Simple Courage: An Historical Portrait for the Age of AIDS

- Transcript
<v Narrator>Major funding for this program was provided by the Hawaii State Foundation on Culture <v Narrator>and the Arts through an appropriation from the 1990 Hawaii state legislature. <v Narrator>Additional funding was provided by the Hawaii Committee for the Humanities. <v Narrator>[Blowing wind and choir singing omniously] <v Narrator 2>An expedition force of 35 men fully armed is being sent to Kalalau,
<v Narrator 2>a small Krupp howitzer will be taken and shells will be used if necessary to dislodge the <v Narrator 2>lepers. It is the intention of the government to clean out every leper from the valley, <v Narrator 2>either dead or alive. <v Narrator 3>The sheriff of Waimea, Louis Stoltz, was instantly killed on the 27th by two <v Narrator 3>rifle shots from the hands of leppers that he was seeking to arrest. <v Narrator 3>Their leader Ko'olau seems to be a desperado, a violent character. <v Narrator 4>Ko'olau, the murder refused to come in and said he would fight and if cornered, would <v Narrator 4>kill his wife, Piilani and his child and then himself. <v Narrator 5>[Speaking Hawaiian] I affirm to the world that this is the correct true <v Narrator 5>and one and only story of my beloved husband, Ko'olau. <v Narrator 5>The order came that all the leper's must be removed. <v Narrator 5>My husband, Ko'olau askedSheriff Louis, "Will my wife be allowed to <v Narrator 5>go with me to Kalalau?" Louis refused, saying, "No, you <v Narrator 5>and all those who have the sickness will be taken.
<v Narrator 5>No one else." My husband replied, "We swore <v Narrator 5>by the holy book to live together in sickness and in health until death <v Narrator 5>should part us." And now the power of the government <v Narrator 5>wants to make the oath before Almighty God as nothing. <v Narrator 5>When it began to darken that evening, we squatted near this rock watching <v Narrator 5>and listening constantly. <v Narrator 5>A gun was heard being cocked. <v Narrator 5>My husband protected me by putting me behind him. <v Narrator 5>And with a flash of powder, his gun was fired. <v Narrator 5>I saw Louis kneeling, holding the gun. <v Narrator 5>Paoa, shouted, "He's going to shoot." And this was the moment my husband fired <v Narrator 5>the second bullet and Louis died. <v Narrator 5>My husband turned to me and said, "If I had been slow, I would have died before <v Narrator 5>the Holy." And I replied, "That is the truth." <v Narrator 5>These actions of they're coming with a great army and rifles and cannons <v Narrator 5>to shoot and kill my husband, who is alone, these were deemed shameful <v Narrator 5>before the powerful governments of the world.
<v Narrator 6>I am sorry to state that three of my men <v Narrator 6>have lost their lives. <v Narrator 7>Due to the losses of these three men and there being no prospect of capturing Ko'olau, <v Narrator 7>the squad of soldiers was ordered back down a little. <v Narrator 7>Ko'olau was never captured or seen again outside of the valley. <v Kekuni Blaisdell>Leprosy was unique. <v Kekuni Blaisdell>Because it not only affected a large number of Hawaiiaans. <v Kekuni Blaisdell>Those early years, but it was a disease <v Kekuni Blaisdell>that was easily detected. <v Kekuni Blaisdell>And because it was infectious, thought to be <v Kekuni Blaisdell>erroneously highly infectious. <v Kekuni Blaisdell>Of course, our people who were affected were separated from the rest of the population.
<v Kekuni Blaisdell>Since we native people are people of Ohana family people, it contributed <v Kekuni Blaisdell>to the destruction of our own culture, which is based on <v Kekuni Blaisdell>the Ohana. But it was something that was so abhorent <v Kekuni Blaisdell>that we weren't permitted to talk about it. <v Kekuni Blaisdell>So it's only now that we are able to <v Kekuni Blaisdell>talk about it and we need to talk about it. <v Hyman Fujinaga>Once you have leprosy, you really, you were <v Hyman Fujinaga>outcast. <v Hyman Fujinaga>It is stigma, you know. <v Hyman Fujinaga>So. <v Hyman Fujinaga>I made up my mind, I said, well, I have to really <v Hyman Fujinaga>join into this community and make the best of life, <v Hyman Fujinaga>and those days we no-, I never think about marriage. <v Hyman Fujinaga>You know, even a girlfriend, maybe just, you know, for past time. <v Hyman Fujinaga>But we never I never thinking about married and have kids
<v Hyman Fujinaga>because. I was thinking about myself. <v Hyman Fujinaga>You know, the sickness that I have. <v Richard Marks>I used to ask, why me? How come me? <v Richard Marks>How come my family, when we have people all over the place, that did things <v Richard Marks>just as bad or worse? <v Richard Marks>And never got a sign of it. <v Richard Marks>And of course, you had some local idiot that always had some dummy around that would <v Richard Marks>push the idea that you brought it on yourself, or you brought in somebody of the family <v Richard Marks>and brought it on us. And not much you can do with people like that. <v Olivia Robello Breitha>From time to time, even on the soap operas, I heard the actor <v Olivia Robello Breitha>say, "Oh, I feel like a leper. <v Olivia Robello Breitha>You look like a leper." You know, if somebody had a banged up face from a beating <v Olivia Robello Breitha>or a mugging, "you look like a leper. I feel like a leper." I said, Oh, yeah. <v Olivia Robello Breitha>You feel like a leper. I'm going to let you know what it feels like to be one. <v Makia Malo>They sent us here like people sweep.
<v Makia Malo>Sweep the dust under the carpet. That was us. <v Makia Malo>We were the Opala that the cast out. <v Makia Malo>And so luckily for us, when <v Makia Malo>Damon started something way back when that we could enjoy the benefits. <v Narrator 8>[Guitar music] Strange when one's neighbors become less than acquaintances seeing us. <v Narrator 8>They drew away. They moved to sit elsewhere. <v Narrator 8>Whispering and a friend pointed a finger, "He is a leper." <v Narrator 8>I bowed my head. I knew it was true, in my heart <v Narrator 8>I hugged my shame What will become of Hawaii? <v Narrator 8>What will leprosy do to our land? <v Richard Marks>Coming on a door, get on the bus.
