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0.3 and 90.9. The Antelope Valley at 88.1 and the Ridgecrest area at 107.1. KCRW is National Public Radio for most of Southern California. For more news from NPR, tune in today for all things considered. Where they'll be looking at a virtual reality, computer-generated images and sensations that blur the line between what is real and what is simulation. Harry will be there also dissent in Korea promises of democratic reform are going unfulfilled. Talk about virtual reality and an update on the Persian Gulf crisis. That's later today on all things considered from 5 to 6. Thank you Julie. In 10 seconds it will be 10 a.m. virtual 10 a.m. The clock is ticking. Time is running out. Will it be war or peace or merely a show?
Night counts in, light some crew river, cannery and in utter need. Take my hand, or we'll be fine with, I'll be gone, since the dawn's still afraid of rain. All the songs, or dialogues to love, They're called only, or take my heart, The tainted wine, the wine of love, Lovers tied in the air, Dancing to my feet, don't touch the ground.
I'll lose my mind, I'll dance for it, Turn my world around, turn my world around. All this night, is life no other, And this room is created by you. And these men will never leave, And these tears are like no other tears. I may find, that sleep tomorrow, Leave the shadows of our only room. See my heart, my heart only, I'll just so, I'll come soon.
Dancing to my feet, don't touch the ground. I'll lose my mind, I'll dance for it, Lose my mind, I'll dance for it, Turn my world around, turn my world around. Dancing to my feet, don't touch the ground. I'll lose my mind, I'll dance for it,
Lose my mind, I'll dance for it, Turn my world around, Night comes in, Like something cool weather. I've got a knee, You got a drink, Take my hand, Open your arms, And we dance, dance to the fade away. Dance into my feet, Don't touch the ground. I'll lose my mind, And dance for a moment. Lose my mind, And dance for a moment. Don't bother the crowd. Don't bother the crowd. Dance into my feet, Don't touch the ground. Dance into my feet,
Don't touch the ground. She wanted more than a story. I couldn't give her much more. How long must I be?
How long must I stay? Lost a little mind, In the middle of my, In the middle of my, In the middle of my, No one could see through her face. No one would take her that way. She was so happy, And laughing, How long would I stay? Lost a little mind, In the middle of my, In the middle of my, In the middle of my.
Time, time, Oh, Time, time, Oh. She wanted more than a story. I couldn't handle much more. How long will I be? How long will I be?
Lost a little mind, In the middle of my, In the middle of my, In the middle of my. Time, time, Oh, Time, time, Oh, Time, time, Oh, Time, time, Oh, Time, Oh, Time, Oh, Time,
Oh, Time, When the sun comes out And that rain stops beating on my window pane When the sun comes out There'll be blue birds around my door Singing like they were before that old storm Oh, And my gal walked over left me in the rain Oh, She's gone,
I died, If she'll stay away for good I'd stop living if she should love is funny It's not always peaches cream and honey Just when everything looked bright and sunny Suddenly the cyclone came I'll never be the same till the sun comes out And that rain stops beating on my window pane If my heart holds out
Let it rain and let it fall It may not be long before there's a nagging at my door And you know the one I love walked in When the sun comes out And hello from sunny southern California It's coming, it's coming
See, we had, we had all sorts of rain this week Which merely made all the officials say yeah, but you see Los Angeles doesn't get its water from the rain that falls on Los Angeles All right, all right sir, I'll accept that We get our rain, you see, from the water that apparently doesn't fall on Northern California So we've done our job, we've let it rain on ourselves Northern California, it's up to you Peter Strauss, who starred as a crazed kid Now just check me out on this, ladies and gentlemen This is in the real estate section, but pay attention to how much entertainment news is encapsulated within this real estate item that I'll be reading for you Peter Strauss, who starred as a crazed kidnapper in the fall CBS movie 83 hours till dawn And his wife, Nicole, just spent their first holiday season with her two young children on a 35 acre ranch he bought five years ago
The Emmy award-winning actor gained fame in the 1976-77 ABC miniseries Rich Man Poor Man, and stars as a jet fighter instructor in the action thriller Black Angel Expected to premiere on Showtime in late February Is there some question? Showtime? You haven't committed yet? Peter's in the hole on this ranch, he bought the ranch for about $700,000 with the intention of remodeling The house now has four bedrooms plus nannies quarters With a bath in a kitchen in about 7200 square feet There's a breezeway between the main house and the nannies quarters And another breezeway between the main house and a large garage-like office dubbed Peter's Place Yep, I'd keep my peters a breezeway away Then the rehab the builder matched the original plaster and hand-painted tiles and installed 80-year-old redwood beams from a mill in Oregon Roof tiles and a fountain were crafted in Mexico Extensive landscaping was also completed to make the property look like the South of France
