thumbnail of Gary Shivers on Jazz; Ella, Frank, Nelson, Tommy Part 1 and 2
Transcript
Hide -
If this transcript has significant errors that should be corrected, let us know, so we can add it to FIX IT+
the composers were stationed history says that in terms of this decision the pink it's b
it's b seizures it's bad
fb it's b matt
latimer well yeah beyond category is lincoln's portrait of ella fitzgerald duke ellington as a composer arranger and the pianist and he was also the speaker in the introduction for which the piano so was played by billy strayhorn duke ellington's beyond category for a picture of the soloists record carrie kahn trumpet and pockets all this on tenor jimmy hamilton on clarinet that introduces us to an aspect of a mixture of music which is beyond category and we're already hearing some of her music including music now from the newest release of the literature on public records it's just out within the last couple weeks but it was recorded
several years ago in nineteen seventy four january of seventy four so the belated release of this new album calls it to our attention searles been recording a lot in the last few years for pablo records norman granz was released perhaps too many of his recurrence of her recordings so many that to her most devoted fans like myself perhaps wouldn't want to hear all of them this one come attention because instead of justice just another date with her regular rhythm section tommy flanagan trio or just another album with an arranged big band this one presents other gerald in a jam session with a bunch of horn players and but to a different rhythm section too and the performances in a couple of cases are simply marvelous the rhythm section as tommy flanagan and piano ray brown bass and willie nelson and drums plus joe pass guitar and the horns are larger davis and tenors sued samsung tenor harry
edison on trumpet and clark terry and it's a marvelous combination musicians and there's some marvelous music on here and that we're going to begin with i don't stand a ghost of a chance with you a song that bing crosby and had a hand in writing along with ned washington's victory at an end on the release after the bridge the last of the first chorus one of its gerald does is simply miraculous the featured soloist is it sends on tenor ella fitzgerald sings i don't stand a ghost of a chance with you it's big the cell was a
man so this is max but yes standing million moving syria well here he is
and my hand many years this it's b
fb pics he is
ram a in a way in its male lead the remain a no power
as ruth sims on tenor and other fitzgerald and i don't stand a ghost of a chance with you know trumpet behind the first chorus was clark terry behind the second was harry anderson and the rhythm section was tommy flanagan ray brown and louis belson the new album on pablo is fine and noble about fitzgerald jan's there's another new album of pablo though the gerald and cole porter's music the album is dream dancing and it is for the most part a reissue of an album recorded in nineteen seventy two unreleased that iran atlantic records norman granz already begun to record again for his new label but the label was ready for release and distribution so he leased some of his new recordings to other labels there was no that you're welcome on columbia as well as the one in the atlantic it was only released four of actually a couple of years and then was withdrawn and now has been reissued with the addition of two new tracks and all the old material has also been re mixed and
i compare the two albums carefully and concluded that this is a better company a better mix of better release of the of the old material from seventy two but the track we're going to hear is one of the nineteen seventy eight recordings the new tunes added to the album the title tune dream dancing when ella fitzgerald appeared without days he's been the duke university in late nineteen seventy seven she performed this music and nelson riddle arrangement with her own rhythm section tommy flanagan and the basie band and everybody was knocked out by the music this music is a rather obscure cole porter tune and fred astaire introduced of movies and recorded several times it's been kept alive in recent years primarily by the late andy king and by pianist like jimmy rowles and dave mckenna who continue to play this music it's a very beautiful song and the enticing lyric and day it's sung here by over that year old with nelson riddle's orchestra yes
today at eighty two
so and others wang dan
the plan dream
