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What's new 69 A02257 number three blue like an orange recording date 10 28 69 length 29 minutes In and out and round about here there and everywhere what's new
Well at least I'm helping to keep America beautiful
I'll be a litter bug and all that Hi fortunately I do have some more lunch here in my briefcase Let's see roller skates, spare engine for the car The remains of my juggling head Here we go and oranges are not just for eating You've probably done something like this yourself at one time or another Look for me here Well if you've ever wanted to do something like this with almost anything I think you'll enjoy today's what's new story entitled blue like an orange wait a minute that should be orange like an orange right I'll ask these interesting looking folks right here pardon me could you tell me what this is all about Hands move against a plain black background they are sometimes all you need to recreate
the poetical and fantastic world of the imagination You You You You You
You You You Be earth is blue like an orange make no mistake words do not lie A rehearsal in radic calave Czechoslovakia characters from an old folk tale These two clowns who know the story speak the lines you are black
To customer models there, New York costs crazy A D D D D D D D D D D D D D True, I own KingDAY., And here's your king. Chicago horses! horses! Hills of theico! Cheers at the burial of a king.
A strange communion develops between the man and the puppet he operates. What is the origin of puppets? Perhaps they derive from the ancient shadowplay which may still be found in Central India. It is said that long ago in his peaking palace a heartbroken emperor wept for the woman he loved.
A magician had the idea of cutting out a parchment silhouette of the young woman then giving it joints and projecting it to shadow on a sheet. The emperor recognized his lost love and so the story goes his grief was assuaged. Silhouettes, six feet high, Hanuman, king of the monkeys, the god Rama, and the ten headed demon Ravana, a cut out in transparent parchment decorated with mineral colors and extracts of flowers. In the north of India wandering puppeteers recall the court of the great mogul. These figures represent creatures from some other world who have come to divert human beings. In order to emphasize their peculiar quality the operator of whistle between his teeth and douse them with distorted and piercing voices. In order to emphasize their peculiar quality the operator of whistle between his teeth and douse them with distorted and piercing voices.
Shanti Bhadan, creator of the little ballet troupe, felt that legendary heroes might be interpreted by masked dancers whose costumes and movements would imitate those of puppets. The grotesque theater of Krakow, likewise, drives its strength from puppets. In this work by music the mask is employed to interpret the absurd.
Is the water good? But react, Peter. But can you respond? You are immobilized in resignation. Here is Bill Berg, like a sorcerer, who manipulates his creation. In an almost stylized form the New York Muppets send shivers down the spine. In this work by music the mask is employed to interpret the absurd.
In this work by music the mask is employed to interpret the absurd. In this work by music the mask is employed to interpret the absurd. In this work by music the mask is employed to interpret the absurd. In this work by music the mask is employed to interpret the absurd.
Beyond mere imitation the puppet animated by man's desire conveys a secret dream. In this work by music the puppet animated by man's desire conveys a secret dream. In this work by music the puppet animated by man's desire conveys a secret dream. In this work by music the puppet animated by man's desire conveys a secret dream.
In this work by music the puppet animated by man's desire conveys a secret dream. In this work by music the puppet animated by man's desire conveys a secret dream. In this work by music the puppet animated by man's desire conveys a secret dream. In this work by music the puppet animated by man's desire conveys a secret dream.
In this work by music the puppet animated by man's desire conveys a secret dream. In the Poznan Theatre in Poland an impressive diaphragm six feet high in diameter moves from one side of the stage to another and like a camera shutter captures pastoral scenes. In this way modern technique manages to serve poetry. In this way modern technique manages to serve poetry.
In this way modern technique manages to serve poetry. In Japan the medieval troubadours sang the glory and exploits of the samurai to the accompaniment of a three stringed instrument the shamisen.
Later they introduced puppets to dramatize their narrations. In this way modern technique manages to serve poetry. In this way modern technique manages to serve poetry. The puppets exercised a far-reaching influence on all expressions of Japanese artistic life. In this way modern technique manages to serve poetry.
In the Takeda Workshop the manufacturing methods have remained unchanged for centuries. Only the old initiates know the secrets of the coatings which give the head and hands of the doll this marvels appearance of Poznan. This dance to the theme of the Sambasso is based on one of our oldest obsessions levitation.