But he was in that series back then, and he was in the movie last fall I think that's important This is the radio program ladies and gentlemen that asks the question Did Madonna vote? You know, and all the flurry about her Her slightly suggestive video and nightline, and before it, her even more slightly suggestive public service announcement for the Get Out The Vote campaign Rumors are swirling, is why I bring this up I have heard rumors Can't have nailed them down by airtime That Madonna did not vote After telling us all that if we didn't vote, we would, quote, get a spanky, unquote Now, probably not giving her a spanky would be the appropriate punishment for her not voting, I would think Although there's too many, that's double negative land, but perhaps more to the point would be that now there's this new Madonna controversy
Isn't it interesting how, just when the last one dies down, the new Madonna controversy flares up Almost as if it's, you know, on that sprinkler timer that you have for your lawn Just as the first brown chute shows its face on the grass, you know, the timer is set up to flood the lawn with all that water At least here in Southern California don't have, you know what I mean? So now here's this new controversy which is about the new mix, the beast within mix I don't make this up of that same tiresome song that the video and nightline was about Boy are they getting mileage out of this? Sad little half, half ditty There's a lyric or a spoken part, I guess a rap thing, a raplet, a raptilo
A rap tile in which Madonna quotes from, is it revelations in the New Testament? I think so Something about, I don't know, I don't have the quote here and I'm just going to get in big trouble if I try to paraphrase it But it does involve some quote from revelations about Jews who are not real Jews who are therefore in the quote synagogue of the devil I remember that phrase Now she says this, she just reads it from the Bible With no particular, apparently no particular explanation is to what this has to do with, you know, taking off her garter belt Which as I recall from the video is the main thematic content of the song But somehow I guess it all fits anyway, the Simon Wiesenthal Center here in Los Angeles His protesting claiming that this quote in the Madonna remix of Justify My Love
A song written by the way by a born again Christian, Lenny Kravitz, it just gets more and more complex, doesn't it? And yet, never more interesting, that this is stimulating, or could stimulate anti-Semitism and Madonna says, oh, piffle, a statement issued through her people say that, you know, can't Madonna read the Bible without getting into trouble? In effect, I don't know I think maybe just a little spanky for encouraging anti-Semitism and let's all be friends, huh? I am indebted to a listener, you know, that every once in a while we have to go on the alert to just make sure that the conditions under which this program is broadcast at various local throughout the country are up to my high standards This is from I guess last week or maybe the week before on our fine affiliate in Minnesota This is the news and information service of Minnesota Public Radio 8 listener supported station
At 11 o'clock tonight, we will go to Harry Lashir's Lashow, and if you like Statire, then this show is definitely for you Well, it's not Lashir, see, if you like the right pronunciation of the name, then it would be And I so rarely say it on the air that it's understandable, I never say it on the air, do I, Jim? Never I say Jim's name more often than I say mine Shira, ladies and gentlemen in Minnesota Shira, Nola, Nola is the name of the program I didn't name the program after myself, okay? Didn't do that, wouldn't do that to you ladies and gentlemen I don't know, I think I'm going to just say one thing about my, the team that I root for and then leave it alone because of course you root for whoever you want to I think the Lakers are fine, they just need a team to play on the second night of consecutive two-night games The first night they're fine, they're absolutely fine, they just need a different, you know, they need ringers for that second night
That's all I'll say about that Now in yesterday's paper, two of the most intriguing social trends in this country Virtually back to back, one on page one, the other on page two The news judgment alone of which one goes on page one and which one goes on page two We could, oh I don't know, we could be us the rest of the show about this On page one, the United States imprisons black males at four times the rate of South Africa and now leads the world in overall incarceration rates surpassing even the Soviet Union over the past decade High crime rates and harsher criminal justice policies in the United States account for this trend On page two, premarital sexual activity among adolescent women has accelerated during the last two decades with a sharp jump since 1985 Who were they doing it with, all the young guys are in jail, you see what I'm saying?
