Monteverdi; Church music

I cannot allow you to use uni in cooperation with national educational radio presents month or even a day on his 400 anniversary. A series of whore programs written and narrated by conductor musicologist. You will drink it. And now Mr. Jenkins in 16 13 one month do they have to accept the post of M. de Capello to the Church of St. Mark's in Venice. It was only natural that he should neglect the world of secular and dramatic music with the exception of the two operatic ballet is to say exploring more weight on your belt swarm and the auditorium Ballet is a combative entity downplayed it let him down. Nothing remains today of the Venice period except the two great operas elite probably say in pop jazz and name called or not so maybe pop a out of 641 and 642 respectively. The music to 11

other operas has unfortunately been lost. With most of it his departure from the court of Mantua he found he no longer had at his disposal the princely coffers which provided extensive orchestras and elaborate taiko by sixteen thirty seven The first commercial opera house that he outworked aroma Daesung had opened its doors to the public. Not being supported or subsidised directly by the aristocracy the managers were required to make a financial success of their venture. So among other things too costly items were drastically cut back. The chorus often couldn't completely abolished and the huge orchestras of the past. Now it was for these commercial theatres that motivated he wrote his late prose. Well this has come down to us in a manuscript found in Vienna lacking exact instrumentation or direction. Where instruments are indicated part writing prevails. As for two manuscripts cores exist one in Venice the other in Naples which differ considerably one from the other both as the

instrumentation and vocal music. The table's manuscript contains in general four part instrumental writing. Certainly any attempt at a reconstruction of the Opera employing the orchestra of or fail would be an anachronism. Some scholars doubt the authenticity of the early say in that the Vienna manuscript is of 18th century origin. The argument seems unimportant when one listens to the music. The French musicologist Mark Pashto has said here one unknown musician expresses himself in essence and in technique as only one before and since a famous composer by the name of Eddie has expressed himself that has agreed to call this unknown musician Montevideo and everything becomes perfectly clear and infinitely rewarding. If in order fail we found a mythological subject he had in early set. We have a new slant a subject matter involving more believable and natural characters concerning itself with human relations and approaching realism. The text written by Venetian nobleman Giacomo follows Homer's narrative as related in the last 12

books of The Odyssey The Opera opens with a classic prologue of allegorical nature at the beginning of Act One we discover Penelope than adding the absence of Ulysses praying for his return. Here is the third verse of her lament. With low. Neptune and Jupiter now decide the fate of your bases and in the third see in Ulysses is

found asleep on the shore abandoned by the patients he meets Minerva disguised as a shepherd. She reveals herself to him and tells him that he is on Ithaca transforms him into an old man and sends him to the fountain of Agatha was where he is meant to meet his son to Lama ghosts at the fountain he meets first his old servant who does not recognise him but takes him into his house. The second act opens with Minerva bringing to Lama goes to meet Ulysses a mass and Ulysses Singh first of the hope that the hero Ulysses maybe turn. The heat the. Heat. We all. All.

We ought to. Be far. Remember that baseline where we will meet again in prepare. Back now to the Magus recognizes his father. And here is the close of the recognition duet. Oh ya on. The on the on. On. Top.

In the second scene Penelope is surrounded by her suitors. She refuses to consider any of them. But they tried to cheer her on with song and dance to forget. The.

Hundred. The. Oing. 0 and. The. Hundred The entered the. UMass now tells Penelope of the arrival of calamitous and of the possibility that Ulysses is still alive. In the final scene of Act 2. Ulysses returns Penelope agrees to marry whosoever can string and shoot Ulysses bow but none of the suitors has the strength even to bend it. Your lazy ass takes up the bow. The supers are amazed and with a shout to Minerva he slays them all. Here is the end of Act 2 with the battle symphony. Yes.

The yacht. Right.

