NET Festival; 23; The Tenth Annual Monterey Jazz Festival. Part 1

- Transcript
ms bee how to handle iran i know and
then when you have a big deal will allow people come the monterey everyplace all kinds of people on the hill is just a good thing it's bad
to be the peak secrets but the peak to peak
and the panel oh no and over the years through the wall that that are happening and i have to be in the moment
in monterey those in nineteen fifty seven though the less than they would wear on the now the moment fears of
the cng he began an hour and how it is aiding other before finally what do i like a lot like a black guy now become a pretty good at it i'd like to be able to get the image of a moderate i present station of another area where i have a lot of i have a lot of ideas about it himalayan pioneered yeah that jackie became a dropout from big city radio in san francisco i want to monterey and he brought the music that you love to the playfully love them today you the general manager at the monterey jazz festival it became law i guess
is a clumsiness rudimentary a kind of a problem could never be put together i don't imagine that we let everybody go on full length of time they want to go on here ten years later we would have a show with a cause there were still believe we have that the place was mobbed with others actually gotten a moment that i think that later on a discussion we evolve the idea with the downloads so the fact that immigration should be the new collection of some of the other musicians looked up to have your cords where have the man a metal fence and on a law since nineteen fifty nine and the birth of the modern jazz quartet became an international incident one of the musician's talent yeah music of the rest of the modern jazz quartet is also musical director the monterey jazz festival and the lateral you were in milan and programming show andy hann of the rehearsals on friday morning
the prying eyes oh yeah i pay money to pay
the pay to pay the price now when i hear it
two hundred people i'm on a panel with a lot of the i ollie have people came out to watch and matt and i want to hear a moderate at all have of course are at the present an agenda for all of the same situation just close circuit tv in that reality for a quarter of a century for the moderate yeah and then there's about the volunteers have been killed along with the local the religion of the book william an optometrist family tried to the actions that we can happen for a year
neil macfarquhar he has been angry now you argue in the lobby so other than there was one thing when you go back and look over and in that way to have that wow the floor the games will be open until the jail guard and no dna that only the morning and then
down here and in the year that will be comic actor but he'll have a lot of money or not we put on a couple for ten years and think about a life that many people held in honor of the festival really runs and group in the leak over the years it
has been it's b the caribbean
we think dates back right now and they all work in that are meant to that way
it's b if in an
innovation the union contemporary dr lyons flying to the child that you're a go to guy and not that day it
work it it's
b do it today they worry
it has been a half a hacker and
again and again and then and then and then and then and then well i don't know what the flavor of the food that i can think of all things that the europeans limited limited about that that that should be that over the years that
the government the other people i think that's really created a void also number one thing they're coming on more benign setting for commercial enterprises to california that's completely grass and lonely old oak trees in the makeshift shrine and a few of them provide in a row i know where i personally view will happy to the fact that the part of the trip thank
you robert jazz is many things to many people and i've for a livelier method of self expression a form of entertainment even metal is not in itself a way of life here in monterrey in the brief time that phrase notice until long after the last out of the abolition of them here is electable and become the common denominator is that accord which unites and says the underlying body coming across from mali intervention twenty nine the company
also and as is every year their unexpected success of monitoring and they usually and a former repeated tampa next year gonna elephant big band plays complex contemporary ears was one of the nineteen fifty six until jimmy live brought him back again in nineteen fifty seven to
open the weekend on friday afternoons on our website at it's been a in an interview in the right to have a ban the
app but the outfield you have that much faith which of the three hundred and twenty feet with and we see the a five thousand people on a tour of the grounds it could not be a political points in the entire new york philharmonic and still haven't let go of republican area we shorten the stage in the rear we can bring in from the sides of the line of sight and people sit anywhere and fantasy well our we're very proud of our local men have involved water while for people to get in really really really
a few years later the beauty of it the likely to go through various people like to go what is it we have people in the
beginning no they're playing to the public are now i'm very present a moderate or join jimmy lyons journalist meeting mind bringing a violent a moderate heat <unk> here selected by john lewis they symbolize the initial nature of yesterday
they were living in the people demand and a lot of it bp actually right now
at the great university ms
bee we can as
being a puppeteer the pittsburgh fb has been has
been it's b the pipe weak
weak as big it's b well where
they leap into his own major in the us legally me now
any money crows it
many
yeah longer than the now dr damien
woody hey you guys have me i
love it now it's be at
yet man dead nowadays me
me you know when in a day in al naimi a ha hey they were the
moon well if you list to borrow from you know so like do you now you give an ad for the new charlie parker on the album it's
b we're here go home norman was one of the first composers to about the concept of mana give a big band writing and he's written for stan kenton gerry mulligan terry gibson of course to woody herman
thank you ms bee
oh these beacons
the festival though probably going on backstage jimmy lyons doorman woody herman in the band within the playback of concerto for her minor and i think we're in the middle of that report on the memories of those who were there though the program and then you have the men playing of the europeans like the amber
he's been violently i mean vivian lawyer the line
now and
it became it's b again it for a moment no
no national educational television
- Series
- NET Festival
- Episode Number
- 23
- Producing Organization
- KQED-TV (Television station : San Francisco, Calif.)
- Contributing Organization
- Thirteen WNET (New York, New York)
- Library of Congress (Washington, District of Columbia)
- AAPB ID
- cpb-aacip/75-62f7m6z0
- NOLA Code
- NFJF
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/75-62f7m6z0).
