read the poem, we read her poem, which was called Hey Jew Boy, and we read that on W.B.A.I. radio at the time. We got some response from the D.A.I. audience that night.
Can you start again and make sure you say see his name again, go into the new camera roll, thirty sixty one is out. Seen nineteen. Okay, the poem by Sea, could you tell me how it came to be read on W.B.A.I. and did you have any regrets for having that? Well, Julius Leicester was a revolutionary black media person of that day who had a program on W.B.A.I. radio. He had came out to the school, taped a class of mine and played it on the radio and had gotten a very good response. He invited me up to the studio, I think it was December the 27th, 1968, and we were doing an interview show. I showed him a poem by Sea Burhan that was a raw response of a fifteen year old youth to what had happened in Oshinoa Brownsville and he asked me to read this poem on the air and I read the poem.
There were a few callers who called in, the poem was entitled Hey Jew Boy and there were a few callers who called in after the reading of the poem and expressing their feeling that the poem was kind of bitter and filled with hate so forth. But nothing big came out of that radio broadcast until approximately three weeks later on January 15th when Albert Shank revealed to the world that this poem was an indication of the anti-Semitic response of Oshinoa Brownsville and that teachers like myself were teaching these youngsters anti-Semitism within the school system, particularly within the experimental project at Oshinoa Brownsville. Do you regret having read it? No I don't. I think the response was raw. The child had very little knowledge of the whole total picture of Jews and history of Jews. In fact, she had been taught most of her life by Jewish teachers who had taught her about
the Holocaust, who had taught her about injustices to the Jewish people and she was just finding it unusually strange that now some of these Jewish people were performing injustices to her people. And that was what she was saying in the poem. Okay. Could you talk about the independent school movement, the shoelaces and how they had roots in what was going on in Oshinoa Brownsville? Well in September of 68, a number of us at IS 271, junior high school 271, decided to start an evening school to provide classes and instruction for the youth and adults of the community. This was just an idea that we had and it became a tremendous success. We had dance classes where 30 and 40 women would come in to participate. We had black history classes where we had 25, 30 people taking black history class. We had sewing classes and other classes that the community at that time identified that they would like to have.
And this evening school became an instant success on very little money and very little advertising. So this told us that if we could do this and it could be successful that we could in fact develop our own types of schools. So two years later after Oshinoa was over, this is exactly what we did. We went to develop the East which was an educational and cultural center. We developed the Yohuru Sasa which means Freedom Now School and we developed other independent schools and independent educational programs throughout Brooklyn. Okay. Okay. What was parent involvement something new in Brooklyn? No. Parent involvement was not new. I went to Brooklyn Schools all my life. I grew up in Brooklyn in the 50s. My mother was the president of the PTA of our local PTA for over 70 years. She served as a president.
She served as her representative to the United Parents Association which is a citywide body. I would say that after World War II with the increasing numbers of black parents that were moving to locations like Brooklyn from the south, they were concerned about the quality of education that their children were going to receive. And the only way that they could assure that their children would receive any kind of meaningful education in the public schools was by being involved. And so you found larger and larger numbers of black parents becoming involved through the PTAs, to the United Parents Association and through other types of school and educational organizations. Okay. Okay. Okay. I think. Okay.
- Series
- Eyes on the Prize II
- Raw Footage
- Interview with Les Campbell / Jitu Weusi
- Producing Organization
- Blackside, Inc.
- AAPB ID
- cpb-aacip-a15ec5c69da
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-a15ec5c69da).
- Description
- Raw Footage Description
- Interview with Jitu K. Weusi, also known as Les Campbell, conducted for Eyes on the Prize II. Discussion centers on his work as a teacher in the Ocean Hill-Brownsville Demonstration School District in New York and the controversy over the district's innovative practices, and the ensuing New York teachers strikes, led by Albert Shanker of the United Federation of Teachers.
- Created Date
- 1988-11-04
- Asset type
- Raw Footage
- Topics
- Race and Ethnicity
- Subjects
- Race and society
- Media type
- Moving Image
- Duration
- 00:37:19;23
- Credits
-
-
:
Interviewee: Campbell, Leslie (Teacher)
Interviewer: Massiah, Louis
Producing Organization: Blackside, Inc.
- AAPB Contributor Holdings
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “Eyes on the Prize II; Interview with Les Campbell / Jitu Weusi,” 1988-11-04, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed July 21, 2025, http://americanarchive.org/catalog/cpb-aacip-a15ec5c69da.
- MLA: “Eyes on the Prize II; Interview with Les Campbell / Jitu Weusi.” 1988-11-04. American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. July 21, 2025. <http://americanarchive.org/catalog/cpb-aacip-a15ec5c69da>.
- APA: Eyes on the Prize II; Interview with Les Campbell / Jitu Weusi. Boston, MA: American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-a15ec5c69da