dancing recorded nineteen seventy eight well the fitzgerald with nelson riddle's orchestra and that also reunited her with her pianist of the late fifties and early sixties paul smith who read the rhythm section with john heard and jason lee balsamic drought the new album by the way i'm pablo dream dancing ella fitzgerald and cole porter list says the personnel of the album the orchestra which was heard only on the two new recordings for the rest of the rhythm section is tommy flanagan they going into your bets and the horn solo featured prominently throughout the rest of the album who is interested in this person over the new recordings is harry anderson dream dancing is the reissue of the seventy two recordings and two new recordings from seventy eight record porter's music soundbite of a fitzgerald with nelson riddle's orchestra the new album of the seventy four recordings just really stunned pablo is fine and mellow ella fitzgerald jams and we're going to hear i can't give you anything but love it features so dr john davis from the basie band on tenor
and it features car carry and a vocal duet with ella fitzgerald and the rhythm section's tommy flanagan ray brown in the league alston and after this vocal duet by clark terry and ella fitzgerald we'll hear another duet featuring ella fitzgerald as ben can you feel it today
it's been classes
it's business its policies
in a week it is at the keys
he says i think both
thank you i'm dave davies you think you need it thank you
ms bair right the pipe ms bell
oh wow oh at that this at a time of them to get out of the orbit returned to like you look at a lot of new england and one night long nilly a lawman and together on television in may of nineteen fifty eight ella
fitzgerald and frank sinatra with sinatra feeding out of the lyrics to his theme song put your dreams away that was probably pulls notes on piano and i was one of several television appearances of ella fitzgerald and frank sinatra together and they have been released on an album in the retrospective series frank sinatra the television years retrospect is a label that's been releasing time surgeon broadcast and film soundtrack performances by frank sinatra dating from throughout his career and they now have nine albums in the series and they're all marvelous this point this is an opportunity to hear most of the television appearances of frank sinatra and a picture altogether and will be hearing them during the course of this week show frank sinatra and ella fitzgerald together they have something else in common and that would be nelson riddle nelson riddle arranged jump really many of for frank sinatra records frank sinatra's records during the fifties for capital and during the sixties and into the seventies for reprise records and really began to characterize frank sinatra's sound on record the
context of nelson riddle's orchestra leonard feather it was i think you once wrote that ella fitzgerald had found her nelson riddle and marty page that is she had found a relationship ending and an arranger who could do as much for her as nelson riddle had done for frank sinatra and i would disagree only to the extent that i think nelson riddle is ella fitzgerald's nelson riddle they record together a lot to perhaps a dozen albums including the five records of the gershwin song book and jerome kern song book and johnny mercer songbook the newest or cole porter recordings now juan pablo biographer gerald ford richard nelson riddle's bad and there were a couple of others to i can find some fifteen frank sinatra nelson riddle arrangement nelson riddle you started in the early forties with jerry wald then later played and wrote for tommy dorsey's band for several periods during the forties and then during the fifties arrange primarily for sinatra for a lot of other artists or the capital label and began writing for television and film
which is primarily what he does now he wrote two important albums for other gerald i think one was called alice wings brightly with nelson the other alice wings gently with nelson and both of them were on them on verve records in nineteen sixty two will be hearing excerpts from those in from so some other albums they made together and from some of the albums of frank sinatra and nelson riddle together through these recordings are you'll hear a horn solos by harry anderson on trumpet probably ted nash and tender body to franco and clarinet and others and you'll hear the voices of ella fitzgerald and frank sinatra nelson riddle's writing was mostly commercial writing mostly for singers he was one of the finest writers for singers of those two decades the fifties and sixties his writing has as interest for jazz listeners to whatever it is you listen for any jazz arrangement whether it's the year the chords and the structure the idea is that counter melodies to the beat if you like to take your toe anything you listen for any jazz big band arrangement
i think you will find and listening to the imagination of nelson riddle as he applies it to these substandard popular songs in providing a setting for these marvelous centers music by ella fitzgerald and frank sinatra with arrangements by nelson riddle taxes mm hmm i mean i mean i won't dance this year with you my home that the things they do you know and so
