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You This is west of the imagination T's to take one year slate go the two words manifest destiny became a catchphrase in the nineteenth century that was echoed again and again
oh let me explain it now if I mention this is T's to take two the two words manifest destiny became a catchphrase in the nineteenth century that was echoed again and again Indians and other foes must inevitably give way before the divinely inspired parade of civilization in all more than 300,000 people made the great trek westward between 1840 and the completion of the first railroad in 1869 the story of the pioneers is the greatest epic of the American west in the nineteenth century okay T's to take three the two words manifest destiny became a catchphrase in the nineteenth century that is the two words manifest destiny became a catchphrase
in the nineteenth century that was echoed again and again Indians and other foes must inevitably give way before the divinely inspired parade of civilization in all more than 300,000 people made the great trek westward between 1840 and the completion of the first railroad in 1869 the story of the pioneers is the greatest epic of the American west in the nineteenth century take up take two T's to go Indians and other foes must inevitably give way before the divinely inspired parade of civilization Indians and other foes must inevitably give way before the divinely inspired parade of civilization Indians and other foes
must inevitably give way before the divinely inspired parade of civilization anytime a west the imagination episode four T's take one the great cattle drives and the men who work them existed only briefly in history for just two decades but Frederick Remington and Charlie Russell captured the life and times of the cowboy his exploits real and imagined and made him an epic figure in the saga of the west anytime you're ready take two the great cattle drives and the men who work them existed only briefly in history for just two decades but Frederick Remington and Charlie Russell captured the life and times of the cowboy his exploits real and imagine and made him an epic figure in the saga of the west
but Frederick Remington and Charlie Russell captured the life and times of the cowboy his exploits real and imagine and made him And I'm afraid we cut off the first part of that. We weren't rolling, so let's grab one more. We're rolling one. But Frederick Remington and Charlie Russell captured the life and times of the cowboy. His exploits, real and imagined, and made him an epic figure in the saga of the West. T's episode five, take one. They said you couldn't comprehend the magnificence of the show until you'd seen it. Whole battles were refought between white men and the red. Whole battles were refought between the white men and the red. This was the battle of summit springs
in which Cody rescued damsels in distress, assisted by the U.S. cavalry. Throughout the Western United States, the National Rodeo Association recreates modern versions of Buffalo Bill's Wild West Show. The West becomes a theater in which to show our skills and play out our fantasies. Okay. This was the battle of summit springs in which Cody rescued damsels in distress, assisted by the U.S. cavalry. Throughout the Western United States, the National Rodeo Association recreates modern versions of Buffalo Bill's Wild West Show. The West becomes a theater in which to show off our skills and play out our fantasies. All right. Western imagination, T's number six.
The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike. Fueled by the political activism of the 1960s and early 70s, a revolution in Western arts started in northern New Mexico. The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike. Fueled by the- Fueled by the political activism of the 1960s and early 70s, a revolution in Western arts started in northern New Mexico. The West becomes a theater in which to show off our skills and play out our fantasies. The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike. Is the plane okay?
Okay. You don't hear those over the mic. Oh, okay. Fine. I hear them. Okay. Shall I go ahead? The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike. The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike. The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike. Fueled by the political activism of the 1960s and early 70s, a revolution in Western art has started. Fueled by the political activism of the 1960s and early 70s, a revolution in Western art started in northern New Mexico. Whenever you're... The everyday reality of life in the West has changed dramatically for the Indian, Hispanic, and Anglo alike.
Okay. These are the trailers, number one. Next time on West of the Imagination, the Golden Land. Next time on the West of the Imagination, Images of Glory. Next time on West. Next time on the West of the Imagination, Images of Glory. Next time on the West of the Imagination, the Wild Writers. Okay, or more. Next time on the West of the Imagination, the Golden Land. Next time... Next time on the West of the Imagination, the Golden Land.
The Golden Land. Images of Glory. Is it appropriate to just do those images of Glory? Is it? Scott? Are you rolling? Next time on the West of the Imagination, play the legend. Next time on the West of the Imagination, the Enduring Dream. Play the legend. The Enduring Dream. Next time on the West of the Imagination, play the legend. Next time on the West of the Imagination, the Enduring Dream. And this is Room Town.
Next time on the West of the Imagination, play the legend. And this is Room Town. Next time on the West of the Imagination. Play the legend. Next time on the West of the Imagination, the Enduring Dream. Then... You You
This program is made possible by the NELDA-C and H.J. Lutcher's Stark Foundation, owner and operator of the Stark Museum of Art in Orange, Texas, and NELDA-C Stark. This program is made possible by the NELDA-C and H.J. Lutcher's Stark Foundation, owner and operator of the Stark Museum of Art in Orange, Texas. On Election Day, May 3rd, Jesse Oliver Leduk. The Companion Book to the West of the Imagination, or the Companion Book to the West of the Imagination,
is a superbly illustrated heartbound volume and can be ordered now through this tool-free number. The 416-page book features 150 color plate reproductions and 200 black and white of the famed artist's scene in the series, from Catlin and Remington to Georgia O'Keefe. Order now by calling 1-800-441-3000. The price is $34.95 with a Visa or Mastercard and please have your credit card ready when you call. The Companion Book to the West of the Imagination is a superbly illustrated heartbound volume and can be ordered now through this tool-free number. The 416-page book features 150 color plate reproductions and 200 black and white of the famed artist's scene in the series, from Catlin and Remington to Georgia O'Keefe.
