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You. See it. It is my totally idiotic belief that most people are born with the basic tools to become rock stars. Britney Spears for instance has an inoffensive voice and the ability to suspend large reptiles from her boobs. The making or rendering of popular songs is more a matter of determination than aptitude. The central allure of American Idol a show I have not actually seen. Thank you resides in the powerful fantasy that a divine voice lurks within all of us ready to obliterate all our liabilities and doubts and transform us into the rock stars we know ourselves to be.
The reason we are not all rock stars is because most of us are unprepared to do this sort of sustained and lonely work that would allow us to learn an instrument alone. Yes the broader language of music let alone how to suspend a large reptile from our boobs. It is harder than it looks. And then further unprepared to compose our own songs and to perform them in front of other people and to do so with enough gusto that we might compel someone many someones actually to pay for a recording of our songs. It's a lot of labor when you break it down a lot of potential humiliation. So this book though will feature plenty of rock stars and include many opinions related to rock stars is centrally about what it's like to be a drooling fanatic which is disappointing right now. But most of human history the vast underside is about people not getting to do what they truly want to do. Prehistoric Man for instance wanted to eat and fuck and sleep in peace and he almost never got to do that. The
inhabitants of the early republic streams of liberty but most spent their lives in the yoke. Those of us with the Dumb luck to be born in what we call the modern developed world can pretty much eat and fuck to our heart's content. We've got ours for dreaming too. There are a lot of that work has been outsourced to Hollywood consumption gets to be the real star these days because consumption pays the bills. But here's a little secret between you me and the rest of the mall buying shit isn't enough. What we wish for in our secret hearts is self-expression the chance to reveal ourselves and to be loved for this revelation devoured by love. And that's most of us go about our duties of Commerce and leisure in a state of perpetual longing with nocturnal excursions into the province of despair. I know it gets even funnier. So I supposed to be rock and roll man. This book is for those of us who have converted such unrequited desires into noble obsessions that happens to be about
music as opposed to ice cream or Picasso or the Boston Red Sox. Because music came before anything else before language and large scale war and liquid soap. And because music is the one giant thing America has done right. Amid all it has done wrong. Great music that ancient and incorruptible blessing. That's who that is. I guess you're not really going to sing along you're going to be one of those fucking crowds alright. I know none of you know the words It's an obscure song. You've been warned.
It's important that they think you're a dipshit because you're much more likely to worship them in this case and to adopt their musical taste which is better than yours as a kind of gospel. We need look no further than 1978 the year Styx was named America's favorite band by one of. Yes you were there to buy one of the many gold plated award shows that slithered to prominence in the 70s. I remember this vividly because I raced to my older brother Dave's room with the news. He was the one who would turn me on to the mind blowing brilliance of sticks and who I expected would share in my personal. My sense of personal vindication sticks just won best band I yelled. Sticks sucks he said quietly get out.
Yeah. I was dumbfounded. Styx sucks but Styx so much didn't suck. Sticks rule sticks were geniuses they were like Mozart like five Mozart's each with diaphanous hair and shiny space age jumpsuits and they were all pull sating anthems about renegade men in blue collar men in epic ballads about love and loss and excessive cocaine use. None of which mattered because inexplicably Dave said they sucked. A few days later I stole into his room an under the culprit an album called Lando system or the police. What a disturbing artifact. Rock bands after all had mystical names like Led Zeppelin and Blue Oyster Cult. But the police I was a 12 year old whose hobbies were shoplifting and Pyromania.
Why would I listen to a band called the police. Nor do the songs make sense they were jerky and tense with minor key melodies and gentle bursts of guitar No solos. Dude no solos. What in the fuck univers and the lyrics weren't about the reaper or invisible airwaves crackling with light they were about loneliness and rejection subjects on which I needed no additional briefing thank you very much. I listen to Outland more straight through trembling with disgust. Why then did I keep sneaking into Dave's room and listening to the thing. If this were the sort of book written by a professional music critic I'd now be compelled to identify outlandish as a watershed album marking a shift from the bombastic escapism of prog rock to the edgy emotionalism of New Wave. That's how they all talk. I know the deft deployment of punk and reggae elements in a pop context and blah blah blah blah blah blah blah. But I'm a drooling fanatic. All I know is how I felt listening to the music.