It seems obvious to me As does this, this was from earlier this week The battle to eliminate marijuana, still America's most abused drug, this from the Los Angeles Times I write for this paper, is entering a new phase State and federal drug fighters are scoring major hits against marijuana grows, it says There is a hardened public attitude toward drugs A moving away from the casual view toward marijuana that let us slide into the drug acceptance period Said Stanley E. Morris, the federal drug czar's deputy director for supply reduction He would be the deputy czar therefore, I guess, except there are no deputy czars There's just a czar and then the deputy director, so the czar really is a director, he's not a czar But if he were a czar, this would be his sub czar in charge of supply reduction Now here's what I find particularly interesting
The best news says the sub czar, if he were a czar, is the increased number of indoor marijuana growing operations seized in California and Hawaii He explained both states are primaries for growing outdoors and indoor growing is much more expensive The fact that growers are being forced indoors shows says Morris That law enforcement agencies are taking the drug growing business out of the hands of mom and pop casual entrepreneurs As the little guy gets out, he says the opportunity to build a hardened public attitude grows The more organized grower makes for less sympathetic jury cases, you can really hammer them, unquote So the fact what he's saying, just to summarize here, is the federal government is deliberately driving small operators out of the business of growing marijuana And is encouraging that business to be forced into the hands of harder, more organized elements
Mark Kleiman, an expert on narcotics at Harvard, takes a guy from Harvard to say this, sees a dark side to this To domestic marijuana production becoming more like a criminal enterprise than a hobby You're going to see more violence and corruption as a result, he predicted Predictions, quickly, go figure, huh? Just because we drive this business into the hands of harder elements, more violence and corruption Like we need, but that's a good thing, isn't it? More violence and corruption? I'll get back to you on that Meantime, President Bush, as you know, delivered, I guess this would be a year, well let's see, almost no more than two years into his administration He has now picked up the tradition of Ronald Reagan in delivering radio speeches, radio He was on the radio this weekend delivering pretty much the same speech about the Persian Gulf crisis
And it was so successful apparently, he's going to do another one and we'll break for that after this next piece of music and then be back with more here on Lesho Right and he was talking to his other friend, what was that name again? Wasn't that beer at one of mine stealing my beer as a seal? Stealing my drink, it's caused me to think About the rap that you are, whoever you are, you push me too far, I'm going to smash your face All right, it was plain, it was feeling opaque, I think you better reckon with me Your life at the bar was taking a job, all right, it was as drunk as can be Whoever you are, you push me too far, I'm going to smash your face
Those drugs didn't last so long, all right, it was peace in the crowd The fight was on the bar, all right, it was sweet, all right, it was singing Since I'm going to smash your face, all right, it was smashing his face It was sweet, all right, it was sweet, all right, it was sweet The bar was in a turmoil, all the fun had begun, all right, it was the principal chair And just a big hug, some girl came by, and then his hands were dry, let's keep it You've stolen my beer, you let it rain, you give it to yourself, it was fine
Whoever you are, you push me too far, I'm going to smash your face Those drugs didn't last so long, all right, it was peace in the crowd The fight was on the bar, all right, it was sweet, all right, it was singing Since I'm going to smash your face, all right, it was smashing his face My fellow Americans, this week I began delivering a series of radio addresses to the nation It's a tradition that was established by President Reagan
It's a method of communicating important messages in a way that's difficult to either misinterpret or to exert on television news This is the second such broadcast And I'd like to use this time to reiterate our determination to keep Saddam Hussein from profiting from his naked aggression against Kuwait Over the past weeks and months, I've tried in public media and through private channels to send one consistent message to Saddam You must get out of Kuwait, or else you will face a devastating military strike by the combined forces of the world coalition arrayed against you Not you, the American people, you Saddam Hussein But somehow, despite all our efforts to control the press, frighten the Congress and thereby send a unified message to Saddam Hussein
Our intelligence sources indicate that he still may be unsure of our resolve Well, our troops morale is sky high, but it's still vital to me that we go the extra mile, even the extra 10k In our efforts to ensure that Iraq knows the fate that awaits it should the UN resolutions not be obeyed to the letter That's why I'm delivering this address today, when we need all rather be turning off the radio and watching football The United States government has good reason to believe that the only language Saddam Hussein understands is the patient, persistent, systematic mispronunciation of his first name So in the interests of making every effort to avoid a war that none of us wants, let me just say, Saddam Saddam Saddam Saddam Saddam Saddam Saddam Saddam Saddam Saddam Saddam
