Syracuse Symphony Orchestra; Mitch Miller Pops Concert, Part 2

Oh. This is Henry Fogel welcoming you back to the Crouse Hinds concert theatre of the Onondaga County Civic Center for the second part of the Syracuse symphony concert a pop concert conducted by Mitch Miller on this part of the program a medley of Cole Porter songs or three years in Hades over at your of Jock often Bach and a Mitch Miller sing along. Oh. I told you a little about Mitch Miller before but I didn't really get to tell you about our pianist David

Ghaleb who began his music studies in Dallas but then became a full scholarship student at Juilliard in both a bachelor's and a master's degree in music. Mr. Gallagher was heard on the first part of this concert playing the A minor piano concerto of envoy Greig was to Ghaleb studied with Beveridge Webster and was awarded the prestigious and would spoil mine award and the Maurice Loeb prize in 1972 he was the first prize winner of the young musicians Foundation Award in Los Angeles. David Gallo has performed recitals throughout this country has appeared with the New York Philharmonic the Chicago Symphony the St. Louis Symphony the Los Angeles Philharmonic and the Dallas Infineon and this is his second appearance with the Syracuse infamy. He was also quite this that participated in a number of music festivals. The famed Marlboro festival the Ravinia Festival which features the Chicago Symphony festivals in Aspen Portland and he has also played in Spain and Portugal

toured twice with the music for mongrel ensemble and he performed an all Beethoven program with renowned cellist Leonard Rose in the grosses concert house in Vienna. Mitch Miller is becoming a very interesting figure in the American Symphony Orchestra seen over the past few years when he has started to do these pop concerts and he has performed with many many orchestras including some of the real major orchestras the Philadelphia Orchestra the Los Angeles Philharmonic. He will shortly add to that appearances with other major orchestras including the Boston Symphony and the Cleveland Orchestra. The Buffalo Philharmonic the Minnesota Orchestra the Chicago the Syracuse Symphony the Rochester Philharmonic is a major figure with many of these orchestras as a pop

conductor. He has also taken a very strong interest in fundraising for these orchestras which Miller often donates items to fund raising marathons run by the radio stations in the cities where those orchestras are. He has for example donated as a premium to be sold on marathons with the money going to the orchestra. The condominium that he owns Grand Cayman Island what he does is he lets orchestras sell it to one couple for a two week stay for fifteen hundred dollars which is usually the going rate for condominium space in Grand Cayman Island anyway. And the lucky person who chooses to buy it can tell people that he stayed when they stayed not just at a condominium but at my trial of condominium he has raised. Well you sell that successfully to the Syracuse symphony with

the buffalo and the Cincinnati orchestras. And it's probably brought in something like eight or ten thousand dollars to those orchestras through the repeated sale of a couple of weeks in his condominium. He also appears on a number of these marathons he practically singlehandedly ran one in Buffalo and in general has taken a very very strong interest in fundraising for for symphony orchestras. The Mitch Miller career as I said earlier started simply as an old boys classical oboist and then went on to record company executive sing along conductor and now pops conductor in which he of course combines some of these

other traits a singalong trait or something he brings along with him to our Pops concerts. Besides fundraising for August recess has long made it a practice to take young musicians with him on pop stores and as I said David Gallop is the latest of these but Mark Kaplan Judith Berry ganger represent other artists that he has taken around artist who have gone on after his appearances to establish themselves with with major careers. He believes in the importance of taking a young artist and introducing that artist to many orchestras in many cities and very often the management's Well what conductors music directors of those works will hear the artist and reengage the artist to appear on a subscription concert is in general done an awful lot for music in many many ways. And looking a lot younger than his 66 years.

Hillary is literally trying out for the stage. Who wrote this next overture. You recognize he wrote lots of ballet music. And this is the overture that has the famous cancan also has lots of solos by the all the cats New York of Arkansas and he's off. We owe him. What.

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I any OS. Or. Thank you. How are you going to have to make up a noise what we lack in numbers. So and we've been touring with another program and we did somebody sing a longs I

forget what we did last year stuff we played a couple last February. I know you won't mind. The first few hints remember me. Sing out as loudly as you want. Make harmony do anything. Don't worry about singing out of tune because we cover everybody up. You remember. Also remember that you can only make sounds on vowels and consonants don't produce sounds for instance. You know. I. Looking older than I am looking for to put the consonants at the end of the word like to be told through her to say the P.S. I otherwise had to live. And that would be like the steel like the radiator you know. Also.

I give you when I do this bring up the word or the syllable. And hold the phrase out as long as my hand is here. And give me a cut off. I give you plenty of time to breathe. When I want to loudly I do this when I want medium soft tissue. OK let's do four leaf clover I don't think we did it this year. Four leaf clovers first two courses. Nearly up. To. The. Grade let me hear your Lord Lord. More ya. To. Be a earl Xplornet.

Play. Ball. Hog. Once again. Let me hear you. Go. Back. For the hook. For. One. Thing. Let me. Know. Ya. Ya let me hear you right here right. Now.

