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And then you lay them together and fire them down to make them exactly like that. And then you lay that flat feet of glass over the thing and then it's slumped into it. And it's in the shelf form. Yes, we do. And it's just amazing to me that it slumps in and maintains the integrity of the shape like it does. I mean that's not intuitive. You would think it would deform. It doesn't. It doesn't. That is amazing to me. It doesn't at all. It stretches, you know, like they're narrower at the top here and then these ones on the side are a little bit. They've gotten, the shape has changed a little bit. See that's the size they were and that's the size they are now. Right. The length is the same but they've gotten wider because of the way it pulled. Right. But it's amazingly, I mean I always think these lines would have gotten all along even. They don't. That stays whatever design you put in it.
Did you do the glass? The blocks that are just on the front of the fireplace, you had to do that too, that just wouldn't have. Those aren't. Fire together and silver it on the back. And then some type of... That's your next piece, the one with the peaches. Mm -hmm.
Well, there'll be this one here. Mm -hmm. And this piece and the next one that's like this, I'll have this like peachy kind. I mean a sheet glass. Oh, okay. I see one up on top there. That looks like this. Which is done by taking just strips and cutting really narrow strips. Yeah. And laying them on edge and forming these sheets. Right. And then you're cutting... It's just this wide. Yeah. Yeah. That's awesome. When I was at Bullseye, it came out of Australia.
It was just amazing. It was all different colors. Cost more, yeah, kind of. I guess, yeah. And then you offset them a little bit. Right. With some black and then stretched them. Mm -hmm. It was amazing. It was amazing. And I thought it was beautiful. And they saw this. You just have to... This is halfway through the process. Yeah. Then you unrolls that. Uh -huh. Oh, maybe you were... Was Jazz Bass into her? It may have been. It was right there. It was bright colors or kind of earthy colors. That was very bright. Yeah. It wasn't his work, I think. It was just somebody doing it. Not much, I don't know. I don't know. Is it pretty easy to make those... When you get those strips like that and just lay them side by side, they mold together pretty easily in the kiln. You damn it. You just make a little dam with something.
To keep them from going. So it doesn't just fall over. Uh -huh. Make it go tight. And then, yes. You know, just take it off. And that's... That's a really simple step. First time. And the air bubbles that appear in that are those in the original glass chunks you threw in there? Or do they appear as part of the process? Some more and then some are part of the process. So the tighter you pack it, probably, the fewer bubbles? Yeah. And then, I soak it for a long time at a fairly low temperature. Being it wrong. Right. The bubbles are great. Yeah, well, I really like the bubbles in these pieces because it adds, you know, it's probably the atmosphere of the piece. Well, they're just such inherently sort of
ponderous things, bubbles. Yeah, but if it was, you know, full of... How about that? Great. Thanks. Thank you. Thank you.
Thank you. What's he holding? Is that artist's secret? Well, you know, in the piece his hand was just kind of piling. You know, piling is... No, I don't mean it. Right. The goal is it stretches because the goal is now it doesn't stretch.
The last piece, you know, it's not piling. Oh, I love it. I'm so thrilled that I did that. Yes. I know that you put stuff in the objects. You know, the goal is it's actually another little chart. It's again shadowed, you know. It's another little something. You know, I do that on a bigger scale. You really can see the objects in the background. It really looks good on that part. Yeah. I'm going to shoot this very soft. You know, shoot this very soft. There is something, yeah. It's just not true. It does look different.