With God's help, he will get the message God bless you, and how about those redskins? Now you want to make a fool of this whole town for a bit, find your way back home Oh come now, abducted by Gypsies, oh come now, brought up in the circus, oh come now
Aligned to beat you, oh come now, now where you own a chance, I don't believe it, neither do you I need what anyone else in a day or two, a night you want to make a fool of this whole town, better find your way back home Oh come now, we're simple folks here, oh come now, we don't like any trouble, oh come now, we're kinda like a bit family, oh come now, well of course we like the hell I don't believe it, neither do you, I need what anyone else in a day or two, a night you want to make a fool of this whole town, better find your way back home
Oh come now, we're come now I get around me, everybody, get around me, while I testify, I feel a slumber coming on me In a time it will be seen, that's what I'm again If you wanna hear my story, then just chill out, don't be uptight
While I review the attitude of doing right, you got the accent, don't eat the positive, easily emanate the negative I don't, did your pharmacy, don't mess with me, still you're in between You got to spread your, up to the bathroom, bring a loom, that's you that middle move, half feet, a pantomone and a liable to walk up on the scene To illustrate my last remote, talking, mucking, don't lay in the wheel, you doing it all, what did they do? When everything looks so dark, bangin' this thing, we better actin', don't eat the positive Get in here everyday, that's the attitude, that's home, to do your pharmacy, don't mess with me, still you're in between
Don't mess with me, still you're in between You got to spread your, up to the bathroom, bring a loom, that's you that middle move, half feet, a pantomone and a liable to walk up on the scene To illustrate my last remote, talking, mucking, don't lay in the wheel, you doing it all, what did they do? When everything looks so dark, bangin' this thing, we better actin', don't eat the positive
Get in here everyday, that's the attitude, that's home, to do your pharmacy, don't mess with me, still you're in between Don't mess with me, still you're in between Don't mess with me, still you're in between Don't mess with me, still you're in between Hi, Mr. In-between, talking at you, once again, in defense for just a moment, let's just play here in defense of Japan and Germany Just a fun thing, we do every once in a while here on the program
First of all, don't you think that Bruce, the mechanical shark, is just gonna have a lot more smart chips in him next year because the Japanese giant Matsushita has bought MCA Don't you feel it in your gut? Okay, that's A, by the way, Jim correctly points out alcohol is still America's most abused drug, just for those of you who didn't keep tabs on abused drugs this year, as for Germany, because both of these countries are getting attacked now for not sending troops to the Persian Gulf Well, okay, so Japan is putting a lot of smart new chips into Bruce, that's their contribution The Germany is sending all this food to the Soviet Union, you know, during this big food crisis they're having where they can't seem to get the food from where it's grown to where people would like to eat it Spending a lot of money on that, money, it's possible to guess that we might not be spending
Even if there weren't a Persian Gulf crisis, hard to imagine a congressman from Iowa saying, yeah, I raised your taxes so we could send food to Russia, babe That's why I raised your taxes, much easier to say, yeah, I raised your taxes so we could spend $30 billion so far on having troops eat chocolate bars that don't melt in the heat So Germany is doing that, and most peculiar, they're sending out this welcome mat for Soviet Jews, leaving the Soviet Union Rather than sending more food into them, because they don't want to stay anyway, eat or not, they're saying, come to Germany We like the Jews now, we don't like Madonna, we like the Jews, so see, in defense of Germany and Japan, public service feature of Lesho Now, in case you're wondering, what will we be able to find out if there is a war, there has been a war over what we will be able to find out if there is a war
The Pentagon this week proposed far more restrictive rules for coverage of the Persian Gulf War than were in effect in let's say, oh, Vietnam In an apparent effort to prevent unauthorized comments by military officers, the proposed press restrictions would prohibit in prompt to interviews of military officers entering and departing Saudi defense ministry and other public places, interviews with such officials could only be conducted if coordinated in advance by military PR men In deference to Saudi sensitivities, the new regulations would also forbid coverage of religious services in Saudi Arabia And they would ban television coverage of personnel in agony or severe shock, that's a quote, or imagery of patients suffering from severe disfigurement The military said its concern was the privacy of the troops Many journalists say, well we could black out their faces
