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Here at Music Hall in Cincinnati we await the appearance of David always struck and a performance of the Beethoven violin concerto. This piece was written at the happiest period of Beethoven's life and also it one of the most productive. At this time he wrote the Fourth Symphony was a musky quartets. Not a sonata among others. The concerto was introduced in 1906 by Juan Franz Clement a kind of vaudeville musician who was a bit of a clown and also a friend of Beethoven's. The occasion of this first performance was a rather weird one. After playing the first movement of the Beethoven Clement then stopped long enough to play a sonata of his own to display his trick of playing on one string and with the federal upside down. After this little performance he went on with the second and third movements of the Beethoven concerto that ensured it was open by four drum taps which are followed by a melody and oboes clarinets and bassoons. There's a long orchestral introduction which also includes a second subject. Then suddenly dies down in dramatic fashion and the solo violin now comes in with one of the most difficult entries in violin literature.
The steep ascent of octaves. A second movement like ghetto is in the nature of a theme and variations in which the theme is repeated by the orchestra and decorated by the violin solo cadenza leads into the third movement which is a Rondo and hear the first name is given out by the solo violin. It is a dance like your own boisterous happy go lucky violin has a cadenza and this movement also following which the violin leads the orchestra to a spirited close margin out there and so. They really. Don't know. Where. They thought when. I went. In. Thanks.
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Series
Cincinnati Symphony Orchestra
Episode
Weber, Creston, Ravel, and Rachmaninoff, part 3
Producing Organization
University of Cincinnati
WGUC (Radio station : Cincinnati, Ohio)
Contributing Organization
University of Maryland (College Park, Maryland)
AAPB ID
cpb-aacip/500-rb6w284m
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/500-rb6w284m).
Description
Episode Description
This program, the third of four parts, features performances of pieces by Weber, Creston, Ravel, and Rachmaninoff.
Series Description
This series presents performances by the Cincinnati Symphony Orchestra, conducted by Max Rudolf.
Broadcast Date
1966-03-02
Topics
Music
Media type
Sound
Duration
00:26:09
Credits
Conductor: Rudolf, Max, 1902-1995
Performing Group: Cincinnati Symphony Orchestra.
Producing Organization: University of Cincinnati
Producing Organization: WGUC (Radio station : Cincinnati, Ohio)
AAPB Contributor Holdings
University of Maryland
Identifier: 66-12-3 (National Association of Educational Broadcasters)
Format: 1/4 inch audio tape
Duration: 00:25:56
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
Citations
Chicago: “Cincinnati Symphony Orchestra; Weber, Creston, Ravel, and Rachmaninoff, part 3,” 1966-03-02, University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed March 28, 2024, http://americanarchive.org/catalog/cpb-aacip-500-rb6w284m.
MLA: “Cincinnati Symphony Orchestra; Weber, Creston, Ravel, and Rachmaninoff, part 3.” 1966-03-02. University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. March 28, 2024. <http://americanarchive.org/catalog/cpb-aacip-500-rb6w284m>.
APA: Cincinnati Symphony Orchestra; Weber, Creston, Ravel, and Rachmaninoff, part 3. Boston, MA: University of Maryland, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-500-rb6w284m