<v Richard Marks>You gotta understand Kalaupapa, Kalaupapa even way back in the old Hawaiian <v Richard Marks>days, [Truck starts] was a very special place. <v Richard Marks>They had many sacred ceremonies held here every 6 or 7 years. <v Richard Marks>They'd come from all over the islands. <v Richard Marks>Special gatherings here long before they ever heard of leprosy in Hawaii, long before <v Richard Marks>they ever heard a white man in Hawaii. <v Richard Marks>These were known as the great cliffs of Molokai the forbidden cliffs <v Richard Marks>of Molokai. [Acoustic music playing] <v Narrator 9>One year ago, there was but one case of leprosy in this district. <v Narrator 9>And now within a distance of five miles from that house, cases of this incurable <v Narrator 9>disease may be counted by the dozen. <v Narrator 9>This, surely, Mr. Editor, is a state of things which calls loudly for immediate
<v Narrator 9>steps to be taken by having all the disease cases collected and strictly <v Narrator 9>kept apart. <v David Scollard>The king of Hawaii was was confronted with a very difficult problem. <v David Scollard>Hawaiians were much more susceptible to this disease and it was spreading among them in <v David Scollard>great numbers. <v David Scollard>The colonists who are here were terrified of this disease <v David Scollard>and were advising him to send people away for life, <v David Scollard>which was contrary, I am sure, to his his own instincts. <v David Scollard>But he also had to consider preserving his people from a disease. <v David Scollard>[Acoustic music playing] <v Anwei Skinsnes Law>When you look at the act to prevent the spread of leprosy, you get an indication of how <v Anwei Skinsnes Law>these people were regarded. They weren't thought of as sick people, but rather as <v Anwei Skinsnes Law>criminals. The act talks about arresting people as leprosy suspects,
<v Anwei Skinsnes Law>and it gives the power for treating these people to the lawmakers rather than to the <v Anwei Skinsnes Law>physicians. And basically what they did was just round them up and send them to <v Anwei Skinsnes Law>Kalaupapa <v Richard Marks>Dirt valley where they were dropped in the beginning with just too wet, the patients died <v Richard Marks>very fast in those days. <v Richard Marks>Very few lasted more than a year up in that valley. <v Richard Marks>Now hear you got a spot. Doesn't it look like something somebody dreamed up? <v Richard Marks>Doesn't even look real. <v Anwei Skinsnes Law>When the government sent the patients to Kalawao, it was their intention that within <v Anwei Skinsnes Law>six months, these people could create a nice little community that would be self <v Anwei Skinsnes Law>supporting. <v Anwei Skinsnes Law>Unfortunately, what the government didn't think about was that these people were sick. <v Anwei Skinsnes Law>Most of them were in the advanced stages of leprosy. <v Anwei Skinsnes Law>They couldn't grow their own food. They couldn't build their own houses. <v Anwei Skinsnes Law>They certainly couldn't take care of their medical needs.
<v Anwei Skinsnes Law>But the government didn't think about this and basically just left them there to fend for <v Anwei Skinsnes Law>themselves. <v Anwei Skinsnes Law>There was a Hawaiian expression associated with Kalawao, which basically translates, "In <v Anwei Skinsnes Law>this place. There is no law." There was no way that anybody could make the patients <v Anwei Skinsnes Law>abide by any laws because they couldn't threaten them with any punishment, which was <v Anwei Skinsnes Law>worse than that which had already been dealt them by sending them to college while in the <v Anwei Skinsnes Law>first place. <v Anwei Skinsnes Law>Consequently, horrible tales of Kalawao spread to Honolulu, and the place <v Anwei Skinsnes Law>gained a reputation as a living tomb. <v Anwei Skinsnes Law>Family members began to hide those who had leprosy and consequently the disease spread. <v Anwei Skinsnes Law>[Piano music playing] Not everything at the settlement was bad. There were attempts to <v Anwei Skinsnes Law>improve conditions there. The Board of Health built a hospital and the patients <v Anwei Skinsnes Law>themselves established churches. <v Anwei Skinsnes Law>However, physical improvements weren't enough what the people there really needed was <v Anwei Skinsnes Law>hope. <v Narrator 10>If a noble Christian priest, preacher or sister should be
<v Narrator 10>inspired to go and sacrifice a life to console these poor <v Narrator 10>wretches, that would be a royal soul to shine forever <v Narrator 10>on a throne reared by human love. <v Richard Marks>Okay, stop out here a couple of minutes, you get a chance to see the church. <v Richard Marks>Yeah, this is where Father Damon was buried in 1889, <v Richard Marks>1936, they dug him up, took him away. <v Richard Marks>Nobody in Hawaii knew what Belgium was. <v Richard Marks>This was a man that made the impression not by coming and preaching a new religion, <v Richard Marks>but by coming and doing what today you call Hands-On, working with his hands. <v Richard Marks>[Choir singing] They may never look down on the Hawaiians. <v Richard Marks>They may never ask. Are you Catholic or are you Christian?
<v Richard Marks>He did what he could to help anybody that came close to him. <v Narrator 11>By the providence of our divine Lord, who during his public life showed <v Narrator 11>a particular sympathy for lepers, my way was traced <v Narrator 11>toward Kalawao in May 1873. <v Narrator 11>A great many lepers had lately arrived from the different islands. <v Narrator 11>Their number at 860. <v Narrator 11>Some of them were old acquaintances of mine from Hawaii where <v Narrator 11>I was previously stationed as a missionary priest. <v Narrator 11>To the majority, I was a stranger. <v Richard Marks>Nobody heard of Damien til he got here. People get the idea all of a sudden Damien came <v Richard Marks>to work with the lepers and he got a vision and all of a sudden he was a saint. <v Richard Marks>No, Damien was like Damienn was a workaholic on the big island even before he came here.
<v Gavan Daws>He's the most ordinary of men. <v Gavan Daws>He's not tremendously intelligent. <v Gavan Daws>He's certainly not charming. <v Gavan Daws>He's not a sophisticated man. He's not a learned, man. <v Gavan Daws>He's not a good handler of people particularly. <v Gavan Daws>He's not a good public relations person. <v Gavan Daws>He's got great limits. He's temperamentally stubborn. <v Gavan Daws>He's dogood to the point of being obstinate. <v Gavan Daws>He worries endlessly about his own preoccupations, except that his own <v Gavan Daws>preoccupations are the universal and timeless preoccupations <v Gavan Daws>of humankind. <v Gavan Daws>And it's just the jump that he can make somehow in his life from being the most ordinary <v Gavan Daws>of men to doing the most extraordinary things. <v Narrator 11>This may give you some idea of my daily walk. <v Narrator 11>picture yourself a collection of ?hush? <v Narrator 11>with 8 ?inaudible? <v Narrator 11>No.
<v Narrator 11>In fact, there's no cure. <v Narrator 11>There seems no place for a doctor's scale <v Gavan Daws>And he's in the middle of that, doing everything, making coffins, changing <v Gavan Daws>bandages, washing dirty bandages because there weren't clean ones, <v Gavan Daws>putting his hands on patients. Moment by moment. <v Gavan Daws>Day after day. Month after month. <v Gavan Daws>Year after year. Virtually alone. <v Gavan Daws>All that time. <v Anwei Skinsnes Law>Father Damien knew that there were certain risks associated with being at Kalawao, <v Anwei Skinsnes Law>but he had already given his life over to God and he felt that the most important thing <v Anwei Skinsnes Law>was serving his fellow man. <v Anwei Skinsnes Law>He especially felt that it was important to treat the patients there as his equals. <v Anwei Skinsnes Law>He ate out of the same calabash with them. He smoked the same pipe. <v Anwei Skinsnes Law>Some people criticized him and said that he was stupid for doing this, but he wasn't <v Anwei Skinsnes Law>stupid. He just had a different set of priorities. <v Anwei Skinsnes Law>And to him, the most important thing was to take care of these people whom society <v Anwei Skinsnes Law>had cast aside.