And Pete Williams, the spokesman for the Pentagon, said, we're not sitting down here trying to limit the coverage Because war is hell, the starting point for these ground rules were the rules used in Vietnam as the proposed rules worked their way through the system, everybody added something to it We're now at the point where we have to simplify them down again, that would be a good idea Anyway, after a big meeting on Friday, they did agree to go back and try another rewrite on those rules So we'll keep you up to date on the war over how the war can be covered Now, there are many definitions of a Hoosier, summer flattering, and others are not so flattering But let me just say one thing about Hoosiers, they hate to lose And the third armored cavalry regiment also hates to lose Let me tell you one thing about Hoosiers, they pronounce the word cavalry, calvery apparently
That was Vice President Dan Quail mistaking an army unit for a location in the Holy Land on his recent trip to Saudi Arabia I don't know if you paid much attention, I don't know if he paid much attention actually Here was something he told the troops When you have achieved the objective of getting Saddam out of Kuwait, the whole world will be grateful And in the Middle East, in Europe, in the Soviet Union, in Asia, and in Africa People all over the world will say, God bless America Okay, now, did anybody notice? Jim, do you notice what part of the world he left out? Our part? No, well I mean, yeah, by which you mean which? The Americas Yeah, the Americas Could have been an accident, could have been just an oversight when he said it once, but how about two more times When you have achieved the objective of getting Saddam out of Kuwait, the whole world will be grateful
And in the Middle East, in Europe, in the Soviet Union, in Asia, and in Africa People all over the world will say, God bless America So I guess that was the speech the way it was written, you can only, you can only give him that much credit But basically, that wasn't the main subject of the Soviet Union Of the speech that he seemed to deliver everywhere in Saudi Arabia over a two-day period, never deviating as you could hear from the standard text The main subject seemed to be Vietnam It was seeing these men, women, by the front here, make you wish that you had served in Vietnam
I served in the Indian National Guard and thought of it Yeah, so the question was continually put to him, why are you bringing up Vietnam? As in the following Why is that an important lesson for all these men, women, who are more important at that time? I think many people in the United States, many of our troops are concerned about a possibility of getting bogged down in the Persian Gulf Like we got bogged down in Vietnam, and the President has said, and I'm restating it, this will not be another Vietnam You can be rest assured that it will not be President Bush has said that, and I'm rearrating it today He did rearrate it many times, so I guess we can be rest assured since he brought to Saudi Arabia this message from what I can only describe as a heart of lightness Man came to the desert on New Year's Day
He may not be the chief, but he's a heartbeat away He had a message more relaxing than a dose of unison This will not be another Vietnam He said it in the rear, and he said it near the front He said it playing volleyball, while trying to fake a bunch
In a time of mounting tension, brought a certain calm But the force is going to be used, it will not be another Vietnam He told it to the Air Force, he told it to the Marines, he told it to 100 million television screens He said it in a barracks, and beneath the swaying palm President Bush just stayed, and I repeated again
This will not be another Vietnam He said it was a morning, he said it late at night He said it as if whipping up the frenzy for a fight He was aiming it at Baghdad, like a trusty cluster bomb And I will say it again, this will not be another Vietnam Only one question came to me, as I watched him come and go
He was never near Vietnam, so if this was another one, how would he know? Reassurance from a quail can sometimes fail to quail a quail As I have said throughout my few days, in the first go, this will not be another Vietnam When you see someone up on the ground, you lay down so she don't have to walk around You think that will protect her from the rain, but you'll never ever stop the pain
She walks all over you, you know she can't You're the carpet man, you're the carpet man She takes such care to keep the girls' feet clean I see some kind of figurine The world's a borderline, it's the mercy And so she used to you to stand between She walks all over you, you know she can't You're the carpet man, you're the carpet man I would think you'd get tired of hurting every now and then
It's no longer the last for certain, the carpet's to get there That's what they have to be for That's what you'll say to yourself some sunny day And she'll say come to the world and get the courage to do it And then the clue in her will have a dance on you She walks all over you, you know she can't You're the carpet man, you're the carpet man She walks all over you, you know she can't
You're the carpet man, you're the carpet man She walks all over you, you know she can't You're the carpet man, you're the carpet man That's the way our faith
Save you, save me That's the way our faith Keep on walking, keep on walking Keep on walking, keep on walking Can you see the soda? Can you see the soda?
