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I'm your name is Boyko Takchan, always likes to come. My home is Boyko Takchan, stay home! I go to his house, not gonna miss my heart. And study a few times before coming home. I'll go to the house in I'll go to the house in Next year 歌 음 H A For people come out and say, foot foot don't live in no more. My elbow's falling, foot foot away, that's the goal. My elbow's falling, foot foot away, that's the goal, where we'll go for one more. I will go for two, over to what I wish I could find you. I look here, I look there, I look everywhere. Over to what I can, I find you. Foot foot away, we'll be here. Well, for why won't you answer me?
Foot foot, over forever, you are, I want you. Come home with me, I don't have time to roam. I have things to do, I have to go home. Foot foot, over to what I wish I could find you. Foot foot and I make two roads. Oh, how you wish to have our face too cold. Foot foot, please answer me, I know where you are, you're behind me. Foot foot, think of me, foot foot, now that you're new, I want you, come home, foot foot on. The office of the police commissioner of Midland City. Hello, this is the commissioner.
Please inform the commissioner that I'm now all set for test sequence number one. What? It's all prime and ready to go. What are you talking about? The chicken missile, Miss Altiger. The chicken missile? Yes, so tell the commissioner I'm ready for test sequence number one. Yes, Miss Altiger. Commissioner, the chicken missile is ready to go. The chicken missile. Oh, yes, of course, the... And it's ready for test sequence number one. Number one. Well, that's very nice. Very nice, yes. Hello, Wayne Warrior. Right here, Miss Altiger. The commissioner said that's very nice. Oh, fine. In that case, Miss Altiger, have the commissioner stand by with the chicken missile receiver. What? I'm ready to count them. Listen. We'll see you at 14 up in hours. You know what? Yes, Miss Altiger. Commissioner. Yes. If I would say to you, prepare the chicken missile receiver, would you know? No, I wouldn't. I didn't think you would. Commissioner. Yes.
I would suggest that you crouch under your desk. crouch under my desk. Yes, it should provide some protection. I'm ready to say it. Oh, man. Oh, man. Oh, man. I do not know what to do. You know what? I do not know. I do not know what to do. I do not know. Will the Midland City Fire Department recommend that a chicken Missile receiver be installed? In what's left of Midland City Hall? Oh boy, that was wonderful. That was American culture once again reaching a peak. And way back in the six, we better move the mic closer. You better move the closer the mic.
Okay, Peter Stanfield is here and he's going to explain what that was and what it means to him. Well, in the summer of 1966, I started me and my ex-old lady Antonio started listening to Buffalo WKBW because they played a wider range of music and sooner than the New York Stations because Buffalo was a tri-out market. And they had Chicken Man on which it was a serial that was between... That wasn't short, that was one minute and twenty seconds. They ran up to five minutes and these guys in Chicago would do Chicken Missile episodes five times a week. It was a soap, a comedy soap. So it was produced for radio? For radio and it was syndicated and it was very popular. And after this particular program, the Chicken Missile sequence, what happened was the chicken man, the feathered fighter, disappeared and everything started to go sort of crazy. And the mass psychosis of the entire chicken man production staff started to happen. And they finally had to stop and didn't in September because like everyone was completely like...
It was very, very strange and no one ever made an explanation of why this fantastically funny cast went psychotic at the same time. But it was, well, you had to be there. Okay, back to the brits. We're going to do my white bicycle by tomorrow. Another underground fave rave circa 1967 with guitarist Steve Howe who later joined yes. And then followed by skeleton on the roundabout by the idol race. Oh, the idol race. Yeah, Jeff Lynn... Good God, I can't read these notes. Jeff Lynn, something he was good for, something they made to guest elves. Okay, forget that.
The move. And I can hear the grass grow. They're second single and John Platt's favorite. John Platt is a guy who prepared this wonderful type of rip phase for me. So here's three rip phase mid of the new 60s. Okay, this is WFMU FM East Orange. We're going to do my white bicycle by white bicycle. See that man? He's all alone.
Looks so happy, but he's far from home. I read my belt. That's my last year. Then I'll go by his rubbish bin. My white bicycle. My white bicycle. The rain comes down, but I don't care. The wind is blowing in my head. See those flying in the air. My white bicycle. My white bicycle. He said in this grace, shines no lights upon my face through the darkness we still see.
My white bicycle. There's one thing I don't believe in. My white bicycle. My white bicycle. My white bicycle.
This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey.
This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey.
This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey.