- Description
- Episode Description
- The first comprehensive television coverage of a jazz festival is presented by National Educational Television with the four-part series "The Tenth Annual Monterey Jazz Festival". Filmed at the September 1967 Festival, held in Monterey, California, the series of hour-long (color) programs comprises a behind-the-scenes documentary, and three performance specials. The documentary, which starts off the weekly series in NET Festival, traces the history of the Monterey Jazz Festival, shows preparations for the event, looks at the people who run it, who play in it, and who attend it. It includes rehearsal and performance segments with such renowned artist as trumpeter Dizzy Gillespie, pianist Earl "Fatha" Hines, the Modern Jazz Quartet and the Don Ellis Orchestra. The first of the performance specials features vocalist Carmen McRae and Mel Torme, the Woody Herman Quartet, an Earl "Fatha" Hines. The next focuses on the "blues afternoon" with performances by Clara Ward and her Gospel Singers, veteran blues singer-guitarist T-Bone Walker, BB King, and Richie Havens. The final program of the series includes the Modern Jazz Quartet, with Dizzy Gillespie sitting in, the Don Ellis Orchestra, sax player Illinois Jacquet, and a jazz violin conclave with Ray Nance, Jean-Luc Ponty, and Svend Asmusson. NET Festival - "The Tenth Annual Monterey Jazz Festival" is a production for National Educational Television by the film unit of KQED, San Francisco. The documentary was produced by Richard Moore and Ralph Gleason, and directed by Lane Slate. The performance specials were produced by Lane Slate and Ralph Gleason and directed by Richard Moore. This hour-long documentary on the tenth annual Monterey Jazz Festival starts off the first comprehensive television coverage of a jazz festival. It is followed by three performance specials. In this documentary on the September 1967 Festival, held in Monterey in southern California, shows the preparations for the Festival, and the event itself from behind-the-scenes, as well as from the front. Jimmie Lyons, director of the Monterey Jazz Festival, talks about its history, from its beginnings in 1958 as the result of a "dream" of his. He describes the Festival's beautiful setting, and the happy mood of the vent, characterized by the "true honest getting-togetherness" of both audience and performers. We see the preparations - an ushers' meeting; easting and the sound system being set up; hear about the problem of noise from a nearby airport; look in on the business office and the ticket sales office; see the musicians arriving, some from as far afield as Europe; witness the camaraderie among the performers. Featured performers and music: Illinois Jacket (alto sax) and John Lewis (piano) - On a Clear Day Modern Jazz Quartet with Dizzy Gillespie - Novamo; Bags' Groove BB King (blues singer) - How Blue Can You Get Richie Havens (blues singer) - Follow Gabor Szabo (guitar) - Spellbinder Don Ellis Orchestra - New Horizons; Indian Lady Jean-Luc Ponty (violin) - Carole's Garden Dizzy Gillespie (trumpet) - Cush Carmen McRae (vocalists) - Midnight Sun; Don't Explain Bill Holman conducting the Woody Herman Orchestra- Concerto for Herd Ambrosetti Quintet - How Sweet Dick Ray Nance (violin) - The Man I Love Earl "Fatha" Hines (piano) - Boogie Woogie on the St. Louis Blues (Description adapted from documents in the NET Microfiche)
- Series Description
- NET Festival is an anthology series of performing arts programming.
- Broadcast Date
- 1968-05-19
- Asset type
- Episode
- Genres
- Documentary
- Topics
- Music
- Media type
- Moving Image
- Duration
- 00:59:10
- Credits
-
-
Conductor: Holman, Bill
Director: Slate, Lane
Interviewee: Lyons, Jimmie
Performer: Havens, Richie
Performer: King, B. B.
Performer: Ponty, Jean-Luc
Performer: Nance, Ray
Performer: Szabo, Gabor
Performer: Hines, Earl "Fatha"
Performer: McRea, Carmen
Performer: Lewis, John
Performer: Jacket, Illinois
Performer: Gillespie, Dizzy
Performing Group: Modern Jazz Quartet
Performing Group: Woody Herman Orchestra
Performing Group: Don Ellis Orchestra
Performing Group: Ambrosetti Quintet
Producer: Gleason, Ralph J.
Producer: Moore, Richard
Producing Organization: KQED-TV (Television station : San Francisco, Calif.)
- AAPB Contributor Holdings
-
Thirteen - New York Public Media (WNET)
Identifier: wnet_aacip_13894 (WNET Archive)
Format: D2
-
Library of Congress
Identifier: 1904152-1 (MAVIS Item ID)
Format: 2 inch videotape
Generation: Master
Color: Color
-
Library of Congress
Identifier: 1904152-2 (MAVIS Item ID)
Generation: Master
-
Library of Congress
Identifier: 1904152-3 (MAVIS Item ID)
Generation: Copy: Access
-
Library of Congress
Identifier: 1904152-4 (MAVIS Item ID)
Generation: Copy: Access
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “NET Festival; 23; The Tenth Annual Monterey Jazz Festival. Part 1,” 1968-05-19, Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 9, 2025, http://americanarchive.org/catalog/cpb-aacip-75-62f7m6z0.
- MLA: “NET Festival; 23; The Tenth Annual Monterey Jazz Festival. Part 1.” 1968-05-19. Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 9, 2025. <http://americanarchive.org/catalog/cpb-aacip-75-62f7m6z0>.
- APA: NET Festival; 23; The Tenth Annual Monterey Jazz Festival. Part 1. Boston, MA: Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-75-62f7m6z0