Cincinnati Symphony Orchestra; Bach, Bartok, and Brahms, part 1

From Music Hall in Cincinnati we present another concert by the Cincinnati Symphony Orchestra recorded during performance by W.G. U.S. the University of Cincinnati radio station. These programs are made possible through a grant from the national educational radio network. The Greater Cincinnati Foundation and with the cooperation of the Cincinnati musicians Association music director of the orchestra is Max Rudolf and the soloist on this all Beethoven program is Claudio. We are to hear the Choral Fantasy for a piano chorus and orchestra in C minor. The Symphony Number two in D major The Piano Concerto Number Four in G major and the program opens with the Coriolanus overtures. This was composed in the year eighteen hundred seven and was first performed with great success at a subscription concert at the residence of Prince Locke of it's in March of that year in Vienna. The work was published in eighteen hundred eight with a dedication to the play writing for secretary and make one column conductor microdot was greeted by a warm round of applause from center stage at the podium and in just a moment the program

begins with a Coriolanus overture Opus 62 by Beethoven. Are. You. You. Mean.

Yeah. Yeah. Yeah. Yeah. I elevate. The band. But. Why. You. Dr. Mac Rudolph embodied the arguer remember to rise when Jeremy applied

might. Want in the wings and. For much of the royal line of overtures. The opening worked on this all Beethoven program. Next week to hear soloist Claudio rowel and the Beethoven Piano Concerto Number Four in G major. This concerto was composed in 1906 and first performed by Beethoven at a private concert of his works in Vienna on March 7th 18 0 7 it was dedicated to his friend and patron the Archduke Rudolph of pop board. The concerto made little impression at its premier and declined in popularity even during Beethoven's life time. Work was threatened with oblivion until Mendelssohn played at a concert in Leipzig in 1836 nine years after Beethoven's death. Now the soloist

and conductor Max Rudolf come on stage. With Ferraro. Bows to the audience. Takes his place at the piano. We are to hear a performance of the Concerto Number Four in G major opus 58 by Beethoven. A. It will.

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Way.