Power of it. Power of it. Power of it. That's the same as the typing. That's the same. This is
a very cheap video trick. It doesn't pay to try too often. But it is way cool. It's just the Doppler coming in. Just keep them up and wait a few seconds to put it right back there. Okay, I'm opening the piece or almost not quite at the beginning, but I'm actually starting with the cutting glass. I'm not doing any kind of water. You hear glass artists. That's kind of what they expect to see. I'm opening with that expected shot. And me, they say,
but that's minor. Oh, he does too. I've had him say to people. If you give him two chances to say something and they don't say it then, yeah. Either I could paraphrase them or sometimes you could chop out the sections of what they actually say. But we did this. It was a fluff piece for the money show on this engineer enterprise. There's all sorts of community service engineering. Come on, Ralph. Buddy, we had to stitch him together. But that's who they are. He's an ordinary guy. He's moving in the local word. And Bob, that was a lot now. But they didn't move there. Well, I thought I was going to have to pass
it over here. But I saw there a few years ago. And I realized, you know, we had anything to say. And I wanted to try to feed that. I got to get out more. The teacher first and second grade. You need some moment. You need some second grade. You got to see that. Listen. Well, you already know. I'm not a worse girl. You moved me the last time I came to the table. You know, stuff like that. He's been using this line. Hi. Okay. How many times has she said that? Yeah, I was just perfect. I don't think that was the best out of the field. Yeah. It's so far. Yeah. You get this. I don't know. Do you know what you're saying? Bob, Bob. You know. That's one of the miscarriages. Why is this? Sometimes you know. That's the other time. That's the other time.
And you can polish it. Some of that. Oh, it'll come. I'll grind right down here. I'll take. You know. I'll stick. I'll stick. I'll stick. Okay. Okay. No. I thought I was doing it. And you grind it with a sandpaper like this. Yeah. Like these things. Right. Only. That's like, I just used for smaller things. For these pieces, I actually leave the piece sitting down and I have a water bed. I can't help grinding. I can't help grinding. Yeah. Just grind it. It's like, you know. It's like, you know. 4 days. I don't know. I don't know. I don't know. It won't be. And the score is. And then up and see a 74. 74. The Jason Havens. Right down the sheet number four. Right down the lower
this kind of tire. Mark Barkley of Sisters Oregon. Mark Barkley, another good cowboy from up here in this one -year rim and circuit. Don't wait for the minute. You're going to take this well and horse outside. Go, Johnny DeMiro. He wants some here. Here we go. He wants to make it two years in a row if he'd good. Right in front of the grandstand with all you folks in the shade and he says, how about a round of applause for his efforts this afternoon. Mark Barkley. Sisters Oregon. And a 71 -point ride from Mark Barkley. Up in sheet number five, belonging to the U .S. Bank in Milan, we're going to find Shane Call, our next man. Shane Call, Hover, Oklahoma. Hey, don't forget. Does you know you can get money out of your home? That's right. Stop by the U .S. Bank food or visit the local branch for details of their no -cost equity loan. There's no bull involved. Don't see the load of Rangers today. U .S. Bank, your name, our dude. There they go. Shane Call, Hover, Oklahoma. Here's another
good cowboy that was an all -around cowboy in high school in college. Bull riding, bearback riding, saddle bra, team rope. But you name it. He can do it. He's an exceptionally good team rope. It was horse this afternoon called unforgiving. Beautiful Maulala rodeo grounds. Well, when you look at the difference, you post -lip in God's country over here. Rolling hills and all the frees. Body nice place. And the best rodeo audiences in all the world right here come all right. Give yourself a hand. All right, we're set. Shane Call, Hover, Oklahoma. Playback kick, kick, kick, kick, kick, kick, kick. You guys here. Old Shane, the Buckle Mew, here this afternoon. He hits the deck and he lands on his feet because it's all right. You paid everybody else paying me with a lot of the balls. Thank you, Shane Call. Now I'm open. And let's see. We got that far side and we've got this side. Let's give it all a total. Then we have a 76.