The Companion Book to the West of the Imagination is a superbly illustrated heartbound volume and can be ordered now through this tool-free number. The 416-page book features 150 color plate reproductions and 200 black and white of the famed artist's scene in the series, from Catlin and Remington to Georgia O'Keefe. Order now by calling 1-800-441-3000. The price is $34.95 with a Visa or Mastercard and please have your credit card ready when you call. Press conference to special interest. At this press conference, excuse me, that was too high.
At this press, at this press conference, Johnson picked up on Jones Tackle on Jones Tactics. She too began accusing Oliver of being bought by special interests. That too, Hissy. You can slow that one down just to tap. I like the way you're reading that. At this press conference, Johnson picked up on Jones Tactics. She too began... Oh! Here we go again. At this press conference, Johnson picked up on Jones Tactics. She too began accusing Oliver of being bought by special interests. One more, Tatslour. Go ahead and put that kind of little...
And that you got in there. Okay, I hear it. Okay, here we go. At this press conference, Johnson picked up on Jones Tactics. She too began accusing Oliver of being bought by special interests. Was that more like what you wanted? Well, we don't do another one. Okay. At this press conference, Johnson picked up on Jones Tactics. She too began accusing Oliver of being bought by special interests. Oliver fought back in public forums. He did receive five times as much money as Johnson, but his strong legislative record in support of minorities and the working class won him the endorsement of the state's consumer, women's, and labor organizations. By the end of the campaign, the usually cool candidates lost their timbers.
One more. One more, really like that, really not. Oliver fought back in public forums. He did receive five times as much money as Johnson, but his strong legislative record in support of minorities and the working class won him the endorsement of the state's consumer, women's, and labor organizations. By the end of the campaign, the usual excuse me. Pick up from top again. Oliver fought back in public forums. He did receive five times as much money as Johnson, but his strong legislative record in support of minorities and the working class won him the endorsement of the state's consumer, women, and labor organizations. By the end of the campaign, the usually cool candidates lost their timbers.
Only one problem, but you said women instead of women's. Okay, let me go all the way back to that one more time again. Oliver fought back in public forums. He did receive five times as much money as Johnson, but his strong legislative record in support of minorities and the working class won him the endorsement of the state's consumer, women's, and labor organizations. By the end of the campaign, the usually cool candidates lost their timbers. Is it been like a bad child? It's like being like, oh, love. That sounds like a bad child too much. Okay. Okay. Next one, right? Hello, anything? I'm sorry. Oh, just this last one. There's no time on this one. Okay, but the time's been fine so far. Yeah, good. Okay. On June 7th, Johnson's attacks against Oliver and her long community ties paid off.
She won with 54% of the vote. Anything you want to play with that? On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote. Okay. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote.
I think that was too much of a pause. Okay. Here we go again. I mean, was that okay at the rest of the reading though, kind of what you want? All right. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote. One more. Okay. Here we go. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote. Too rushed. And we'll make it too quick. We'll see not enough kind of feeling. Okay. But was that, I upped it a little bit. You upped your tone? Yeah, a little. I like the other tone better. Okay. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote.
I feel more like, can you just tell somebody about how yet paid off. Okay. Okay. Okay. Okay. I just didn't want to push too much of being supportive or bias. But in other words, you don't necessarily be supportive to say like paid off. Okay. Okay. All right. On June 7th, Johnson's attacks against Oliver and her long community ties paid off. She won with 54% of the vote. I like that one. Okay. Good enough for you on the spacing, everything. Okay.
Okay. Okay. Okay. Okay. Okay.
Okay. Okay. Okay.
Series
West of The Imagination
Raw Footage
Non Episode Specific Footage VO
Producing Organization
KERA
Contributing Organization
KERA (Dallas, Texas)
AAPB ID
cpb-aacip-5c8eba707bd
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-5c8eba707bd).
Description
Series Description
Documents the American West as seen through the eyes of artists photographers and filmmakers.
Raw Footage Description
VO only no video.
Created Date
1986
Asset type
Raw Footage
Genres
Unedited
Documentary
Topics
Fine Arts
History
Subjects
Voice overs and Funding Credits VO
Media type
Moving Image
Duration
00:25:10.097
Embed Code
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Credits
Narrator: Whitmore, James
Producer: Goetzmann, William H.
Producing Organization: KERA
AAPB Contributor Holdings
KERA
Identifier: cpb-aacip-93e41a0da41 (Filename)
Format: 1 inch videotape: SMPTE Type C
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Citations
Chicago: “West of The Imagination; Non Episode Specific Footage VO,” 1986, KERA, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed October 4, 2024, http://americanarchive.org/catalog/cpb-aacip-5c8eba707bd.
MLA: “West of The Imagination; Non Episode Specific Footage VO.” 1986. KERA, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. October 4, 2024. <http://americanarchive.org/catalog/cpb-aacip-5c8eba707bd>.
APA: West of The Imagination; Non Episode Specific Footage VO. Boston, MA: KERA, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-5c8eba707bd