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A. Right.
This is George Balanchine artistic director of The New York City Ballet. Some of the company's principal dancers Suzanne Federals Gloria goblin Elaine concept Patricia NEARY Catherine Bond holding
them but. In a few moments these dances were performed Balanchine's ballet Apollo book and music by Igor Stravinsky. That and Sheen is putting his dances through a typical ballet class classical ballet dancers have to do this rigorous training one or two hours every day throughout their professional lives. We.
Bet. You. Throughout. The hour. The ballet you were about to see Apollo was first performed in 1928
by the ballet Reuss at the Sarah Bernhardt theatre in Paris. It was the first classical ballet created in the 20 years that followed folky playsuit feed in 1990. The review of the ballet from the dancing times of August 1928 said this is one of the soberest Productions has ever presented. So in that night or in the orchestra nor on the stage is there the slightest attempt to dazzle the eye or the ear with coloristic or ornamental devices. It is great courage to dispense with these useful age to success. Since then Apollo has become a featured work in the repertoire of The New York City Ballet and other leading ballet companies. If.
You. Do. Please. Please. Please. Please. Hang.
Up. Luke. The balloon. Glue.
The boy. At. Least. Was the boy.
The boy. The boy. The boy. Blue blue. Yes.
Yeah. Yeah. Yeah.
Yeah. You. Know. You. Lose. Yeah. Yeah.
Yeah. Yeah. Yeah. Yeah. Eh. You. Know end. The end. The end.
No. Right.
Now. Yeah. Yeah.
Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.
Yeah. Yeah.
Yeah. Yeah. Yeah. Yeah.
When. You.
Lose. You. Lose. A limb. Yeah. I live. The
only live. A little. Yeah yeah yeah yeah yeah yeah. EH EH EH EH EH EH EH EH EH EH EH EH. Yes.
I'm home.
You have just seen the ballet Apollo music and a book by Hugo Stravinsky
choreography by George Balanchine. He goes Stravinsky a giant of the 20th century has just entered Massey Hall
into outgo. And the next three hours the CBC Symphony Orchestra and the festival singers will be required to put on recording tape once and for all. The definitive interpretation of a Stravinsky classic. It is a major musical event. The meticulous preparation is almost complete. It is supervised by Stravinsky's protege Robert Craft and by John McClure of Columbia Records. Stravinsky is waiting. To. Be. Free. They are. Happy to. Exchange. And want to meet you. At Dartington I was there when you read it. Yeah yeah I was right. Yeah but we never met. Actually I was one of teasing right. Now I owe you. Enjoy it. OK you're on your way. Very cold in a way only. Yes Julian Bream is the world's best player of the loot. I was going to to
place it on the news because I read that you find a little colon ex-presidents between and you tell him I'm OK. OK I'm sure it's fake. If you go OK it's OK people money. Okay racing's you know OK if some speak so you get what you call great gifts which is more than the time or the money. Oh nice and you making a film. You know they are filming you reach for the high seas as are the cameras picked up right now. see that. And when I say a minute I thought it was great. All Would you like to of that stuff is excited by the physical presence of musical instruments he says is perhaps the most perfect and certainly the most personal instrument of all. It's very much more than a gift. Yes I'd
like some time to play with. That's a big beginning of a. Problem with this is the same mystery. That takes a lifetime to choose a. Recording. This is a little. Igor Stravinsky remembers back into the summer forests of Imperial Russia when an
old peasant who was new plucked his tongue and smacked his armpits to make music for the children. He remembers even earlier a song of some peasant girls coming on from the theos and how he delighted his parents that evening by repeating the song. Although he had not yet learned to talk. Why did you continue this new story. You're. A different kind of way. Yeah I think you did a wonderful to meet you. Thank you for any of the ways I mean it's been a great way to meet you. Now as for.
Hillary. The world pays homage. It was different on a Paris night in 1913. A confused and furious audience drowned out his music. Barbaric. They said. But soon the world decided it would be best to listen. Que. Yeah.
Can we do it. Yeah. Oh. Just a minute yes we'll just. Stand by. Stravinsky simply you saw. The first take. With
ya instead of music is music is completely not exactly news stories already and an insect in extolling the sea. I am always very much interested baje. Fact how much you can see his movements his we're smart he's sweet. So we'll talk. His mannerisms even resemble his music. Nicolas Nabokov director general of the World Congress of cultural freedom has known Stravinsky since 1925 in the U.S.. I was always surprised when it was when he I see him conduct. Instead it means he conducts the way. He tends his right hand. To shows that contrapuntal it so essentially zoom in itself. This is your use of the visualization of that today. That is another thing which always excited
me Bester been a bet he says he conduct magazine that he's conducting is very interest. Her. Yeah me these you know. You. Do. But. Seem. To just. Know who which city views is that. So it's just amazing. That. People have been so really consume with the problem over to me music. And the music is not three faces and done as many of them distinct but it's a good thing the fact. You get down into it and the conductor is yeah. You know. Real life.