<v Terence Knapp>You see, when Damien went to Kalawao to look after <v Terence Knapp>the Catholic lepers, Leprosy was regarded <v Terence Knapp>as a venereal disease. <v Terence Knapp>You could only contact leprosy, it was thought, by some <v Terence Knapp>by sleeping around. <v Terence Knapp>That didn't stop Father Damien from going over there and <v Terence Knapp>getting in up to his elbows, as it were. <v Terence Knapp>It's a case of the singer, not the song. <v Terence Knapp>You know, every human life is precious to the father. <v Terence Knapp>To God. As Father Damien perceived it, that <v Terence Knapp>gave him the courage to do what he had to do. <v Richard Marks>Many of them would not have anything to do with a priest. <v Richard Marks>So the only way Damien succeeded was he touched him. <v Richard Marks>So this is part of the old Hawaiian culture. <v Richard Marks>This is the way it was, is always a personal contact. <v Richard Marks>And Damien understood this. It was no big deal.
<v Richard Marks>He made nothing of it because it was an accepted thing. <v Narrator 12>Father Damien told me he had always expected that he should sooner or later become a <v Narrator 12>leper, though exactly how he caught it, he does not know. <v Narrator 12>He's now 49 years old. <v Narrator 12>His countenance must have been handsome, but he is a good deal, disfigured by leprosy, <v Narrator 12>though not so badly as to make it anything but a pleasure to look at his bright, sensible <v Narrator 12>face. <v Narrator 12>His forehead is swollen and rigid. <v Narrator 12>The eyebrows are gone. The nose is somewhat sunk and the ears are <v Narrator 12>greatly enlarged. <v Narrator 12>"I would not be cured," he said to me, "if the price of my cure was that I must leave the <v Narrator 12>islands and give up my work." <v Anwei Skinsnes Law>Those were some of his hardest days because he was deprived of spiritual consolation. <v Anwei Skinsnes Law>What he really needed was a true confrere, somebody could spend time with talk <v Anwei Skinsnes Law>to confess to. <v Anwei Skinsnes Law>His superiors, made his hardships even worse because they questioned his sincerity and <v Anwei Skinsnes Law>his humility.
<v Gavan Daws>And he he's doing things which his superiors don't like. <v Gavan Daws>And they say, obey, obey. Don't do this. <v Gavan Daws>Don't get your name in the papers. <v Gavan Daws>Don't do that stuff. And he says, I'm not. <v Gavan Daws>And he's not. He does not write to the papers. <v Gavan Daws>He gets in the papers against his will. <v Gavan Daws>His name was known in Paris and London and New York. <v Gavan Daws>With that came a rush of charitable money given by Americans, by Englishman, by <v Gavan Daws>by Europeans, specifically for his work at the leprosy settlement. <v Gavan Daws>And with that came embarrassment about where that money was coming <v Gavan Daws>from, because it was coming from Protestants as well as Catholics. <v Gavan Daws>It was coming past the Catholic Church in Hawaii earmarked for Damien. <v Gavan Daws>He didn't go to Molokai to become famous. <v Gavan Daws>He didn't go to Molokai to become a public beggar. <v Gavan Daws>He went to Molokai to serve the leprosy settlement, to try to heal the souls <v Gavan Daws>of physically ?doing? bodies. <v Terence Knapp>Father Damien is one of those rare people who do <v Terence Knapp>what has to be done according to conscience
<v Terence Knapp>and to spiritual persuasion. <v Terence Knapp>He saw his life in Imitation of Christ. <v Terence Knapp>Period. Christ did some fairly unpopular things, like driving <v Terence Knapp>the moneylenders out of the temple. I don't suppose that endeared him to an awful <v Terence Knapp>lot of people. I think, Damien, when necessary, he took his <v Terence Knapp>walking stick and cracked the Hawaiian lepers over the head. <v Terence Knapp>If he caught them doing the hula. Well, I don't suppose they liked him very much either <v Terence Knapp>at that particular time. But there was something over and above that behavior, <v Terence Knapp>if you follow me, it was a deep empathy for their condition <v Terence Knapp>and for their suffering. <v Terence Knapp>Totally, of course. <v Richard Marks>Yeah, well, they come in, you know, and they can see the eyeballs roaming all over the
<v Richard Marks>place and once in a while, you know, they kind of looking to see a leper, to see a leper. <v Richard Marks>And then they ask I said, well, I'm a patient. My drivers are all patients. <v Richard Marks>Over the years we've been of course, you can see the relief across their face. <v Richard Marks>You know, they were afraid that they might encounter somebody that was going to make them <v Richard Marks>very, you know, unhappy, uncomfortable, <v Richard Marks>I tell them its like anything else, you got to learn to understand it. <v Richard Marks>The first thing is accept them as somebody like your own family, somebody <v Richard Marks>that had bad luck that's all. [World music playing] The <v Richard Marks>fingers. The digits, the extremities lose blood circulation. <v Richard Marks>And then many times they get so badly crippled, they get amputated. <v Richard Marks>Other times they just naturally wither away. <v Richard Marks>But it's not a deal of walking on the street and seeing fingers and toes all over the <v Richard Marks>place. <v Richard Marks>Over 1100 people have come here to work over the years, and some of them stayed
<v Richard Marks>almost 50 years, never got leprosy. <v David Scollard>Although leprosy is now treatable and curable. <v David Scollard>The fear and the stigma are still very strong and therefore it's <v David Scollard>still a tragedy to people, even though it doesn't have to be. <v David Scollard>Patients who learn this diagnosis sometimes think it's worse than <v David Scollard>death. And that is perpetuated by by false <v David Scollard>information. And it doesn't have to be. <v Narrator 13>[Violin music playing] Abandoned, cut off from family and dear ones, we were left <v Narrator 13>alone with our grief, our love. <v Narrator 13>Reign of tears streamed from Lepper eyes, Lepper cheeks glistened
