Creative Person; 22; The Folk Singer
- Transcript
aeg it has a special is why the vision of the artists who were using it touches our view of the twentieth century unlike topical songs new york's gaslight cafe a place to go with a real goal a martini more dedicated than men in most of the other topical thompson's write
all the words and music of their songs the gaslight was a second home here where many of them got their start they can always count on an appreciative audience the fbi this week
the panel it's b the
play we can yeah well i'm a quality colors my first year's report is making a felony to stop reading an orphanage lot of things in the north a lot of the unknown i'm in the middle of a lone challenger started to write and the music just running around stories and satires and an announcer dramas of became the thing that happens is that i want i'm a writer and then the one element of the charm and it all came together the liam what movement in finland's year new area to the oven to a song has an emotional action i thought they're thinking person interview that on the words that something was beginning and where the curtains to look too eager to this time they
get the willpower to have communication going the solitary work anymore being sold on a mass level it is quite possible rather than the melee because i'm this is not where will was god's love one when it's not if i had a hammer it's not a solid in the commercial arrangements old without thinking of the words which was the whole big difference that a lot of a lot of people argued well as topical is it made it or not they are you know all the songs that were selling about just mentioned i've been a republican the israelis were safe topical songs songs that that could be overlooked a narrow and what's happening now as the songs that can appeal to the impossible to be arraigned or go to be changed around blonde like to one thousand now
reaching a mass audience and individual americans that for the first time americans have been that real honest whether the controversy the pay to play me the rapidly growing tropical song audience was composed mainly of young why in the same way than in earlier generation responded to the labor songs of woody guthrie in the thirties they respond to the labor songs of goats and six we're going to criticize oh
man ma ma ahead and that drives the idea that now david ottaway is a matter was that mr woody guthrie a patron saint of the topical songwriting has been in failing health for several years this place has been taken by pete seeger was been singing topical songs for more than two decades well it's humans have a lot of young people and thirty got the idea to move out of here in one sense you could say puerto rico song with a tropical storm in the beginning it was george bernard shaw
isn't all good are basically propaganda michelangelo painting or beethoven symphony or a play by sean i think so some really good song it's it's trying to say some even solo little baby don't say where papa's going to buy you can burn oil it's not just long time pretend to sleep your calling up all kinds of images of kids life i know when i sing lullabies mccain's they call that young didn't want rather than spend a lot of their propaganda i think it was back in the nineteen thirties that is so remarkable senator from kentucky aunt molly jackson he knew lots of old english which make up songs to
her husband was a coal miner in nineteen thirty two they were trying to unionize legal news in eastern kentucky and she became an enthusiastic supporter giving speeches for bin laden songs too are you so there was a little like me as well to some people this was just strange and not really music but to me it was very exciting to him his songs were about things going on that day in nineteen thirties most of the popular music heard on the radio you move from spoon you do and when i came across songs that were the actual events of the day it seemed very lonely of mahler song the song we go through
the fall of aleppo it singing santa barbara wine makes me very happy that a whole bunch of young people come along now and picked up this idea of take it far beyond where i could miller who woody guthrie you learned songs and has been wary of his approach he wasn't trying bright flashes something that would hit your head militants snuck up on you the deceptively simple first time you hear it it was just on a low flying but after a couple years of singing it you realize the songs are really well i think people like tom paxton oh the present rulers and capture this idea that tom paxton since a song called what did you learn in school today who they knew little boy or mining
learn in school today their lawyer my name i learned to washington so to sell them back bodies the economy did you learn in school today or a mind what you learn in school today girl boy of my i learned the policemen are my friend i learned just this memory and i learned the martyrs die for the crimes even if we make a mistake sometimes learned in school today were learned and what he learned school today lawyer mind what did you learn in school today lawyer meyer i learned our government mouthpiece tongs are always right now our leaders our finest men and we them again and again
and that they have total earnings today i learn we're not all that i learned about the great ones we have had we brought in germany and in france and some that i might get my jam in atlanta learnings cure the baby i'd love to have our schools teach teach history little more alarmed us to lower the stuff i prefer to buy preferred to teach my kids the founders of our country were very very human people with her human fall as high a moment when chief influence