The elusive gestures and their harshness go beyond human movements yet they convey their meaning to us. Based on such perfection it is impossible not to recall the remark which Takeda made to a youth who was anxious to take up the art and give life to inanimate objects. They begin by working with your fingers and with your hands then with your arms but you will never be able to bring Mary Annette's to life until you work with your heart. The new year in the streets of Singapore the crowd gathers around the dragon bringer of good luck. A gigantic Mary Annette driving from a past laden with tradition.
As in a wild dream we find ourselves thinking that in the Orient Mary Annette's are surely one of the most perfect expressions of all that is sacred. In Laos the dolls themselves are sacred when one of them can no longer be used its owner burns it lest he be the victim of the evil spells within it. Christ said in the theater only God and the Mary Annette are perfect. In Malaysia the Mary Annette is the product of a religious ritual. The magic of the shadow theatre is called upon to teach people that good always ultimately overcome these evil. The ceremony begins. Rice is cast as a mark of purification and the silhouettes made from buffalo skin trace the mythology of the Rana Yana on a screen of silk.
A struggle begins at sunset and only comes to an end with the breaking of day. New York an animated crowd in Harlem Peter Schumann and his group have taken over the street placed outside the narrow limits of a stage the theatre once again becomes a physical act spontaneous and collective. So
What? That's all right, don't worry. What? What? I didn't know the hill of death. 90,000,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. 90,000,000. For Peter Schumann, the Marionette is an actor statue, which makes it possible to amplify human movement.
These monstrous and fantastical Marionettes are subject to a right not unlike those still existing in ballet or in the voodoo ceremonies. What? Come on. Come on. Is it the suggestion of a feeling, a fugitive expression,
free of all inhibitions, the hands of the evisually company move, summon us, and offer us something. Music Music Music Music Music
Music Music Music
Of puppets and puppetry and not so long ago, a message about keeping America beautiful. There's enough ideas in there about puppets and puppetry, puppet making to keep you busy for the next year. And one particular idea that's worth remembering, whether you're working with puppets or doing almost anything. I believe the man said, you must begin by working with your fingers and with your hands, then with your arms, but you will never be able to bring Marionettes to life until you've worked with your heart. Fair enough. Until next time, this is Elvenford saying so long. Music
Music Music The name of this program, as always, is what's new? So next time we'll find out even more about the world we're in, and the bigger world that's in us. This is National Educational Television. Music Music Music
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Series
What's New
Episode Number
372
Episode
Blue Like an Orange
Producing Organization
WGTV (Television station : Athens, Ga.)
Contributing Organization
Library of Congress (Washington, District of Columbia)
AAPB ID
cpb-aacip-512-br8mc8s99j
NOLA Code
WNWS
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-512-br8mc8s99j).
Description
Episode Description
Puppetry around the world the origin and types of puppets illustrated by distinguished performances from many lands: Hungary, France, Poland, United States, India, China, Japan, Laos, and Malaysia. The film reveals how puppetry is used to tell historical and folk stories as well as to project the foibles, follies, hopes and dreams of mankind. The episode includes performances by Bil Baird and the Muppets. Please Note: This is a UNESCO film which was available for schools, universities, and organizations from Contemporary Films, Inc., 330 W 42nd Street, New York, NY 10036. (Description adapted from documents in the NET Microfiche)
Series Description
Whats New is a childrens series that ran from 1961-1973. The early seasons typically consist of multiple segments, each from an ongoing series on a specific topic. Each segment was produced by a separate educational broadcasting station, and the linkage between the segments was produced by WHYY and hosted by Al Binford. In episodes from later seasons the format varies more, with many episodes focusing on one story or topic throughout the entire 30 minutes. (Description adapted from documents in the NET Microfiche)
Broadcast Date
1970-01-01
Asset type
Episode
Genres
Children’s
Media type
Moving Image
Duration
00:29:40.946
Credits
Performer: Baird, Bil
Performing Group: The Muppets
Producing Organization: WGTV (Television station : Athens, Ga.)
AAPB Contributor Holdings
Library of Congress
Identifier: cpb-aacip-9c781c8df08 (Filename)
Format: 2 inch videotape
Generation: Master
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Citations
Chicago: “What's New; 372; Blue Like an Orange,” 1970-01-01, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 2, 2025, http://americanarchive.org/catalog/cpb-aacip-512-br8mc8s99j.
MLA: “What's New; 372; Blue Like an Orange.” 1970-01-01. Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 2, 2025. <http://americanarchive.org/catalog/cpb-aacip-512-br8mc8s99j>.
APA: What's New; 372; Blue Like an Orange. Boston, MA: Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-512-br8mc8s99j