Detroit Symphony Orchestra; Tchaikovsky, Wagner, Franck, and Chabrier, part 3

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Poker A has conducted an orchestral sweep of the instrumental music from SES off Frank's symphonic poem psyche. In November of eight hundred eighty eight. Emanuel resigned from the French Ministry of the Interior or had been little more than as he himself put it up pen pusher. He was then thirty nine years of age and still a musical Dilla Tang's. Obviously a man with his abilities could not fully develop as a mere Sunday composer. He immediately took up with Shar Lama the founder of the famous concerts bearing his name and worked there for two years. This launched on his professional musical career. In the spring of 1882 he visited Spain. He returned to the French capital with a notebook crammed with tunes he had jotted down on his trip. It was an adept improviser and was fond of amusing a circle of friends at his home with a delightful Malan of the

best of the Spanish mellow days. The work we are about to hear Espana is a rhapsody based on the Spanish tunes which had its beginnings in one of the piano improvisations for which it was duly noted as Panya was a combination of genuine Spanish rhythms and melodies with a brilliant and original use of the orchestra which had hardly been attempted as early as 1882. Critics characterized the work as one displaying shall braze earthy vitality and physical verb traits which were almost entirely new in 1903 music under the baton of its conductor emeritus Paul paré of the Detroit orchestra concludes this broadcast with a performance of Brays Rhapsody for orchestra Espana. The. The way we're

over. With thanks. For writing the book. For America thank. God somebody you are. Going to be. Thankful for after the botched. Performance of the building work they are gassed up so they must by. You have been listening to another in a series of programs produced by the University of Michigan broadcasting service for national educational radio program today from the Nashville home library foundation. Cooperation with management of the orchestra Committee of the Detroit Symphony and the Detroit Federation of Musicians. These broadcasts of regular subscription concerts are selected from the archives of the orchestra recorded by the 100 man organization and its permanent home to Henry in its Will Ford

Auditorium located in Detroit's Civic Center. Today's concert was conducted by Paul Fuller a conductor and musical director of the orchestra for 10 years and conductor emeritus since 1962. Other conductors appearing in the series of all to Poole associate conductor and 16 elling permanent musical director and conductor program prepared and written by Harry well over. This is a Burroughs speaking and inviting you to listen again next week at this time for another destroyed Symphony Orchestra broadcast. This is the national educational radio network.