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I spent long days and nights in the studios. I was seeking and finally discovered the central spring of all movement, the creator of motorpower, the unity from which all diversions of movements are born, the mirror vision for the creation of the dance. I-S-A-D-O-R-A-I-S-R-G-O-L!! Isadora Duncan, the barefoot dancer, was banned here today following an incident at the
Symphony Hall, Boston Sentinel, October 20, 1922. Isadora Duncan, the ballchivist and her red husband, Soviet poet Yesenin, were deported today after pushing a grand piano through the window of their 14th story suite at the Temperance House Hotel, Indianapolis Examiner, November 23, 1922, or G in Dance of Riviera Studio. Captain Patterson thwart Duncan Suicide Attempt, journal Denise, October 5, 1926. The car stalled a few feet from the river, the chauffeur attempted to start it with the handle, but failed to realize it was still in gear, with the result that it rushed forward and plunged into the same. The bodies of the dancers, two drawn children, now lie at rest in Madame Duncan's Paris Studio.
Figaro, April 20, 1913. Soviet poet Yesenin, schools love poem to ex-wife Isadora Duncan in blood after slashing wrists. His body was found today in Leningrad Hotel in which they spend honeymoon. Travda, December 28, 1925. I killed him, Adora! Isadora strangled at niece, daily telegraph, September 15, 1927. Crowds of 10,000 thronged the Pearl Ashes Crematorium today at the funeral of the decade. The Paris Conservatory Orchestra played air on the G-string as final homage was paid for its great American dancer. The constant companion of Isadora, at the end of her life, was the writer Seule Stokes. He has written a play about her, a novel, and the definitive account of her last days at niece. I suppose Isadora led the most sensational life of any woman who's lived in this century.
I only knew her during the last year of her life, and to the young man that I was then, she still had tremendous glamour. She was warm-hearted, she was lovable, she was exasperating. But why am I telling about Isadora in the graveyard of Chelsea Old Church? Where she was here, as a young girl when she first came to England, absolutely penniless, but she slept among the tombstones, but nevertheless determined to become a success. From the start, she was always a very ambitious young girl. Isadora Duncan poured herself a dance on the beaches of California, but the time she was sixteen she was dancing professionally and trying to support her family. But Broadway in 1894 had no interest in her dancing.
It was uncontrolled and unconmercial, so she gave private recitals in the drawing rooms of a wealthy and eventually earned enough for a passage by cattleboat to a place where she could enjoy freedom. She took the entire Duncan family on a quest that ended on a hilltop near Athens, where she started to build a temple to rival the Parthenon. Wanting to break free from traditional ballet, Isadora found in Greece a liberating force that was to lay the foundations of a new dance, a dance inspired by life and nature as seen through the art of ancient Greece, a dance which was to make her famous throughout Europe. The Greek ideal sewed the seeds of a vision which was to pursue her for the rest of her life. She longed to create a school where the spirit of the dance, for her the spirit of life itself, could be taught to the younger generation, who in turn would carry her message all over the world,
for her. And so, at the height of her solo career, when she was born, she was born in a very long time, when she was one of the best-known names in Europe, she found it a school of dancing.
And by the age of 30, when already a self-indulgence was beginning to weaken her powers, this school had become an obsession. Her pupils would have all nationalities, Richard Cura, but they rarely stayed with her for long. As the school moved from country to country, all was searching for a permanent sponsor, promising pupils disappeared, new and trained ones joined to take their place. One or two faithful disciples always stuck by her, ready to take over whenever she was away earning the money that kept everything going. But large sympathy orchestras and Greek temples left little over to pay the rent and supply the needs of 40 growing children. The only thing that never worried her was a shoe bill. But apart from her ideas on free expression of the dance, she did more than throw away ballet slippers. Victorian corsets, long hair and high button boots were all thrown out for window. In the early 1900s, Rodan painted and sketched her, Danuncia celebrated her in verse.
Her life, her art, caught the imagination of the day, she became the patron saint of the art world. Universe. Universe. Friendship. Friendship. Caring for this large and demanding family, was far from being a substitute for some lack in her personal life. Isadora had a baby of her own, Deirdre. The father was a famous theatrical designer, Gordon Craig. She refused to marry him. The memory of her parents' unhappy marriage never left her, and she swore never to make the same mistake herself. Anyway, life was too full and rich to be shared with only one man, and if Rodan or Danuncia weren't available, she intended herself with lesser mortals. Are you shunned people? I at least do not shun you.
I come forth into your midst. I will be your poet. I shall be more to you than to any of the rest. I've never felt happier in my life. I am. And long. In love with a fairing machine? No. The man who makes the Paris singer, the millionaire dear. And she wasn't kidding, Mr. Paris singer's sewing machine factories were hers to command.
In 1980, he sent his wife and family off to Egypt in his yacht and brought Isadora home in triumph. Paris was a great art lover and collector. He admired Isadora, palladium architecture, the Madeleine and Versailles. And down at Old Way, he shadowed the painting in South Devon, he collected them all together. Paris singer was ruthless, impulsive and constantly worried about his help. But Isadora saw him as her knight in shining armor. She called him Lohengrin. This he said was to be her fairy castle. To Isadora at that moment, it was simply a fascinating mausoleum of commerce and bad taste. But also she saw what it might become, a mecca for the faithful, a magnificent shining temple of art. What did it matter if everything was a solid girl so much the better? Her dream of the future, to see all America dancing, just as Wolf Whitman had seen all America singing, seemed just around the corner. What is it? Oh, it's nothing just a trivial gift I
picked up. I thought it might have used my goddess if she was feeling bored. Pull it. Pull it. Oh, Lohengrin, how can I thank you? I'll dance my gratitude to you. I'll dance all night. I'll dance until the dawn. From there. And again. And once more, girls.