OK musician in your eyes meet you in the park and did so misty gives a bit more on this you refer her out. And excuse me but I ask cause accidents here I guess is for some dope young. If you play piano once more 24. Each same as it is 3 3 0 0 0. 0 and as good. Oh and. No. Ruin. This.
The AA. War. This is. The hour says a lady. Was the subject Yas to means she is is an extraordinary flower is a sort of an extraordinary man to wish always writes music. It's a relief to find fresh water. Pressure to resist him in the US. And the means. For his own nation. It's sort of. So I mean ski I would say his exact and then magically opposite cheap form of genius is in is good. For example Wagner was about I suppose writing is completely I mean I was here to cover the field of Mr. Baer and meant there is
no mission for anything which he needs. He peed on himself. Somehow he's or is just sitting quietly his piece of thorough doing that. So he's gone the country so his key isn't as a curious phenomena Sweeney's and numerous amount of internet genius heterogeneous nourishment for his talent. Yes. Yeah. At the OED Chui I am you to OK good. Yeah out Yes.
the hour. yeah. Yeah Out her at her own. I don't see anything because I go out but I don't want to pick up the phone with the tuba back a little I think it was too much. It was my story. We do a little more. We're going to our the. Thank you for a day out of New York and bound for Hamburg Stravinsky has crossed this
ocean ninety seven times has always had to travel and I've always hated it. Thank you. I've had some interesting. Thank you. Thank you. Thank. You thank you thank thank. YOU THANK YOU. Life boat drills for more than 80 years are events to be ignored. So are the other trials of the sea. Thank you seasick. Thank you. Thank you. THANK YOU THANK YOU IT WAS. Thank you. Thank you. Oh ok thank. You. For you. Why should there be music. Is it possible to live without music you listen to you obviously. It was OK. Thank you.
I was overseas because of you is it. Is so. Imagine. Myself to be to the south. You see. Any movies you. Bet. You. Could do this. This is DAY. To day if you look. Good to see. You. Q Thank you. The Iraq of. It's rusty and broken the baby ily. I see eye to. Eye. Evil not seeing. It but I am sure many of both think you know
the rule. If you ask me. I shall I. Think. In the symbols I and music. Thanks very much. String to see if I want to. Hear see so many or so sorry were you want to write in my our goods. Were. The sound of an opera singer he was raised in St. Pete is a manufacturer of
goloshes who live below the Czar would drive by his horses hung with blue nets to catch the flying snow. And in the spring the ice would break with a single great crack. And barges would carry scenery down the creek often now to the opera. He studied two days a week with him ski Korsakoff's. In 1910 he left Russia for Paris. Brought immediate fame a great friend and memories of the eyeglass the impresario who had a servant to do his praying. And of being arrested with Picasso when they relieve themselves outside the Naples opera. And being stopped at a frontier when he could not convince Italian police that a sketch by Picasso was not a plan of fortifications. Switzerland the Riviera and here in Paris in 1927. He has seen Tchaikovsky and Ibsen and the heavy veils of bear on how.
He has felt the soft fingers of the sculptor on down. And the hard ons of Benito Mussolini. He has known the friendship of Rhode Island Debussy and the love of beautiful women. Married to boss a painter and second wife to Stravinsky. Ever since. That is. Good. And evil is boxed. In. In their own life. If. You. Like. You didn't mean.
You had. Come to you want to. Scream. Calling me Uncle mind. You when you say no but you just said so that was suited to your facts. Which interrupted. And then as tested the system gets killed at them. She used to play chess with the great precocious m charm the novelist Thomas mon
who thought her a perfect Russian. She has been married to Stravinsky since 1940. And then went to see him vigils today for So simplicity is seen as of the questioners. And. Then. It was just. In. Its status in this elite. Can you imagine the situation of it I mean is there any mention of when I think about food and man I was owed Ballo that I meet ski and man who insists I'm going to assume would. Hoovering Jews in his only age city would we ditch where well then save real best sellers on the international market Droog I wasn't there and those are your rights. And your reading of these city works.
Because of his stupidity over this desertion of ties to Russia and the Soviet Union it continues as you put it did not belong to the Berne Convention is not covered by the Conqueror. And imagine that when she's sold to people like Charles and even that I'm barely getting will soon be rich and one or two words I don't buy there are stars on his suit towards any of his operas and he used to even ski having to struggle financially for two thirds of his lad he was merely in a difficult financial condition you know in 1917 1918 people were collecting money for the studies confirm it to some value. I mean so risky at the time he was and I didn't just write a story that had a very hard time financially. People say yes but you always lived in a kind of blue joyous way. Well this is not people's business. Imagine there was a we was accustomed to live that way and she should be living that way many policemen should be
living without knowing constantly. The thought of my God was going to happen to me. Stravinsky. Saw his first ballet probably at a. Very tender age. I know that. So he saw the big check KOSKY ballets when he was eight years of age. And he became. An amateur ballet. As an American child would. Go. To baseball caps. By the time he was 10 he knew all the standard ballets he knew the steps the positions. In fact. If you watch him take. A bow at the end of a concert tour here in Hamburg at the end of the first
performance who truly come on stage take a vow. He vows in the tradition of the Marion ski fever. But. He has a very keen. Eye for. Classic ballet. However. At the time the students of his first valet's. Broke up on the scene.
