Cincinnati Symphony Orchestra; Weber, Takacs, and Berlioz

Are going. From a music hall in Cincinnati we present another concert by this is a not a symphony orchestra. Or go to do any performance by them e.g. using their family the University of Cincinnati station. These programs are made possible by a grant from the National Association of educational broadcasters. And with the cooperation of the Cincinnati musicians Association. Conductor Max Rudolf's program opens with the overjoyed to live as comic opera Idol has found. And following this you will hear the first American performance you know back awesomeness boss a guy of a string orchestra. Guest artist in this concept is the young American pianist John Brown. Mr. Browning will be heard in the Mozart concerto in a major for piano and Office took a four hundred eighty eight. And the remainder of the months following intermission will feature the symphony funtastic of barely knows.

When I get up to max Rudolf is ready to make his entrance and hears the applause which greets him. As he appears on stage. Just a few moments. To the opening so I can. Be overjoyed to ḥasan by the bell. Really.

It was the old Joe Davis comic opera house song played by the Cincinnati simply office.

Leaves the stage and while the late comers hear the music all of being seated we take the opportunity to tell you about the new work which we will hear next on this concert. A string orchestra. Has to talk us a member of the faculty of the Conservatory of Music of the University of Cincinnati began work on the composition here at the conservatory and completed it during a visit to his birthplace Austria in 1961. The work was first performed in September of that year by the Radio Symphony Orchestra. This will be its first performance in the United States. The classical form of the passage is a series of tribal variations over a continuous bass figure and in general most to talk US has followed this pattern. Though his work is written in contemporary musical idiom the composer says that while it's not written in key the work has a kind of tonal center it is in nine

sections and although a serial composition it's generally more melodious than the 12 tone works of the sure and very school. In just a moment. Yes here is Mr Rudolf returning to the podium. And. We shall now hear the first United States before moans. About the price of a string orchestra Takashi. Oh.

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of the. You have just heard the first American performance of the president of a string orchestra. You know. It's. It's good. Business to rebel bringing the composer onstage to share the applause. Of God. As Mr. Ralph and Mr. talk us move to the wings the piano is being moved into position and the office to regroup in preparation for the appearance of our guest artist John Browning. Mr. Browning. When the Queen Elizabeth international competition at Brussels in 1056 has already become an international star although not yet 30 years old. Or as appearance with the Cincinnati Symphony Orchestra. John Browning has selected the Mozart concerto number 23 in a major four hundred eighty eight regarded as the most lyrical of all Mozart's piano concertos.

It is Mr. Browning making his appearance on stage with conductor Max Rudolf. In just a moment. We shall hear the Mozart concerto number 23 in a major K. 488. Why.