Detroit Symphony Orchestra; Mozart, Schumann, Ibert, and Chausson, part 1

National Educational radio presents the 10th in a series of broadcasts of regular subscription concerts especially selected from the archives of the Detroit Symphony Orchestra. Recorded by the 100 man organization and its permanent home to Henry in its old Ford Auditorium located in Detroit specific center. The programs in this series are being produced by the University of Michigan broadcasting service for national educational radio undergrad in aid from the National Home Library Foundation. And in cooperation with management and the orchestra Committee of the symphony and the Detroit Federation of Musicians. Concerts in the series of 13 broadcasts of being conducted by sicced and only permanent musical director and conductor of the orchestra. Paul Pillar a conductor emeritus and associate conductor. Today's concert opens on a gay note with a lively performance of Mozart's overtures to the Magic Flute. This opera composed in 1791 and still in the repertoire of most active companies was based on a libretto by Emmanuel chicken eater.

It's a mingling of fairy story various elements taken from Freemasonry and from social and political affairs of the day. Musically it's a hodgepodge of folk songs popular airs and operable fire songs. It was only the genius of Mozart that brought about the artistic blending of these musical entities to produce an opera of great and virtually undisputed merits. For a conductor emeritus now directs the Detroit Symphony Orchestra. Performance of the overjoyed through the Magic Flute. By Mozart. Bradley. Yes.

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the. Us. Good thing. The book. The book. Thanks.

For the. Selection on today's broadcast by the Floyd Symphony Orchestra. Conducted by the. Late in 1945 Robert Schuller Monro to his good friend Felix Mendelssohn drums and trumpets have been sounding persistently in my head for the past few days I don't know what is to come of it. What came of it was the Symphony Number two in C major opus 61. The drums and trumpets of the composer's obsession grew into the fanfare like motive which opens the symphony and returns in three of its four movements. The second is the only one of four symphonies clearly connected with the mental tragedy which brought the composers tremendously productive career to an end in 1054 and which two years later took his life. The emotional drain of composing this work is clearly indicated in the composer's own words.

In the finale I first began to feel myself again and indeed I was much better after I had completed the work. Schumann Second Symphony is in form of lines the first movement. There's the markings last A new to US side Allegro ma non troppo. This is followed by the Scots all the slow movement to dodge us placebo is often called by critics the crown of the whole work. The fourth movement is marked Allegro motivate but it writes Symphony Orchestra under the baton of its conductor emeritus puppet a performance Robert Schuh mom's Symphony Number two in C major opus 61. You are. The

boy. The boy. The balloon. The boy. Clueless. The beer. Loose where. Loose. The beer.

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Listen.