Creative Person; 5; Ravi Shankar

- Transcript
�� The creative person with Robbie Shankar recorded 2165. The creative person has a special gift, his private vision of the world. The artist through words, images, music, ideas touches our view of the 20th century.
To know anything about the music of a country, one must know its people, the spirit, the religion and their culture. When I was a child in the city of Benaris, where I was born, I had a fascination for the Sitar. It was almost at the age of 9 that I joined a troupe of my brother Uday Shankar, a very famous dancer, and from Benaris went directly to Paris. It was there that I was transported into the world of music and dance. For many years I did too many things, dancing, singing, playing different instruments, also painting and writing poems. This went on until about the age of 15.
In 1935, one person joined our troupe who really changed my life completely. He was my teacher, my preceptor, my master, Ustadh Laudin Khan. His still alive today is about 100 years old and is one of our greatest living instruments. Not only a musician, but we consider him in fact a saint because to him music is religion. He told me that I will never be able to learn music, you are like a butterfly, you do too many things and you are not sincere to any one particular thing. So I was very sorry and asked him how I learned music, whether he would ever teach me. So he said he would really love to teach me and pass on to me a very old and sacred art of our music, but for that I have to forsake everything else. It was almost like a renunciation, I just went with two or three changes of very simple
dress and went to him and learned from him for nearly seven years. It is impossible in words to describe the music I have devoted my life to. If one wants to fully understand it, one must hear it. That was Yaman Kalyan, an old raga played in a very early traditional style which developed
in the 16th century. The two-piece drum that you see here, the right hand drum is known as the Tabla. The left hand drum, the bass drum is known as the Bhaya. The person who is playing them is a very famous and one of our greatest player of Tabla. His name is Allarakka. This instrument is known as the Tambura, it is the background drone instrument. The person who is playing it is Ansem Malik.
He also made this beautiful sitaad that I am playing. Our music is 90% improvised, sometimes 95% we create within a framework known as the raga, the melody form and the tala, the rhythmic cycle. Every raga has its own mood and emotion. There are morning raga's, afternoon raga's and evening raga's. There are even raga's for different seasons. I will now play a raga of the spring time associated with all the beauty of nature, the beauty of womanhood and the playful atmosphere of the colour festival known as Holy. Ragh .
. . . Many people wonder, if our music is mostly improvised, how do I compose for opera,
ballet and the films? Well, for these undertakings, I do write out this course. Although there was an instance when I did the music for the film Pathir Panchali, my musicians and I watched these scenes on the screen and played at the same time. And the whole thing was composed and recorded within four and a half hours. I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film
Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
Most people in America remark often that our music is similar to jazz. This doesn't surprise me. Classical western musicians compare parts of our music known as Jor to Bach. When I have played in Spain, I have been told that our music is like Flamenco. Increase the Middle East, Japan, wherever I have played, I found that they associate our music with
their own, which shows that our music has many facades. Now I am going to play for you a very beautiful morning raga known as Sindhi Bhairavi. The guts will be in slow medium and fast, thin tal, a rhythmic saddle of sixteen beats. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film
Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film
Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film
Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film
Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali.
I will now play the theme from the film Pathir Panchali, I will now play the theme from the film Pathir Panchali. I will now play the theme from the film Pathir Panchali, I will now play the theme from the film
- Series
- Creative Person
- Episode Number
- 5
- Episode
- Ravi Shankar
- Producing Organization
- National Educational Television and Radio Center
- Contributing Organization
- Library of Congress (Washington, District of Columbia)
- AAPB ID
- cpb-aacip/512-9p2w37mn5k
- NOLA Code
- CRPN
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/512-9p2w37mn5k).
- Description
- Episode Description
- To Western ears, the centuries-old music played on the sitar (an ancient stringed instrument) by Indias Ravi Shankar has an unexpectedly contemporary ring. In keeping with ancient Indian tradition, Shankar improvises as do our own jazz musicians up to 95 per cent of a composition. On this program, the celebrated composer and musician offers examples of music derived from the brilliant legacy of India. He conducts his trio with Alla Rakha on the table (a set of two drums) and N.C. Mullick on the hypnotic tamboura (a drone instrument). Shankar ranks with the worlds greatest musicians. He was chosen, along with Casals, Oistrakh, and Menuhin, for the International Broadcast marking the 10th anniversary of the United Nations and for U.N.E.S.C.O. Music Congress of 1958. Shankar is perhaps best-known in America as the composer of the memorable film-score for the Pather Panchali trilogy. In voice-over narration, he talks about composing music for Pather Panchali, his background as a musician, and the techniques of improvisation. He demonstrates the latter with an Indian style jam session that concludes the program. (Description adapted from documents in the NET Microfiche)
- Series Description
- This series focuses on the private vision of the creative person. Each program is devoted to a 20th century artist whose special qualities of imagination, taste, originality, intelligence, craftsmanship, and individuality have marked him as a pace-setter in his field. These artists --- whose fields span the entire gamut of the art world --- include filmmaker Jean Renoir, poet John Ciardi, industrial designer Raymond Loewy, Hollywood producer-director King Vidor, noted Broadway couple Ossie Davis and Ruby Dee, artist Leonard Baskin, humorist James Thurber, satirist Robert Osborn, Indian musician Ravi Shankar, poet P. G. Wodehouse, painter Georges Braque, former ballet star Olga Spessivtzeva, Rudolf Bing, and Marni Nixon. The format for each program has been geared to the individual featured; Performance, interview, and documentary technique are employed interchangeably. The Creative Person is a 1965 production of National Educational Television. The N.E.T. producers are Jack Sameth, Jac Venza, Lane Slate, Thomas Slevin, Brice Howard, Craig Gilbert, and Jim Perrin. (Description adapted from documents in the NET Microfiche)
- Broadcast Date
- 1965-03-28
- Asset type
- Episode
- Genres
- Performance
- Documentary
- Topics
- Music
- Media type
- Moving Image
- Duration
- 00:30:16
- Credits
-
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Director: Hull, Shelley, 1919-2005
Narrator: Shankar, Ravi
Performer: Shankar, Ravi
Performer: Mullick, N. C.
Performer: Rakha, Alla
Producer: Slevin, Tom
Producing Organization: National Educational Television and Radio Center
- AAPB Contributor Holdings
-
Library of Congress
Identifier: 1168966-1 (MAVIS Item ID)
Format: U-matic
Generation: Copy: Access
Color: B&W
-
Library of Congress
Identifier: 1168966-2 (MAVIS Item ID)
Format: 1 inch videotape: SMPTE Type C
Generation: Master
Color: B&W
-
Library of Congress
Identifier: 1168966-3 (MAVIS Item ID)
Generation: Master
-
Library of Congress
Identifier: 1168966-4 (MAVIS Item ID)
Generation: Copy: Access
-
Library of Congress
Identifier: 1168966-5 (MAVIS Item ID)
Generation: Copy: Access
-
Library of Congress
Identifier: 1168966-6 (MAVIS Item ID)
Format: 2 inch videotape
Generation: Master
Color: B&W
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “Creative Person; 5; Ravi Shankar,” 1965-03-28, Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 6, 2025, http://americanarchive.org/catalog/cpb-aacip-512-9p2w37mn5k.
- MLA: “Creative Person; 5; Ravi Shankar.” 1965-03-28. Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 6, 2025. <http://americanarchive.org/catalog/cpb-aacip-512-9p2w37mn5k>.
- APA: Creative Person; 5; Ravi Shankar. Boston, MA: Library of Congress, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-512-9p2w37mn5k