At the opening of the third act Penelope still refuses to believe that you made us or telling us that it was in fact Ulysses who strung the bow and killed the suitors. The second scene is one of those so beloved by the 17th century Venetians ashore with grottos the gods and goddesses of sky and sea with the complement of a small chorus once more take Ulysses fate in their hands and order the Haitian ship turned to stone and at play are the old mirrors as a sort of deus ex

machina tells Penelope that he who claims to be Ulysses has in fact the scar of a wound from a boar's tusk. Definite factual proof that it is you miss it. But now AP At long last recognises her lord and the opera closes with the following duet. Why do you. Do you. You are you. Home.

Home. Home. When Monta there he was 75 his last opera I think or not so many prepare was

produced at the top of the Santee Giacomo a powerhouse in Venice and sixteen forty two. The libretto was written by Johnny Francesco. No apparently taken from the 14th book of the Annals. Tacitus. Here we deal with flesh and blood characters not ventured Derry or mythological ones as in or fail or that it had been thought that Malta very had changed his mind about much of that was text as there seemed to be many discrepancies between the two extant scores. Neither of them are autograph and the printed libretto. However a libretto discovered in tribute show shows how closely the composer followed the original text even to the closing duet which for many years was thought to be motivated is complete creation. Both text as well as music. Of course the demands of the Venetian public had to be respected which counts for the appearance of certain comic and erotic scenes probably derived from the Roman opera by way of the Spanish theatre. The plot is hardly one of high morality for it deals with Nero's boundless passion

Paya the wife of a tone as in the other operas. This too opens with an allegorical prologue in the first act atoning secretly returned from Lusitania to which he had been dispatched by Nero in order to facilitate his dalliance with papa is seen walking in front of his own house while inside Nero is being entertained by Papa or Tony's musings are interrupted by two drunken guards commenting on the state of the Empire. Well Tony observes unseen The leave taking of Nero and puppy in the first light of dawn. Here is narrows Arietta in on some spiel. You.

Know. Via the wife of Nero is both outraged and deeply hurt by her husband's conduct and tells the nurse of her feedings in the moving audio. Despite Gina.

Harry.

I am. Going to. The end you're.

The philosopher Seneca tries to comfort Attalia but in vain. Nero tells Seneca that he has decided to divorce Ottavio and now they prepare Seneca advise as strongly against any such act which causes Nero to fall into a towering rage. Netto dismisses Seneca and then decides to order him to commit suicide. The captain

of Nero's Guard is sent to Senecas house with under Nero's orders. Here now is that command. Seneca tells the guard that the emperor's commands shall be fulfilled and then request his students and household to prepare the bath in which he will bleed to death. The students begged him not to die in the moving passage. Non of

Seneca. River. The wheat. The the week in the meantime Adone having been unable to regain Poppy as love has returned to his former mistress Drusilla conspires with a donate to kill papa. Nero has received the news of Seneca's death and he and his friend Logan decide to celebrate the occasion and drunken revels singing paeans to prepare.

Well Tony is beset by moral conscience when he tells Drusilla of Octavius orders she agrees to help him and loan him some women's clothes as a disguise to get him into pop a rose garden. However puppy is saved at the last moment from death by a day out in the form of a mole. The scene was palace he solemnly proclaims the combinational who in the name of the people and the Senate of Rome is crowned by the Consul's and tribunes and the opera ends with this magnificent duet. The boss o ostinato we saw in all its glory. Hundred

feet. The eminent British musicologist Jeremy Noble has set up a pair. This change from RKO is reflected in the paring away of much of the Manchu in sumptuousness the dancing the elaborate orchestration the chorus the entire burden of the dramatic continuity is thrown on the individual singers. If the music is to make its fullest effect everything must be subordinate to the expressive impact of the individual human voice. Anything that comes between us and it is superfluous. The tapes used for illustration were from the opening of the opera season in Florence directly after the flood last November. Additional material has been used from recordings or an hundred

and in cooperation with national educational radio has presented mom to vanity on his 400 anniversary written I'm narrated Jenkins. This program was distributed by national educational radio. This is the national educational radio network.