Organ music of the centuries; Pre-Baroque and Baroque organ music, part eleven

Alabama college Montevallo Alabama in cooperation with the National Association of educational broadcasters presents all going to music of the century's and historical recital series of pipe organ music featuring Porter organist. Today's tape recorded broadcast features music written by Johann Sebastian Bach. One of the best known of all the Protestant corralled to NS is Bach's corralled proud and titled o sacred head now wounded the Corolla itself was written by one of the early German Protestant composers Leo Hasler and has since been used by many composers as the basis for corralled probably. Bach harmonized the Corolla in several different settings. Putnam porter opens this program of organ music of the centuries with Bach's prelude to Hans Leo hostlers passion chorale o sacred head now wounded. When Bach composed two corrals expressing sadness he often

treated them in a highly florid and called a rhetorical manner. An example of this type of music is found in the corral probably wrote in titled one in the hour of utmost need. Organ music of the centuries continues as Putnam Porter plays this corralled. Which is found in the trust section of Bach's famous little organ book. Oh. One of the great Easter curveballs is box Christ lay in the bowels of.

This corral served as the basis for one of Bach's greatest church Contostavlos in which he used the Corolla as the basis for a series of choral variations. Putnam Porter continues with Bach's chorale probably would Christ lay in the bonds of death. A beautifully simple citing of the Koran entitled Our father who in heaven

art coupled with a four note motive running throughout the composition makes this piece one of the beauty organ music of the centuries continues with the corral. Our father who in heaven which is from the songs of faith section of Bach's famous little organ book. Box call you and few Again seem minor is undisputedly

the greatest piece of music of its kind ever written. The term comes originally from an old Spanish dyads but the form as we know it today is that of a theme in the bass over which is written a series of contrapuntal variations on. The theme of Bach's pasta Kolya was borrowed in part from the French composer song. To the four measures written by I saw Bach added for more of his own to complete the theme. After the pasta Kolya is completed. Bach uses the same theme as the principal subject of a double few. Porter concludes this program of organ music of the centuries with Bach's monumental and few in C minor. Why.

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Saw the past 30 minutes ago in cooperation with the National

Association of educational broadcasters as presented organ music. This is real serious speaking and inviting you to join us again soon for another program of organ music. Yes there's that.