Cincinnati Symphony Orchestra; Beethoven, part 1

From Music Hall in Cincinnati we present another concert by the Cincinnati Symphony Orchestra recorded during performance by WG you see the University of Cincinnati radio station. These programs are made possible through a grant from the national educational radio network. The Greater Cincinnati Foundation and with the cooperation of the Cincinnati musicians Association. Music director of the Cincinnati Symphony Orchestras Max Rudolph is scheduled the Third Programme in the box. From our talk cycle presented this season. Later. To hear the Brahms symphony number four in the minor. And. Then kind of profile. Part time. Program begins with a performance of a Bach cantata number or. Research log in go to spawn. This can tought I was probably composed for Easter day during Bach's later years in Weimar. Seventeen hundred eighty 1717. Was revised for Leipsic performance in 17 24 when Bach was serving as cantor at the tamasha. This works out to a basic text by Martin

Luther wells for a chorus of Sopranos Altos tenors and bases. University of Cincinnati College Conservatory chorale directed by Louis N.Y. cart has taken its place on the stage driver chatter at the organ and now Maestro Max Rudolf enters and comes to the podium. In just a few moments we are to hear the Bach. Cantata number four. Christ lay and shrouded in death. Wait. Wait.

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0. 0 The Bach cantata number for the blog told us beyond how the orchestra members rise to share in the flaws. Maestro Mike Rudolf walked off the stage of Music Hall the University of Cincinnati College Conservatory the route. By. St.. Rudolph returned companied by right. Around the rectory. Now both gentlemen come center stage. They 10 out of the audience. Smiling.

And now walk off stage. The first performance by the Cincinnati Symphony Orchestra of. The Bach cantata number four. Next on this program is the entire profile of Bela Bartok. This work was completed in Budapest in September of 1903 and first performed in London by the BBC orchestra and chorus May 25th one thousand thirty four. The text is taken from an old Romanian folk ballad The Enchanted stags and the word profane here means secular as distinct from sacred. Icon Tara has written for double mixed chorus tenor and baritone soloist and orchestra. The orchestration is for three flutes and piccolo three oboes three clarinets and bass clarinet. Three best owns and contrabass own four horns two trumpets and see three trombones and tuba timpani percussion

harp and strings.