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Series
NET Festival
Episode Number
44
Episode
Apollo and Igor Stravinsky
Producing Organization
Studio Hamburg Film Produktion
National Film Board of Canada
Contributing Organization
Thirteen WNET (New York, New York)
AAPB ID
cpb-aacip/75-17qnkcxk
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/75-17qnkcxk).
Description
Episode Description
Apollo approx. 38 minutes: This portion of the program contains a rehearsal segment of about eight minutes plus a performance segment of about thirty minutes of Stravinsky's "Apollon Musagete" performed by soloists of the New York City Ballet under the direction of George Balanchine (both describe in the Program Information of August 28, 1968). After a station break, the program continues with: "Igor Stravinsky" (repeat) approx. 50 minutes: This is a television profile of the composer, originally presented by NET as the first portion of the documentary-program "Igor Stravinsky" broadcast in Festival of the Arts, February 18, 1966. It consists of informal vignettes showing Stravinsky at age 83 to be as fascinating as ever. Friends and associates of this great 20th century composer visit with him and discuss his genius. Participating in the program, a great deal of which takes place during a recording session, are his colleague Robert Craft; writer-critic Nicholas Nabokov; Columbia Records ' Masterworks Director John McClure; the guitarist Julian Bream; and Stravinsky's second wife, painter Vera de Bosset. Igor Stravinsky was born June 18, 1882 in Oranienbaum, Russia. The son of an opera singer, he spent his youth there and in nearby St. Petersburg. He studied then with Anton Rubinstein, later with Rimsky-Korsakov. His association with Diaghilev in Paris produced some of the greatest ballet scores of all time "Firebird," "Petouchka," "The Rite of Spring," and "Apollon Musagete." This latter ballet consecrated a new austerity and soberness of orchestral style. A great musical innovator, in the last decade he has embraced a linear, serialistic style of writing. He became a French citizen in 1934, and an American one in 1945, taking up residence in Beverly Hills, California. "Igor Stravinsky" is a production of the National Film Board of Canada. This 90-minute piece was recorded on videotape. (Description adapted from documents in the NET Microfiche)
Episode Description
The program is in two portions: The first portrays soloists of the New York City Ballet under their choreographer, George Balanchine, preparing for a performance of Igor Stravinsky's "Apollon Musagete." This portion illustrates Balanchine's unique contribution to choreography: the blending of classical and modern techniques." The second portion of the program features a complete performance of Stravinsky's ballet "Apollon Musagete." The telecast of the ballet an attempt to give an optical interpretation of a musical performance was produced by Studio Hamburg in 1965. The work is danced to a recording of "Apollon Musagete" made in Hamburg in 1964 by the NDR Symphony Orchestra under the composer himself. A new Balanchine choreography for "Apollon Musagete" matches the rapid tempo of this musical performance. The dancers are Jacques d 'Amboise, Suzanne Farrell, Gloria Govrin, Patricia Neary, and Karin von Aroldingen. NET Festival "Stravinsky 'Apollo '" (working title) is a National Educational Television presentation. A production of Studio Hamburg, Germany (Description adapted from documents in the NET Microfiche)
Series Description
NET Festival is an anthology series of performing arts programming.
Description
In the first part of this program, dancers of the New York City Ballet under the direction of George Balanchine rehearse and then perform Igor Stravinsky's "Apollon Musagete." This is followed by a television profile of Stravinsky in his eighties, with comments by friends and colleagues on his life and genius.
Broadcast Date
1968-10-13
Asset type
Episode
Genres
Documentary
Performance
Topics
Music
Biography
Media type
Moving Image
Credits
Artistic Supervisor: Liebermann, Rolf, 1910-1999
Camera Operator: Pflanzl, Robert H.
Choreographer: Balanchine, George
Director: Koenig, Wolf
Director: Kroitor, Roman
Director: Pflanzl, Robert H.
Interviewee: McClure, John
Interviewee: de Bosste, Vera
Interviewee: Nabokov, Nicholas
Interviewee: Bream, Julian
Interviewee: Craft, Robert
Narrator: Brittain, Don
Producer: Kroitor, Roman
Producing Organization: Studio Hamburg Film Produktion
Producing Organization: National Film Board of Canada
AAPB Contributor Holdings
Thirteen - New York Public Media (WNET)
Identifier: wnet_aacip_6412 (WNET Archive)
Format: U-matic
Generation: Master
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Citations
Chicago: “NET Festival; 44; Apollo and Igor Stravinsky,” 1968-10-13, Thirteen WNET, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 10, 2025, http://americanarchive.org/catalog/cpb-aacip-75-17qnkcxk.
MLA: “NET Festival; 44; Apollo and Igor Stravinsky.” 1968-10-13. Thirteen WNET, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 10, 2025. <http://americanarchive.org/catalog/cpb-aacip-75-17qnkcxk>.
APA: NET Festival; 44; Apollo and Igor Stravinsky. Boston, MA: Thirteen WNET, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-75-17qnkcxk