Anxious and excited and weirdly relieved. There was this one song that was basically a long rant against an ex-girlfriend. But yeah. Yeah. We have a gun you know. I know we could go all night. When my dad heard these lines he laughed. This was a funny song about being jilted then committing suicide. Suicide could be funny equally shocking rock music could be funny. This is the big thing about having an older sibling they're always pushing the budding fanatic to venture beyond the safe margins of his or her taste without meaning to. Because honestly do they just want you out of their fucking room. They implant the vital notion that there is music out there that you don't know about yet and that you'd better get hip to unless you want to remain an immature twerp who worship sticks.
But you can never catch up. That's the thing. Because your interest in a band is to the older sibling the essential indicator that that band is over. You the Casey case some of their existence. I chased Dave from the police all the way out to the margins of punk and he did finally manage to shake me off his trail. But he had to go over to the dark side to do it. He became a Deadhead. Yeah I need America. I didn't just like music I needed music. There wasn't much else on my dance card pinball TV masturbation. Eventually. Like none of you have ever master. I think you spend a lot of time alone on the carpet in the living room listening to Abbey Road or mindgames or through the past darkly and studying these records poring over
the lyrics and album art. The back cover of goat's head soup with the actual goat's head in a cauldron of soup I puzzled over that image for the entirety of 1975. Could one actually make soup out of a goat's head. What would it taste like what would happen to the horns in the fur and the teeth and the eyes did one eat the eyes or were they there just for flavor. Music was also a way of reaching out to friends other boys mostly. It is in the nature of pre and adolescent males to isolate and brood to interact as indirectly as possible with aggressive ritual as mediation. These days it's done with video games about carjacking. But back then it was a devotion to particular albums. Scott suture and I spent most of seventh grade locked in his room listening to Dirty Deeds Done Dirt Cheap Yeah. There was a protocol he lay on the bed I sat with my back against the box springs.
We slammed Hostess products forage from the pantry there was almost no talking. A few words to fill the scratchy silence between songs you did dick wad wad. Then it was back to the joyous malevolence of AC DC its perverted and fuzzy roar the gravelly alliteration of the title track all those croak D's to which we chanted along so softly and the leering innuendo of big balls in which Bon Scott observes now you know the words to this. That was Scott delivered these lines with a smirking pomposity that struck us as unbearably sophisticated. The man was by Iran in the medias passages
of particular songs we closed our eyes and let the cord surge through us. It was a kind of trance. We were alone but not alone. We were embarrassed. Everything embarrassed us in seventh grade but flushed with angry hopes when people bitch about the death of the vinyl LP as a medium and lord knows they bitch what they're mostly lamenting is the death of this kind of listening music as a concerted sonic experience rather than the backing track to a flashing screen. What I'm suggesting here is that drooling fanaticism boils down to undivided attention which is not only our most endangered human resource but the first and final act of love. At the tender age of 19 I became a music critic. I was
dispatched to review a Bob Dylan show despite having no training as a musician and not actually knowing who Bob Dylan was. These stop laughing Had I been quizzed on the meaning of the word glissando I would have answered with some confidence I'm afraid. A type of fancy ice cream not to be confused with her bra which was a gynecological instrument. And yet as far as my readers were concerned I was a professional critic. If this sounds absurd consider the proposition that greeted me when I arrived at the El Paso Times Two years later fresh from college. Would I like to be the paper's full time music critic. Well of course I would. So I was a lazy and frankly suck ass reviewer in El Paso but I was also in my own frankly suck ass way up against an ontological dilemma. How does one describe music using words. Talented critics can of course describe music with sonic precision. The real problem is emotional. The
pros for all its technical fidelity conveys almost nothing about what music feels like. Consider the famous chord progression that Angus Young plays the beginning of Back In Black. A good writer could tell us about those grinding seismic chords the distinct rhythm of their deployment. Even that sly arpeggiated little five note lick that acts as a segue from one volley to the next. But those are just pale approximations of what it feels like to hear that intro the score of sinister glee that makes most people even decent religious folks reach for their air guitar. Now consider the rest of the song the rhythmic structures. Brian Johnson's howling vocal harmonic and tonal relationships. But okay let's say you've taken your rock critic steroids and you're able to describe all these elements. How then do you convey the simultaneity of all that noise. The blissful riot of
sound we experience as a singular thing. The song. But okay okay let's say you've taken your rock critic steroids for years you're the Barry Bonds of rock criticism. And so you managed to get this to you'd still be left with the basic and insoluble crisis of melody words cannot be made into notes. And even if you somehow magically solve that crisis which you couldn't you'd still be missing what it feels like for a particular fan to hear a particular song let alone songs let alone in concert because this involves a collaboration between the music and the fans own needs his or her own lust for joy sorrow power rage sex and oh what the hell. Whoa. The closest I came to grappling with the rock critic paradox was that an MC Hammer concert. I think we all saw this coming. I stood beneath the stage watching hammer twitch and his weird Sinbad pants while a battalion of dancers in identical Sinbad pants replicated his every twitch.