<v Narrator 13>with raindrops in the sun. <v Narrator 13>Never again would we look upon this land of ours, this lovely harbor town. <v Narrator 13>What will become of Hawaii? <v Narrator 13>What will leprosy do to our land? <v Kekuni Blaisdell>[World music playing] Well, the total figure for leprosy victims in Hawaii <v Kekuni Blaisdell>is estimated to be around 8000 and over 90 percent of <v Kekuni Blaisdell>them were Kanaka maoli, native Hawaiian. <v Kekuni Blaisdell>So I suspect that every Hawaiian family has been affected, <v Kekuni Blaisdell>just as in my own family. <v Kekuni Blaisdell>Well, there's clear evidence. <v Kekuni Blaisdell>That our ancestors at that time, 1770, <v Kekuni Blaisdell>did not have the contagious infectious epidemic
<v Kekuni Blaisdell>illnesses that were the scourge of the continents at that <v Kekuni Blaisdell>time. Our ancestors were completely isolated from the rest <v Kekuni Blaisdell>of the world. Because of that, they had no immunity. <v Kekuni Blaisdell>They had no need to have immunity from these infectious illnesses. <v Kekuni Blaisdell>Of course, once those illnesses were introduced in the form of Captain <v Kekuni Blaisdell>Cook's crewman who infected our people, <v Kekuni Blaisdell>mainly with gonorrhea and syphilis at that time, probably also tuberculosis. <v Kekuni Blaisdell>Then those illnesses began to devastate populations. <v Kekuni Blaisdell>[Acoustic guitar music playing] By 1820, when the missionaries arrived, they estimated <v Kekuni Blaisdell>the population to be 150000. <v Kekuni Blaisdell>And in 1893, with the armed invasion of Hawaiian nations,
<v Kekuni Blaisdell>the overthrow of our government population, native population was <v Kekuni Blaisdell>down to 40000 a holocaust, by any definition. <v Kekuni Blaisdell>So it was repeatedly predicted that we were a dying race. <v Gavan Daws>This was for the Hawaiians, a particularly unfortunate conjunction that <v Gavan Daws>in the very same decades, there should be the worst of their epidemics, <v Gavan Daws>reducing their population to his lowest point. <v Gavan Daws>At the same time as things were running, a tide was running. <v Gavan Daws>A historical tide was running in favor of the white man. <v Narrator 14>The fear of contagion and of possible infection hangs over the ill fated kingdom. <v Narrator 14>The Hawaiians are susceptible people possessed of much physical beauty <v Narrator 14>and of but little strength and endurance. <v Narrator 14>They succumb easily under the influence of diseases that with us are of <v Narrator 14>small moment
<v Gavan Daws>And in the white man's world that seem very, very clear that the white man was not only <v Gavan Daws>surviving, he was thriving. If you look at the map of the world in the 19th century, <v Gavan Daws>decade by decade, the white man moves to different parts of the world, takes charge, <v Gavan Daws>controls, runs and dominates, and to the white man's mind, fairly clearly, <v Gavan Daws>this is an index of superiority. He deserved to do that. <v Gavan Daws>There was some plan in life. <v Gavan Daws>Some plan on the universe which made it inevitable that the white man's destiny <v Gavan Daws>was to run the world. <v Gavan Daws>And that hooked in perfectly with the ideas which became current in the Western <v Gavan Daws>world as a result of the work of Charles Darwin, his scientific studies in the <v Gavan Daws>animal and plant world seemed to prove that there was a constant struggle in nature. <v Gavan Daws>And in that struggle the fittest survived and those who did not <v Gavan Daws>survive were unfit to survive. <v Gavan Daws>And holding all those things in mind, perhaps leprosy then was just again <v Gavan Daws>an example of the working out of this universal law, and it wouldn't take long <v Gavan Daws>and the Hawaiians would be gone.
<v Gavan Daws>And that was what was meant to happen. <v Gavan Daws>That was destiny working itself out. <v Gavan Daws>And from there, it's one step to saying that it was the white man's destiny <v Gavan Daws>to control the Hawaiian islands leading up to the white man's revolution <v Gavan Daws>and the United States taking the Hawaiian Islands as American territory. <v David Scollard>In order to understand what happened here 150 years ago, you have to understand <v David Scollard>what they knew about disease and what they didn't know. <v David Scollard>Leprosy came down to them as one of the many curses. <v David Scollard>There were biblical references, of course, but the medieval Europeans were very familiar <v David Scollard>with this disease. And the first colonists who came to Hawaii brought that tradition <v David Scollard>with them. The disease was presumed to be a divine curse because
<v David Scollard>they had no other explanation. <v David Scollard>Now, it happened in the 1870s that Armauer Hanson, <v David Scollard>who was in charge of a large leprosarium in Norway, observed under his primitive <v David Scollard>microscope germs. <v David Scollard>And he then stated in his first publications, I think these are germs <v David Scollard>and I think they caused this disease. <v David Scollard>This didn't have to be a divine curse. It had to cause a physical cause in nature. <v David Scollard>You could you could look at. <v David Scollard>But there was still a treatment. Without a definitive treatment, <v David Scollard>the general policy was what it had been for centuries, and that was <v David Scollard>to quarantine people. [Acoustic guitar music playing] <v Olivia Robello Breitha>People were set to ?Kalihi? because they had a disease; it really wasn't a <v Olivia Robello Breitha>hospital because only patients with <v Olivia Robello Breitha>this disease were accepted there, were sent there, supposedly <v Olivia Robello Breitha>to be cured.
<v Olivia Robello Breitha>There was no medicine to cure nothing. <v Olivia Robello Breitha>Cory was very boring. <v Olivia Robello Breitha>So I ran away and I ran away one time too many. <v Olivia Robello Breitha>And so eventually I got a letter saying that treatment would be no <v Olivia Robello Breitha>longer any benefit to me and then I would be sent to <v Olivia Robello Breitha>Kalaupapa, that meant Kalaupapa to die. <v Olivia Robello Breitha>Cause Kalaupapa didn't have any treatment either. <v Narrator 15>The Mosaic law was explicit in regard to the treatment of those afflicted <v Narrator 15>with leprosy. They were to be set apart without the gates and to walk <v Narrator 15>alone crying, unclean, unclean. <v Narrator 15>Their garments were to be burned, their houses cleansed, and all direct communication <v Narrator 15>between the clean and the unclean was expressly prohibited. <v Gavan Daws>The Protestant Bible arrived here within a couple of decades <v Gavan Daws>of the first leprosy cases ?and so the?
