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I was working on every project he was working on, I said I can't do all this, basically. When I was doing his aquariums for Pelsal, I was doing the research on the Linus program, I was doing the Alaska training stuff, and I was doing the dinner on the train stuff. And I just kind of said, you know, this is not going to happen. You know, it's like, if I want to do a good job at all this stuff, and I do, you know, something's got to get it, and it's basically what I pointed out. Like one of these things is probably going to have to go to someone else. You know, if you want this done right, and then it should begin walking. Well, well, this Pelsal is pretty much finished. We just sent it to me, and in fact, it could happen. But why did you tell me this before? And it's basically going to be flipped out. I said, okay, because I wasn't going to be, I wasn't going to spend, you know, 60 hours a week, and I get paid for it. I was not going to do it, and I'm not going to do a craft job of it, either. You know, so by pointing that out to my god on this downside, I went, well, thank goodness I found that out now. You
know, you know, you know, I don't know exactly when it happened, but as I finished up with Lasca, you were still over, much on this good side. I mean, we're going to say, well, you know. There's so much pull though. You know, yes. But we're going to, what? Some days, they aren't show. Well, that's those are the only grant products, are the only shows that have APs. Well, exactly. For if you're an AP, you're pretty much... Which, that was a micro, probably. We love producing art beats. Oh, yeah. More than that. Well, everybody else is producing art beats. Well, why not? I mean, you deserve it. It's because I have a lot of different, you know, styles on. Why should you do a live art? It's like, he feels like he has to tell you exactly what to do. I was like, you know, you know, you've only been doing this knowledge longer than he has. You know, you've already got it down by now. And, you know, I mean, he, like, said he would tell me how to do things as an AP. And I was like, first of all, that's not how it gets done. You know, and second of all, I've been doing this for four
years. So, I probably have a pretty good idea of the way it happens, you know. That's what it is like that for people. And I'm not really good. I'm not like a real good response. You know, in that situation, my response to me is probably... The layer added, you know, one person. You know, with just... That's the way, now, that's the absolute right way to do it. Did you guys want to keep that one? Or do you want to try to get something to eat and come back? We're almost done here, I think. Yeah, the first thing you need to do is... Okay. So, this one. That one. What is it? What is it? What is it? What is it? It's an RT. That was the thing I was working with Chris. You know, he's like... What is it? What is it? Do
you have a living room? Well, they like the person. You know, they're doing this different world. They're expecting a lot more from the audio guy. They're just... A lot of cases, they're just kind of... They're just showing up in the morning. They're waiting because... Here's gonna have to put together. This is like a real... That is not a clock. I'm off the clock. But I can say I'm okay. We're just generally doing stuff. A lot of those OPP, you know, they... They were expecting to have the time to go up the ad. Maybe there's a lot of my time to go up the ad. So... My gene... That's it, that's it. You're like me, you know. The same stuff I'm making as that. That's it.
That's it. That's it. That's it.
That's it. That's it. That's it. That's it. That's it. That's it. That's it. That's it. That's it. Uh... Does this Pastyle? This is... This is chocolate, right? Did that help you love that? Plus,
that's how you should do that. Did you hope that that helped you out? Did you do that in Hawaii? They're like completely amazed by that. It's like that. Which are these big, curved batteries? It's so weird to go back to these cameras. I'm going to put these to the wide screen. I didn't shoot or anything between Alaska and Hawaii. Which is great to land the light on the outside. I'm going to
put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. I'm going to put these to the wide screen. First of all. What I found is... I'm 16 by 9. If you're doing that already, it just helps you. It gives you a sense of weight and balance on the other side. You can have someone lay up against one side. You can have someone lay up against one side. You can have
someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay
up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You can have someone lay up against one side. You could have someone lay up against one side We're going to shoot the vessel, but I actually found a guy who
did shoot the vessel while he was going to pass the vessel. So let's go get in the tape from the sea. Like he got me a handicap? No, I mean he sounds like he's kind of said, well I worked in the lead, I worked here and I worked there. Oh good. He found there's a lot of shot of data. So that's a big test. If you've graduated up to the cost. Yeah, exactly. Music needs your kind of serious about it. Right, right. So he sounds like, you know, exactly, you know, there's something in the middle of that. It's an above thing. It's an above thing. It's an above thing. It's an above thing. It's an above thing. It's an above thing. It's an above thing. It's an above thing.
So do you hear anything about the level of the clock? It's a producer of a tuna? Yeah, I heard it's a great fun. She didn't like it over there. Yeah. Yeah. That sounds good. Oh, it's a friend of a friend. Yeah, actually it's a friend of a whole friend of mine and Chris Nolan. We all spring from the same background. Yeah. Yeah. Yeah. Yeah. Yeah.
Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.
Yeah. Yeah. The way I started off that show was similar to a lot of my neat stuff experience with Jim. Well, I can't, yeah, I was upset to say good for Laura because, yeah, you know, I mean if she wants to get married or wouldn't put that, there's a thing that is, I can just tell.
Well guys, if you kind of really, really like it, really, really can hate my essence. We have a couple good friends. There's a lot of jobs there. Her salary has already doubled mine. It's just a different world now.
There's a plastic folding chair. All the hassles are getting back up here for the holiday parties. Do you
like Mexican food at all? They're all the same food. They're very cool. We're trying to find what you want. We're trying to find what you want. We're trying to find what you want. We're trying to find
what you want. We're trying to find what you want. We're trying to find what you want. We're trying to find
what you want. We're trying to find what you want. We're trying to find what you want. We're trying to find
what you want. We're trying to find what you want. We're trying to find what you want.
We're trying to find what you want. We're trying to find what you want. We're
trying to find what you want. We're trying to find what you want. We're trying to find what you want. We're trying to
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what you want. We're trying to find what you want. We're trying to find what you want. We're trying
to find what you want. We're trying to find what you want. We're trying to find what you want.
Series
Oregon Art Beat
Episode Number
#203
Segment
Charlie Reynolds
Producing Organization
Oregon Public Broadcasting
Contributing Organization
Oregon Public Broadcasting (Portland, Oregon)
AAPB ID
cpb-aacip-4ee50f219c8
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Description
Raw Footage Description
#3 B-roll of the paintings of Charlie Reynolds
Media type
Moving Image
Duration
00:29:10;19
Embed Code
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Credits
Copyright Holder: Oregon Public Broadcasting
Producing Organization: Oregon Public Broadcasting
AAPB Contributor Holdings
Oregon Public Broadcasting (OPB)
Identifier: cpb-aacip-7e8d4253fe8 (Filename)
Format: Betacam
Generation: Original
Duration: 00:30:00
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Citations
Chicago: “Oregon Art Beat; #203; Charlie Reynolds,” Oregon Public Broadcasting, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed June 2, 2025, http://americanarchive.org/catalog/cpb-aacip-4ee50f219c8.
MLA: “Oregon Art Beat; #203; Charlie Reynolds.” Oregon Public Broadcasting, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. June 2, 2025. <http://americanarchive.org/catalog/cpb-aacip-4ee50f219c8>.
APA: Oregon Art Beat; #203; Charlie Reynolds. Boston, MA: Oregon Public Broadcasting, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-4ee50f219c8