Yeah. Yeah. Yeah. Very good all right. Good just keep it up. And then if you didn't get loose on that why this song on this next one will do it. Suzy we're going to go. If you knew Suzy like I know Suzy then you go Oh it's lovely Hilton who had the brass or percussion will answer louder. That you do hear second or which is your answer to their answer of your first goal louder than their answer to your first oh you know what I mean I'll give you the signal all the time. All right. Susie. Very we'll go if you'll. You'll. Get. We'll. Get it.

There. And give it to me. Close. To. Where. The. Load. Was. I. Don't. Want. To walk. You'll. Blow her own I. Get. Very soft. If. You. Explode. Close. Close. Close.

Give it to me. 0. 0. 0. 0 0 to 1. Think about. Being told. That. I'm. The. One. So now to eat was in a hundred louis very good to eat. We can't ever do a single hour without really two songs that I like. It was American as apple pie. And that's how you know on Harvest Moon The bells are ringing now with the harvest moon we do two courses.

You go you know at the end of the second. You know you know for me. I mean the rugby world brewery. Oh. Right that's. Right. But you want to just stick you here. On the bellows and if your neighbor comes in ahead of the beat Remember shot in the ribs with the elbow. Here we go. Once. She.

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Yes. Yes. Yes. Yes. Yes. You follow that bump and grind beautifully. Even my fat beneath a scratch that you will sing. Here's one I know we didn't know these were three or four years to go through that looks OK. Watch me you know my size. They're all right. Remember that. Thanks. Thanks. Thanks. Thanks Dave. Union.

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For rightly you. Another one we have fun with all the time and I don't dare not do it. That's hard like Leila. All right those that know the lyrics fine. But those that don't know the lyrics. I suggest instead of reading that phonetically with lots of cars in there you know France is a hell and I get letters that I can't remember. But. Don't try to do it phonetically. Be an instrument. Goal. DONE DONE DONE DONE DONE DONE DONE DONE DONE DONE DONE. There you go. Yeah you can be even a little. He's going to tell me it sounds more like my old whatever but anyway be innocent

and take the first car some moderate tempo. That would speed up to hard and watch on the end like give you the signal I want to hear a big cave like you're in Tel Aviv. All right I needed a class though. That's. What. The subsetting are. Now cutting out the banks are now putting out. How absurd cut. Cut. Cut

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to electric you. Had to go. That was great. Especially for a bunch of Catholics Protestants of this year period. OK. That. Was really marvelous. Great song. In the interest of ecumenism and her sisters in the audience the fact that Tucker who is a good friend of ours to play saluted me they were celebrating his 50th birthday today and for him and all her daughters were. The first. Yeah. We're.

The theater with the wheel n we eat we at the BMA. Yeah. Whoa. Whoa whoa. Whoa whoa.

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Ya. Ya. Ya. You very recently were by task you have the various skills. Let me call you sweetheart and Bill Bailey. Yes. OK this is a brand new one for us. To cars was a button for use with her. Then we go into bed not later on that really try your musicality. We do two courses a real baby. After the first course we've made what's called a modulation absent change the key and I give it a signal that come with me come in you'll land right there promise and subtle than at the end of the song.

We put on what's called the tack. The last two lines. I know its name right now are two but they were barely more really come home. That. I'm not one to blame but Bill Bailey will do. Try to get the signals. Remember the back is coming you know. And you think you're We were gonna set that fire. OK but because you're a little bit. Yeah. Eat.

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us to it. The issue right now is the good life. Remember that the. Very. Religious. I don't see why you want to do that. Ye ye.

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again. AAA Mitch Miller your Syracuse Symphony Orchestra and the symphony pops concert or anything else with Miller's pop concerts always go with a sing along and ending in the other way that they always do it with a standing ovation from the audience. There's also of course the chorus on this part of the program you heard the wackiest in Hades overture of often Bach you heard a call Porter medley including Rosalie begin with a dream. Wunderbar Don't fence me in the U.S. the other night doctor on the money scam and then you heard the sing along. How to tell you how marvelous you are tonight really sang your hearts out We love playing for you you can see the starkest for such a

caliber of excellence that I. For now I want to have a chance to see them we will. We toured with a whole other program for 10 days in other cities it's become the regional markets of all Central and upper New York and reading. Oh are we prepared this special program for tonight. Because they don't have too much time advertised. But. Music is music and when people come like you did it's come and love it the way. That's a bond set between the musicians and the audience and you can just feel the waves of pleasure and love flowing and that's what music is all about and that's what live music is all about. Records are great but believe me records are not performances. I made my fortune and record but not the way they're made today. You make a

mistake. Just go back eight buyers. Take a piece of tape you know put on splice and put it together. You have a you know you have a thing if you don't believe me ask Richard Nixon I'm nt so. I hope to see you next year. But if not keep well. We love ya goodnight. Thank you oh. Yeah I think it's going to come through again good. I.

Yeah. This simply got it came to you with the cooperation of local 78 of the American Federation of Musicians. And the reconfirmation of the players of the Syracuse and for the orchestra the recording engineer has been Tim Goebel. This is Henry Fogel I hope that you enjoyed it. Speaking people from across times country

theater of the civic center of Onondaga County I hope you'll be with us again next week. Oh.