Hammer barked lyrics about jewelry and torture the melodies sampled from bubblegum hits affix themselves to the artillery of drum machines lights popped and scrolled sparks vomited from some invisible portal. It was like watching an ad for a delicious soda that makes people want to commit murder. But then I looked at the people around me there in the fifth row of the PanAm Center in Las Cruces New Mexico. They were all dancing wildly hooting at the sweaty boot Fly Girls and barking along with hammers without even realizing it mimicking little hammers flourishes the frenetic Egyptian jazz hands and the mincing buckle step. We talked about it every rehearsal and he just won't stop doing it. He does he just feels that these people were plugged into a powerful communal
experience they didn't look upon an MC Hammer as a musical huckster but an entertainer of the first rank and maybe even in a sense a prophet of self-assertion. Proof that any man endowed with sufficient determination no matter how meagerly endowed with talent might gain trespass into the kingdom of Fame. Yes I was stoned. But my larger point is that there is no angle in hating on a particular song or band. We're genre our species is adaptable. That's our evolutionary trump card. If the human ear is given a chance not cowed into snobbery it can find rewards in almost any form of music. I think you're of a line by Robert Criss scout who for many years represented the gold standard of rock critic snark assessing the work of Emerson Lake and Palmer is Brain Salad Surgery. He wrote quote The sound is so crystal and you can hear the jism as it drips off the microphone.
Yummy. The line is funny and appropriate epitaph for a trio that was Spinal Tap ish in its pretense. But when I think about that album what I remember is sitting around with my pal Dale McCord listening to the endless onanistic with Sondos and howled couplets of Carney. I assume we'll all get to the end here and we can stop listening to this awesome song. So. You rock and roll. As a.
As a broad working definition. Art awakens feeling every form has its merits and demerits paintings for instance work fast and require no moving parts yet are hard to steal. Films are easy to watch and enveloping but they carry the risk that you will see Philip Seymour Hoffman naked. The only thing wrong with music as far as I'm concerned is that you cannot eat it from a purely emotional standpoint it remains far more potent than any other artistic medium. And I remember the exact moment this dawned on me. I was watching Late Night With David Letterman Willie Nelson was the guest. This was the water Dow Willie of the 80s the stone or cow poke in dusty pigtails. And Dave was giving him a hard time. I just sing something for us. Dave said almost hauntingly Willie sat there for a few seconds and then he opened his mouth and began to sing and the sound of his voice that glorious battered baritone sucked every bit of
irony out of that room. I had no idea that Willie Nelson was such an unbelievably beautiful fucking artist. It's a joyous thing to discover that kind of ignorance. This is what songs do they remind us that our motion emotions are not an inconvenient and vaguely embarrassing aspect of the human enterprise but its central purpose. They make us feel specific things we might never have felt otherwise. Every time I listen to Sunday Bloody Sunday for instance I feel a pug Neisha righteousness about the fate of the Irish people. I hear that whacking military drum beat and Bono starts wailing about the newsy heard today I'm basically ready to enlist in the IRA and stop some British imperialist
ass HELL YES BRING ON THE FUCKING bangers and mash Let's get this big jihad started. I feel these things despite the fact that a I am not Irish. I am Jewish which has only in common with the Irish ish. B. The song actually advocates pacifism somewhat disappointingly I must say. It's always a disappointment and see I really actually hate you too. That's just me. The same thing happens with Sweet Home Alabama. Yeah. I don't exactly get psyched to join the Klan but I do get this powerful desire to drink beer and drive a pickup truck and maybe shoot off some guns and most of all not to be looked down upon by some fucking overeducated nigger loving Yankee such as myself.