and obviously the only option additional material inevitably singing got to be you know the audience is what appears to those who clean and clear cut and straightforward and i had a natural colors are trying to capture the same thing in my own son's prison the country i come from bristol oklahoma which is just twenty six miles from woody's they came from different worlds middle class family in an entirely different time and i wasn't i'm not a native born so i really grew up
differently than we that i've tried at different times to be woody guthrie as someone has an iphone that we're trying to speak to somebody else's lips says is not the answer you have to you have mr tyrone wondering why don't we end up an atom bomb on moscow nineteen forty five we had the chance and will again played live so
he is has the army in my time on the whole damn world gone wrong is movies others j edgar hoover and the manpower in
albany tiny on her alma mater know i don't really want said oh i'd like to be remembered as the moment to do something you already knew is big news it's hard to tell where are the individual author begins and where the old tradition leave so they're all intermingled usually a cry of the american revolution well most people
do if a gay playwright poetry at all the riders in crisis and allies with a lot of poems about them right now good question or human beings could be with shrinking world buffy sainte marie is a graduate of the university of massachusetts with a degree in education an oriental philosophy here on the border between new york and pennsylvania where the seneca indians used to wear bandit is now under construction she sings now that the buffalo's long haul you
know the land money
isaac and in manhattan and i saw an indian i'm her plane head come to be associated with many different political views the civil rights question has been closed again again again by people who are in the folk singing well i concentrated more on human rights which are not to be conserved which are not to be confused with civil rights their civil rights victory gay
rights and very often today is worth hundreds of years ago the names have been mistreated after being mistreated in the case though well the iraqis in tucson in the cow frying in sort of received recently twenty two cents an acre for their land in many of the people in montana i haven't they're that kind because they're not getting the proper kind of consideration that reason being broken the tree of cancer with dam was broken skull the pickering treaty and it'll have gone up by washington in exchange for services that they not be indians had done during the evolution and the treaty was unilaterally broken by the united states government this was just last year in order that a flood control so called
ban might be built in the allegheny county however indians hired an engineer to find out if the dam were necessary and if it were necessary that they be evicted in order for a firm controlled and you can go to any area and know it wasn't it was there that began to go there on their way to alternative sites that would save the government money and enable begins to stay with her like in possession of the land available and has taken back the names were evicted is going all over the country this world needs a new approach i personally have found my way in the world which does not necessarily mean singing that i had found my identity in the world now i am not telling any younger generation to forget mimicking me or any reason access that when one is trying to find his own way the
only way to do it is to go ahead and give a new world could be a new generation that i can't possibly know sooner or later each person and each generation has to pick up the broad and carry it themselves most of the young topical centers create their songs in the midst of an active socialite like the folk song artists of the depression they find their raw material in the issues of the day but buffy sainte marie is essentially alone are going her own way and writing out of the intense personal feeling of her private life the parent child regionally of creaminess and i was raised with their family lawyers indian of the knick knack tried to wakefield massachusetts and another town that's of a late last
name attended school like high school unlike much like every other american a canadian kid i like cars in nevada republican new york and i began saying the coffeehouses this gnashing queen yeah you often play a spy that can again i just came outside my living playing nj
usa and in colorado law that i mean me amy me
me i know to write topical song will you need is a good time and i do but it was somewhat harder to write a good one and to find an audience for testing pete seeger new york's village gate has instituted a series of sunday afternoon workshop were established and beginning writers can bring their songs for criticism perhaps these young people who don't have a clear program for saving the world but in the process of finding themselves they feel they've discovered many
things that are wrong with own country through their music they found a way to communicate effectively and head bandages antibiotic they may be at the morning there is a key yeah anna
lee it
- Series
- Creative Person
- Episode Number
- 22
- Episode
- The Folk Singer
- Producing Organization
- National Educational Television and Radio Center
- Contributing Organization
- Thirteen WNET (New York, New York)
- Library of Congress (Washington, District of Columbia)
- AAPB ID
- cpb-aacip/75-35t76p7d
- NOLA Code
- CRPN
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/75-35t76p7d).