This is WFMN 91.1 in East Orange, New Jersey. This is WFMN 91.1 in East Orange, New Jersey. before you heard the first three songs on the side one these are the second three songs on the side one okay this is uh the battle caps ain't got no friends they locked all their doors ain't got no blood yeah you been getting more promised in song daddy is dead ain't got no truth ain't got no blood
I got my lawyer I'm a junkie I'm only junkie I owe you my name my balls are in species my after-feet ass is heavy and loaded loaded with gas my past is a bummer my future is a drag I live over the border my mom is scared I'm a junkie I owe you my name I'm a junkie
I'm locked in the bathroom, I just dropped my coin. I'm locked in the bathroom, I just dropped my coin, I fell in the toilet, they're closing this joint, but I got it, so I could eat all the food, and I got my stomach, and I fell in the shower, I'm locked in, I'm locked in, I'm locked in, I'm locked in, I'm locked in the bathroom, I'm locked in, I'm locked in, I'm locked in, I'm locked in, I'm locked
in many yam 2, three yam 2, three yam 2, three yam 3, three yabi, five yam 2, five All my dreams came to this box that would just wrinkle out cuckoo tails, smoke a lot of sugar and another something like that. Well, who was the hell to do?
Oh, we're going to the factory, we can't make 240 hours a week. Time works double time, we're timing it and I'm barely out of shame. We've got to spend the benefit of each other's plans to take care of everything that we make. If you're passing by, they'll stop and say hi and the sticker on your head won't say. All they're working in a factory, you wonder if you can't make it to a 40-hour week. Time works double time, we're timing it and I'm barely out of shame. All my dreams came to this box that would just wrinkle out cuckoo tails, smoke a lot of sugar and another something like that would just wrinkle out cuckoo tails.
All my dreams came to this box that would just wrinkle out cuckoo tails, smoke a lot of sugar and another something like that would just wrinkle out cuckoo tails. All my dreams came to this box that would just wrinkle out cuckoo tails. All my dreams came to this box that would just wrinkle out cuckoo tails.
Everything must go. This is a final year. There'll be no hurry up here. We want you all to know. Everything must go. It's getting lower than the laws of all. You think you want to better get it now. Everything must go. When I got back home, the door was open wide. Not a stick of furniture was left inside. The neighbor said your wife run off with your best friend. I closed my eyes and I could see him size the cube. Everything must go. This is a final clearance. There'll be no hurry up here.
Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. I went to Kelsey's bar to watch the news. I figured that I didn't have too much to lose. I saw the blazing mushroom climb upon the tube. The newsman spoke to me, but I already knew. Everything must go. This is a final year.
Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go.
Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. Everything must go. This is a final year. Everything must go.
This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. This is a final year. Everything must go. This is a final year.
Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year.
This is a final year. Everything must go. This is a final year. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year.
This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. Everything must go. This is a final year. This is a final year. Everything must go. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. Stay tuned for Yvonne and in a couple of minutes we'll have Steve Cates with his report from the stars.
This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year. This is a final year. This is a final year.
This is a final year. This is a final year.
Episode
Guest DJ Peter Stampfel (Part 2)
Episode
The Big Shot Review
Contributing Organization
WFMU (Jersey City, New Jersey)
AAPB ID
cpb-aacip/362-44bnzxnt
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/362-44bnzxnt).
Description
Episode Description
Peter Stampfel is the guest DJ on the Big Shot Review. In part two of the episode, he plays mid-1960s British music, as well as selections from the album Peter Stampfel & The Bottlecaps, The Who, and The Rolling Stones. At the end of the episode, there are some announcements from the Sky Watch Network.
Created Date
1986-09-07
Asset type
Episode
Topics
Music
Recorded Music
Rights
No copyright statement in content.
Media type
Sound
Duration
01:13:59
Embed Code
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Credits
Guest: Stampfel, Peter
Host: Weisberg, Rob
AAPB Contributor Holdings
WFMU
Identifier: RW.000172 (WFMU)
Format: Audio cassette
Generation: Original
Duration: 01:00:00?
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Citations
Chicago: “Guest DJ Peter Stampfel (Part 2); The Big Shot Review,” 1986-09-07, WFMU, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed October 28, 2024, http://americanarchive.org/catalog/cpb-aacip-362-44bnzxnt.
MLA: “Guest DJ Peter Stampfel (Part 2); The Big Shot Review.” 1986-09-07. WFMU, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. October 28, 2024. <http://americanarchive.org/catalog/cpb-aacip-362-44bnzxnt>.
APA: Guest DJ Peter Stampfel (Part 2); The Big Shot Review. Boston, MA: WFMU, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-362-44bnzxnt