Intellectually I recognize that the song is shallow and racist and that advances the notion that former Alabama governor an avowed segregationist George Wallace is an American hero. I also get that if all the members of Leonard Skinner were still alive one or more of them would be members of the Republican congressional leadership team I get that but I can't help it. Sweet Home Alabama makes me feel a deep yearning for my home and my can and the Swampers down in Muscle Shoals and pick me up when I'm feeling blue even though these same Swampers would very possibly kick my jew ass sideways if I ever sidled into one of their taverns and ordered me a ship to leave. Howdy voice. Are you the swampers. Songs take us deeper into ourselves by taking us away from ourselves the expand our empathic imaginations when we listen to Jack and Diane. We all become teenagers suckin on chili dogs and reveling in the future I guess. Yes sucking on them I guess.
Especially Diane but also possibly Jack or maybe together and reveling in the fleeting ecstasies of green love and when we listen I will survive by Gloria Gaynor we all become empowered sisters showing our abusive ex is the door now your day. And when we listen to Rocket Man we all become astronauts blasted away from our loved ones into orbits of lonely obligation and. God knows we are all homesick travelers when we hear homeward bound even when we're at home. Does that mean I can be sitting at home with a fire going in my family around me and I'm still fucking homesick when that song cause a I gotta get a haul. I've cherry pick songs that most people know but like any other fanatic I've got an endless list of obscure songs that induce the same kind of weirdly gratifying identity
crisis when I was drinking by the band ahem. Makes me want to be an alcoholic. It makes me want to be an alcoholic involved with another alcoholic. It makes me pine for the perverse safety of all the self-defeating relationships I've ever been in. That's how beautiful that song is. I've always been drawn to songs that make me feel bad and that makes feeling bad feel good. I had these songs depression songs allow us to slough the small emotions that compose our defense mechanisms for the large emotions that make us feel genuinely alive. They convert self pity into sorrow and anxiety in defeat your grievance into grief. To clarify depression songs don't make people depressed they articulate a preexisting depression and when they're really cooking they
ennoble that depression. Yes they do nearly all the songs I return to the ones that have come to represent entire eras of my life are depression songs and everybody has his or her own set list because the main ingredient in the construction of a depression song is you the depressed listener. If you play the song Nothing compares to you by Sinead O'Connor for instance. My wife is instantly transported back to 1990 managing the cosmetics section at CBS. How many people have wept to the song Hance please thank you. She's a shy 15 year old mooning over one in a series of molded cads to whom she's pledged her undying love. It's all there. The knot in her throat the heavy bands of blue eye shadow the mocking promises on the glass bottles of nail polish it was her job to show my time equivalent depression song
and I confessed this with a little pride is Never Tear Us Apart by in excess. Which you might remember is the one with the video where the comely lead singer Michael Hutchence wanders morosely around Prague and then right at the end accidently hangs himself while masturbating. Do you remember that. Much. Tell. You. Rich is high. It's an addictive soul song built around since a quarter at a plucked guitar notes and various dramatic pauses. The vocals are overwrought in the best way Hutchence tells us lover that they could live for a thousand years but if I hurt you I make wine from your tears and rather than questioning how that would work or how such a wine might taste or what exactly it would mean that you want to use the tears of your lover to make an alcoholic beverage.