<v Gavan Daws>19th century in Hawaii was a time when those two things were visible <v Gavan Daws>to the Hawaiian people. First, the Bible and leprosy. The ideology of the Protestant was <v Gavan Daws>simply to label leprosy an unclean <v Gavan Daws>disease, not only physically but morally. <v Gavan Daws>And to connect that with the sexuality of the Hawaiians and to try to banish <v Gavan Daws>all uncleanliness from the site and from the dominion <v Gavan Daws>of the clean, the godly and the clean- themselves, <v Gavan Daws>the Protestants. <v David Scollard>The quarantine that was done here was really draconian because patients were ripped away <v David Scollard>from their families, sent away to another island, and everyone was told <v David Scollard>they'd never come back. <v David Scollard>It was just the worst thing that could happen to them. It was worse than the sickness to <v David Scollard>the Hawaiians who didn't have such a terrible stigma associated with this disease <v David Scollard>at the time. They had many diseases that had been introduced by foreigners. <v David Scollard>This was just another one. What was terrible to them was the separation
<v David Scollard>of the family. And it was to be forever. <v Gavan Daws>Well, decade by decade, the disease gets worse. <v Gavan Daws>The epidemic rises and roars and sized people down until by the 1880s, <v Gavan Daws>it's so fierce in its incidence and has taken so many people and the government is so <v Gavan Daws>incensed and outraged of segregation, laws are being enforced <v Gavan Daws>very rigorously. [Sad music playing] And by that time you get among certain <v Gavan Daws>Hawaiians, at least not just passive resistance, not just hiding from <v Gavan Daws>a disease or being hidden from the disease, but active resistance in some cases, violent <v Gavan Daws>resistance. And on one or two islands, there are shootings by Hawaiians of sheriffs who <v Gavan Daws>come after them. And there are deaths in the course of the roundups. <v Gavan Daws>And that's the that's the awful high point of leprosy in Hawaii. <v Gavan Daws>In the early days of Kalawao, Kalaupapa the striking thing was
<v Gavan Daws>how many Hawaiians who did not have leprosy were down there with Hawaiians who did. <v Gavan Daws>And this goes to a Hawaiian concept called kōkua, which simply means to help or and now <v Gavan Daws>to be a helper. And this is not Christian charity. <v Gavan Daws>This goes back before Christians, before white men. <v Gavan Daws>The notion was that your fellow man, your fellow woman was deserving of <v Gavan Daws>your embrace and your presence and your help. <v Gavan Daws>No matter what. It's an astonishing thing that Hawaiians are capable <v Gavan Daws>of looking at leprosy, which is hard for anybody to do. <v Gavan Daws>And smelling leprosy, which is harder and touching the person <v Gavan Daws>with leprosy, which is almost impossible for whites to do except for exceptional people <v Gavan Daws>like Damien. <v Narrator 16>The smell of their filth mixed with exhalation of their souls was simply <v Narrator 16>disgusting and unbearable to a newcomer. <v Narrator 16>As an antidote to counteract the bad smell, I made myself accustomed <v Narrator 16>to the use of tobacco.
<v Narrator 16>I have baptized more than armed persons since my arrival. <v Narrator 16>[Bell ringing] A good part of days dyed with a bright rope <v Narrator 16>of baptismal grace, I have also buried a large number. <v Narrator 16>The average of deaths is at least one day. <v Richard Marks>Over the years, every once in a while, a rumor would come up that Damien was being taken <v Richard Marks>away and the patients would be very frantic. <v Richard Marks>So one morning at Mass, he said, "My fellow lepers," <v Richard Marks>And there was a hush. <v Richard Marks>Everybody stopped and looked at him. <v Richard Marks>Then he kept talking about my fellow lepers and finally he said, <v Richard Marks>"We lepers, Now we know I am one of you. <v Richard Marks>Now I know we are one family. <v Richard Marks>Now we know they cannot take me away." [Man humming in background] <v Narrator 17>I should have written before of his death. <v Narrator 17>Yet I don't know that there is very much to say the day before his death.
<v Narrator 17>I raised him up in bed for the government physician to get a photograph. <v Narrator 17>It is the most striking picture I have seen of him. <v Narrator 17>He lay for the last three weeks of his life, unable to say mass much of the time, <v Narrator 17>quite helpless and died April 15th at eight o'clock the Monday <v Narrator 17>after Palm Sunday. <v Anwei Skinsnes Law>Brother Dan had been there since 1886, but he provided a different kind <v Anwei Skinsnes Law>of help. In the early years, he helped with the physical labor and manual projects. <v Anwei Skinsnes Law>But he didn't really provide the spiritual leadership that was necessary. <v Anwei Skinsnes Law>The most important thing that happened in the last months of Damien's life was the <v Anwei Skinsnes Law>arrival of mother Marianne and two other sisters of St. Francis. <v Anwei Skinsnes Law>When she arrived in November of 1888, I think he felt a real peace <v Anwei Skinsnes Law>because he knew that his work would be continued and his people wouldn't be forgotten. <v David Scollard>In the earlier part of our century, quarantine was a rational and
<v David Scollard>practiced measure in dealing with infectious diseases. <v David Scollard>But in the case of Hansen's disease, they were talking about lifetime <v David Scollard>quarantine. They were talking about banishment because they they never they had no <v David Scollard>way of knowing when they had separated <v David Scollard>the patient from society long enough. <v David Scollard>The question then arises of whether this was really a rational thing to do. <v David Scollard>And in doing, it was some sort of line crossed <v David Scollard>between what was perhaps medically justifiable or <v David Scollard>necessary and what was not. <v Olivia Robello Breitha>The nurse told me to pin my hair up. <v Olivia Robello Breitha>I did. She then told me to cross my hands on my chest. <v Olivia Robello Breitha>The photographer was all set. <v Olivia Robello Breitha>He said, will you give me a smile? <v Olivia Robello Breitha>I thought to myself, I'm dying inside and you ask me to smile. <v Olivia Robello Breitha>I gave him the dirtiest look I could muster.
<v Olivia Robello Breitha>I thought, "You stupid man. <v Olivia Robello Breitha>What do I have to look forward to except misery and you expect me to smile? <v Olivia Robello Breitha>After you take my picture, you can get out of this place. <v Olivia Robello Breitha>The doctors can go home. I can't go home and you expect me to <v Olivia Robello Breitha>smile?" <v Richard Marks>When I came in 56, they asked me what name I was going to use. <v Richard Marks>Well, you know my name. You lock up enough of my family. <v Richard Marks>What are you talking about? What name you're going to be registered under. <v Richard Marks>What the heck are you talking about? <v Richard Marks>Oh, we got a law in Hawaii that says if you declared a leper, you can <v Richard Marks>change your name. I said why the hell should I do that? <v Richard Marks>Oh, to protect your family on the outside. <v Richard Marks>Somebody might find out you got leprosy and then your family be shamed. <v Richard Marks>They shame your whole family, because you got sick. <v Henry Nalaielua>I remember boarding the boat kind of rocky,
<v Henry Nalaielua>you know, finally I jumped into the boat and <v Henry Nalaielua>for me, one one sad thing was the fact that I was looking at my father <v Henry Nalaielua>who stood on the wall, you know, with tears flowing down, like <v Henry Nalaielua>if it was low tide, he would've fill that ocean up and make it to <v Henry Nalaielua>a high tide. That's how much he was crying. <v Henry Nalaielua>And I didn't understand it. <v Henry Nalaielua>I had to grow up and finally understand that he cried because <v Henry Nalaielua>I was the only son. <v Henry Nalaielua>That was the youngest and was being taken away. <v Hyman Fujinaga>We didn't see the uh the sores at all, the sickness, <v Hyman Fujinaga>from the- from the boat. <v Hyman Fujinaga>Well when we got on the pier and then everybody got closer, you know. <v Hyman Fujinaga>Just like we cannot tell him, go away. <v Hyman Fujinaga>My sister and my sisters and my brother came. <v Hyman Fujinaga>And he said, I'm you know, my brother Bill and Rose and Alice.