yeah no the us huge yeah he's blind
it's both the plan he's been fb fb world
ted danson it is fishes no no
yes yes it's
b this is beans at it we can i do
years old the fbi this week
it's been it's been bishop you fb danes do
yes it's yours
is this
this is well
this is a loan will listen is this is in nineteen eighty a few little rat this is la land and a bear and it's
wrong this is it it
is so this
is me i wrote you
can see is a half since june eighty six to see you know an ad we
see is frightened than singers is it from our own
don't need and not the sixties the day and
do the same piece get news this yeah
the law has huge this you
know you have forty you hope still believe you are the grand slam now during my family now do you really it's
been the point it's been it's been fb is being lawyer oh yeah thank you thank you
he is yes it is
the piece libby it's b the
paper's been the point is the point fb on this and so nice is is
hannah oh man i'm all been an all been all been an issue errol yes alan davies is
i check out all his all arun good at our law at eighteen i'm moving in in may smoky mountain country from the cross country sweet by nelson
riddle the a featured soloist and clarinet was buddy d franco cross country suite was composed and recorded by nelson riddle with buddy to franco in nineteen fifty eight we've been hearing music of budding of nelson riddle and the variety of settings and moods and feelings he can invoke for a singer and for listeners singers with his arrangements written mostly during the late fifties and early sixties for frank sinatra and ella fitzgerald and i want you to hear some of his writing for instrumentalists orbit of franco and for oscar peterson there was an important albums in nineteen sixty three for verve records oscar peterson and nelson riddle the trio and the orchestra with strings is the full title of the album the abbreviated title is oscar peterson and nelson riddle and we're going to hear two selections the first is nightingale composition of oscar peterson and the second is the wonderful my ship by kurt vile and ira gershwin ira gershwin because you can think about the song without thinking about the lyrics my ship by kurt vile
nightingale by oscar peterson the trio is at that bend on drums ray brown on bass and oscar peterson piano and the orchestra is arranging adopted by nelson riddle will geez
cooper
and you ah ha jin in
the mood the mood in time so at out at him
in i'm going no wind seems to do arranged by nelson riddle for oscar peterson's piano the
first was so oscar peterson's composition nightingale the second was kurt weill's my ship from a nineteen sixty three virtual after peterson the nelson riddle nelson riddle scored that for an instrumental combination including ten shows five horns five luke it's parked and reading plus the oscar peterson trio and i want to hear some of his music for another for its context for upsetting unusual combination of instruments this is a frank sinatra album made in nineteen fifty six for capital called close to you and it features sinatra with occasional horn soloist usually a clarinet and the hollywood string quartet led by felix lack and the arrangements for string quartet voice and single instrument or written by nelson riddle i'm this is
no this is it in this city
it's yours the city the end is the air rainy season or
is it it is years
you said her piece that's right he's
dead all these you all may know you know is
it mayor mary he's unique films it is
stier says salman read yeah surface area is and awe
these guys these
neither is it by frank sinatra with arrangements by nelson riddle for the hollywood string quartet the album was made in nineteen fifty six for capitol records close to you the songs working with every breath i take which was written by leo robin ralph ranger for bing crosby movie it could happen to you was written by johnny burke and jimmy van heusen went on my youth was written by oscar levant frank sinatra the hollywood string quartet and arrangement by nelson riddle in nineteen seventy four since sinatra did a live television broadcast today from madison square garden
with woody herman's band and as at all of his concerts in the last twenty years or so he performed i've got you under my skin by cole porter the arrangement was written by nelson riddle for an album originally recorded for capitol in nineteen fifty five and i have eight different versions of this in my collection sinatra's re recorded several times and has performed at every concert opportunity this one features a woody herman van playing the music of nelson riddle and call porter song and introduced by frank sinatra the polls with the
peace so this is this is he's both lawyers
it's been the pain has been it is both as
bait it's been it's been it's been the place
beef before thank you it's been the point i am bb
this by the way these lines the way it's