My intuitive reaction is to think that is just head B. It was certainly what I was thinking as I staggered across the soggy lawns of my college campus having just enjoyed a one night stand that I assumed would last for a thousand years and produce oceans of short in a day my in Namrata had a slightly different take. She cringed when she saw me the next day. We were not going to last a thousand years. We had barely lasted a thousand seconds. I know you love it man but you gotta turn it down. I know it's tough. You can listen to it at home. So this is this is number one forty one smoking more pot than Bob
Marley and possibly the whalers before entering Graceland. But. Why did I do this. Because I was secretly dreading Graceland the preening necrophilia of the scene that tawdry American knack for spiritual projection for worse or worshipping the wrong savior for the wrong reason in the wrong way. I figured getting stoned might make the experience seem more profound and therefore less depressing. It's the same doomed theory I continually apply to Hollywood films and I needed Graceland to be profound at least a little because I had driven 700 miles to be there as a favor to my lovesick friend Tina who was unbeknown to me a devout Elvis person. It was a bit like discovering someone is born again. You have to respect the purity but you don't really want to hear the rap. So I smoke bowl after bowl until I could no longer locate my mouth
which was was for a while smoking out of my ear. We boarded a bus full of more devout Elvis people Southern grandmas with big purses and sullen Midwestern goth kids and packs of camera Japanese as we entered the estate. They fell into a collective and dreadful. A female staffer blonde hot kinked erotically nervous medicine the foyer with our audio kits. I kept forgetting I was wearing headphones and because I was so incredibly stoned and yelling at Tina hey. You know what the Jungle Room looks like it's like Africa if they sold Africa on the Home Shopping Network Why are the walls covered in TWINE. Why did Elvis his parents really sleep in these bad skinny and gotten them bigger beds. That's fucked up. This was Graceland in a nut shell. It was supposed to be about the grand juror of the King but it kept being about his humiliation. Elvis sprawls on the white to shit in
his media room with a plate of bacon watching three TVs at once. Then he tries to beat back the fat with bennies and he can't sleep at night so he sits up composing his list of enemies. Then he shoots at his radar range. Then he visits Nixon. Then he does karate and pulls something. Then he can't get out of bed and they cancel the tour. Then he falls off his toilet and dies. Devout Elvis People were everywhere snapping photos of gold record records the reverence was suffocating. I retreated to the top of a carpeted staircase and found myself staring into a darkened room. Where was I. What was Tina. Why was there a rope across the doorway with a sign reading No Trespassing wasn't trespassing more or less the business model at Graceland. A voice beckoned me from the bottom of the stairs sir. A young man stood frowning at me. The name tag on his oversized blazer read Heaven.
Where am I. I said. Those are private quarters sir. People still live here. Kevin said you need to come downstairs right now. Kevin was right. I needed to come downstairs I needed to flee Graceland and take a hot shower. But the pot wouldn't let me. It kept telling me that I should leap over the rope and breach the private quarters and find the bathroom where Elvis breathed his last and drop a symbolic deuce. Bad pot bad. Are we going to have a problem. Kevin said he touched at the tender spray of acne on his right cheek. I found Tina outside and we proceeded from the shooting range to the nearby meditation garden. I want to read that sentence one more time because I think if you if you boiled America for like a millennium this is what you would come up with. I found outside and we proceeded from the shooting range to the very
nearby and possibly adjacent meditation garden. Elvis was actually buried in the meditation garden which I did not understand at all. Did Elvis consider death a form of extreme meditation. I wanted to ask Tina but she was weeping nearly everyone around me was weeping. They were weeping and taking photos of each other and I knew that in a few weeks when they got their photos from Graceland back they gaze at these images of themselves weeping in front of Elvis's grave and start weeping again. And this thought made me sad for America. The great disconnect between our personal causes for grief and our actual tears and though I was not sad enough to start weeping myself I did flee to the gift shop where in a final spasm of defiance I shoplifted an official Elvis wristwatch. I mean yes.
Yes. Right. That's Dan Byrne go find all his music. OK. A certain Elise blank invited me to visit her upstate. We met two months earlier at a literary event and instantly sensed in the other the Avid temperament of the orgasmically needy a series of quivering phone calls ensued. Elise had the dewy gaze of a Bollywood heroine and the relentless Pap
of a Midwestern football mascot. I wanted to defile her. This was during my era of dismal blind dates and I saw no reason to behave responsibly. I was still living in Somerville and scraping by as an adjunct professor of bitterness. So I flew out to a writers conference near the college where she taught and crashed at her place for two days we knocked around town gobbling fried fish and trying to figure out how to jumpstart the defiling process. That night we lay in our respective rooms broiling in cowardice the tension was idiotic and throbbing and awesome. On morning three I woke up determined to act. I took a shower and slathered on deodorant. And when I walked out of her bathroom the stereo was blaring. The only way I can describe the music is to say that it was Mall friendly soft synthesised entirely devout in its stunted emotional ambitions. Who is this.