<v Hyman Fujinaga>I said, no, you're not my. <v Hyman Fujinaga>You're know, my sister and brother, you know, you look different. <v Hyman Fujinaga>I'm sorry I say that, but that's the way you look. <v Hyman Fujinaga>You see them six months ago and then all of a sudden they change. <v Olivia Robello Breitha>He came in after I did. <v Olivia Robello Breitha>I think a few months after I did, and he was such a little boy. <v Olivia Robello Breitha>He was blond and blue eyed and very <v Olivia Robello Breitha>lonely, I'm sure, because every time his mother came down to visit him <v Olivia Robello Breitha>and when she stood up to leave to go home, he tried to run out the gate <v Olivia Robello Breitha>and said, Mommy, I want to go home with you, Mommy. <v Olivia Robello Breitha>And when I saw that young as I was, I, <v Olivia Robello Breitha>I said to myself, I never want to have a little child ever. <v Olivia Robello Breitha>Please, God, don't let me have children in this place because <v Olivia Robello Breitha>we won't be together.
<v Ronald Bayer>When one looks at a place like Kalaupapa I mean, there's an extraordinary beauty here <v Ronald Bayer>which masks the kind of suffering that took place when one looks out at the sea and sees <v Ronald Bayer>these beautiful waters and those rocks. <v Ronald Bayer>And then it looks gorgeous. And one is tempted to say, wouldn't this be a lovely spot for <v Ronald Bayer>a resort? And then one thinks back to the 19th century when people were cast <v Ronald Bayer>into the sea, forced to swim ashore with whatever belongings they had. <v Ronald Bayer>It makes me really think about the two kinds of misery that that existed here, <v Ronald Bayer>the misery that came as a result of a bacterial assault against which medicine had <v Ronald Bayer>no response and the kind of misery that came as a result of society's assault <v Ronald Bayer>on those people who were afflicted with a disease
<v Hyman Fujinaga>They rolled me in into the surgery. <v Hyman Fujinaga>Put me on the table, and start strapping me up. <v Hyman Fujinaga>You know, I was going, "Hey, what's going on," you know? <v Hyman Fujinaga>"Why al- why do you have to strap me if they gonna put me to sleep?" <v Hyman Fujinaga>So that was that is that is why they put this, they strap me up, because they put me to <v Hyman Fujinaga>sleep at all. <v Hyman Fujinaga>They just cut me. <v Hyman Fujinaga>Even they didn't give me even any uh novacaine, whatever, they just got skin <v Hyman Fujinaga>and work without anything. <v Hyman Fujinaga>I was up all the time, maybe 6, 7 hours, maybe 8 hours. <v Hyman Fujinaga>I don't know how long it was. <v Hyman Fujinaga>All I felt was that pain <v Henry Nalaielua>All of us who were able to leave here had to go <v Henry Nalaielua>to a fumigation area. <v Henry Nalaielua>The treatment that was used was formaldehyde. <v Henry Nalaielua>Well, you would have to put your whole clothing in a valise, in a <v Henry Nalaielua>suitcase, whatever it was, and have
<v Henry Nalaielua>it sit there for 24 hours before you leave. <v Henry Nalaielua>When you were ready to go, then you would come down, change your clothes, <v Henry Nalaielua>wear this clothing, which was not as pleasant as most people would think. <v Henry Nalaielua>Sometimes the formaldehyde would be overpowering <v Makia Malo>For the years that those early years when I was here, and when we were <v Makia Malo>attending school in Harlem Hollow at Pearl City. <v Makia Malo>The main edict that they they announced or pronounce <v Makia Malo>no personal contact. <v Makia Malo>If your visitor were caught hugging you, kissing <v Makia Malo>you. You could be said what you know, walking the polly. <v Makia Malo>When I left. <v Makia Malo>The hospital to attend the rehab center for the Blind in Honolulu. <v Makia Malo>I had I didn't want people touching me.
<v Makia Malo>And vice versa because of that thing jumped into my head all those <v Makia Malo>years. <v Olivia Robello Breitha>The mental barriers that begin those things begin when we <v Olivia Robello Breitha>first enter that place. Because if you don't have a fence, <v Olivia Robello Breitha>they have a sign that says you cannot enter here. <v Olivia Robello Breitha>You can't walk where a non-patient is. <v Olivia Robello Breitha>You, You can't touch a non-patient. <v Olivia Robello Breitha>So those barriers, even though now after Mr. Judd came <v Olivia Robello Breitha>and he took down fences and railings. <v Olivia Robello Breitha>But the barriers that are in here, <v Olivia Robello Breitha>they're still there. They don't go away ever. <v News Reporter>[News intro music] The <v News Reporter>island of Molokai in the center of the group is the site of the leprosy <v News Reporter>sanatorium at Kalaupapa. <v News Reporter>The 235 victims of leprosy or Hansen's disease at
<v News Reporter>Kalaupapa live normal, comfortable lives. <v News Reporter>Today, treatment with new ?cell phone? <v News Reporter>drugs has brought the once dreaded disease under control. <v News Reporter>Since 1946, when the drugs were first used, 120 <v News Reporter>patients have been cured and released from Kalaupapa [Men talking] <v Doctor>Are all in now and they're all negative. <v Doctor>You're finally eligible for discharge. <v Patient>Thank you sir, I was uh waiting a long time... [men continue talking] <v Olivia Robello Breitha>That, was a joy, unbelievable joy and hope. <v Olivia Robello Breitha>It's just like being in a desert and coming across a bucket of ice water. <v Olivia Robello Breitha>That's what it felt like. <v Olivia Robello Breitha>It wasn't free, exactly. <v Olivia Robello Breitha>They had strings. If you didn't obey the laws of coming to have examination <v Olivia Robello Breitha>and ?snip? <v Olivia Robello Breitha>monthly, they would with withdrawal your tr- parole papers is what they called th- <v Olivia Robello Breitha>parole.