Okay. Okay, that's a mark. After the Ahane moon, Paris settled back into his hyperpondria and his warfare cures, and Isadora saw little of him.
The arrangement was straightforward, low in agreement provide a home in France for her precious school, but Isadora must live with him here in splendid solitude. Little dear, he was her only pupil now, a year past and a second child was born, Patrick. But this was small consolation for her loneliness, Devon was an artistic wilderness, Bohemian visitors were frowned upon with disdain at old way, and even dancing poles in the end if one dance his own little oneself. Oh, lovely, pussy, oh, pussy, my love, what a beautiful pussy you are, you are, you
are, what a beautiful pussy you are, pussy said to the Ahane, you fell in love, how do you sweet you see? Until this moment, I just clean the tray, have you ever thought of going on a stay? Me? Glory! Glory! Who, like the Ahane, can't say any more, one of the scofferies? Another one that's clever of you, has the beat troubling the servant's heart? Glory! Glory! Glory! Glory! Glory! But so, what light you yonder window breaks, it's as beautiful as the sun, a rise, fair sun, and kill the MV as new to you.
My love is deep, the more I give to you, the more I have, for both are in for let's, my God has died. Glory! Glory! Glory! Glory! You call? I get really low on with this young man as genius, he must betray the best school drummer. Me? Of course he'll need you in the logons till the dawn, plenty. When you've shirts, supes, shoes, croats, hats, underwear, and all of the very best quality. From now on, it was an extra place for breakfast. Oh! The sewing machine, the sewing machine, a girl's best friend. If I didn't have my sewing machine, I'd have come to know, good and bad.
A bobbin, a bobbin, a pedal, a pedal and wheel, the wheel by day. So by night, I feel so weary that I never get out to play. One with the dog, the dog, the dog, he is a bit. And I have thoughts on where he is. Stop! Don't you pretend you're not a dog. Just go to the night with him. You'll come all the way along, and I know what. Just like you really made me! To the sun! You're playing, Christ! I'm a tall horse committed to suicide! Murderer! Have you ever thought of becoming a musician? Thus a pattern was set up which blighted the rest of their relationship.
Singer would buy her the Metropolitan Opera House one day and sell it the next despite her. They were still together, but so less and less of each other. But she did have the children who grew up happily and were a constant source of pleasure to her. Singer provided for their needs with his customer extravagance. She was now living in France, a rather more suitable place than South Devon for her favorite mistress. There was a studio in Paris, a chateau at Versailles, and best of all, his latest gift of her, a fine new school, just built on the heights of passie. For the moment, he returned to his wife, so his daughter was left with her children, freed to plan new dances and new performances. In the spring of 1913, everything seemed set for a wonderful future.
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Series
NET Playhouse
Episode Number
238
Episode
Biography: Isadora Duncan: The Biggest Dancer in the World
Producing Organization
British Broadcasting Corporation
AAPB ID
cpb-aacip/512-g44hm53g6t
NOLA Code
NPBI
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Description
Episode Description
?The Biggest Dancer in the World? ? about dancer Isadora Duncan ? is the first of three films in the ?Biography? series by British director Ken Russell. Isadora Duncan (1878-1927), an important American dancer and major influence on the development of modern dance in Europe and America, unfortunately attained as much or more fame in her day for her tragic and scandal-ridden personal life as for her art. Russell?s film portrays Isadora as the free spirit who abandoned not only the classical forms of dance but most of the moral conventions of her time as well. The script was written by Russell and Sewell Strokes, who was a close friend of Miss Duncan. Isadora was in a literal sense a big woman, and even in this respect she was unconventional as a dancer. Born in San Francisco, she attained her major success abroad, first in London and Paris, and later in Vienna, Budapest and on tour in Germany. She opened a dance school for children near Berlin in 1904, and, after having been invited to Russia, started a similar school in Moscow in 1921. She also married a Russian, but was subsequently banished from his homeland for her outspoken and radical ideas. Flamboyant behavior and wild love affairs made her headlines across the United States and Europe, as did the tragic accidents that claimed the lives of her two children and her husband, and the grotesque incident in which she herself was killed. Riding in an open-air car, Isadora was strangled when the long scarf she wore became caught under a rear wheel. ?NET Playhouse Biography: Isadora Duncan? is a presentation of NET Division, Educational Broadcasting Corporation, produced by the British Broadcasting Corporation. (Description adapted from documents in the NET Microfiche)
Episode Description
1 hour piece, produced by BBC and initially distributed by NET in 1971. It was originally shot in black and white.
Broadcast Date
1972-03-09
Broadcast Date
1971-05-06
Asset type
Episode
Genres
Drama
Topics
Performing Arts
Biography
Dance
Media type
other
Credits
Actor: Pickles, Vivian
Director: Russell, Ken
Executive Producer: Venza, Jac
Producer: Russell, Ken
Producing Organization: British Broadcasting Corporation
Writer: Russell, Ken
Writer: Strokes, Sewell
AAPB Contributor Holdings
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “NET Playhouse; 238; Biography: Isadora Duncan: The Biggest Dancer in the World,” 1972-03-09, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed April 25, 2025, http://americanarchive.org/catalog/cpb-aacip-512-g44hm53g6t.
MLA: “NET Playhouse; 238; Biography: Isadora Duncan: The Biggest Dancer in the World.” 1972-03-09. American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. April 25, 2025. <http://americanarchive.org/catalog/cpb-aacip-512-g44hm53g6t>.
APA: NET Playhouse; 238; Biography: Isadora Duncan: The Biggest Dancer in the World. Boston, MA: American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-512-g44hm53g6t