I said Anna supplied. Elise said I searched her tender face for the slightest trace of irony. This is their greatest hits she said. Oh. You're such chickenshits All right. I'm drunker than you that's fine. I closed my eyes and nodded. It seemed important that I not say anything snide my mind lunged about for possible air supply repartee. The only thing that came to mind was a high school soccer practice where John Carr and I mentioned air supply and David Anderson and Dani were Watto started chaining fags supply and what they took to be Australian accents and how were Air Supply doing after all these years why they were all out of love. If you are now thinking I rebuffed Elise because of her fondness for air supply think
again. Friend after 72 hours spent marinating in lust you could not have stopped my dick with a taser. I could try right. The problem arose as it so often does upon reflection. Elise was supposed to be everything I wanted brilliant delectable willing but as I returned to Boston as I furiously throttled myself to the memory of her haunches my mind kept fixing on air supply I kept seeing Russell Hitchcock in his lacquered mullet fro worse. I kept hearing his voice. Did I honestly believe Elise lacked the emotional depth required to be involved with me. Was this even possible. Indeed wasn't my willingness to dismiss this one based solely on her earnest devotion to a soft rock duo proof of my own spiritual disfigurement. In a word possibly. In fact
my reaction neatly encapsulates the romantic inclinations of the drooling fanatic. I could see based on the Air Supply's situation that Elise and I were susceptible susceptible to different myths. Hers were starry eyed an operatic full of blond people and members only jackets necking on tarmacs. Mine were shadowy and downbeat and involved horny communists engaged in light bondage. There was some chance our mist might overlap in the arena of depravity perhaps the Communists were blonde for instance. Perhaps the bondage could be staged on a tarmac but soon enough police would be sighing a lot and asking why I listen to such sad music all the time did I have something against just being happy. And I'd be gagging up her air supply records then blaming it on her dog. Yes.
OK. It is fair to ask at this point however managed to get married. It is certainly a question my family has pondered a proper librettist or perhaps air supply would have drawn it up perfectly. My wife Erin and I locking eyes across a windswept Piazzi plenty of loud obstacles in the wings. Alas the truth is a bit lumpier in fact. A mere 2 weeks after meeting Erin I announced that we had to stop seeing each other. My super ego had decided I needed to find a wife and while my super ego had not bothered to inform my slobbering is good it made a pretty convincing case against Aaron who for all her charms was twenty seven and just a few years out of college. So I bid her farewell convinced I behaved with noble restraint and returned to my alleged quest for a bride. I drove an hour through the snow to meet one woman. We'd made sexy talk on the phone and swapped photos. It was going to be tremendous. It was always going to be tremendous.
Then she opened the door and her face was that of an ostrich pinched and belligerent and mine was that of a weasel. Beady and mean and her heart staggered through the rest of it. The hope punched out of us. I'm glad you enjoyed that as I sure didn't. On such nights a little later than was appropriate I would dial Aaron's number. I've got something you need to hear I'd say which was deplorable but at least true because when I wasn't off turning dates into Bergman films all I did was hunt for new dope. And so Aaron appeared and we retreated into my cave and did what was required all the sweaty investigations. The best of all was lying in the dark afterward and listening to the songs that were unbeknown to either of us. I think slowly twining our fates we French toast in great abundance and slept as if dead. Now after a few weeks I'd break up with her though sometimes she broke up with me coming to her senses with the soft reluctance while I nodded soberly.
But then the new chakra profit record came out no other love it was called and I knew Aaron would want to hear it. I know we're broken up I said but you're not going to believe this record. This was the summer of 2003 as I recall and we spent the next week doing nothing but listening in bed until we knew all the words and the tempos had been absorbed by our muscles and every song seemed to be trying to tell us something new about our dire arrangement. It was the perfect record for us gorgeous and doomed like a kiss that tastes of blood and the song we took as our anthem was summertime thing which we sang to each other and to ourselves dancing across the dirty floors of my apartment naked and bracing ourselves against the relevant countertops. Erin knew she should never allowed to set herself to get sucked back into my orbit and I couldn't tell her otherwise. This is how it goes when a drooling fanatic is falling in love especially when he doesn't know
or won't admit he's falling in love. It's not the lightning bolt or the sunset embrace. It's the way she infiltrates your most sacred LP's quietly erases the why from your collection. I continued to go on dates that winter I took out a doctor smart attractive Jewish even. We got back to our apartment and I began rooting around for her record collection. Where's the music. I said casually. Oh she said My schedule is pretty hectic. Right but right now I said we could listen to something right now. She smiled a little indulgently as if to say I don't know how it is with you writers but this is how it is with us doctors. But what she said was maybe worse. I think I've got a shared a disk in my car. And so I found myself at home again in the familiar rooms and though I knew it was a mistake I put on one of Aaron's favorites postcards from down town by Dana Kurtz a collection of songs so full of romantic woe it might as well have come with
a bottle of whiskey. And I was doing ok really intil the moment. Four and a half minutes into her rueful epic Patterson when the song seems to be drawing to an end instead. The time signature slows and we hear the trill of an accordion and violins and Dana begin singing in Italian. Of all things. Get all of her music immediately. And listening to this voice echo about my bedroom in its own ending dejection made me realize that keeping Aaron it Bay was no longer an option that my loneliness was not some precious artistic Parag I'd have or exalted state but simply an ongoing regret. I needed her in close where we could live where we could hear the music together.