<v Olivia Robello Breitha>We were parolees. <v Anwei Skinsnes Law>Took a lot of courage for Richard to appear on the cover of Beacon magazine in 1967. <v Anwei Skinsnes Law>What he was doing at the time was he was trying to say to people, look, we've had a cure <v Anwei Skinsnes Law>for this disease since the 1940s, but you're still treating us like, quote, lepers, <v Anwei Skinsnes Law>unquote. That article set the stage for sweeping changes in the isolation <v Anwei Skinsnes Law>law that resulted in the official abandonment of the isolation policy in 1969. <v News Reporter 2>State law enforcement officers cut open the locked main gate of ?Holly Mohalo? <v News Reporter 2>just after 6:00 this morning and entered the grounds, warning those inside <v News Reporter 2>not to interfere with the eviction operation. <v Government Officer>[Officer speaking inaudibly] This is a government operation
<v News Reporter 2>As the eviction party entered the main building. <v News Reporter 2>They found the two ?Rennard Ponakania and Clarence Niah?, seated defiantly <v News Reporter 2>at a wooden cross. <v News Reporter 2>The authorities... [continues talking] <v Anwei Skinsnes Law>?Holly Mahalo? really the first time that a large group of patients stood up and fought <v Anwei Skinsnes Law>for their rights. What they were saying was that they wanted a voice in their future. <v Anwei Skinsnes Law>They wanted some control over their lives. <v Anwei Skinsnes Law>And basically they just didn't want to be pushed around anymore. <v Anwei Skinsnes Law>[People singing] <v Gavan Daws>[Brass ensemble playing] The moral community, that problem exists in every age. <v Gavan Daws>Who is my tribe? Who am I responsible for? <v Gavan Daws>Who do I care about? Who will care about me? <v Gavan Daws>Who will I take care of? Who will take care of me? <v Gavan Daws>That question is a human question for every culture, every age. <v Gavan Daws>And it's a rare person who can speak across the centuries. <v Gavan Daws>With resonance and with reverberation by his acts and
<v Gavan Daws>interests in the proposition that that mall community is there always for our. <v Gavan Daws>It has our it needs our attention all the time. <v Richard Marks>I've been here several times, and each time I come away [people talking inaudibly] <v Richard Marks>I just get a better feeling for being that. <v Richard Marks>He came from a farm like most of Hawaiians in those days came from the land <v Richard Marks>they worked they land, I do a lot of walking here. <v Richard Marks>And everyplace I go, I see things that remind me of home. <v Richard Marks>Like things that Damien did, building stone walls and fences, <v Richard Marks>planting trees. Damien planted hundreds and hundreds of trees. <v Father Jef Eerdekens>I think all over the world give not completely <v Father Jef Eerdekens>best people, not completely good people. <v Father Jef Eerdekens>Everybody had a mix for good and bad things also that <v Father Jef Eerdekens>you see and Damien's life and you can find anything <v Father Jef Eerdekens>of yourself in him.
<v Father Jef Eerdekens>Also, the desire to do good. <v Father Jef Eerdekens>To give it a part of yourself to people, who are in needs. <v Father Jef Eerdekens>And we like him and we have admiration to him <v Father Jef Eerdekens>because in his life ego more far <v Father Jef Eerdekens>than we have used to go because we keep it <v Father Jef Eerdekens>for ourselves and incidents. <v Father Jef Eerdekens>We give, but not all. <v Father Jef Eerdekens>We grow apart, but not too far. <v Father Jef Eerdekens>Our own our personal security. <v Father Jef Eerdekens>We keep it safely and Damien, not. <v Father Jef Eerdekens>We see in Damien's lives that nobody how ill he <v Father Jef Eerdekens>is. What kind of illness he had, how poor or <v Father Jef Eerdekens>or what kind of off or oppression he have to life in his life, <v Father Jef Eerdekens>nobody may fall outside of the human community. <v Father Jef Eerdekens>And nobody how intelligent, how bad or how good he is.
<v Father Jef Eerdekens>Nobody is exempt to do to good to other people. <v Olivia Robello Breitha>Thank you, Father Damien, for coming to Kalaupapa when you did. <v Olivia Robello Breitha>Thank you very much. <v Olivia Robello Breitha>It make it better for everyone. <v Olivia Robello Breitha>Thank you, Father. <v Gavan Daws>Look at his life for five minutes or five years or for the rest of your life. <v Gavan Daws>And what comes out of it is this. He asked that ultimate <v Gavan Daws>question, who is my brother and am I my brother's keeper? <v Gavan Daws>And if I am my brother's keeper, what does that mean? <v Gavan Daws>Must I reach out of my own limitations and my own disabilities in my own hesitancies <v Gavan Daws>and my own self-absorption? <v Gavan Daws>Must I reach across and touch somebody else even if <v Gavan Daws>I get my hands dirty, even if I put myself at risk?
<v Gavan Daws>Must I do that? Should I do that? <v Gavan Daws>Can I do that? And Damien's answer is yes. <v Terence Knapp>If he were alive today, I believe with all my heart that <v Terence Knapp>he would be in the middle of <v Terence Knapp>the AIDS situation. [Guitar msuic playing] <v Ronald Bayer>Well, you know, some people say that whatever Father Damien <v Ronald Bayer>represents in terms of spirit is is reflected in the work of people who <v Ronald Bayer>devote themselves to working with AIDS patients. <v Henry Nalaielua>Well, I guess so <v Ronald Bayer>it formed in the same way very often. <v Ronald Bayer>Martin, working in very bad neighborhoods. <v Henry Nalaielua>Impossible odds. <v Ronald Bayer>Impossible odds...[Men continue talking] What one gets a sense of in <v Ronald Bayer>terms of Father Damien when one's here is an extraordinary kind of <v Ronald Bayer>heroism that allowed someone to enter a situation which was both isolated, <v Ronald Bayer>desperate, a situation in which he was rejected by
<v Ronald Bayer>his own community but moved to care for people. <v Ronald Bayer>Despite that rejection, when thinks about AIDS, when thinks about those doctors who came <v Ronald Bayer>to treat AIDS patients in the beginning, before it was popular, <v Ronald Bayer>before there were many doctors taking care of patients, doctors who put themselves at <v Ronald Bayer>risk, before it was really understood how this how the virus that causes AIDS was <v Ronald Bayer>transmitted. And they did it because they were doctors. <v Ronald Bayer>They did it because they had a calling in America and throughout the world, really <v Ronald Bayer>over the last 10 years, thousands, tens of thousands of people have come forward <v Ronald Bayer>to care for people with AIDS, often at great sacrifice to themselves. <v Ronald Bayer>And they've reflected a kind of humanity that really marks one of the extraordinary <v Ronald Bayer>events in the AIDS epidemic. Ordinary people from all walks of life doing many different <v Ronald Bayer>things to take care of patients who are young, old, some of whom <v Ronald Bayer>have en- have engaged in behaviors that their caregivers can't understand and they even <v Ronald Bayer>reject, but they don't reject them as people.
<v Patrick Fujimora Mitchell>I know that ever since I got my diagnosis of AIDS, that my circle <v Patrick Fujimora Mitchell>of friends has narrowed down to a very, very few people <v Patrick Fujimora Mitchell>who love me enough to love me through my illness, <v Patrick Fujimora Mitchell>and that quite often I spend a great deal of time alone <v Patrick Fujimora Mitchell>because those few friends still have lives of their own <v Patrick Fujimora Mitchell>and. <v Patrick Fujimora Mitchell>A lot of things that are in the normal realm of human relationships are not <v Patrick Fujimora Mitchell>possible for me. <v Patrick Fujimora Mitchell>I cannot and do not date <v Patrick Fujimora Mitchell>I. I have no romantic interests. <v Olivia Robello Breitha>People, when they get fearful, they forget that people <v Olivia Robello Breitha>that are sick or, you know, anything, <v Olivia Robello Breitha>they're just fearful. And so what they want to do is put them away out of sight, <v Olivia Robello Breitha>out of mind, get them out of the way.