Save you, save me That's the way our faith Save you, not at all save me That's the way our faith Keep on walking, keep on walking Keep on walking, keep on walking Keep on walking, keep on walking
Keep on walking, keep on walking Keep on walking, keep on walking And finally on the Persian Gulf, Dateline Daran, Dahan Darwan, Saudi Arabia General Motors says it is optimistic about sales in the Middle East Especially since Chevy's have earned a reputation as speedy getaway cars They Chevrolet Caprice, Dahan, has acquired a good reputation for getting people out of Iraq Said GM's director for the Middle East So our message is simple To keep on walking
Keep on walking Keep on walking Keep on walking Ladies, gentlemen, I'm really amazed. There's been a barrage of votes coming in by telephone during the broadcast. So I will change my name to Harry LeShire. People just seem to feel it sounds better. Sounds like the old newsman on CBS, Larry LeSure, I guess. I guess that's what they remind them of it. If anybody is old enough to remember him, he's not old enough to remember him. I'll be right back. Well, it is sobering to think that this is the last broadcast of the show that will be heard throughout the nation before we know what happened.
Next week's show in Los Angeles, Chicago, in the Midwest and San Francisco and some other places. Of course, we'll be before the deadline. But a lot of places will take delay until afterwards. So it's the electricity in the, it is sobering. And I guess that's the sobriety that makes me so giddy. So good luck to us all, huh? Yeah. Because that copies of the show, given the current circumstances as we understand them, are still available for your purchase. For each cassette you desire, send a check for $10 made out to Century of Progress Productions. Yes, it's ironically titled. And tell us the date of the show you desire. And send your request to Lesho, 1900 Pico, PICO Boulevard, Santa Monica, California, 90405.
And anybody want to hold their breath until President Bush reads another Anastasia International report about another country where there are human rights violations? Me neither. Well ladies and gentlemen, that kicks this edition of the show smartly in the head. I'll return next week at the same time over these same stations. And you would flatter me exceedingly by joining me then. Will you please? Thank you very much. Huh? Yeah. The show comes to you from Century of Progress Productions and originates through the facilities
of SAS, a satellite service of KCRW Santa Monica, a community recognized around the world as the home of the homeless. Ladies and gentlemen, we have 15 extra seconds before I can say goodbye and the stations to sign off. Let me just hope that you are as appreciative as I am that the U.S. Postal Rates Commission decided that first class postage should be 29 cents and not 30. And now stay tuned for Tom Schnabel and Sunday brunch. He's next with an hour and a half of the most interesting music from around the world, followed at 12.30 by Michael Hodgson was stepping out at 2 o'clock, the reggae beat at 5 o'clock, all things considered. And 9 o'clock Bernie Pearl with the blues roll on and ladies and gentlemen, the program just preceding will be repeated tonight at 11 p.m. for your listening thing. So please join us then if you desire.
Here on KCRW Santa Monica Community Service of Santa Monica College at 89.9 FM National Public Radio for most of Southern California in 30 seconds 11 a.m. On Tuesday morning, January 15th from 9 to 11. You don't. I found that so that's great. I feel a lot better today. And all things considered, things there may be, right? Well, the unexpected and unintended results of a war in Macaufield. They're going to look at that today from 5 to 6. I can't wait. And yet I must. Thanks. Thanks, Julie. You think there's going to be a war? Oh, God, no. Please, no. I guess that's a no. No. In 20 seconds, it'll be 10 a.m. Pacific War Time. OK, they voted.
This program has been authorized probably for the first time in its now well into its eighth year on the air. This program has been authorized to use force. We'll try not to, ladies and gentlemen. It's not my intent to use force. But those responsible have voted after a long and I think profitable debate. And I will try to be prudent. I will try, I'll try very hard. But I swear to that to you. I was actually going to, you know me. I like to just jump into the heat of things. It was, it was a profound bitter disappointment to me that the after Bob Hope. Bob Hope really screwed it up for everybody else when he went over to Saudi Arabia because now the defense department will not allow
any more entertainers to go over. And we had packed up already. We had everything in boxes. I will be, I will try to rise above it and be prudent. Ladies and gentlemen, that's my pledge to you. As we begin this oddly somber version of Hello. Welcome to the show. I think I'll be, I think I'll be smoked and smoked. But I know it won't be long. Sitting here in limo. Like a bird without a song. Well, they're putting up resistance. But I know that my faith will lead me on. Sitting here in limo.