76 for Shane Call. Still a 84 is out on top in the lead. Kind of put us not a shoot number seven. Mississippi goes for a reason. And this is Rodney Ruckston. So I was like, what was that afternoon's name? And I can use a goal. Rodney, somebody never mind. It's not danger to you. Never mind. I knew he'd come up with that. From Strathmore, Alberta, Canada, Rodney Ruckston. Bunch grass is the name of the horse. It comes with dirt. He's got words of encouragement for us. I can tell. There he goes. Let's look along the same side. Oh, it's like the go. I'll go around the left foot. Oh, hi. Look at me. Yeah, right back on the old Bunch grass. Yeah, boy, on the Strathmore, Alberta, Canada. About for a minute he was going to end up. Dorothy, are you all right? He was cool about it. He was cool about it. He just about had a little accident. So he's
longer than he went up 10 times. So we're going to nail the dot you have there for a minute. OK, and we have a total of 16, 8, 68 points for Rodney Ruckston this afternoon. Now, he's the native's arrestress. Sheep number 8, Black and Miss County. Here is it for another good cowboy son, man, a great fun with Montana on the Northern Lights. This man has been to the NFR. He's been to the college national final. He's a super, good, very bad driver. A nice guy to food. He designs and builds custom Western furniture. This man is really talented. So we'll get all said to watch him coming up next. While we're waiting, don't forget metro auto wholesale. Making it easy to get your next car truck man a 4x4 metro auto wholesale. But deeper than the region is. OK, done. 173 southeast Boston Road in Portland. OK. Yeah, 84 points still deep and pretty large right now. Some of these guys are going to have to make a movement.
They're going to try to take it over. And here's a man that can do it. Here's to the top 20 last year in the bearback riding. We'd love to have a good score here this afternoon as he kind of gulps that bearback horse out of the arena. Shawman Rape Falls, Montana. Yeah, we're going to have a really change in the horses right now. And our thanks to advanced off -assistings of Salem for donating the use of the recoil copier. To make all the day sheets with a day board they had a day and all that long copy of those day sheets. And advanced off -assistings. You can call old call. He's someone who's cranking them out at 1 -800 -800 -2094. Yeah. Hey. There he is. Where you been hiding? I'm just over here. Over here? Over here? Over here? Over here? Over there? Thank you. When you're low. No, I don't have my lose. What's going on now? I've got the porta -potty. You're in the porta -potty. I'll get back to you in a second right now, Shawman. Bang, bang, boom, boom. Back to the lower line
straight. Hey. Watch out. The blue sea horse. And your cowboy Shawman. Well, another cowboy from the big sky of Montana. On the roof of his afternoon. Here's a get hat here. And some of the handsome blue kids setting on the ground. He's almost right back where he started. You can go ahead and get him on a draw. And the score is a 73 for Shawman's back, 73. Well, moving down the list right now. We're going to stop the sheet number 11. The truck connection, where they can take your trucks up. And we're going to see Scott Schusserich of Billings, Montana. On the national finals horse called Copper Valley. Good draw here this afternoon. Good draw here this afternoon. A lot of these kind of tires over our back first row. If I look over as a family owned and operated for over 28 years, they've been in business. You can come see them draw your mechanical. Who would use minor needs? They'd love to hear his problems. We're in them. Let's see. Coming. Oh, I wanted to mention again,
dude, the wild horse racers, we thank the buckle sponsors. Wise honor, supply, JP Glass, your construction, excavating and rock. Make sure they get all of them just desserts. And as we look like, we've got a little problem down there. And the shoots are closing the gates and we'll be ready in just a moment for Scott Schusserich of Billings, Montana. Did you say you were in the port of body? Hello, Mr. Landis. Hey, yeah. What's the matter? I'll be in the port of body. Why aren't you out here? Well, that's a tough question. No, it's not. You should be out here working instead of sitting around reading newspapers. How do you know I was reading newspapers? I could hear the paper shuffle. Hey, what? Right here in the back bar. What? For a good time? All day. Hey, stop that. When are you going to come back out and join us? I'm looking. Okay. I'm just starting to get up to work. Oh, all right. We'll relapse. Take the time. Scott Schusserich, Billings, Montana. Copyright. I like those words. I like the
cowboy. If you talk about the first thing, I'll look out. He's on the line. They're that great, isn't it? And now trying to get that hand out of there. I'll pick up both the long side. Now, the ideal situation right now trying to box him in at that far end of the arena. Before he gets dragged up against that fence, they got a rope on him. No. They had him just for a moment. And he finally shakes his hand. How did that go back to him? He's always good. He could hear him. Yeah. That's good again. A tragic crack. But he's up. He's all right. Walking back. Ladies and gentlemen. Gil Scott's a record. I saw it before. Don't want to see anybody get hung up. And we've got a problem with an injury down there. We're going to have that animal check before we go any further this afternoon. These animals are very, very valuable. And you want to make sure that nothing happens to it. And so we'll make sure that horse goes to the buck and shoots and is A .O .K.