been oh yes is it the peak secrets leaked
again as frank sinatra and ella fitzgerald together on television in nineteen fifty nine that was december thirteenth nineteen fifty nine the program was called an afternoon with frank sinatra and the music was arranged by nelson riddle ella fitzgerald and frank sinatra were the singers here he is ella fitzgerald with her regular trio there's been a change in the drummer several times since the indicator bets and tommy flanagan have been there for close to fifteen years gus johnson as the drummer in this case keeter bets on base tommy flanagan is the pianist and the recording is from a live concert in hamburg germany march twenty six nineteen sixty five right here in ellington's medley oh three tunes to duke ellington soundbite of gerald with tommy flanagan and his trio flanagan this is one of the best loved pianist and jazz he's been
over this gerald's accompanist for some fifteen years but in the last few years has been recording a solo pianist or with various trio's much more frequently so i wanted to share some of his music this ellington medley is introduced by ella fitzgerald and it follows a performance of the beatles tune a hard day's night there are references to that but i'm playing the complete introduction so that you can hear tommy flanagan says gentle courting in the background is so lovely and well loved man and musician and all of its shows up in his playing and their purity a stomach lanigan piano with ella fitzgerald's music of duke ellington during doing an unseen in
cleveland who was insane in these at the peak answers it is hip hip
it's now we did i am mr davis at things matt lamb lamb
anti men did in latvia the plant is in a cage in there mann says hooray it
says sayers oh yeah yeah thanks thank you
the pope it has been it's been
that they are there
has been as bad it's b
those
issues ms bair
right it's been this has
been it's been there music of tommy flanagan the ellington was recorded live in germany in nineteen sixty five with ella fitzgerald and the rhythm section's tommy flanagan like your bets was on bass and gus johnson drums and then we heard a recording by ella fitzgerald's current rhythm section tommy flanagan can ok your bets bass and jimmy smith runs it was stunned the music was west coast blues by wes montgomery played by the tommy flanagan trio ella fitzgerald's rhythm section and it's from an album recorded in january nineteen seventy eight ford galaxy records and something borrowed something blue by tommy flanagan it is one of three piano record made for galaxy within a few days at the end of january nineteen seventy eight that you need to know about the second of the three is a solo piano album unaccompanied
piano solos by hank jones hank jones is well known to you it is so brothers are fed jones the bandleader and trumpet and cornet player and arranger and that elvin jones the drummer hettie jones is the oldest of the brothers and one of the most distinguished pianist in jazz who like tommy flanagan has been recording albums under his own name more in the last couple of years then in his entire career before that this one is called tip toe tapped dance tiptoe tap dance a solo piano album by hank jones and we'll hear two sleepy people played by hank jones it's
been it's b ms ba
thank you it's b man
it's b
Series
Gary Shivers on Jazz
Segment
Ella, Frank, Nelson, Tommy Part 1 and 2
Contributing Organization
WUNC (Chapel Hill, North Carolina)
AAPB ID
cpb-aacip/515-bg2h708t8t
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/515-bg2h708t8t).
Description
Series Description
A weekly jazz show hosted by Gary Shivers.
Segment Description
The first two parts of a three-part broadcast on jazz artists Ella Fitzgerald, Frank Sinatra, Nelson Riddle, and Tommy Flanagan.
Broadcast Date
1979-03-17
Asset type
Segment
Topics
Music
Recorded Music
Rights
Copyright North Carolina Public Radio. Licensed under a Creative Commons Attribution 4.0 International License (https://creativecommons.org/licenses/by/4.0/).
Media type
Sound
Duration
02:00:32
Embed Code
Copy and paste this HTML to include AAPB content on your blog or webpage.
Credits
Host: Shivers, Gary
AAPB Contributor Holdings
North Carolina Public Radio - WUNC
Identifier: GSJ9903AB (WUNC)
Format: DAT
Duration: 02:00:31
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Gary Shivers on Jazz; Ella, Frank, Nelson, Tommy Part 1 and 2,” 1979-03-17, WUNC, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 3, 2024, http://americanarchive.org/catalog/cpb-aacip-515-bg2h708t8t.
MLA: “Gary Shivers on Jazz; Ella, Frank, Nelson, Tommy Part 1 and 2.” 1979-03-17. WUNC, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 3, 2024. <http://americanarchive.org/catalog/cpb-aacip-515-bg2h708t8t>.
APA: Gary Shivers on Jazz; Ella, Frank, Nelson, Tommy Part 1 and 2. Boston, MA: WUNC, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-515-bg2h708t8t