- Description
- Episode Description
- Three of the top folksinger-composers - Tom Paxton, Phil Ochs, and Buffy Sainte-Marie - are featured on this "Creative Person" program. There are the new "city" folksingers whose songs are strictly topical, commenting on the political and social issues of the day. Pete Seeger, an earlier singer in a similar tradition, talks about what the younger singer-composers are attempting to do and about their forerunners, such as Woody Guthrie and Aunt Molly Jackson. Tom Paxton, who considers himself middle-class and who once attempted to imitate Woody Guthrie, sings: "What Did You Learn in School Today?" The setting for Paxton's song: the sidewalk in front of a Long Island, New York, public school. Tom, like Buffy Sainte-Marie and Phil Ochs, accompanies himself on guitar. Buffy Sainte-Marie, 22 years old and an adopted member of the Cress Indian tribe, is filmed in upstate New York on land that used to belong to the Seneca Indians. Buffy talks about the mistreatment of the Indians and sings "Now That the Buffalo is Gone." Phil Ochs majored in journalism at Ohio State fir three years before he turned to songwriting and singing. Using the folk idiom as he base, Phil discusses the various issues of the day, from Vietnam to capital punishment. Shown here at New York's Gaslight Caf/(c), he sings his "I Ain't Marching Anymore." "The Creative Person: The Folksinger" is a 1965 production of National Educational Television. (Description adapted from documents in the NET Microfiche)
- Series Description
- This series focuses on the private vision of the creative person. Each program is devoted to a 20th century artist whose special qualities of imagination, taste, originality, intelligence, craftsmanship, and individuality have marked him as a pace-setter in his field. These artists --- whose fields span the entire gamut of the art world --- include filmmaker Jean Renoir, poet John Ciardi, industrial designer Raymond Loewy, Hollywood producer-director King Vidor, noted Broadway couple Ossie Davis and Ruby Dee, artist Leonard Baskin, humorist James Thurber, satirist Robert Osborn, Indian musician Ravi Shankar, poet P. G. Wodehouse, painter Georges Braque, former ballet star Olga Spessivtzeva, Rudolf Bing, and Marni Nixon. The format for each program has been geared to the individual featured; Performance, interview, and documentary technique are employed interchangeably. The Creative Person is a 1965 production of National Educational Television. The N.E.T. producers are Jack Sameth, Jac Venza, Lane Slate, Thomas Slevin, Brice Howard, Craig Gilbert, and Jim Perrin. (Description adapted from documents in the NET Microfiche)
- Description
- Documentary on the folksinger and the history of topical song, this gets its inspiration from the cultural, historical, socioeconomic, and political environments.
- Broadcast Date
- 1965-07-25
- Asset type
- Episode
- Genres
- Performance
- Topics
- Music
- Social Issues
- Race and Ethnicity
- Media type
- Moving Image
- Duration
- 00:29:59
- Credits
-
-
Associate Producer: Cosner, Bob
Director: Williams, Carroll
Guest: Seeger, Pete
Guest: Paxton, Tom
Guest: Ochs, Phil
Guest: Sainte-Marie, Buffy
Performer: Paxton, Tom
Performer: Ochs, Phil
Performer: Sainte-Marie, Buffy
Producer: Gilbert, Craig
Producing Organization: National Educational Television and Radio Center
- AAPB Contributor Holdings
-
Thirteen - New York Public Media (WNET)
Identifier: wnet_aacip_5121 (WNET Archive)
Format: Digital Betacam
Generation: Master
-
Library of Congress
Identifier: 1168991-1 (MAVIS Item ID)
Format: U-matic
Generation: Copy: Access
Color: Color
-
Library of Congress
Identifier: 1168991-2 (MAVIS Item ID)
Format: 1 inch videotape: SMPTE Type C
Generation: Master
Color: Color
-
Library of Congress
Identifier: 1168991-3 (MAVIS Item ID)
Generation: Master
-
Library of Congress
Identifier: 1168991-4 (MAVIS Item ID)
Generation: Copy: Access
-
Library of Congress
Identifier: 1168991-5 (MAVIS Item ID)
Generation: Copy: Access
-
Library of Congress
Identifier: 1168991-6 (MAVIS Item ID)
Format: 2 inch videotape
Generation: Master
Color: Color
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “Creative Person; 22; The Folk Singer,” 1965-07-25, Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed December 29, 2024, http://americanarchive.org/catalog/cpb-aacip-75-35t76p7d.
- MLA: “Creative Person; 22; The Folk Singer.” 1965-07-25. Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. December 29, 2024. <http://americanarchive.org/catalog/cpb-aacip-75-35t76p7d>.
- APA: Creative Person; 22; The Folk Singer. Boston, MA: Thirteen WNET, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-75-35t76p7d