Everything looks to be all right. You're talking about animals that are worth many, many, many thousands of dollars per head. Nothing unusual to go to the end of our buck and horse sale and spend 10, 12, 15, $20 ,000 for one good buck and horse. That's why they're the best cared for animals in the world today. All right. Let's move to the next man. In sheet number 10, this will be Clint Coray of Kenaway, Washington. Currently third for the world title on the horse called legal tender. Don't forget all of our sponsors. I'll get to those in just a moment. All of our top -bought sponsors that have helped put this thing on this year. Here comes Clint Coray, one fourth year of 1997. Strap down the gold buckle that said he was the world's champion in 1991. And as I said, can it start for the world last year? And that's right where he is now. Third for the world title. 13 times he's gone to me and... Man, this guy is a legend in his own time. Here he is, Clint Coray.
On the horse from the here radio, drop in the legal tender. On the horse, good job, boy. Have a good time, boy. Clint Coray. Also in the horse business, and I guarantee one of the final people was to ever have a chance to meet and visit with in our sport of rodeo. Ladies and gentlemen, he can hear you now. Clint Coray, your back rider. 75 are scored for Clint Coray 75 this afternoon. So with that 75, it's going to be all done. And we're going to thank our bearback riders and acknowledge on officially that John Brockway and Texas is the winner with 84 points in the bearback riding. Ladies and gentlemen, we call on you. Give a nice hand to those riders out here this afternoon. Well, who's going to move right now to the other end of the arena? The first of all, I think we've got a visitor that's coming here. That's right. Where are you? Down here.
What are you doing? Just stop everything. Why should I stop everything? That's not working. You're working? Check it out. There's chicks with the flags. Yeah, chicks with the flags. Yeah. There they are. Rob Donkey Dodge. Copenhagen's goal for rodeo. The U .S. bank. Thank you, rodeo bandits. What is it? That's lever right. lever right. Yeah. What is lever right? Lever right there. Oh. Okay. Well, now, I'm trying to tell you that there's no uranium on here. What? How? What's that? I can see clear here. You can see clearly that there's uranium on here, buddy. Yeah. That's right. That's
right. That's right. That's right. That's right. That's right. That's right. That's right. That's right. That's right. Here we have a horse with open sorrows. And shoulder to kick the iceberg. So next, the wound here and the one here right now.
Series
Oregon Art Beat
Episode Number
#103
Segment
Linda Ethier
Producing Organization
Oregon Public Broadcasting
Contributing Organization
Oregon Public Broadcasting (Portland, Oregon)
AAPB ID
cpb-aacip-8177c6b25d1
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Description
Raw Footage Description
B-roll of glass artist Linda Ethier #8; inside label: OABS 129
Media type
Moving Image
Duration
00:27:14;20
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Credits
Copyright Holder: Oregon Public Broadcasting
Producing Organization: Oregon Public Broadcasting
AAPB Contributor Holdings
Oregon Public Broadcasting (OPB)
Identifier: cpb-aacip-e80e8c19a81 (Filename)
Format: Betacam
Generation: Original
Duration: 00:30:00
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Citations
Chicago: “Oregon Art Beat; #103; Linda Ethier,” Oregon Public Broadcasting, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed July 18, 2025, http://americanarchive.org/catalog/cpb-aacip-8177c6b25d1.
MLA: “Oregon Art Beat; #103; Linda Ethier.” Oregon Public Broadcasting, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. July 18, 2025. <http://americanarchive.org/catalog/cpb-aacip-8177c6b25d1>.
APA: Oregon Art Beat; #103; Linda Ethier. Boston, MA: Oregon Public Broadcasting, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-8177c6b25d1