Aaron and I were lying in bed stoned when she started in again about her single days which is a special code phrase she uses when she wants to remind me about the time Kip Winger nearly propositioned her. This took place during Aaron's first year in grad school she'd been invited by an old friend to a VH 1 sponsored event which combined the channel's parasitic passion for aging celebrities with its ongoing campaign to resuscitate the music of the 80s. It is OK. It is. That's a brave stance. It is fair to suppose Aaron was lonely. It is fair to suppose she had had a few drinks and that these drinks helped steer her into the seat next to Kip Winger at the table
where the musicians were signing merchandise for fans. Many of these fans were and I quote Aaron slutty girls with their tits hanging out. Whose sexual availability was understood. But to hear Erin tell it Kip Winger hadn't been interested in them. To hear Erin tell it Kip had been interested in Aaron. It pleased Aaron a great deal to be the object of Kiplinger's lewd banter and it pleased her to be able to report to me the next day on the phone that she had been the object of Kiplinger's lewd banter and that he had discussed oral sex and implied his expertise and stopped just short of inviting her back to his hotel room. Or maybe he had invited her. It was impossible to know what happened and she enjoyed this ambiguity also. Time to drop. So this was her Kip Winger story and she was telling it to me once
again. Now that we were old married farts with the kids act out across the hall the pot had made her in a stall jik. Then she started in with certain facts about Kip mentioned in previous tellings such as the fact that Kip had studied ballet and could kick his foot over his head while wearing leather trousers. And Kip had studied classical music in composition and Kip was not a tall man but he had aged superbly. When she got on line and showed me a YouTube video of Kip playing classical guitar and leather trousers. This was technically our date night. Now another sort of couple a couple who composed of at least one person who isn't a drooling fanatic would have probably dropped Kip Winger as the thematic element at this point and proceeded to the evening's intended highlight. Essentially comic sexual toil. But my wife's reverie demanded a response I reminded her that I was the one in the marriage who had spoken to kip way back in 1909 when he was at the height of his powers granted to
Tang his way through seventeen and scheduling his groupies in 15 minute intervals. And my wife had probably forgotten and I was now going to remind her I had been a professional music critic once who possessed Kiplinger's personal phone number and who. What's more I had covered the Grammys. Once this was on the table it hardly seemed fair not to provide a full account. My wife was lightly snoring now. I should add that Kip Winger continues to be a source of marital tension because. My wife recently informed me in a manner simultaneously abashed and ragingly proud that she was actually the cause of Kiplinger getting an erection during their VH 1 sponsor tete a tete. Meaning that they had had the equivalent of I guess you could say terrestrial close range phone sex is what I'm getting at. Though she didn't want this vital aberration printed in my book lest it adversely affect her future chances
with Kip. And when pressed on this topic suggested the kit might one day in our future or possible near future. Wait let me try to remember how she put this. Oh yes here it is. Come Pyrrha wedding into our bedroom in his leather pants and was therefore at this point in our story suggesting that she wanted Kip Winger in our sexual lives as a third in our threesome. And what's more with that established she went on to mention with the sort of casualness that drives us doubt Jews crazy that Kip's wife was supposedly smokin hot and a swinger to boot. Which it seemed to me as a doubt show Jew was the moment when she was actually envisioning a threesome consisting of a Kip Winger be smokin hot swinger wife and see not me. This conversation took place on the eve of this book's publication and therefore robbed me of the
honor of titling this interlude how my wife gave Kip Winger a boner. Or perhaps more poetically Kiplinger's boner. Yeah. It's a PowerPoint sax. I'M AN OUT AND OUT AND OUT. Well well well. Let's all have a cigarette.