<v Olivia Robello Breitha>So we won't be troubled by it. <v Olivia Robello Breitha>We we can't catch it. Even though they know more about <v Olivia Robello Breitha>AIDS than they did know about leprosy when it happened to me. <v Olivia Robello Breitha>[News reporter talking in background] They still want to get rid of the people that have <v Olivia Robello Breitha>aids, but they forget that people that have AIDS are also people just as we <v Olivia Robello Breitha>were <v Jesse Helms>Well, I may be the most radical person you've talked to about AIDS. <v Jesse Helms>But I think somewhere along the line that we don't have to quarantine if we are really <v Jesse Helms>going to contain this disease, did it back with syphilis, <v Jesse Helms>did it with other diseases. <v Jesse Helms>And nobody even raised the question about it. <v Ronald Bayer>Early in 1986, Cuba decided they would screen its <v Ronald Bayer>virtually its entire sexually active population and everyone who was infected was <v Ronald Bayer>going to be sent to a quarantine, tend to just outside of Havana.
<v Ronald Bayer>They're willing to isolate hundreds of individuals to make sure that none transmit <v Ronald Bayer>the virus. Though most of those hundreds of individuals might have behaved in ways that <v Ronald Bayer>would have posed no public health threat at all. <v Ronald Bayer>But think that we have to bear in mind is the architects of the Cuban approach are <v Ronald Bayer>not evil. They believe that what they are doing is being done in <v Ronald Bayer>terms of the name of the highest good of public health in Cuba. <v Ronald Bayer>And as it's done with the best of intentions, it's a warning about the best of <v Ronald Bayer>intentions, after all. <v Ronald Bayer>So if you had a chance to meet Fidel Castro and talk to him about what he's doing in <v Ronald Bayer>Cuba, what would you say? <v Olivia Robello Breitha>I'd punch him in the nose that's what I'd say. <v Ronald Bayer>Uh-huh <v Olivia Robello Breitha>But it seems to me that Cuba has done what Americans <v Olivia Robello Breitha>have thought of doing. <v Richard Marks>I've had a lot of them come on the tour, you know, and talk, and at the end of the tour
<v Richard Marks>I've had them come up and kiss me and uh, with tears in the eyes, tell me so <v Richard Marks>much, "Thank you so much for bringing this up about AIDS." This is the first time we even <v Richard Marks>admit our son died of AIDS. <v Richard Marks>And I've heard it more than once. <v Richard Marks>And we say, well, we try to understand. <v Richard Marks>Well, it's very hard to understand. <v Makia Malo>People ask me on the street, in classes, in the hallways. <v Makia Malo>They asked me what happened to you and I'll give it to them straight. <v Makia Malo>I said, well, I had Hansen's disease <v Makia Malo>or leprosy. <v Makia Malo>Oh? I say, yeah. <v Makia Malo>But now, you know, I've been released. I'm in, the community. <v Makia Malo>And, you know, don't make it such a big deal. <v Makia Malo>And the thing that I've come to learn is that once they get to know me, <v Makia Malo>the disease doesn't matter. <v Hyman Fujinaga>After a while, you kinda like it here. You know, this is all
<v Hyman Fujinaga>this is home. This is a place that you were brought here, that nobody out <v Hyman Fujinaga>there was you. <v Hyman Fujinaga>But this is this is home. <v Hyman Fujinaga>[Guitar music playing] [Hawaiian <v Hyman Fujinaga>music playing] <v Narrator>Major funding for this program was provided by the Hawaii State Foundation
<v Narrator>on culture in the arts through an appropriation from the 1990 Hawaii State Legislature. <v Narrator>Additional funding was provided by the Hawaii Committee for the Humanities.
- Producing Organization
- Hawaii Public Television
- KHET-TV (Television station : Honolulu, Hawaii)
- Contributing Organization
- The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia (Athens, Georgia)
- AAPB ID
- cpb-aacip-526-8p5v699b0f
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-526-8p5v699b0f).
- Description
- Program Description
- 'SIMPLE COURAGE: An Historical Portrait for the Age of AIDS' is a telling of Hawaii's tragic handling of its leprosy epidemic. This historical portrait for the age of AIDS explores the political, social, cultural and religious forces that brought about the lifetime banishment of some 8,000 leprosy sufferers, mostly Native Hawaiians, beginning in 1865 and ending in 1969. It illustrates the impact of society's response and highlights the one man who courageously placed himself in the path of the illness so that its sufferers might not be forsaken or forgotten. Father Damien de Veuster, a Catholic missionary priest from Belgium, spent the last 16 years of his life caring for the dying before passing away with the disease himself at age 49. It is through Damien's own writings, the writings and stories of those who were sent there ? some of whom are still living ? and the knowledge of those who are expert in this history that the documentary unfolds the experience at the Kalaupapa Peninsula on the Hawaiian Island of Molokai where the banished were sent to die. This unfolding includes relevant tie-ins to the AIDS experience, especially surrounding stigma, shame and the issue of lifetime quarantine for those with AIDS. "SIMPLE COURAGE, an award-winning documentary (CINE Golden Eagle); merits Peabody consideration for the compelling examination it provides by the use of history of important issues faced 100 years ago and now being faced again in this age of AIDS. The producers believe that by looking backwards we can look forward with more enlightenment."-- 1992 Peabody Awards entry form
- Broadcast Date
- 1992-03-18
- Asset type
- Program
- Media type
- Moving Image
- Duration
- 01:03:05.769
- Credits
-
-
Producing Organization: Hawaii Public Television
Producing Organization: KHET-TV (Television station : Honolulu, Hawaii)
- AAPB Contributor Holdings
-
The Walter J. Brown Media Archives & Peabody Awards Collection at the
University of Georgia
Identifier: cpb-aacip-32129ff5f58 (Filename)
Format: U-matic
Duration: 0:59:26
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- Citations
- Chicago: “Simple Courage: An Historical Portrait for the Age of AIDS,” 1992-03-18, The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed July 16, 2025, http://americanarchive.org/catalog/cpb-aacip-526-8p5v699b0f.
- MLA: “Simple Courage: An Historical Portrait for the Age of AIDS.” 1992-03-18. The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. July 16, 2025. <http://americanarchive.org/catalog/cpb-aacip-526-8p5v699b0f>.
- APA: Simple Courage: An Historical Portrait for the Age of AIDS. Boston, MA: The Walter J. Brown Media Archives & Peabody Awards Collection at the University of Georgia, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-526-8p5v699b0f