Dance Theater of Jose Limon

a lifetime of all sailing known modern dance change from the revolutionary movement into a serious art form he was largely responsible today is like in every aspect the planning the new season at lincoln center teaching a class of students at the juilliard students and choreographing a weapon of his own and that's always returning to the daily discipline being performed his roots are in the face he is first and foremost a dancing in a field dominated by women jose ramon approved how beautiful and brilliant the male performers the way viruses what is also a choreographer a shape or dancers form of it as such and shaped much of the treatment of modern dance as a whole

unlike most that short careers in many ways jose ramon is now at the pinnacle of his success recently appointed as artistic director of an important new company is will be a leading voice in the dance world this new company and the new generation of students who study with him represent the future a lot of that was in the moment they are not calm he helped create the day the teacher stands at what is working with them to the future about remembering dances it was making more than thirty five years ago when modern dance had just begun back in those early days we were searching for something new we wanted us to support true to ourselves we wanted movements of show doesn't mature human

beings as men and women as americans we drew upon our own experiences for a new inspiration i suppose that's why i enjoyed dancing this mexican sweet my origins were mexican and the dancing to me some how to be true to what i was what i thought the pipe the pipe the pipe the first person to recognize as a team owns unique ability was one of the pioneers a great choreographers of modern dance doris humphrey almost a decade later after jose ramon had formed his own company doris humphrey choreographed an important work for him again the theme the spanish again in keeping with the moans own background this dance is based on a poem by garcia lord lamenting the death of the brave bull fighter

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are jose ramon has always been dedicated to the art of choreography in his long career he has produced over fifty works all concerned with the human condition he has made formal dance is tragic dances comic an absurd dances the more split than a major work of the moans reflects his devotion to one of his idols william shakespeare years made a dance variation on the tragedy of bell this dance is based on

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equal in nineteen sixty four a at lincoln center a major new company was formed at the american dance theater to many it signaled the majority of modern dance was a moan went live through its image all years and have contributed so much to it was because the company's artistic director in the first season they presented a worker deeply personal goals a name on this of greatness in temporary belly a brief mass in time of war some years ago i found

myself in more so i wander through the street so i don't as cabdriver as waiters so this is in the seventies sixties this information is a nice first performed in a

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