A few years ago my pal Tom Finkel called me out. You know what's great. He asked listening to Bob Dylan with your baby daughter. I've never heard Tom speak with such contentment. I could hear Dylan in the background and I imagine Tom lying on the couch the kid curled on his chest. I thought about that phone call a lot recently. It connotes a certain fantasy that drooling fanaticism in parenthood are not only reconcilable but ideal dance partners who better to indoctrinate into the pleasures of song than your children. It has been worked out quite that way in our household though our three year old Josie does love music but she does not now nor has she ever wanted anything to do with my music. She's got her own music and woe unto the who fucks with her play list. My wife learned this a few months ago when she walked into the child's room. I want Di
No.5 Josee shrieked the DI No.5 is a dinosaur themed children's hip hop album. It is exactly as charming as this description implies. Oh honey my wife said not the DI No.5 again Josie's face her entire being crumpled. She wasn't upset that I was saying no to were. Erin told me later it was that I'd insulted her music it was like I'd just done the worst most hurtful thing in the world. Oh God. Aaron was close to tears herself. I. Cried a lot honey. All this has reinforced my belief that drooling fanaticism is an innate tendency something that gets bred out of us as we get older. Like playing with their food it is certainly true that when I find a song I love my natural impulse is to play it
12 times in a row. The reason I don't is because I've learned that pop songs have limited Dura billet. They can only surprise us so many times once we memorize all the moves the fills the solos the vocal turns. We stop listening in the same way the song no longer transports us. It's certainly possible to recapture that spark but it's never the same as the first time in love in music in anything. And so over the years drooling fanatics learn to conserve gratification. So Josie and her little brother will learn to conserve gratification. They'll probably dream of being rock stars too. Why not. They'll grow up with two parents who dreamed of being rock stars in a house filled with instruments those parents can no longer play. And probably this must be said they won't be rock stars. How many of us get to be what what they will have what we all get is the chance to be drooling fanatics. And I
hope that they feel as I do a bursting gratitude for those musicians brave enough to speak the first and final language of our hearts. If they're lucky someday they'll have children of their own and they'll realize that you don't have to be a rock star to feel like a rock star. All you need is a soft little human with a sweet smelling head who settles down at night with her bottle and says Papa sing What song do you want. I say and Joe S. says Korn which means Jimmy cracked corn. Ring which means hush little baby you're most often mountain which means you should be coming around the mountain when she says it again. Papa sing and I get to say Sheesh I thought you'd never guess. Thank you Coach. Oh Akai. How McCall believes the up on the stage the close to us my sound.
So porous and the guys are going to set up and take about five minutes and I hope you guys grab another drink and hang out and listen to some incredible music and buy their CDs. I'll give him a little introduction then I'll head back. And sign books and hang out. Thank you guys.
Collection
Harvard Book Store
Series
WGBH Forum Network
Program
Rock and Roll Will Save Your Life
Contributing Organization
WGBH (Boston, Massachusetts)
AAPB ID
cpb-aacip/15-th8bg2hq37
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Description
Episode Description
Steve Almond, best-selling author presents , a musical extravaganza in celebration of his new book about obsessive fandom. The evening will include literary explorations of classic hits by Styx, Toto, and other bands you are now ashamed to admit you once loved, along with other selections from the book, which calls "a hilarious riff on the power of music." The show closes with a live set by the utterly rocking Boris McCutcheon & The Salt Licks.With a life thats spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, hes secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, hes had to settle for the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession.traces Almonds passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better.
Date
2010-04-16
Topics
Music
Subjects
Culture & Identity; Literature & Philosophy
Media type
Moving Image
Duration
00:55:28
Embed Code
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Credits
Distributor: WGBH
Speaker2: Almond, Steve
AAPB Contributor Holdings
WGBH
Identifier: 17aabd10e9babc1fd1902827b4e6f78ff3d23485 (ArtesiaDAM UOI_ID)
Format: video/quicktime
Duration: 00:00:00
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Citations
Chicago: “Harvard Book Store; WGBH Forum Network; Rock and Roll Will Save Your Life,” 2010-04-16, WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed September 16, 2024, http://americanarchive.org/catalog/cpb-aacip-15-th8bg2hq37.
MLA: “Harvard Book Store; WGBH Forum Network; Rock and Roll Will Save Your Life.” 2010-04-16. WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. September 16, 2024. <http://americanarchive.org/catalog/cpb-aacip-15-th8bg2hq37>.
APA: Harvard Book Store; WGBH Forum Network; Rock and Roll Will Save Your Life. Boston, MA: WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-15-th8bg2hq37