For the dice to roll. Sitting here in limo. Got some time to search my soul. Well, they're putting up resistance. But I know that my faith will lead me on. I don't know where life will lead me. But I know where I live. I can say what life will show me. But I know what I've seen. Try my thing that love and friendship. But all that this past and gone. This little boy is moving on. Sitting here in limbo. Waiting for the dice to flow.
Sitting here in limbo. Knowing that I have to go. Well, they're putting up resistance. But I know that my faith will lead me on. I can say what life will show me. But I know what I've seen. I can say where life will lead me. But I know where I'll be. Try my thing that love and friendship. But all that this past and gone. This little boy is moving on. Sitting here in limbo.
Waiting for the dice to flow. Sitting here in limbo. Knowing that I have to go. Well, they're putting up resistance. But I know that my faith will lead me on. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo.
Sitting in limbo. Sitting in limbo. Sitting in limbo. Sitting in limbo. Oh, it's got to be so. You're the way it's got to be so. I'm searching in a limbo. Sitting in limbo. I thought I know we won't belong there. I know we won't belong. Yeah. Oh, oh, oh. Oh, oh, oh, oh. Sitting in limbo limbo. Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
Well, I can't live by swimming. I love the others on. You knew you couldn't get nothing by staying long. I'd like to then look sweet, fly right along. And where did he take down? The buzzard was different. He took them all down the bottom bowl of what's named. Baby, get your fatches. It's gone. They're bad on the boats of air. He blew his up. And the ledges weren't. And they were in the air and looked around. The wind was gusting 30, they were getting off. 30, but they didn't mind. With that bacon fries, I want you gone. Little bit of clever, never did no wrong. Look in the sky. See those light birds, how they fly.
But I can't then look sweet, fly right along. Let's get it. It's the better life that it slips away. It's the better life that it slips away. Whoa. And they know life. Look in the sky, see how they fly. I can't then look sweet, fly right along. And when they're friends, fly right along. He might as well cook up all you got here. What in your day? See those buzzards on their wing. I can't then look sweet, fly right along. I can't then look sweet, fly right along. And when you took in, the buzzard was different. And when you took in, the buzzard was different. And when you took in, the buzzard was different. And you now, you move out on goal of what's named.
Maybe we're getting faster, it's going everywhere on the boat's been. And when it runs by a lot, you might as well cook up all you've got here. But in your day, she goes by shoes all their way. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Let's go. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn. Black and then looks like by the lawn.
Black and then looks like by the lawn. Black and then looks like by the lawn. Join us next time at LungerHeads. It's true to the fields, ancient nannies and printed on shields.
It's true to the fields, ancient nannies and printed on shields. It's true to the fields, ancient nannies and printed on shields. It's true to the fields, ancient nannies and printed on shields. Here's something that I'd like to bring to you.
It's true to the fields, ancient nannies and printed on shields. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you. Here's something that I'd like to bring to you.
Here's something that I'd like to bring to you.
Series
Le Show
Episode
1991-01-06; 1991-01-13
Producing Organization
Century of Progress Productions
Contributing Organization
Century of Progress Productions (Santa Monica, California)
AAPB ID
cpb-aacip-5517c96f1cb
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Description
Segment Description
1991-01-06: 4. "Another Vietnam" | 5. Bush Address: "Saddam Saddam" | 6. War on Peace Open | Defense of Hoosier Cavalry, Whole World Grateful (#'s 1,2,3) | Our Mistake is Simple
Segment Description
1991-01-13: 7. Pres Memoirs: Reagan, Nixon & Baker on Eve of War
Broadcast Date
1991-01-06
Broadcast Date
1991-01-13
Asset type
Episode
Media type
Sound
Duration
02:02:55.224
Embed Code
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Credits
Host: Shearer, Harry
Producing Organization: Century of Progress Productions
Writer: Shearer, Harry
AAPB Contributor Holdings
Century of Progress Productions
Identifier: cpb-aacip-0f7baf163f3 (Filename)
Format: DAT
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Le Show; 1991-01-06; 1991-01-13,” 1991-01-06, Century of Progress Productions, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed November 21, 2024, http://americanarchive.org/catalog/cpb-aacip-5517c96f1cb.
MLA: “Le Show; 1991-01-06; 1991-01-13.” 1991-01-06. Century of Progress Productions, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. November 21, 2024. <http://americanarchive.org/catalog/cpb-aacip-5517c96f1cb>.
APA: Le Show; 1991-01-06; 1991-01-13. Boston, MA: Century of Progress Productions, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-5517c96f1cb